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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C44FE5 it is the complementary color #3BB01A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C44FE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C44FE5 shade: #C94FE0, #DA61F3, #EB73FF, #FC85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C44FE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C44FE5 shade: #C44FE5, #B33DD2, #A22BBF, #9119AC and #800799

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C44FE5 shade: #C34EE4, #E44EDD, #E44EB4, #E44E8C and #E44E63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C44FE5 shade: #C34EE4, #9B4EE4, #724EE4 and #4E4EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C44FE5 shade matches the following richer shades: #C34EE4 and #CD3DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C44FE5 shade: #C34EE4, #BA5ED4, #B16FC3, #A87FB3 and #9E90A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C44FE5 shade: #714EE4, #994EE4, #C14EE4, #E44EDF and #E44EB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C44FE5 shade: #9E1DC2, #B72ADF, #C34EE4, #CF71EA and #DB95EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C44FE5 shade: #C44FE5, #E44E53 and #4EE485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C44FE5 shade: #C44FE5, #E4C14E and #4EE4C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C44FE5 shade: #C44FE5, #E44E53, #71E44E and #4EE4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C44FE5 shade: #C44FE5, #E4764E, #71E44E and #4EBCE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 66 / 0 / 10

HEX #C44FE5

RGB 196 79 229

HSL 286.8, 0.74%, 0.6%

LAB 55.06, 67.49, -55.27

 

Complementary color

CMYK 66 / 0 / 85 / 31

HEX #3BB01A

RGB 59 176 26

HSL 106.8, 0.74%, 0.4%

LAB 63.39, -57.66, 59.76

 

CMYK 10 / 65 / 0 / 12

HEX #C94FE0

RGB 201 79 224

HSL 290.48, 0.7%, 0.59%

LAB 55.47, 67.67, -51.74

 

CMYK 10 / 60 / 0 / 5

HEX #DA61F3

RGB 218 97 243

HSL 289.73, 0.86%, 0.67%

LAB 61.59, 67.47, -52.5

 

CMYK 8 / 55 / 0 / 0

HEX #EB73FF

RGB 235 115 255

HSL 291.43, 1%, 0.73%

LAB 67.38, 65.76, -49.79

 

CMYK 1 / 48 / 0 / 0

HEX #FC85FF

RGB 252 133 255

HSL 298.52, 1%, 0.76%

LAB 72.69, 61.79, -41.32

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 14 / 66 / 0 / 10

HEX #C44FE5

RGB 196 79 229

HSL 286.8, 0.74%, 0.6%

LAB 55.06, 67.49, -55.27

 

CMYK 15 / 71 / 0 / 18

HEX #B33DD2

RGB 179 61 210

HSL 287.52, 0.62%, 0.53%

LAB 48.98, 67.38, -54.35

 

CMYK 15 / 77 / 0 / 25

HEX #A22BBF

RGB 162 43 191

HSL 288.24, 0.63%, 0.46%

LAB 43.02, 66.68, -53.06

 

CMYK 16 / 85 / 0 / 33

HEX #9119AC

RGB 145 25 172

HSL 288.98, 0.75%, 0.39%

LAB 37.29, 65.07, -51.22

 

CMYK 16 / 95 / 0 / 40

HEX #800799

RGB 128 7 153

HSL 289.73, 0.91%, 0.31%

LAB 31.9, 62.09, -48.59

 

CMYK 14 / 66 / 0 / 11

HEX #C34EE4

RGB 195 78 228

HSL 286.8, 0.74%, 0.6%

LAB 54.71, 67.49, -55.26

 

CMYK 0 / 66 / 3 / 11

HEX #E44EDD

RGB 228 78 221

HSL 302.8, 0.74%, 0.6%

LAB 59.13, 73.72, -44.01

 

CMYK 0 / 66 / 21 / 11

HEX #E44EB4

RGB 228 78 180

HSL 319.2, 0.74%, 0.6%

LAB 57.31, 67.73, -23.45

 

CMYK 0 / 66 / 39 / 11

HEX #E44E8C

RGB 228 78 140

HSL 335.2, 0.74%, 0.6%

LAB 55.92, 62.96, -2.16

 

CMYK 0 / 66 / 57 / 11

HEX #E44E63

RGB 228 78 99

HSL 351.6, 0.74%, 0.6%

LAB 54.91, 59.34, 20.68

 

CMYK 14 / 66 / 0 / 11

HEX #C34EE4

RGB 195 78 228

HSL 286.8, 0.74%, 0.6%

LAB 54.71, 67.49, -55.26

 

CMYK 32 / 66 / 0 / 11

HEX #9B4EE4

RGB 155 78 228

HSL 270.8, 0.74%, 0.6%

LAB 49.52, 58.95, -63.89

 

CMYK 50 / 66 / 0 / 11

HEX #724EE4

RGB 114 78 228

HSL 254.4, 0.74%, 0.6%

LAB 45.12, 51.12, -71.23

 

CMYK 66 / 66 / 0 / 11

HEX #4E4EE4

RGB 78 78 228

HSL 240, 0.74%, 0.6%

LAB 42.26, 45.62, -76.02

 

CMYK 14 / 66 / 0 / 11

HEX #C34EE4

RGB 195 78 228

HSL 286.8, 0.74%, 0.6%

LAB 54.71, 67.49, -55.26

 

CMYK 16 / 75 / 0 / 4

HEX #CD3DF5

RGB 205 61 245

HSL 286.96, 0.9%, 0.6%

LAB 54.98, 78.86, -64.29

 

CMYK 14 / 66 / 0 / 11

HEX #C34EE4

RGB 195 78 228

HSL 286.8, 0.74%, 0.6%

LAB 54.71, 67.49, -55.26

 

CMYK 12 / 56 / 0 / 17

HEX #BA5ED4

RGB 186 94 212

HSL 286.78, 0.58%, 0.6%

LAB 55.28, 55, -45.39

 

CMYK 9 / 43 / 0 / 24

HEX #B16FC3

RGB 177 111 195

HSL 287.14, 0.41%, 0.6%

LAB 56.74, 40.24, -33.5

 

CMYK 6 / 29 / 0 / 30

HEX #A87FB3

RGB 168 127 179

HSL 287.31, 0.25%, 0.6%

LAB 58.75, 25.18, -21.34

 

CMYK 2 / 11 / 0 / 36

HEX #9E90A2

RGB 158 144 162

HSL 286.67, 0.09%, 0.6%

LAB 61.5, 8.61, -7.59

 

CMYK 50 / 66 / 0 / 11

HEX #714EE4

RGB 113 78 228

HSL 254, 0.74%, 0.6%

LAB 45.03, 50.94, -71.39

 

CMYK 33 / 66 / 0 / 11

HEX #994EE4

RGB 153 78 228

HSL 270, 0.74%, 0.6%

LAB 49.28, 58.54, -64.29

 

CMYK 15 / 66 / 0 / 11

HEX #C14EE4

RGB 193 78 228

HSL 286, 0.74%, 0.6%

LAB 54.44, 67.05, -55.72

 

CMYK 0 / 66 / 2 / 11

HEX #E44EDF

RGB 228 78 223

HSL 302, 0.74%, 0.6%

LAB 59.22, 74.04, -44.98

 

CMYK 0 / 66 / 20 / 11

HEX #E44EB7

RGB 228 78 183

HSL 318, 0.74%, 0.6%

LAB 57.43, 68.14, -25

 

CMYK 19 / 85 / 0 / 24

HEX #9E1DC2

RGB 158 29 194

HSL 286.91, 0.74%, 0.44%

LAB 41.28, 70.33, -57.65

 

CMYK 18 / 81 / 0 / 13

HEX #B72ADF

RGB 183 42 223

HSL 286.74, 0.74%, 0.52%

LAB 48.32, 76.54, -62.8

 

CMYK 14 / 66 / 0 / 11

HEX #C34EE4

RGB 195 78 228

HSL 286.8, 0.74%, 0.6%

LAB 54.71, 67.49, -55.26

 

CMYK 12 / 52 / 0 / 8

HEX #CF71EA

RGB 207 113 234

HSL 286.61, 0.74%, 0.68%

LAB 62.52, 55.49, -46.12

 

CMYK 8 / 38 / 0 / 6

HEX #DB95EF

RGB 219 149 239

HSL 286.67, 0.74%, 0.76%

LAB 71.41, 41.25, -34.88

 

CMYK 14 / 66 / 0 / 10

HEX #C44FE5

RGB 196 79 229

HSL 286.8, 0.74%, 0.6%

LAB 55.06, 67.49, -55.27

 

CMYK 0 / 66 / 64 / 11

HEX #E44E53

RGB 228 78 83

HSL 358, 0.74%, 0.6%

LAB 54.62, 58.29, 29.68

 

CMYK 66 / 0 / 42 / 11

HEX #4EE485

RGB 78 228 133

HSL 142, 0.74%, 0.6%

LAB 81.18, -60.1, 35.01

 

CMYK 14 / 66 / 0 / 10

HEX #C44FE5

RGB 196 79 229

HSL 286.8, 0.74%, 0.6%

LAB 55.06, 67.49, -55.27

 

CMYK 0 / 15 / 66 / 11

HEX #E4C14E

RGB 228 193 78

HSL 46, 0.74%, 0.6%

LAB 79.15, -0.03, 60.53

 

CMYK 66 / 0 / 15 / 11

HEX #4EE4C1

RGB 78 228 193

HSL 166, 0.74%, 0.6%

LAB 82.36, -47.66, 5.53

 

CMYK 14 / 66 / 0 / 10

HEX #C44FE5

RGB 196 79 229

HSL 286.8, 0.74%, 0.6%

LAB 55.06, 67.49, -55.27

 

CMYK 0 / 66 / 64 / 11

HEX #E44E53

RGB 228 78 83

HSL 358, 0.74%, 0.6%

LAB 54.62, 58.29, 29.68

 

CMYK 50 / 0 / 66 / 11

HEX #71E44E

RGB 113 228 78

HSL 106, 0.74%, 0.6%

LAB 81.59, -59.13, 60.97

 

CMYK 66 / 0 / 2 / 11

HEX #4EE4DF

RGB 78 228 223

HSL 178, 0.74%, 0.6%

LAB 83.14, -39.96, -9.18

 

CMYK 14 / 66 / 0 / 10

HEX #C44FE5

RGB 196 79 229

HSL 286.8, 0.74%, 0.6%

LAB 55.06, 67.49, -55.27

 

CMYK 0 / 48 / 66 / 11

HEX #E4764E

RGB 228 118 78

HSL 16, 0.74%, 0.6%

LAB 61.66, 39.5, 41.03

 

CMYK 50 / 0 / 66 / 11

HEX #71E44E

RGB 113 228 78

HSL 106, 0.74%, 0.6%

LAB 81.59, -59.13, 60.97

 

CMYK 66 / 18 / 0 / 11

HEX #4EBCE4

RGB 78 188 228

HSL 196, 0.74%, 0.6%

LAB 71.68, -19.12, -29.21

 

Description

Color code: HEX #C44FE5 | qconv.com Color code: HEX #C44FE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 79 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 79 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 66 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 66% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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