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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C44C80 it is the complementary color #3BB37F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C44C80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C44C80 shade: #C94C7B, #DA5E8E, #EB70A1, #FC82B4 and #FF94C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C44C80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C44C80 shade: #C44C80, #B33A6D, #A2285A, #911647 and #800434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C44C80 shade: #C34B7F, #C34B5F and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C44C80 shade: #C34B7F, #C34B9F, #C34BC0, #A64BC3 and #864BC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C44C80 shade matches the following richer shades: #C34B7F, #D6387D, #EA247A and #FD1177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C44C80 shade: #C34B7F, #B05F82, #9C7284, #898587 and #76998A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C44C80 shade: #C34BBF, #C34B9F, #C34B7F, #C34B5F and #C3574B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C44C80 shade: #8D2F58, #AC396B, #C34B7F, #CD6A95 and #D889AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C44C80 shade: #C44C80, #C3A74B and #4BAFC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C44C80 shade: #C44C80, #7FC34B and #4B7FC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C44C80 shade: #C44C80, #C3A74B, #4BC38F and #4B67C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C44C80 shade: #C44C80, #BBC34B, #4BC38F and #534BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 35 / 23

HEX #C44C80

RGB 196 76 128

HSL 334, 0.5%, 0.53%

LAB 50.05, 52.84, -4.26

 

Complementary color

CMYK 67 / 0 / 29 / 30

HEX #3BB37F

RGB 59 179 127

HSL 154, 0.5%, 0.47%

LAB 65.52, -45.51, 17.06

 

CMYK 0 / 62 / 39 / 21

HEX #C94C7B

RGB 201 76 123

HSL 337.44, 0.54%, 0.54%

LAB 50.71, 53.84, -0.2

 

CMYK 0 / 57 / 35 / 15

HEX #DA5E8E

RGB 218 94 142

HSL 336.77, 0.63%, 0.61%

LAB 56.94, 53.28, -2.02

 

CMYK 0 / 52 / 31 / 8

HEX #EB70A1

RGB 235 112 161

HSL 336.1, 0.75%, 0.68%

LAB 63.2, 52.58, -3.53

 

CMYK 0 / 48 / 29 / 1

HEX #FC82B4

RGB 252 130 180

HSL 335.41, 0.95%, 0.75%

LAB 69.44, 51.81, -4.82

 

CMYK 0 / 42 / 22 / 0

HEX #FF94C7

RGB 255 148 199

HSL 331.4, 1%, 0.79%

LAB 73.91, 46.41, -8.72

 

CMYK 0 / 61 / 35 / 23

HEX #C44C80

RGB 196 76 128

HSL 334, 0.5%, 0.53%

LAB 50.05, 52.84, -4.26

 

CMYK 0 / 68 / 39 / 30

HEX #B33A6D

RGB 179 58 109

HSL 334.71, 0.51%, 0.46%

LAB 43.82, 53.12, -2.2

 

CMYK 0 / 75 / 44 / 36

HEX #A2285A

RGB 162 40 90

HSL 335.41, 0.6%, 0.4%

LAB 37.73, 52.88, 0.43

 

CMYK 0 / 85 / 51 / 43

HEX #911647

RGB 145 22 71

HSL 336.1, 0.74%, 0.33%

LAB 31.92, 51.74, 3.93

 

CMYK 0 / 97 / 59 / 50

HEX #800434

RGB 128 4 52

HSL 336.77, 0.94%, 0.26%

LAB 26.52, 49.31, 8.55

 

CMYK 0 / 62 / 35 / 24

HEX #C34B7F

RGB 195 75 127

HSL 334, 0.5%, 0.53%

LAB 49.7, 52.86, -4.2

 

CMYK 0 / 62 / 51 / 24

HEX #C34B5F

RGB 195 75 95

HSL 350, 0.5%, 0.53%

LAB 48.84, 49.58, 13.89

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 62 / 35 / 24

HEX #C34B7F

RGB 195 75 127

HSL 334, 0.5%, 0.53%

LAB 49.7, 52.86, -4.2

 

CMYK 0 / 62 / 18 / 24

HEX #C34B9F

RGB 195 75 159

HSL 318, 0.5%, 0.53%

LAB 50.85, 57.07, -21.55

 

CMYK 0 / 62 / 2 / 24

HEX #C34BC0

RGB 195 75 192

HSL 301.5, 0.5%, 0.53%

LAB 52.33, 62.26, -38.51

 

CMYK 15 / 62 / 0 / 24

HEX #A64BC3

RGB 166 75 195

HSL 285.5, 0.5%, 0.53%

LAB 48.36, 55.64, -46.8

 

CMYK 31 / 62 / 0 / 24

HEX #864BC3

RGB 134 75 195

HSL 269.5, 0.5%, 0.53%

LAB 44.29, 48.04, -53.54

 

CMYK 0 / 62 / 35 / 24

HEX #C34B7F

RGB 195 75 127

HSL 334, 0.5%, 0.53%

LAB 49.7, 52.86, -4.2

 

CMYK 0 / 74 / 42 / 16

HEX #D6387D

RGB 214 56 125

HSL 333.8, 0.66%, 0.53%

LAB 50.22, 65.44, -1.86

 

CMYK 0 / 85 / 48 / 8

HEX #EA247A

RGB 234 36 122

HSL 333.94, 0.83%, 0.53%

LAB 52.02, 75.41, 3.02

 

CMYK 0 / 93 / 53 / 1

HEX #FD1177

RGB 253 17 119

HSL 334.07, 0.98%, 0.53%

LAB 54.67, 82.27, 9.12

 

CMYK 0 / 62 / 35 / 24

HEX #C34B7F

RGB 195 75 127

HSL 334, 0.5%, 0.53%

LAB 49.7, 52.86, -4.2

 

CMYK 0 / 46 / 26 / 31

HEX #B05F82

RGB 176 95 130

HSL 334.07, 0.34%, 0.53%

LAB 50.72, 37.11, -4.8

 

CMYK 0 / 27 / 15 / 39

HEX #9C7284

RGB 156 114 132

HSL 334.29, 0.18%, 0.53%

LAB 52.7, 19.46, -3.34

 

CMYK 0 / 3 / 1 / 46

HEX #898587

RGB 137 133 135

HSL 330, 0.02%, 0.53%

LAB 55.93, 1.88, -0.55

 

CMYK 23 / 0 / 10 / 40

HEX #76998A

RGB 118 153 138

HSL 154.29, 0.15%, 0.53%

LAB 60.31, -15.33, 3.93

 

CMYK 0 / 62 / 2 / 24

HEX #C34BBF

RGB 195 75 191

HSL 302, 0.5%, 0.53%

LAB 52.28, 62.09, -38.01

 

CMYK 0 / 62 / 18 / 24

HEX #C34B9F

RGB 195 75 159

HSL 318, 0.5%, 0.53%

LAB 50.85, 57.07, -21.55

 

CMYK 0 / 62 / 35 / 24

HEX #C34B7F

RGB 195 75 127

HSL 334, 0.5%, 0.53%

LAB 49.7, 52.86, -4.2

 

CMYK 0 / 62 / 51 / 24

HEX #C34B5F

RGB 195 75 95

HSL 350, 0.5%, 0.53%

LAB 48.84, 49.58, 13.89

 

CMYK 0 / 55 / 62 / 24

HEX #C3574B

RGB 195 87 75

HSL 6, 0.5%, 0.53%

LAB 50.6, 42.35, 28.11

 

CMYK 0 / 67 / 38 / 45

HEX #8D2F58

RGB 141 47 88

HSL 333.83, 0.5%, 0.37%

LAB 34.8, 43.58, -3.03

 

CMYK 0 / 67 / 38 / 33

HEX #AC396B

RGB 172 57 107

HSL 333.91, 0.5%, 0.45%

LAB 42.4, 51.18, -3.2

 

CMYK 0 / 62 / 35 / 24

HEX #C34B7F

RGB 195 75 127

HSL 334, 0.5%, 0.53%

LAB 49.7, 52.86, -4.2

 

CMYK 0 / 48 / 27 / 20

HEX #CD6A95

RGB 205 106 149

HSL 333.94, 0.5%, 0.61%

LAB 57.52, 44.05, -5.47

 

CMYK 0 / 37 / 21 / 15

HEX #D889AB

RGB 216 137 171

HSL 334.18, 0.5%, 0.69%

LAB 66.08, 34.78, -5.23

 

CMYK 0 / 61 / 35 / 23

HEX #C44C80

RGB 196 76 128

HSL 334, 0.5%, 0.53%

LAB 50.05, 52.84, -4.26

 

CMYK 0 / 14 / 62 / 24

HEX #C3A74B

RGB 195 167 75

HSL 46, 0.5%, 0.53%

LAB 69.29, -0.6, 50.25

 

CMYK 62 / 10 / 0 / 24

HEX #4BAFC3

RGB 75 175 195

HSL 190, 0.5%, 0.53%

LAB 66.59, -22.99, -18.9

 

CMYK 0 / 61 / 35 / 23

HEX #C44C80

RGB 196 76 128

HSL 334, 0.5%, 0.53%

LAB 50.05, 52.84, -4.26

 

CMYK 35 / 0 / 62 / 24

HEX #7FC34B

RGB 127 195 75

HSL 94, 0.5%, 0.53%

LAB 72.26, -41.77, 52.2

 

CMYK 62 / 35 / 0 / 24

HEX #4B7FC3

RGB 75 127 195

HSL 214, 0.5%, 0.53%

LAB 52.53, 3.71, -40.69

 

CMYK 0 / 61 / 35 / 23

HEX #C44C80

RGB 196 76 128

HSL 334, 0.5%, 0.53%

LAB 50.05, 52.84, -4.26

 

CMYK 0 / 14 / 62 / 24

HEX #C3A74B

RGB 195 167 75

HSL 46, 0.5%, 0.53%

LAB 69.29, -0.6, 50.25

 

CMYK 62 / 0 / 27 / 24

HEX #4BC38F

RGB 75 195 143

HSL 154, 0.5%, 0.53%

LAB 71.22, -45.75, 16.38

 

CMYK 62 / 47 / 0 / 24

HEX #4B67C3

RGB 75 103 195

HSL 226, 0.5%, 0.53%

LAB 45.82, 18.53, -51.35

 

CMYK 0 / 61 / 35 / 23

HEX #C44C80

RGB 196 76 128

HSL 334, 0.5%, 0.53%

LAB 50.05, 52.84, -4.26

 

CMYK 4 / 0 / 62 / 24

HEX #BBC34B

RGB 187 195 75

HSL 64, 0.5%, 0.53%

LAB 76.13, -18.48, 57.54

 

CMYK 62 / 0 / 27 / 24

HEX #4BC38F

RGB 75 195 143

HSL 154, 0.5%, 0.53%

LAB 71.22, -45.75, 16.38

 

CMYK 57 / 62 / 0 / 24

HEX #534BC3

RGB 83 75 195

HSL 244, 0.5%, 0.53%

LAB 39.26, 37.5, -61.93

 

Description

Color code: HEX #C44C80 | qconv.com Color code: HEX #C44C80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 76 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 76 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 35 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 35% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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