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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4525B it is the complementary color #3BADA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4525B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4525B shade: #C95256, #DA6469, #EB767C, #FC888F and #FF9AA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4525B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4525B shade: #C4525B, #B34048, #A22E35, #911C22 and #800A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4525B shade: #C4545D and #C45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4525B shade: #C4545D, #C4547B, #C4549A, #C454B8 and #B354C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4525B shade matches the following richer shades: #C4545D, #D7414D, #EA2F3E and #FC1C2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4525B shade: #C4545D, #B2676D, #9F797C, #8D8C8C and #7A9E9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4525B shade: #C45499, #C4547B, #C4545D, #C46954 and #C48754

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4525B shade: #93323A, #B23D46, #C4545D, #CF737A and #DA9197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4525B shade: #C4525B, #B7C454 and #548AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4525B shade: #C4525B, #5DC454 and #545DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4525B shade: #C4525B, #B7C454, #54C4BB and #6154C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4525B shade: #C4525B, #96C454, #54C4BB and #8354C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 54 / 23

HEX #C4525B

RGB 196 82 91

HSL 355.26, 0.49%, 0.55%

LAB 50.13, 46.35, 18.08

 

Complementary color

CMYK 66 / 0 / 5 / 32

HEX #3BADA4

RGB 59 173 164

HSL 175.26, 0.49%, 0.45%

LAB 64.56, -33.66, -4.76

 

CMYK 0 / 59 / 57 / 21

HEX #C95256

RGB 201 82 86

HSL 357.98, 0.52%, 0.55%

LAB 50.83, 47.7, 22.14

 

CMYK 0 / 54 / 52 / 15

HEX #DA6469

RGB 218 100 105

HSL 357.46, 0.61%, 0.62%

LAB 57.11, 46.68, 19.86

 

CMYK 0 / 50 / 47 / 8

HEX #EB767C

RGB 235 118 124

HSL 356.92, 0.75%, 0.69%

LAB 63.4, 45.63, 17.93

 

CMYK 0 / 46 / 43 / 1

HEX #FC888F

RGB 252 136 143

HSL 356.38, 0.95%, 0.76%

LAB 69.67, 44.6, 16.25

 

CMYK 0 / 40 / 36 / 0

HEX #FF9AA2

RGB 255 154 162

HSL 355.25, 1%, 0.8%

LAB 74.18, 38.59, 12.09

 

CMYK 0 / 58 / 54 / 23

HEX #C4525B

RGB 196 82 91

HSL 355.26, 0.49%, 0.55%

LAB 50.13, 46.35, 18.08

 

CMYK 0 / 64 / 60 / 30

HEX #B34048

RGB 179 64 72

HSL 355.83, 0.47%, 0.48%

LAB 43.83, 47.22, 20.66

 

CMYK 0 / 72 / 67 / 36

HEX #A22E35

RGB 162 46 53

HSL 356.38, 0.56%, 0.41%

LAB 37.65, 47.79, 23.83

 

CMYK 0 / 81 / 77 / 43

HEX #911C22

RGB 145 28 34

HSL 356.92, 0.68%, 0.34%

LAB 31.73, 47.73, 27.77

 

CMYK 0 / 92 / 88 / 50

HEX #800A0F

RGB 128 10 15

HSL 357.46, 0.86%, 0.27%

LAB 26.28, 46.49, 32.33

 

CMYK 0 / 57 / 53 / 23

HEX #C4545D

RGB 196 84 93

HSL 355.18, 0.49%, 0.55%

LAB 50.53, 45.57, 17.44

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 0 / 57 / 53 / 23

HEX #C4545D

RGB 196 84 93

HSL 355.18, 0.49%, 0.55%

LAB 50.53, 45.57, 17.44

 

CMYK 0 / 57 / 37 / 23

HEX #C4547B

RGB 196 84 123

HSL 339.11, 0.49%, 0.55%

LAB 51.27, 48.59, 0.53

 

CMYK 0 / 57 / 21 / 23

HEX #C4549A

RGB 196 84 154

HSL 322.5, 0.49%, 0.55%

LAB 52.3, 52.61, -16.37

 

CMYK 0 / 57 / 6 / 23

HEX #C454B8

RGB 196 84 184

HSL 306.43, 0.49%, 0.55%

LAB 53.53, 57.26, -31.99

 

CMYK 9 / 57 / 0 / 23

HEX #B354C4

RGB 179 84 196

HSL 290.89, 0.49%, 0.55%

LAB 51.74, 54.87, -41.91

 

CMYK 0 / 57 / 53 / 23

HEX #C4545D

RGB 196 84 93

HSL 355.18, 0.49%, 0.55%

LAB 50.53, 45.57, 17.44

 

CMYK 0 / 70 / 64 / 16

HEX #D7414D

RGB 215 65 77

HSL 355.2, 0.65%, 0.55%

LAB 50.41, 58.86, 27.39

 

CMYK 0 / 80 / 74 / 8

HEX #EA2F3E

RGB 234 47 62

HSL 355.19, 0.82%, 0.55%

LAB 51.69, 69.37, 38.53

 

CMYK 0 / 89 / 82 / 1

HEX #FC1C2E

RGB 252 28 46

HSL 355.18, 0.97%, 0.55%

LAB 53.73, 77.39, 50.5

 

CMYK 0 / 57 / 53 / 23

HEX #C4545D

RGB 196 84 93

HSL 355.18, 0.49%, 0.55%

LAB 50.53, 45.57, 17.44

 

CMYK 0 / 42 / 39 / 30

HEX #B2676D

RGB 178 103 109

HSL 355.2, 0.33%, 0.55%

LAB 52.14, 30.74, 9.77

 

CMYK 0 / 24 / 22 / 38

HEX #9F797C

RGB 159 121 124

HSL 355.26, 0.17%, 0.55%

LAB 54.55, 15.27, 4.1

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 23 / 0 / 2 / 38

HEX #7A9E9B

RGB 122 158 155

HSL 175, 0.16%, 0.55%

LAB 62.47, -12.96, -2.49

 

CMYK 0 / 57 / 22 / 23

HEX #C45499

RGB 196 84 153

HSL 323.04, 0.49%, 0.55%

LAB 52.26, 52.47, -15.83

 

CMYK 0 / 57 / 37 / 23

HEX #C4547B

RGB 196 84 123

HSL 339.11, 0.49%, 0.55%

LAB 51.27, 48.59, 0.53

 

CMYK 0 / 57 / 53 / 23

HEX #C4545D

RGB 196 84 93

HSL 355.18, 0.49%, 0.55%

LAB 50.53, 45.57, 17.44

 

CMYK 0 / 46 / 57 / 23

HEX #C46954

RGB 196 105 84

HSL 11.25, 0.49%, 0.55%

LAB 54.53, 34.2, 27.96

 

CMYK 0 / 31 / 57 / 23

HEX #C48754

RGB 196 135 84

HSL 27.32, 0.49%, 0.55%

LAB 61.4, 17.91, 36.55

 

CMYK 0 / 66 / 61 / 42

HEX #93323A

RGB 147 50 58

HSL 355.05, 0.49%, 0.39%

LAB 35.58, 41.35, 17.47

 

CMYK 0 / 66 / 61 / 30

HEX #B23D46

RGB 178 61 70

HSL 355.38, 0.49%, 0.47%

LAB 43.13, 48.05, 20.93

 

CMYK 0 / 57 / 53 / 23

HEX #C4545D

RGB 196 84 93

HSL 355.18, 0.49%, 0.55%

LAB 50.53, 45.57, 17.44

 

CMYK 0 / 44 / 41 / 19

HEX #CF737A

RGB 207 115 122

HSL 355.43, 0.49%, 0.63%

LAB 58.91, 36.77, 12.25

 

CMYK 0 / 33 / 31 / 15

HEX #DA9197

RGB 218 145 151

HSL 355.07, 0.5%, 0.71%

LAB 67.57, 28.4, 8.21

 

CMYK 0 / 58 / 54 / 23

HEX #C4525B

RGB 196 82 91

HSL 355.26, 0.49%, 0.55%

LAB 50.13, 46.35, 18.08

 

CMYK 7 / 0 / 57 / 23

HEX #B7C454

RGB 183 196 84

HSL 66.96, 0.49%, 0.55%

LAB 76.18, -19.96, 53.57

 

CMYK 57 / 30 / 0 / 23

HEX #548AC4

RGB 84 138 196

HSL 211.07, 0.49%, 0.55%

LAB 56.14, -0.67, -35.55

 

CMYK 0 / 58 / 54 / 23

HEX #C4525B

RGB 196 82 91

HSL 355.26, 0.49%, 0.55%

LAB 50.13, 46.35, 18.08

 

CMYK 53 / 0 / 57 / 23

HEX #5DC454

RGB 93 196 84

HSL 115.18, 0.49%, 0.55%

LAB 71.18, -51.8, 46.52

 

CMYK 57 / 53 / 0 / 23

HEX #545DC4

RGB 84 93 196

HSL 235.18, 0.49%, 0.55%

LAB 43.8, 26.88, -55.16

 

CMYK 0 / 58 / 54 / 23

HEX #C4525B

RGB 196 82 91

HSL 355.26, 0.49%, 0.55%

LAB 50.13, 46.35, 18.08

 

CMYK 7 / 0 / 57 / 23

HEX #B7C454

RGB 183 196 84

HSL 66.96, 0.49%, 0.55%

LAB 76.18, -19.96, 53.57

 

CMYK 57 / 0 / 5 / 23

HEX #54C4BB

RGB 84 196 187

HSL 175.18, 0.49%, 0.55%

LAB 72.86, -33.86, -5.09

 

CMYK 51 / 57 / 0 / 23

HEX #6154C4

RGB 97 84 196

HSL 246.96, 0.49%, 0.55%

LAB 42.56, 35.04, -57.1

 

CMYK 0 / 58 / 54 / 23

HEX #C4525B

RGB 196 82 91

HSL 355.26, 0.49%, 0.55%

LAB 50.13, 46.35, 18.08

 

CMYK 23 / 0 / 57 / 23

HEX #96C454

RGB 150 196 84

HSL 84.64, 0.49%, 0.55%

LAB 73.94, -33, 50.42

 

CMYK 57 / 0 / 5 / 23

HEX #54C4BB

RGB 84 196 187

HSL 175.18, 0.49%, 0.55%

LAB 72.86, -33.86, -5.09

 

CMYK 33 / 57 / 0 / 23

HEX #8354C4

RGB 131 84 196

HSL 265.18, 0.49%, 0.55%

LAB 45.84, 42.72, -51.65

 

Description

Color code: HEX #C4525B | qconv.com Color code: HEX #C4525B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 82 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 82 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 54 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 54% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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