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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C450F0 it is the complementary color #3BAF0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C450F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C450F0 shade: #C950EB, #DA62FE, #EB74FF, #FC86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C450F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C450F0 shade: #C450F0, #B33EDD, #A22CCA, #911AB7 and #8008A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C450F0 shade: #C451F0, #EF51F0, #F051C6, #F0519B and #F05171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C450F0 shade: #C451F0, #9A51F0, #6F51F0 and #5151F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C450F0 shade matches the following richer shades: #C451F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C450F0 shade: #C451F0, #BD61E1, #B770D1, #B07FC2 and #A98EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C450F0 shade: #6E51F0, #9951F0, #C351F0, #ED51F0 and #F051C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C450F0 shade: #A513DC, #B72BED, #C451F0, #D177F3 and #DE9DF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C450F0 shade: #C450F0, #F0515F and #51F084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C450F0 shade: #C450F0, #F0C351 and #51F0C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C450F0 shade: #C450F0, #F0515F, #7EF051 and #51F0E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C450F0 shade: #C450F0, #F07451, #7EF051 and #51CEF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 67 / 0 / 6

HEX #C450F0

RGB 196 80 240

HSL 283.5, 0.84%, 0.63%

LAB 55.85, 69.2, -60.16

 

Complementary color

CMYK 66 / 0 / 91 / 31

HEX #3BAF0F

RGB 59 175 15

HSL 103.5, 0.84%, 0.37%

LAB 63.03, -57.73, 61.67

 

CMYK 14 / 66 / 0 / 8

HEX #C950EB

RGB 201 80 235

HSL 286.84, 0.79%, 0.62%

LAB 56.24, 69.31, -56.7

 

CMYK 14 / 61 / 0 / 0

HEX #DA62FE

RGB 218 98 254

HSL 286.15, 0.99%, 0.69%

LAB 62.34, 69.1, -57.39

 

CMYK 8 / 55 / 0 / 0

HEX #EB74FF

RGB 235 116 255

HSL 291.37, 1%, 0.73%

LAB 67.56, 65.3, -49.52

 

CMYK 1 / 47 / 0 / 0

HEX #FC86FF

RGB 252 134 255

HSL 298.51, 1%, 0.76%

LAB 72.87, 61.31, -41.03

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 18 / 67 / 0 / 6

HEX #C450F0

RGB 196 80 240

HSL 283.5, 0.84%, 0.63%

LAB 55.85, 69.2, -60.16

 

CMYK 19 / 72 / 0 / 13

HEX #B33EDD

RGB 179 62 221

HSL 284.15, 0.7%, 0.55%

LAB 49.8, 69.1, -59.31

 

CMYK 20 / 78 / 0 / 21

HEX #A22CCA

RGB 162 44 202

HSL 284.81, 0.64%, 0.48%

LAB 43.87, 68.43, -58.1

 

CMYK 21 / 86 / 0 / 28

HEX #911AB7

RGB 145 26 183

HSL 285.48, 0.75%, 0.41%

LAB 38.16, 66.87, -56.34

 

CMYK 22 / 95 / 0 / 36

HEX #8008A4

RGB 128 8 164

HSL 286.15, 0.91%, 0.34%

LAB 32.8, 63.96, -53.82

 

CMYK 18 / 66 / 0 / 6

HEX #C451F0

RGB 196 81 240

HSL 283.4, 0.84%, 0.63%

LAB 56, 68.78, -59.92

 

CMYK 0 / 66 / 0 / 6

HEX #EF51F0

RGB 239 81 240

HSL 299.62, 0.84%, 0.63%

LAB 62.11, 78.13, -49.83

 

CMYK 0 / 66 / 18 / 6

HEX #F051C6

RGB 240 81 198

HSL 315.85, 0.84%, 0.63%

LAB 60.33, 72.12, -28.97

 

CMYK 0 / 66 / 35 / 6

HEX #F0519B

RGB 240 81 155

HSL 332.08, 0.84%, 0.63%

LAB 58.77, 66.83, -6.53

 

CMYK 0 / 66 / 53 / 6

HEX #F05171

RGB 240 81 113

HSL 347.92, 0.84%, 0.63%

LAB 57.66, 62.92, 16.51

 

CMYK 18 / 66 / 0 / 6

HEX #C451F0

RGB 196 81 240

HSL 283.4, 0.84%, 0.63%

LAB 56, 68.78, -59.92

 

CMYK 36 / 66 / 0 / 6

HEX #9A51F0

RGB 154 81 240

HSL 267.55, 0.84%, 0.63%

LAB 50.74, 60.15, -68.67

 

CMYK 54 / 66 / 0 / 6

HEX #6F51F0

RGB 111 81 240

HSL 251.32, 0.84%, 0.63%

LAB 46.39, 52.42, -75.95

 

CMYK 66 / 66 / 0 / 6

HEX #5151F0

RGB 81 81 240

HSL 240, 0.84%, 0.63%

LAB 44.13, 48.13, -79.74

 

CMYK 18 / 66 / 0 / 6

HEX #C451F0

RGB 196 81 240

HSL 283.4, 0.84%, 0.63%

LAB 56, 68.78, -59.92

 

CMYK 18 / 66 / 0 / 6

HEX #C451F0

RGB 196 81 240

HSL 283.4, 0.84%, 0.63%

LAB 56, 68.78, -59.92

 

CMYK 16 / 57 / 0 / 12

HEX #BD61E1

RGB 189 97 225

HSL 283.13, 0.68%, 0.63%

LAB 56.88, 56.92, -50.16

 

CMYK 12 / 46 / 0 / 18

HEX #B770D1

RGB 183 112 209

HSL 283.92, 0.51%, 0.63%

LAB 58.28, 44.34, -38.98

 

CMYK 9 / 35 / 0 / 24

HEX #B07FC2

RGB 176 127 194

HSL 283.88, 0.35%, 0.63%

LAB 60.16, 30.88, -27.62

 

CMYK 6 / 21 / 0 / 30

HEX #A98EB3

RGB 169 142 179

HSL 283.78, 0.2%, 0.63%

LAB 62.54, 17.01, -15.57

 

CMYK 54 / 66 / 0 / 6

HEX #6E51F0

RGB 110 81 240

HSL 250.94, 0.84%, 0.63%

LAB 46.3, 52.26, -76.09

 

CMYK 36 / 66 / 0 / 6

HEX #9951F0

RGB 153 81 240

HSL 267.17, 0.84%, 0.63%

LAB 50.63, 59.95, -68.86

 

CMYK 19 / 66 / 0 / 6

HEX #C351F0

RGB 195 81 240

HSL 283.02, 0.84%, 0.63%

LAB 55.87, 68.57, -60.15

 

CMYK 1 / 66 / 0 / 6

HEX #ED51F0

RGB 237 81 240

HSL 298.87, 0.84%, 0.63%

LAB 61.81, 77.69, -50.32

 

CMYK 0 / 66 / 17 / 6

HEX #F051C8

RGB 240 81 200

HSL 315.09, 0.84%, 0.63%

LAB 60.41, 72.39, -29.98

 

CMYK 25 / 91 / 0 / 14

HEX #A513DC

RGB 165 19 220

HSL 283.58, 0.84%, 0.47%

LAB 43.7, 77.99, -68.71

 

CMYK 23 / 82 / 0 / 7

HEX #B72BED

RGB 183 43 237

HSL 283.3, 0.84%, 0.55%

LAB 49.39, 78.85, -69

 

CMYK 18 / 66 / 0 / 6

HEX #C451F0

RGB 196 81 240

HSL 283.4, 0.84%, 0.63%

LAB 56, 68.78, -59.92

 

CMYK 14 / 51 / 0 / 5

HEX #D177F3

RGB 209 119 243

HSL 283.55, 0.84%, 0.71%

LAB 64.34, 54.82, -48.22

 

CMYK 10 / 36 / 0 / 3

HEX #DE9DF7

RGB 222 157 247

HSL 283.33, 0.85%, 0.79%

LAB 73.78, 39.48, -35.54

 

CMYK 18 / 67 / 0 / 6

HEX #C450F0

RGB 196 80 240

HSL 283.5, 0.84%, 0.63%

LAB 55.85, 69.2, -60.16

 

CMYK 0 / 66 / 60 / 6

HEX #F0515F

RGB 240 81 95

HSL 354.72, 0.84%, 0.63%

LAB 57.3, 61.65, 26.56

 

CMYK 66 / 0 / 45 / 6

HEX #51F084

RGB 81 240 132

HSL 139.25, 0.84%, 0.63%

LAB 84.86, -64.1, 40.27

 

CMYK 18 / 67 / 0 / 6

HEX #C450F0

RGB 196 80 240

HSL 283.5, 0.84%, 0.63%

LAB 55.85, 69.2, -60.16

 

CMYK 0 / 19 / 66 / 6

HEX #F0C351

RGB 240 195 81

HSL 43.02, 0.84%, 0.63%

LAB 80.82, 4.15, 61.38

 

CMYK 66 / 0 / 19 / 6

HEX #51F0C3

RGB 81 240 195

HSL 163.02, 0.84%, 0.63%

LAB 86.01, -51.73, 9.74

 

CMYK 18 / 67 / 0 / 6

HEX #C450F0

RGB 196 80 240

HSL 283.5, 0.84%, 0.63%

LAB 55.85, 69.2, -60.16

 

CMYK 0 / 66 / 60 / 6

HEX #F0515F

RGB 240 81 95

HSL 354.72, 0.84%, 0.63%

LAB 57.3, 61.65, 26.56

 

CMYK 48 / 0 / 66 / 6

HEX #7EF051

RGB 126 240 81

HSL 103.02, 0.84%, 0.63%

LAB 85.68, -59.72, 64.32

 

CMYK 66 / 0 / 5 / 6

HEX #51F0E3

RGB 81 240 227

HSL 175.09, 0.84%, 0.63%

LAB 86.81, -43.81, -5.85

 

CMYK 18 / 67 / 0 / 6

HEX #C450F0

RGB 196 80 240

HSL 283.5, 0.84%, 0.63%

LAB 55.85, 69.2, -60.16

 

CMYK 0 / 52 / 66 / 6

HEX #F07451

RGB 240 116 81

HSL 13.21, 0.84%, 0.63%

LAB 63.02, 45.21, 41.47

 

CMYK 48 / 0 / 66 / 6

HEX #7EF051

RGB 126 240 81

HSL 103.02, 0.84%, 0.63%

LAB 85.68, -59.72, 64.32

 

CMYK 66 / 14 / 0 / 6

HEX #51CEF0

RGB 81 206 240

HSL 192.83, 0.84%, 0.63%

LAB 77.39, -24.16, -26.91

 

Description

Color code: HEX #C450F0 | qconv.com Color code: HEX #C450F0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 80 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 80 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 67 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 67% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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