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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45047 it is the complementary color #3BAFB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45047 shade: #C95042, #DA6255, #EB7468, #FC867B and #FF988E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45047 shade: #C45047, #B33E34, #A22C21, #911A0E and #800800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45047 shade: #C34F46 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45047 shade: #C34F46, #C37146, #C39246, #C3B446 and #B0C346

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45047 shade matches the following richer shades: #C34F46, #D73E32, #EB2D1F and #FE1C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45047 shade: #C34F46, #AF605A, #9B716E, #888282 and #749395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45047 shade: #C34680, #C3465F, #C34E46, #C37046 and #C39146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45047 shade: #8A332D, #A93F37, #C34F46, #CD6D65 and #D78A84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45047 shade: #C45047, #A2C346 and #4670C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45047 shade: #C45047, #46C34E and #4E46C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45047 shade: #C45047, #A2C346, #46BBC3 and #6746C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45047 shade: #C45047, #7CC346, #46BBC3 and #8D46C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 64 / 23

HEX #C45047

RGB 196 80 71

HSL 4.32, 0.51%, 0.52%

LAB 49.41, 45.82, 28.97

 

Complementary color

CMYK 68 / 5 / 0 / 28

HEX #3BAFB8

RGB 59 175 184

HSL 184.32, 0.51%, 0.48%

LAB 65.79, -28.85, -14.06

 

CMYK 0 / 60 / 67 / 21

HEX #C95042

RGB 201 80 66

HSL 6.22, 0.56%, 0.52%

LAB 50.15, 47.3, 32.95

 

CMYK 0 / 55 / 61 / 15

HEX #DA6255

RGB 218 98 85

HSL 5.86, 0.64%, 0.59%

LAB 56.38, 46.11, 30.42

 

CMYK 0 / 51 / 56 / 8

HEX #EB7468

RGB 235 116 104

HSL 5.5, 0.77%, 0.66%

LAB 62.64, 44.9, 28.22

 

CMYK 0 / 47 / 51 / 1

HEX #FC867B

RGB 252 134 123

HSL 5.12, 0.96%, 0.74%

LAB 68.88, 43.73, 26.29

 

CMYK 0 / 40 / 44 / 0

HEX #FF988E

RGB 255 152 142

HSL 5.31, 1%, 0.78%

LAB 73.33, 37.46, 21.91

 

CMYK 0 / 59 / 64 / 23

HEX #C45047

RGB 196 80 71

HSL 4.32, 0.51%, 0.52%

LAB 49.41, 45.82, 28.97

 

CMYK 0 / 65 / 71 / 30

HEX #B33E34

RGB 179 62 52

HSL 4.72, 0.55%, 0.45%

LAB 43.18, 46.87, 31.83

 

CMYK 0 / 73 / 80 / 36

HEX #A22C21

RGB 162 44 33

HSL 5.12, 0.66%, 0.38%

LAB 37.1, 47.63, 35.14

 

CMYK 0 / 82 / 90 / 43

HEX #911A0E

RGB 145 26 14

HSL 5.5, 0.82%, 0.31%

LAB 31.32, 47.72, 38.53

 

CMYK 0 / 94 / 100 / 50

HEX #800800

RGB 128 8 0

HSL 3.75, 1%, 0.25%

LAB 26.05, 46.56, 38.54

 

CMYK 0 / 59 / 64 / 24

HEX #C34F46

RGB 195 79 70

HSL 4.32, 0.51%, 0.52%

LAB 49.05, 45.86, 29.07

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 59 / 64 / 24

HEX #C34F46

RGB 195 79 70

HSL 4.32, 0.51%, 0.52%

LAB 49.05, 45.86, 29.07

 

CMYK 0 / 42 / 64 / 24

HEX #C37146

RGB 195 113 70

HSL 20.64, 0.51%, 0.52%

LAB 55.94, 28.5, 37.43

 

CMYK 0 / 25 / 64 / 24

HEX #C39246

RGB 195 146 70

HSL 36.48, 0.51%, 0.52%

LAB 63.84, 10.43, 46.52

 

CMYK 0 / 8 / 64 / 24

HEX #C3B446

RGB 195 180 70

HSL 52.8, 0.51%, 0.52%

LAB 72.69, -7.78, 56.18

 

CMYK 10 / 0 / 64 / 24

HEX #B0C346

RGB 176 195 70

HSL 69.12, 0.51%, 0.52%

LAB 75.27, -23.36, 58.46

 

CMYK 0 / 59 / 64 / 24

HEX #C34F46

RGB 195 79 70

HSL 4.32, 0.51%, 0.52%

LAB 49.05, 45.86, 29.07

 

CMYK 0 / 71 / 77 / 16

HEX #D73E32

RGB 215 62 50

HSL 4.36, 0.67%, 0.52%

LAB 49.64, 58.7, 41.96

 

CMYK 0 / 81 / 87 / 8

HEX #EB2D1F

RGB 235 45 31

HSL 4.12, 0.84%, 0.52%

LAB 51.43, 69.27, 54.41

 

CMYK 0 / 89 / 96 / 0

HEX #FE1C0B

RGB 254 28 11

HSL 4.2, 0.99%, 0.52%

LAB 53.95, 77.36, 64.76

 

CMYK 0 / 59 / 64 / 24

HEX #C34F46

RGB 195 79 70

HSL 4.32, 0.51%, 0.52%

LAB 49.05, 45.86, 29.07

 

CMYK 0 / 45 / 49 / 31

HEX #AF605A

RGB 175 96 90

HSL 4.24, 0.35%, 0.52%

LAB 49.76, 31.3, 17.65

 

CMYK 0 / 27 / 29 / 39

HEX #9B716E

RGB 155 113 110

HSL 4, 0.18%, 0.52%

LAB 51.73, 16.16, 8.2

 

CMYK 0 / 4 / 4 / 47

HEX #888282

RGB 136 130 130

HSL 0, 0.02%, 0.52%

LAB 54.88, 2.26, 0.8

 

CMYK 22 / 1 / 0 / 42

HEX #749395

RGB 116 147 149

HSL 183.64, 0.13%, 0.52%

LAB 58.74, -10.31, -4.63

 

CMYK 0 / 64 / 34 / 24

HEX #C34680

RGB 195 70 128

HSL 332.16, 0.51%, 0.52%

LAB 48.93, 55.13, -5.94

 

CMYK 0 / 64 / 51 / 24

HEX #C3465F

RGB 195 70 95

HSL 348, 0.51%, 0.52%

LAB 48.02, 51.77, 12.76

 

CMYK 0 / 60 / 64 / 24

HEX #C34E46

RGB 195 78 70

HSL 3.84, 0.51%, 0.52%

LAB 48.88, 46.33, 28.85

 

CMYK 0 / 43 / 64 / 24

HEX #C37046

RGB 195 112 70

HSL 20.16, 0.51%, 0.52%

LAB 55.72, 29.04, 37.16

 

CMYK 0 / 26 / 64 / 24

HEX #C39146

RGB 195 145 70

HSL 36, 0.51%, 0.52%

LAB 63.59, 10.97, 46.24

 

CMYK 0 / 63 / 67 / 46

HEX #8A332D

RGB 138 51 45

HSL 3.87, 0.51%, 0.36%

LAB 33.9, 36.71, 23.18

 

CMYK 0 / 63 / 67 / 34

HEX #A93F37

RGB 169 63 55

HSL 4.21, 0.51%, 0.44%

LAB 41.64, 43.05, 27.8

 

CMYK 0 / 59 / 64 / 24

HEX #C34F46

RGB 195 79 70

HSL 4.32, 0.51%, 0.52%

LAB 49.05, 45.86, 29.07

 

CMYK 0 / 47 / 51 / 20

HEX #CD6D65

RGB 205 109 101

HSL 4.62, 0.51%, 0.6%

LAB 56.93, 37.03, 21.61

 

CMYK 0 / 36 / 39 / 16

HEX #D78A84

RGB 215 138 132

HSL 4.34, 0.51%, 0.68%

LAB 65.19, 28.68, 15.47

 

CMYK 0 / 59 / 64 / 23

HEX #C45047

RGB 196 80 71

HSL 4.32, 0.51%, 0.52%

LAB 49.41, 45.82, 28.97

 

CMYK 17 / 0 / 64 / 24

HEX #A2C346

RGB 162 195 70

HSL 75.84, 0.51%, 0.52%

LAB 74.29, -29.02, 57.13

 

CMYK 64 / 43 / 0 / 24

HEX #4670C3

RGB 70 112 195

HSL 219.84, 0.51%, 0.52%

LAB 48.05, 11.97, -47.81

 

CMYK 0 / 59 / 64 / 23

HEX #C45047

RGB 196 80 71

HSL 4.32, 0.51%, 0.52%

LAB 49.41, 45.82, 28.97

 

CMYK 64 / 0 / 60 / 24

HEX #46C34E

RGB 70 195 78

HSL 123.84, 0.51%, 0.52%

LAB 70.09, -57.65, 47.82

 

CMYK 60 / 64 / 0 / 24

HEX #4E46C3

RGB 78 70 195

HSL 243.84, 0.51%, 0.52%

LAB 37.73, 39.68, -64.43

 

CMYK 0 / 59 / 64 / 23

HEX #C45047

RGB 196 80 71

HSL 4.32, 0.51%, 0.52%

LAB 49.41, 45.82, 28.97

 

CMYK 17 / 0 / 64 / 24

HEX #A2C346

RGB 162 195 70

HSL 75.84, 0.51%, 0.52%

LAB 74.29, -29.02, 57.13

 

CMYK 64 / 4 / 0 / 24

HEX #46BBC3

RGB 70 187 195

HSL 183.84, 0.51%, 0.52%

LAB 70.02, -29.81, -13.73

 

CMYK 47 / 64 / 0 / 24

HEX #6746C3

RGB 103 70 195

HSL 255.84, 0.51%, 0.52%

LAB 39.92, 44.13, -60.77

 

CMYK 0 / 59 / 64 / 23

HEX #C45047

RGB 196 80 71

HSL 4.32, 0.51%, 0.52%

LAB 49.41, 45.82, 28.97

 

CMYK 36 / 0 / 64 / 24

HEX #7CC346

RGB 124 195 70

HSL 94.08, 0.51%, 0.52%

LAB 72.07, -43.25, 54.08

 

CMYK 64 / 4 / 0 / 24

HEX #46BBC3

RGB 70 187 195

HSL 183.84, 0.51%, 0.52%

LAB 70.02, -29.81, -13.73

 

CMYK 28 / 64 / 0 / 24

HEX #8D46C3

RGB 141 70 195

HSL 274.08, 0.51%, 0.52%

LAB 44.21, 52.17, -53.63

 

Description

Color code: HEX #C45047 | qconv.com Color code: HEX #C45047 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 80 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 80 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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