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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4519C it is the complementary color #3BAE63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4519C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4519C shade: #C95197, #DA63AA, #EB75BD, #FC87D0 and #FF99E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4519C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4519C shade: #C4519C, #B33F89, #A22D76, #911B63 and #800950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4519C shade: #C3509B, #C3507C, #C3505D and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4519C shade: #C3509B, #C350BA, #AD50C3, #8E50C3 and #6F50C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4519C shade matches the following richer shades: #C3509B, #D63DA1, #E92AA7 and #FC17AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4519C shade: #C3509B, #B06395, #9D7690, #8A898A and #779C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4519C shade: #AC50C3, #C350BC, #C3509D, #C3507E and #C35060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4519C shade: #90316F, #AE3C87, #C3509B, #CE6FAD and #D88EBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4519C shade: #C4519C, #C38E50 and #50C3BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4519C shade: #C4519C, #9DC350 and #509DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4519C shade: #C4519C, #C38E50, #50C377 and #5086C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4519C shade: #C4519C, #C3B050, #50C377 and #5063C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 20 / 23

HEX #C4519C

RGB 196 81 156

HSL 320.87, 0.49%, 0.54%

LAB 51.86, 54.27, -18.21

 

Complementary color

CMYK 66 / 0 / 43 / 32

HEX #3BAE63

RGB 59 174 99

HSL 140.87, 0.49%, 0.46%

LAB 63.43, -49.03, 29.27

 

CMYK 0 / 60 / 25 / 21

HEX #C95197

RGB 201 81 151

HSL 325, 0.53%, 0.55%

LAB 52.44, 55.06, -14.31

 

CMYK 0 / 55 / 22 / 15

HEX #DA63AA

RGB 218 99 170

HSL 324.2, 0.62%, 0.62%

LAB 58.72, 54.56, -15.64

 

CMYK 0 / 50 / 20 / 8

HEX #EB75BD

RGB 235 117 189

HSL 323.39, 0.75%, 0.69%

LAB 65.01, 53.93, -16.75

 

CMYK 0 / 46 / 17 / 1

HEX #FC87D0

RGB 252 135 208

HSL 322.56, 0.95%, 0.76%

LAB 71.27, 53.23, -17.7

 

CMYK 0 / 40 / 11 / 0

HEX #FF99E3

RGB 255 153 227

HSL 316.47, 1%, 0.8%

LAB 75.82, 48.11, -21.21

 

CMYK 0 / 59 / 20 / 23

HEX #C4519C

RGB 196 81 156

HSL 320.87, 0.49%, 0.54%

LAB 51.86, 54.27, -18.21

 

CMYK 0 / 65 / 23 / 30

HEX #B33F89

RGB 179 63 137

HSL 321.72, 0.48%, 0.47%

LAB 45.56, 54.52, -16.72

 

CMYK 0 / 72 / 27 / 36

HEX #A22D76

RGB 162 45 118

HSL 322.56, 0.57%, 0.41%

LAB 39.35, 54.31, -14.79

 

CMYK 0 / 81 / 32 / 43

HEX #911B63

RGB 145 27 99

HSL 323.39, 0.69%, 0.34%

LAB 33.36, 53.3, -12.2

 

CMYK 0 / 93 / 38 / 50

HEX #800950

RGB 128 9 80

HSL 324.2, 0.87%, 0.27%

LAB 27.75, 50.95, -8.6

 

CMYK 0 / 59 / 21 / 24

HEX #C3509B

RGB 195 80 155

HSL 320.87, 0.49%, 0.54%

LAB 51.5, 54.28, -18.18

 

CMYK 0 / 59 / 36 / 24

HEX #C3507C

RGB 195 80 124

HSL 337.04, 0.49%, 0.54%

LAB 50.45, 50.25, -1.3

 

CMYK 0 / 59 / 52 / 24

HEX #C3505D

RGB 195 80 93

HSL 353.22, 0.49%, 0.54%

LAB 49.65, 47.11, 16.22

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 59 / 21 / 24

HEX #C3509B

RGB 195 80 155

HSL 320.87, 0.49%, 0.54%

LAB 51.5, 54.28, -18.18

 

CMYK 0 / 59 / 5 / 24

HEX #C350BA

RGB 195 80 186

HSL 304.7, 0.49%, 0.54%

LAB 52.82, 59.11, -34.27

 

CMYK 11 / 59 / 0 / 24

HEX #AD50C3

RGB 173 80 195

HSL 288.52, 0.49%, 0.54%

LAB 50.17, 55.04, -43.86

 

CMYK 27 / 59 / 0 / 24

HEX #8E50C3

RGB 142 80 195

HSL 272.35, 0.49%, 0.54%

LAB 46.22, 47.31, -50.4

 

CMYK 43 / 59 / 0 / 24

HEX #6F50C3

RGB 111 80 195

HSL 256.17, 0.49%, 0.54%

LAB 42.85, 40.1, -56

 

CMYK 0 / 59 / 21 / 24

HEX #C3509B

RGB 195 80 155

HSL 320.87, 0.49%, 0.54%

LAB 51.5, 54.28, -18.18

 

CMYK 0 / 71 / 25 / 16

HEX #D63DA1

RGB 214 61 161

HSL 320.78, 0.65%, 0.54%

LAB 52.07, 67.8, -20.59

 

CMYK 0 / 82 / 28 / 9

HEX #E92AA7

RGB 233 42 167

HSL 320.73, 0.81%, 0.54%

LAB 53.78, 78.25, -21.21

 

CMYK 0 / 91 / 31 / 1

HEX #FC17AD

RGB 252 23 173

HSL 320.7, 0.97%, 0.54%

LAB 56.41, 86.03, -20.39

 

CMYK 0 / 59 / 21 / 24

HEX #C3509B

RGB 195 80 155

HSL 320.87, 0.49%, 0.54%

LAB 51.5, 54.28, -18.18

 

CMYK 0 / 44 / 15 / 31

HEX #B06395

RGB 176 99 149

HSL 321.04, 0.33%, 0.54%

LAB 52.2, 37.89, -13.83

 

CMYK 0 / 25 / 8 / 38

HEX #9D7690

RGB 157 118 144

HSL 320, 0.17%, 0.54%

LAB 54.17, 19.66, -8.16

 

CMYK 0 / 1 / 0 / 46

HEX #8A898A

RGB 138 137 138

HSL 300, 0%, 0.54%

LAB 57.2, 0.57, -0.41

 

CMYK 24 / 0 / 15 / 39

HEX #779C84

RGB 119 156 132

HSL 141.08, 0.16%, 0.54%

LAB 61.1, -17.8, 8.46

 

CMYK 12 / 59 / 0 / 24

HEX #AC50C3

RGB 172 80 195

HSL 288, 0.49%, 0.54%

LAB 50.04, 54.78, -44.09

 

CMYK 0 / 59 / 4 / 24

HEX #C350BC

RGB 195 80 188

HSL 303.65, 0.49%, 0.54%

LAB 52.92, 59.44, -35.28

 

CMYK 0 / 59 / 19 / 24

HEX #C3509D

RGB 195 80 157

HSL 319.83, 0.49%, 0.54%

LAB 51.58, 54.57, -19.24

 

CMYK 0 / 59 / 35 / 24

HEX #C3507E

RGB 195 80 126

HSL 336, 0.49%, 0.54%

LAB 50.51, 50.48, -2.41

 

CMYK 0 / 59 / 51 / 24

HEX #C35060

RGB 195 80 96

HSL 351.65, 0.49%, 0.54%

LAB 49.72, 47.37, 14.5

 

CMYK 0 / 66 / 23 / 44

HEX #90316F

RGB 144 49 111

HSL 320.84, 0.49%, 0.38%

LAB 36.51, 46.67, -15.04

 

CMYK 0 / 66 / 22 / 32

HEX #AE3C87

RGB 174 60 135

HSL 320.53, 0.49%, 0.46%

LAB 44.2, 54.07, -17.65

 

CMYK 0 / 59 / 21 / 24

HEX #C3509B

RGB 195 80 155

HSL 320.87, 0.49%, 0.54%

LAB 51.5, 54.28, -18.18

 

CMYK 0 / 46 / 16 / 19

HEX #CE6FAD

RGB 206 111 173

HSL 320.84, 0.49%, 0.62%

LAB 59.44, 45.35, -16.44

 

CMYK 0 / 34 / 12 / 15

HEX #D88EBE

RGB 216 142 190

HSL 321.08, 0.49%, 0.7%

LAB 67.77, 35.11, -13.38

 

CMYK 0 / 59 / 20 / 23

HEX #C4519C

RGB 196 81 156

HSL 320.87, 0.49%, 0.54%

LAB 51.86, 54.27, -18.21

 

CMYK 0 / 27 / 59 / 24

HEX #C38E50

RGB 195 142 80

HSL 32.35, 0.49%, 0.54%

LAB 62.95, 13.33, 40.49

 

CMYK 59 / 0 / 4 / 24

HEX #50C3BC

RGB 80 195 188

HSL 176.35, 0.49%, 0.54%

LAB 72.47, -33.87, -6.22

 

CMYK 0 / 59 / 20 / 23

HEX #C4519C

RGB 196 81 156

HSL 320.87, 0.49%, 0.54%

LAB 51.86, 54.27, -18.21

 

CMYK 19 / 0 / 59 / 24

HEX #9DC350

RGB 157 195 80

HSL 79.83, 0.49%, 0.54%

LAB 74.05, -30.2, 52.47

 

CMYK 59 / 19 / 0 / 24

HEX #509DC3

RGB 80 157 195

HSL 199.83, 0.49%, 0.54%

LAB 61.45, -12.54, -26.76

 

CMYK 0 / 59 / 20 / 23

HEX #C4519C

RGB 196 81 156

HSL 320.87, 0.49%, 0.54%

LAB 51.86, 54.27, -18.21

 

CMYK 0 / 27 / 59 / 24

HEX #C38E50

RGB 195 142 80

HSL 32.35, 0.49%, 0.54%

LAB 62.95, 13.33, 40.49

 

CMYK 59 / 0 / 39 / 24

HEX #50C377

RGB 80 195 119

HSL 140.35, 0.49%, 0.54%

LAB 70.92, -49.43, 28.72

 

CMYK 59 / 31 / 0 / 24

HEX #5086C3

RGB 80 134 195

HSL 211.83, 0.49%, 0.54%

LAB 54.76, 0.53, -37.16

 

CMYK 0 / 59 / 20 / 23

HEX #C4519C

RGB 196 81 156

HSL 320.87, 0.49%, 0.54%

LAB 51.86, 54.27, -18.21

 

CMYK 0 / 10 / 59 / 24

HEX #C3B050

RGB 195 176 80

HSL 50.09, 0.49%, 0.54%

LAB 71.71, -5.01, 50.64

 

CMYK 59 / 0 / 39 / 24

HEX #50C377

RGB 80 195 119

HSL 140.35, 0.49%, 0.54%

LAB 70.92, -49.43, 28.72

 

CMYK 59 / 49 / 0 / 24

HEX #5063C3

RGB 80 99 195

HSL 230.09, 0.49%, 0.54%

LAB 45.04, 22, -52.59

 

Description

Color code: HEX #C4519C | qconv.com Color code: HEX #C4519C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 81 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 81 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 20 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 20% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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