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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4424D it is the complementary color #3BBDB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4424D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4424D shade: #C94248, #DA545B, #EB666E, #FC7881 and #FF8A94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4424D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4424D shade: #C4424D, #B3303A, #A21E27, #910C14 and #800001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4424D shade: #C3414C and #C34141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4424D shade: #C3414C, #C3416F, #C34192, #C341B5 and #AE41C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4424D shade matches the following richer shades: #C3414C, #D72D3B and #EB192A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4424D shade: #C3414C, #AF555D, #9B6A6E, #867E7E and #72928F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4424D shade: #C34193, #C34171, #C3414E, #C35741 and #C37941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4424D shade: #872B32, #A6353E, #C3414C, #CD606A and #D78087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4424D shade: #C4424D, #B6C341 and #4182C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4424D shade: #C4424D, #4EC341 and #414EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4424D shade: #C4424D, #B6C341, #41C3B6 and #4E41C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4424D shade: #C4424D, #8FC341, #41C3B6 and #7541C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 61 / 23

HEX #C4424D

RGB 196 66 77

HSL 354.92, 0.52%, 0.51%

LAB 47.19, 52.41, 22.59

 

Complementary color

CMYK 69 / 0 / 6 / 26

HEX #3BBDB2

RGB 59 189 178

HSL 174.92, 0.52%, 0.49%

LAB 69.85, -37.21, -4.69

 

CMYK 0 / 67 / 64 / 21

HEX #C94248

RGB 201 66 72

HSL 357.33, 0.56%, 0.52%

LAB 47.98, 53.72, 26.77

 

CMYK 0 / 61 / 58 / 15

HEX #DA545B

RGB 218 84 91

HSL 356.87, 0.64%, 0.59%

LAB 54.03, 52.99, 23.92

 

CMYK 0 / 57 / 53 / 8

HEX #EB666E

RGB 235 102 110

HSL 356.39, 0.77%, 0.66%

LAB 60.15, 52.08, 21.51

 

CMYK 0 / 52 / 49 / 1

HEX #FC7881

RGB 252 120 129

HSL 355.91, 0.96%, 0.73%

LAB 66.3, 51.09, 19.46

 

CMYK 0 / 46 / 42 / 0

HEX #FF8A94

RGB 255 138 148

HSL 354.87, 1%, 0.77%

LAB 70.58, 45.17, 14.78

 

CMYK 0 / 66 / 61 / 23

HEX #C4424D

RGB 196 66 77

HSL 354.92, 0.52%, 0.51%

LAB 47.19, 52.41, 22.59

 

CMYK 0 / 73 / 68 / 30

HEX #B3303A

RGB 179 48 58

HSL 355.42, 0.58%, 0.45%

LAB 41.22, 52.78, 25.89

 

CMYK 0 / 81 / 76 / 36

HEX #A21E27

RGB 162 30 39

HSL 355.91, 0.69%, 0.38%

LAB 35.51, 52.49, 29.92

 

CMYK 0 / 92 / 86 / 43

HEX #910C14

RGB 145 12 20

HSL 356.39, 0.85%, 0.31%

LAB 30.24, 51.08, 34.54

 

CMYK 0 / 100 / 99 / 50

HEX #800001

RGB 128 0 1

HSL 359.53, 1%, 0.25%

LAB 25.54, 48.07, 37.66

 

CMYK 0 / 67 / 61 / 24

HEX #C3414C

RGB 195 65 76

HSL 354.92, 0.52%, 0.51%

LAB 46.85, 52.42, 22.71

 

CMYK 0 / 67 / 67 / 24

HEX #C34141

RGB 195 65 65

HSL 0, 0.52%, 0.51%

LAB 46.66, 51.75, 29.05

 

CMYK 0 / 67 / 61 / 24

HEX #C3414C

RGB 195 65 76

HSL 354.92, 0.52%, 0.51%

LAB 46.85, 52.42, 22.71

 

CMYK 0 / 67 / 43 / 24

HEX #C3416F

RGB 195 65 111

HSL 338.77, 0.52%, 0.51%

LAB 47.66, 55.35, 2.51

 

CMYK 0 / 67 / 25 / 24

HEX #C34192

RGB 195 65 146

HSL 322.62, 0.52%, 0.51%

LAB 48.83, 59.4, -16.91

 

CMYK 0 / 67 / 7 / 24

HEX #C341B5

RGB 195 65 181

HSL 306.46, 0.52%, 0.51%

LAB 50.36, 64.46, -35.23

 

CMYK 11 / 67 / 0 / 24

HEX #AE41C3

RGB 174 65 195

HSL 290.31, 0.52%, 0.51%

LAB 47.9, 61.91, -47.46

 

CMYK 0 / 67 / 61 / 24

HEX #C3414C

RGB 195 65 76

HSL 354.92, 0.52%, 0.51%

LAB 46.85, 52.42, 22.71

 

CMYK 0 / 79 / 73 / 16

HEX #D72D3B

RGB 215 45 59

HSL 355.06, 0.68%, 0.51%

LAB 47.8, 64.48, 34.83

 

CMYK 0 / 89 / 82 / 8

HEX #EB192A

RGB 235 25 42

HSL 355.14, 0.84%, 0.51%

LAB 50.13, 73.45, 47.97

 

CMYK 0 / 67 / 61 / 24

HEX #C3414C

RGB 195 65 76

HSL 354.92, 0.52%, 0.51%

LAB 46.85, 52.42, 22.71

 

CMYK 0 / 51 / 47 / 31

HEX #AF555D

RGB 175 85 93

HSL 354.67, 0.36%, 0.51%

LAB 47.5, 37.45, 12.76

 

CMYK 0 / 32 / 29 / 39

HEX #9B6A6E

RGB 155 106 110

HSL 355.1, 0.2%, 0.51%

LAB 49.98, 20.19, 5.7

 

CMYK 0 / 6 / 6 / 47

HEX #867E7E

RGB 134 126 126

HSL 0, 0.03%, 0.51%

LAB 53.49, 3.03, 1.08

 

CMYK 22 / 0 / 2 / 43

HEX #72928F

RGB 114 146 143

HSL 174.38, 0.13%, 0.51%

LAB 58.15, -11.8, -2.09

 

CMYK 0 / 67 / 25 / 24

HEX #C34193

RGB 195 65 147

HSL 322.15, 0.52%, 0.51%

LAB 48.87, 59.54, -17.45

 

CMYK 0 / 67 / 42 / 24

HEX #C34171

RGB 195 65 113

HSL 337.85, 0.52%, 0.51%

LAB 47.72, 55.55, 1.37

 

CMYK 0 / 67 / 60 / 24

HEX #C3414E

RGB 195 65 78

HSL 354, 0.52%, 0.51%

LAB 46.89, 52.56, 21.55

 

CMYK 0 / 55 / 67 / 24

HEX #C35741

RGB 195 87 65

HSL 10.15, 0.52%, 0.51%

LAB 50.45, 41.71, 33.65

 

CMYK 0 / 38 / 67 / 24

HEX #C37941

RGB 195 121 65

HSL 25.85, 0.52%, 0.51%

LAB 57.71, 23.83, 42.09

 

CMYK 0 / 68 / 63 / 47

HEX #872B32

RGB 135 43 50

HSL 355.43, 0.52%, 0.35%

LAB 32.05, 39.68, 17.57

 

CMYK 0 / 68 / 63 / 35

HEX #A6353E

RGB 166 53 62

HSL 355.22, 0.52%, 0.43%

LAB 39.58, 46.85, 20.84

 

CMYK 0 / 67 / 61 / 24

HEX #C3414C

RGB 195 65 76

HSL 354.92, 0.52%, 0.51%

LAB 46.85, 52.42, 22.71

 

CMYK 0 / 53 / 48 / 20

HEX #CD606A

RGB 205 96 106

HSL 354.5, 0.52%, 0.59%

LAB 54.43, 44.1, 15.3

 

CMYK 0 / 40 / 37 / 16

HEX #D78087

RGB 215 128 135

HSL 355.17, 0.52%, 0.67%

LAB 63.04, 34.37, 10.76

 

CMYK 0 / 66 / 61 / 23

HEX #C4424D

RGB 196 66 77

HSL 354.92, 0.52%, 0.51%

LAB 47.19, 52.41, 22.59

 

CMYK 7 / 0 / 67 / 24

HEX #B6C341

RGB 182 195 65

HSL 66, 0.52%, 0.51%

LAB 75.67, -21.2, 61.03

 

CMYK 67 / 33 / 0 / 24

HEX #4182C3

RGB 65 130 195

HSL 210, 0.52%, 0.51%

LAB 52.98, 0.13, -39.99

 

CMYK 0 / 66 / 61 / 23

HEX #C4424D

RGB 196 66 77

HSL 354.92, 0.52%, 0.51%

LAB 47.19, 52.41, 22.59

 

CMYK 60 / 0 / 67 / 24

HEX #4EC341

RGB 78 195 65

HSL 114, 0.52%, 0.51%

LAB 70.2, -57.23, 53.6

 

CMYK 67 / 60 / 0 / 24

HEX #414EC3

RGB 65 78 195

HSL 234, 0.52%, 0.51%

LAB 38.75, 32.74, -62.82

 

CMYK 0 / 66 / 61 / 23

HEX #C4424D

RGB 196 66 77

HSL 354.92, 0.52%, 0.51%

LAB 47.19, 52.41, 22.59

 

CMYK 7 / 0 / 67 / 24

HEX #B6C341

RGB 182 195 65

HSL 66, 0.52%, 0.51%

LAB 75.67, -21.2, 61.03

 

CMYK 67 / 0 / 7 / 24

HEX #41C3B6

RGB 65 195 182

HSL 174, 0.52%, 0.51%

LAB 71.91, -37.98, -3.82

 

CMYK 60 / 67 / 0 / 24

HEX #4E41C3

RGB 78 65 195

HSL 246, 0.52%, 0.51%

LAB 36.63, 42.63, -66.23

 

CMYK 0 / 66 / 61 / 23

HEX #C4424D

RGB 196 66 77

HSL 354.92, 0.52%, 0.51%

LAB 47.19, 52.41, 22.59

 

CMYK 27 / 0 / 67 / 24

HEX #8FC341

RGB 143 195 65

HSL 84, 0.52%, 0.51%

LAB 73.06, -36.77, 57.5

 

CMYK 67 / 0 / 7 / 24

HEX #41C3B6

RGB 65 195 182

HSL 174, 0.52%, 0.51%

LAB 71.91, -37.98, -3.82

 

CMYK 40 / 67 / 0 / 24

HEX #7541C3

RGB 117 65 195

HSL 264, 0.52%, 0.51%

LAB 40.41, 49.58, -59.91

 

Description

Color code: HEX #C4424D | qconv.com Color code: HEX #C4424D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 66 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 66 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 61 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 61% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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