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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C44FEC it is the complementary color #3BB013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C44FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C44FEC shade: #C94FE7, #DA61FA, #EB73FF, #FC85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C44FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C44FEC shade: #C44FEC, #B33DD9, #A22BC6, #9119B3 and #8007A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C44FEC shade: #C550ED, #ED50EA, #ED50C0, #ED5096 and #ED506B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C44FEC shade: #C550ED, #9A50ED, #7050ED and #5050ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C44FEC shade matches the following richer shades: #C550ED and #CC40FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C44FEC shade: #C550ED, #BD5FDD, #B56FCD, #AE7FBE and #A68EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C44FEC shade: #6F50ED, #9950ED, #C350ED, #ED50ED and #ED50C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C44FEC shade: #A316D3, #B82AE9, #C550ED, #D175F1 and #DD9AF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C44FEC shade: #C44FEC, #ED505A and #50ED84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C44FEC shade: #C44FEC, #EDC350 and #50EDC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C44FEC shade: #C44FEC, #ED505A, #79ED50 and #50EDE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C44FEC shade: #C44FEC, #ED7450, #79ED50 and #50C8ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 67 / 0 / 7

HEX #C44FEC

RGB 196 79 236

HSL 284.71, 0.81%, 0.62%

LAB 55.47, 68.83, -58.54

 

Complementary color

CMYK 66 / 0 / 89 / 31

HEX #3BB013

RGB 59 176 19

HSL 104.71, 0.81%, 0.38%

LAB 63.37, -57.93, 61.25

 

CMYK 13 / 66 / 0 / 9

HEX #C94FE7

RGB 201 79 231

HSL 288.16, 0.76%, 0.61%

LAB 55.87, 68.97, -55.06

 

CMYK 13 / 61 / 0 / 2

HEX #DA61FA

RGB 218 97 250

HSL 287.45, 0.94%, 0.68%

LAB 61.96, 68.78, -55.78

 

CMYK 8 / 55 / 0 / 0

HEX #EB73FF

RGB 235 115 255

HSL 291.43, 1%, 0.73%

LAB 67.38, 65.76, -49.79

 

CMYK 1 / 48 / 0 / 0

HEX #FC85FF

RGB 252 133 255

HSL 298.52, 1%, 0.76%

LAB 72.69, 61.79, -41.32

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 17 / 67 / 0 / 7

HEX #C44FEC

RGB 196 79 236

HSL 284.71, 0.81%, 0.62%

LAB 55.47, 68.83, -58.54

 

CMYK 18 / 72 / 0 / 15

HEX #B33DD9

RGB 179 61 217

HSL 285.38, 0.67%, 0.55%

LAB 49.41, 68.7, -57.65

 

CMYK 18 / 78 / 0 / 22

HEX #A22BC6

RGB 162 43 198

HSL 286.06, 0.64%, 0.47%

LAB 43.49, 67.99, -56.39

 

CMYK 19 / 86 / 0 / 30

HEX #9119B3

RGB 145 25 179

HSL 286.75, 0.75%, 0.4%

LAB 37.79, 66.35, -54.57

 

CMYK 20 / 96 / 0 / 37

HEX #8007A0

RGB 128 7 160

HSL 287.45, 0.92%, 0.33%

LAB 32.43, 63.36, -51.99

 

CMYK 17 / 66 / 0 / 7

HEX #C550ED

RGB 197 80 237

HSL 284.71, 0.81%, 0.62%

LAB 55.81, 68.83, -58.55

 

CMYK 0 / 66 / 1 / 7

HEX #ED50EA

RGB 237 80 234

HSL 301.15, 0.81%, 0.62%

LAB 61.38, 77.09, -47.66

 

CMYK 0 / 66 / 19 / 7

HEX #ED50C0

RGB 237 80 192

HSL 317.2, 0.81%, 0.62%

LAB 59.48, 70.91, -26.89

 

CMYK 0 / 66 / 37 / 7

HEX #ED5096

RGB 237 80 150

HSL 333.25, 0.81%, 0.62%

LAB 57.98, 65.83, -4.83

 

CMYK 0 / 66 / 55 / 7

HEX #ED506B

RGB 237 80 107

HSL 349.68, 0.81%, 0.62%

LAB 56.88, 61.93, 18.89

 

CMYK 17 / 66 / 0 / 7

HEX #C550ED

RGB 197 80 237

HSL 284.71, 0.81%, 0.62%

LAB 55.81, 68.83, -58.55

 

CMYK 35 / 66 / 0 / 7

HEX #9A50ED

RGB 154 80 237

HSL 268.28, 0.81%, 0.62%

LAB 50.36, 59.91, -67.6

 

CMYK 53 / 66 / 0 / 7

HEX #7050ED

RGB 112 80 237

HSL 252.23, 0.81%, 0.62%

LAB 46.04, 52.26, -74.83

 

CMYK 66 / 66 / 0 / 7

HEX #5050ED

RGB 80 80 237

HSL 240, 0.81%, 0.62%

LAB 43.59, 47.62, -78.93

 

CMYK 17 / 66 / 0 / 7

HEX #C550ED

RGB 197 80 237

HSL 284.71, 0.81%, 0.62%

LAB 55.81, 68.83, -58.55

 

CMYK 19 / 75 / 0 / 1

HEX #CC40FC

RGB 204 64 252

HSL 284.68, 0.97%, 0.62%

LAB 55.62, 78.99, -67.16

 

CMYK 17 / 66 / 0 / 7

HEX #C550ED

RGB 197 80 237

HSL 284.71, 0.81%, 0.62%

LAB 55.81, 68.83, -58.55

 

CMYK 14 / 57 / 0 / 13

HEX #BD5FDD

RGB 189 95 221

HSL 284.76, 0.65%, 0.62%

LAB 56.31, 57.08, -48.82

 

CMYK 12 / 46 / 0 / 20

HEX #B56FCD

RGB 181 111 205

HSL 284.68, 0.48%, 0.62%

LAB 57.66, 43.48, -37.71

 

CMYK 8 / 33 / 0 / 25

HEX #AE7FBE

RGB 174 127 190

HSL 284.76, 0.33%, 0.62%

LAB 59.79, 29.41, -25.94

 

CMYK 5 / 18 / 0 / 32

HEX #A68EAE

RGB 166 142 174

HSL 285, 0.16%, 0.62%

LAB 62.09, 14.96, -13.44

 

CMYK 53 / 66 / 0 / 7

HEX #6F50ED

RGB 111 80 237

HSL 251.85, 0.81%, 0.62%

LAB 45.95, 52.09, -74.97

 

CMYK 35 / 66 / 0 / 7

HEX #9950ED

RGB 153 80 237

HSL 267.9, 0.81%, 0.62%

LAB 50.24, 59.71, -67.8

 

CMYK 18 / 66 / 0 / 7

HEX #C350ED

RGB 195 80 237

HSL 283.95, 0.81%, 0.62%

LAB 55.54, 68.4, -59

 

CMYK 0 / 66 / 0 / 7

HEX #ED50ED

RGB 237 80 237

HSL 300, 0.81%, 0.62%

LAB 61.53, 77.57, -49.09

 

CMYK 0 / 66 / 18 / 7

HEX #ED50C3

RGB 237 80 195

HSL 316.05, 0.81%, 0.62%

LAB 59.6, 71.32, -28.41

 

CMYK 23 / 90 / 0 / 17

HEX #A316D3

RGB 163 22 211

HSL 284.76, 0.81%, 0.46%

LAB 42.86, 75.59, -64.93

 

CMYK 21 / 82 / 0 / 9

HEX #B82AE9

RGB 184 42 233

HSL 284.61, 0.81%, 0.54%

LAB 49.17, 78.52, -67.1

 

CMYK 17 / 66 / 0 / 7

HEX #C550ED

RGB 197 80 237

HSL 284.71, 0.81%, 0.62%

LAB 55.81, 68.83, -58.55

 

CMYK 13 / 51 / 0 / 5

HEX #D175F1

RGB 209 117 241

HSL 284.52, 0.82%, 0.7%

LAB 63.86, 55.42, -47.87

 

CMYK 9 / 37 / 0 / 4

HEX #DD9AF4

RGB 221 154 244

HSL 284.67, 0.8%, 0.78%

LAB 72.9, 40.18, -35.27

 

CMYK 17 / 67 / 0 / 7

HEX #C44FEC

RGB 196 79 236

HSL 284.71, 0.81%, 0.62%

LAB 55.47, 68.83, -58.54

 

CMYK 0 / 66 / 62 / 7

HEX #ED505A

RGB 237 80 90

HSL 356.18, 0.81%, 0.62%

LAB 56.57, 60.78, 28.41

 

CMYK 66 / 0 / 44 / 7

HEX #50ED84

RGB 80 237 132

HSL 139.87, 0.81%, 0.62%

LAB 83.93, -63.2, 39.08

 

CMYK 17 / 67 / 0 / 7

HEX #C44FEC

RGB 196 79 236

HSL 284.71, 0.81%, 0.62%

LAB 55.47, 68.83, -58.54

 

CMYK 0 / 18 / 66 / 7

HEX #EDC350

RGB 237 195 80

HSL 43.95, 0.81%, 0.62%

LAB 80.52, 2.84, 61.4

 

CMYK 66 / 0 / 18 / 7

HEX #50EDC3

RGB 80 237 195

HSL 163.95, 0.81%, 0.62%

LAB 85.11, -50.65, 8.44

 

CMYK 17 / 67 / 0 / 7

HEX #C44FEC

RGB 196 79 236

HSL 284.71, 0.81%, 0.62%

LAB 55.47, 68.83, -58.54

 

CMYK 0 / 66 / 62 / 7

HEX #ED505A

RGB 237 80 90

HSL 356.18, 0.81%, 0.62%

LAB 56.57, 60.78, 28.41

 

CMYK 49 / 0 / 66 / 7

HEX #79ED50

RGB 121 237 80

HSL 104.33, 0.81%, 0.62%

LAB 84.59, -60.1, 63.49

 

CMYK 66 / 0 / 5 / 7

HEX #50EDE2

RGB 80 237 226

HSL 175.8, 0.81%, 0.62%

LAB 85.89, -42.89, -6.69

 

CMYK 17 / 67 / 0 / 7

HEX #C44FEC

RGB 196 79 236

HSL 284.71, 0.81%, 0.62%

LAB 55.47, 68.83, -58.54

 

CMYK 0 / 51 / 66 / 7

HEX #ED7450

RGB 237 116 80

HSL 13.76, 0.81%, 0.62%

LAB 62.57, 44.03, 41.36

 

CMYK 49 / 0 / 66 / 7

HEX #79ED50

RGB 121 237 80

HSL 104.33, 0.81%, 0.62%

LAB 84.59, -60.1, 63.49

 

CMYK 66 / 16 / 0 / 7

HEX #50C8ED

RGB 80 200 237

HSL 194.14, 0.81%, 0.62%

LAB 75.53, -22.2, -28.16

 

Description

Color code: HEX #C44FEC | qconv.com Color code: HEX #C44FEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 79 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 79 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 67 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 67% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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