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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C444BF it is the complementary color #3BBB40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C444BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C444BF shade: #C944BA, #DA56CD, #EB68E0, #FC7AF3 and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C444BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C444BF shade: #C444BF, #B332AC, #A22099, #910E86 and #800073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C444BF shade: #C445BF, #C4459D, #C4457B, #C44558 and #C44545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C444BF shade: #C445BF, #A745C4, #8545C4, #6245C4 and #4545C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C444BF shade matches the following richer shades: #C445BF, #D831D2 and #EC1DE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C444BF shade: #C445BF, #B059AD, #9D6D9B, #898089 and #759476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C444BF shade: #8545C4, #A745C4, #C445C0, #C4459E and #C4457C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C444BF shade: #8B2C87, #AA36A6, #C445BF, #CE64CA and #D884D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C444BF shade: #C444BF, #C46345 and #45C496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C444BF shade: #C444BF, #C0C445 and #45C0C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C444BF shade: #C444BF, #C46345, #45C449 and #45A7C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C444BF shade: #C444BF, #C48945, #45C449 and #4580C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 3 / 23

HEX #C444BF

RGB 196 68 191

HSL 302.34, 0.52%, 0.52%

LAB 51.42, 65.16, -39.36

 

Complementary color

CMYK 68 / 0 / 66 / 27

HEX #3BBB40

RGB 59 187 64

HSL 122.34, 0.52%, 0.48%

LAB 67.16, -58.59, 50.56

 

CMYK 0 / 66 / 7 / 21

HEX #C944BA

RGB 201 68 186

HSL 306.77, 0.55%, 0.53%

LAB 51.95, 65.57, -35.58

 

CMYK 0 / 61 / 6 / 15

HEX #DA56CD

RGB 218 86 205

HSL 305.91, 0.64%, 0.6%

LAB 58.01, 65.61, -36.81

 

CMYK 0 / 56 / 5 / 8

HEX #EB68E0

RGB 235 104 224

HSL 305.04, 0.77%, 0.66%

LAB 64.12, 65.35, -37.79

 

CMYK 0 / 52 / 4 / 1

HEX #FC7AF3

RGB 252 122 243

HSL 304.15, 0.96%, 0.73%

LAB 70.24, 64.89, -38.59

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 65 / 3 / 23

HEX #C444BF

RGB 196 68 191

HSL 302.34, 0.52%, 0.52%

LAB 51.42, 65.16, -39.36

 

CMYK 0 / 72 / 4 / 30

HEX #B332AC

RGB 179 50 172

HSL 303.26, 0.56%, 0.45%

LAB 45.42, 64.66, -37.89

 

CMYK 0 / 80 / 6 / 36

HEX #A22099

RGB 162 32 153

HSL 304.15, 0.67%, 0.38%

LAB 39.6, 63.39, -35.91

 

CMYK 0 / 90 / 8 / 43

HEX #910E86

RGB 145 14 134

HSL 305.04, 0.82%, 0.31%

LAB 34.1, 60.93, -33.18

 

CMYK 0 / 100 / 10 / 50

HEX #800073

RGB 128 0 115

HSL 306.09, 1%, 0.25%

LAB 28.97, 56.97, -29.55

 

CMYK 0 / 65 / 3 / 23

HEX #C445BF

RGB 196 69 191

HSL 302.36, 0.52%, 0.52%

LAB 51.56, 64.77, -39.14

 

CMYK 0 / 65 / 20 / 23

HEX #C4459D

RGB 196 69 157

HSL 318.43, 0.52%, 0.52%

LAB 50.01, 59.57, -21.64

 

CMYK 0 / 65 / 37 / 23

HEX #C4457B

RGB 196 69 123

HSL 334.49, 0.52%, 0.52%

LAB 48.79, 55.28, -3.11

 

CMYK 0 / 65 / 55 / 23

HEX #C44558

RGB 196 69 88

HSL 351.02, 0.52%, 0.52%

LAB 47.88, 51.95, 16.84

 

CMYK 0 / 65 / 65 / 23

HEX #C44545

RGB 196 69 69

HSL 0, 0.52%, 0.52%

LAB 47.52, 50.63, 27.79

 

CMYK 0 / 65 / 3 / 23

HEX #C445BF

RGB 196 69 191

HSL 302.36, 0.52%, 0.52%

LAB 51.56, 64.77, -39.14

 

CMYK 15 / 65 / 0 / 23

HEX #A745C4

RGB 167 69 196

HSL 286.3, 0.52%, 0.52%

LAB 47.57, 58.8, -48.63

 

CMYK 32 / 65 / 0 / 23

HEX #8545C4

RGB 133 69 196

HSL 270.24, 0.52%, 0.52%

LAB 43.11, 51.13, -56.04

 

CMYK 50 / 65 / 0 / 23

HEX #6245C4

RGB 98 69 196

HSL 253.7, 0.52%, 0.52%

LAB 39.31, 44.03, -62.38

 

CMYK 65 / 65 / 0 / 23

HEX #4545C4

RGB 69 69 196

HSL 240, 0.52%, 0.52%

LAB 36.94, 39.25, -66.34

 

CMYK 0 / 65 / 3 / 23

HEX #C445BF

RGB 196 69 191

HSL 302.36, 0.52%, 0.52%

LAB 51.56, 64.77, -39.14

 

CMYK 0 / 77 / 3 / 15

HEX #D831D2

RGB 216 49 210

HSL 302.16, 0.68%, 0.52%

LAB 53.44, 78.65, -46.89

 

CMYK 0 / 88 / 3 / 7

HEX #EC1DE4

RGB 236 29 228

HSL 302.32, 0.84%, 0.52%

LAB 56.4, 88.95, -52.2

 

CMYK 0 / 65 / 3 / 23

HEX #C445BF

RGB 196 69 191

HSL 302.36, 0.52%, 0.52%

LAB 51.56, 64.77, -39.14

 

CMYK 0 / 49 / 2 / 31

HEX #B059AD

RGB 176 89 173

HSL 302.07, 0.36%, 0.52%

LAB 51.14, 47.28, -29.53

 

CMYK 0 / 31 / 1 / 38

HEX #9D6D9B

RGB 157 109 155

HSL 302.5, 0.2%, 0.52%

LAB 52.37, 26.91, -17.32

 

CMYK 0 / 7 / 0 / 46

HEX #898089

RGB 137 128 137

HSL 300, 0.04%, 0.52%

LAB 54.62, 5.14, -3.63

 

CMYK 21 / 0 / 20 / 42

HEX #759476

RGB 117 148 118

HSL 121.94, 0.13%, 0.52%

LAB 58.29, -17.02, 12.37

 

CMYK 32 / 65 / 0 / 23

HEX #8545C4

RGB 133 69 196

HSL 270.24, 0.52%, 0.52%

LAB 43.11, 51.13, -56.04

 

CMYK 15 / 65 / 0 / 23

HEX #A745C4

RGB 167 69 196

HSL 286.3, 0.52%, 0.52%

LAB 47.57, 58.8, -48.63

 

CMYK 0 / 65 / 2 / 23

HEX #C445C0

RGB 196 69 192

HSL 301.89, 0.52%, 0.52%

LAB 51.61, 64.94, -39.64

 

CMYK 0 / 65 / 19 / 23

HEX #C4459E

RGB 196 69 158

HSL 317.95, 0.52%, 0.52%

LAB 50.05, 59.71, -22.17

 

CMYK 0 / 65 / 37 / 23

HEX #C4457C

RGB 196 69 124

HSL 334.02, 0.52%, 0.52%

LAB 48.82, 55.39, -3.67

 

CMYK 0 / 68 / 3 / 45

HEX #8B2C87

RGB 139 44 135

HSL 302.53, 0.52%, 0.36%

LAB 36.06, 51.23, -30.76

 

CMYK 0 / 68 / 2 / 33

HEX #AA36A6

RGB 170 54 166

HSL 302.07, 0.52%, 0.44%

LAB 44.14, 60.18, -36.45

 

CMYK 0 / 65 / 3 / 23

HEX #C445BF

RGB 196 69 191

HSL 302.36, 0.52%, 0.52%

LAB 51.56, 64.77, -39.14

 

CMYK 0 / 51 / 2 / 19

HEX #CE64CA

RGB 206 100 202

HSL 302.26, 0.52%, 0.6%

LAB 58.51, 55.62, -34.45

 

CMYK 0 / 39 / 1 / 15

HEX #D884D5

RGB 216 132 213

HSL 302.14, 0.52%, 0.68%

LAB 66.45, 44.39, -28.23

 

CMYK 0 / 65 / 3 / 23

HEX #C444BF

RGB 196 68 191

HSL 302.34, 0.52%, 0.52%

LAB 51.42, 65.16, -39.36

 

CMYK 0 / 49 / 65 / 23

HEX #C46345

RGB 196 99 69

HSL 14.17, 0.52%, 0.52%

LAB 53.05, 36.26, 34.56

 

CMYK 65 / 0 / 23 / 23

HEX #45C496

RGB 69 196 150

HSL 158.27, 0.52%, 0.52%

LAB 71.52, -45.74, 13

 

CMYK 0 / 65 / 3 / 23

HEX #C444BF

RGB 196 68 191

HSL 302.34, 0.52%, 0.52%

LAB 51.42, 65.16, -39.36

 

CMYK 2 / 0 / 65 / 23

HEX #C0C445

RGB 192 196 69

HSL 61.89, 0.52%, 0.52%

LAB 76.75, -17.28, 60.79

 

CMYK 65 / 2 / 0 / 23

HEX #45C0C4

RGB 69 192 196

HSL 181.89, 0.52%, 0.52%

LAB 71.52, -32.08, -12.03

 

CMYK 0 / 65 / 3 / 23

HEX #C444BF

RGB 196 68 191

HSL 302.34, 0.52%, 0.52%

LAB 51.42, 65.16, -39.36

 

CMYK 0 / 49 / 65 / 23

HEX #C46345

RGB 196 99 69

HSL 14.17, 0.52%, 0.52%

LAB 53.05, 36.26, 34.56

 

CMYK 65 / 0 / 63 / 23

HEX #45C449

RGB 69 196 73

HSL 121.89, 0.52%, 0.52%

LAB 70.33, -58.77, 50.3

 

CMYK 65 / 15 / 0 / 23

HEX #45A7C4

RGB 69 167 196

HSL 193.7, 0.52%, 0.52%

LAB 64.07, -19.57, -23.32

 

CMYK 0 / 65 / 3 / 23

HEX #C444BF

RGB 196 68 191

HSL 302.34, 0.52%, 0.52%

LAB 51.42, 65.16, -39.36

 

CMYK 0 / 30 / 65 / 23

HEX #C48945

RGB 196 137 69

HSL 32.13, 0.52%, 0.52%

LAB 61.7, 15.73, 44.64

 

CMYK 65 / 0 / 63 / 23

HEX #45C449

RGB 69 196 73

HSL 121.89, 0.52%, 0.52%

LAB 70.33, -58.77, 50.3

 

CMYK 65 / 35 / 0 / 23

HEX #4580C4

RGB 69 128 196

HSL 212.13, 0.52%, 0.52%

LAB 52.61, 2.35, -41.14

 

Description

Color code: HEX #C444BF | qconv.com Color code: HEX #C444BF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 68 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 68 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 3 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 3% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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