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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C448B6 it is the complementary color #3BB749. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C448B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C448B6: #C948B1, #DA5AC4, #EB6CD7, #FC7EEA and #FF90FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C448B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C448B6: #C448B6, #B336A3, #A22490, #91127D and #80006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

Complementary color

CMYK 68 / 0 / 60 / 28

HEX #3BB749

RGB 59 183 73

HSL 126.77, 0.51%, 0.47%

LAB 65.96, -56.2, 45.26

 

CMYK 0 / 64 / 12 / 21

HEX #C948B1

RGB 201 72 177

HSL 311.16, 0.54%, 0.54%

LAB 52.09, 62.62, -30.11

 

CMYK 0 / 59 / 10 / 15

HEX #DA5AC4

RGB 218 90 196

HSL 310.31, 0.63%, 0.6%

LAB 58.23, 62.49, -31.34

 

CMYK 0 / 54 / 9 / 8

HEX #EB6CD7

RGB 235 108 215

HSL 309.45, 0.76%, 0.67%

LAB 64.4, 62.11, -32.32

 

CMYK 0 / 50 / 7 / 1

HEX #FC7EEA

RGB 252 126 234

HSL 308.57, 0.95%, 0.74%

LAB 70.56, 61.57, -33.13

 

CMYK 0 / 44 / 1 / 0

HEX #FF90FD

RGB 255 144 253

HSL 301.08, 1%, 0.78%

LAB 75.01, 56.95, -36.59

 

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

CMYK 0 / 70 / 9 / 30

HEX #B336A3

RGB 179 54 163

HSL 307.68, 0.54%, 0.46%

LAB 45.45, 61.85, -32.5

 

CMYK 0 / 78 / 11 / 36

HEX #A22490

RGB 162 36 144

HSL 308.57, 0.64%, 0.39%

LAB 39.51, 60.91, -30.59

 

CMYK 0 / 88 / 14 / 43

HEX #91127D

RGB 145 18 125

HSL 309.45, 0.78%, 0.32%

LAB 33.84, 58.89, -27.96

 

CMYK 0 / 100 / 17 / 50

HEX #80006A

RGB 128 0 106

HSL 310.31, 1%, 0.25%

LAB 28.46, 55.69, -24.57

 

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

CMYK 0 / 62 / 17 / 23

HEX #C44AA3

RGB 196 74 163

HSL 316.23, 0.51%, 0.53%

LAB 51.01, 58.36, -23.64

 

CMYK 0 / 62 / 27 / 23

HEX #C44A8F

RGB 196 74 143

HSL 326.07, 0.51%, 0.53%

LAB 50.24, 55.58, -12.97

 

CMYK 0 / 62 / 38 / 23

HEX #C44A7A

RGB 196 74 122

HSL 336.39, 0.51%, 0.53%

LAB 49.54, 53.03, -1.4

 

CMYK 0 / 62 / 48 / 23

HEX #C44A66

RGB 196 74 102

HSL 346.23, 0.51%, 0.53%

LAB 49, 50.98, 9.91

 

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

CMYK 0 / 63 / 7 / 3

HEX #F75BE5

RGB 247 91 229

HSL 306.92, 0.91%, 0.66%

LAB 64.09, 74.55, -40.5

 

CMYK 0 / 63 / 7 / 83

HEX #2B1028

RGB 43 16 40

HSL 306.67, 0.46%, 0.12%

LAB 9.3, 18.14, -10.23

 

CMYK 0 / 63 / 7 / 63

HEX #5E2357

RGB 94 35 87

HSL 307.12, 0.46%, 0.25%

LAB 24.54, 34.2, -18.72

 

CMYK 0 / 63 / 7 / 43

HEX #913587

RGB 145 53 135

HSL 306.52, 0.46%, 0.39%

LAB 38.4, 48.99, -27.02

 

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

CMYK 0 / 44 / 62 / 23

HEX #C46E4A

RGB 196 110 74

HSL 17.7, 0.51%, 0.53%

LAB 55.46, 30.79, 34.72

 

CMYK 62 / 0 / 19 / 23

HEX #4AC49F

RGB 74 196 159

HSL 161.8, 0.51%, 0.53%

LAB 71.85, -42.75, 8.63

 

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

CMYK 6 / 0 / 62 / 23

HEX #B8C44A

RGB 184 196 74

HSL 65.9, 0.51%, 0.53%

LAB 76.17, -20.28, 57.94

 

CMYK 62 / 6 / 0 / 23

HEX #4AB8C4

RGB 74 184 196

HSL 185.9, 0.51%, 0.53%

LAB 69.27, -27.39, -15.4

 

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

CMYK 0 / 44 / 62 / 23

HEX #C46E4A

RGB 196 110 74

HSL 17.7, 0.51%, 0.53%

LAB 55.46, 30.79, 34.72

 

CMYK 62 / 0 / 56 / 23

HEX #4AC456

RGB 74 196 86

HSL 125.9, 0.51%, 0.53%

LAB 70.6, -56.18, 44.75

 

CMYK 62 / 19 / 0 / 23

HEX #4A9FC4

RGB 74 159 196

HSL 198.2, 0.51%, 0.53%

LAB 61.86, -14.45, -26.7

 

CMYK 0 / 63 / 7 / 23

HEX #C448B6

RGB 196 72 182

HSL 306.77, 0.51%, 0.53%

LAB 51.55, 62.11, -33.93

 

CMYK 0 / 25 / 62 / 23

HEX #C4934A

RGB 196 147 74

HSL 35.9, 0.51%, 0.53%

LAB 64.24, 10.58, 45.05

 

CMYK 62 / 0 / 56 / 23

HEX #4AC456

RGB 74 196 86

HSL 125.9, 0.51%, 0.53%

LAB 70.6, -56.18, 44.75

 

CMYK 62 / 38 / 0 / 23

HEX #4A7AC4

RGB 74 122 196

HSL 216.39, 0.51%, 0.53%

LAB 51.11, 6.89, -43.5

 

Description

Color code: HEX #C448B6 | qconv.com Color code: HEX #C448B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 72 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 72 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 7 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 7% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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