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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4412B it is the complementary color #3BBED4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4412B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4412B shade: #C94126, #DA5339, #EB654C, #FC775F and #FF8972

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4412B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4412B shade: #C4412B, #B32F18, #A21D05, #910B00 and #800000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4412B shade: #C5412B and #C52B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4412B shade: #C5412B, #C56B2B, #C5942B, #C5BD2B and #A2C52B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4412B shade matches the following richer shades: #C5412B, #D83318 and #EB2604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4412B shade: #C5412B, #B14F3F, #9E5D52, #8A6B65 and #777879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4412B shade: #C52B69, #C52B40, #C5402B, #C5692B and #C5912B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4412B shade: #812B1C, #A33624, #C5412B, #D65843 and #DD7665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4412B shade: #C4412B, #91C52B and #2B54C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4412B shade: #C4412B, #2BC540 and #402BC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4412B shade: #C4412B, #91C52B, #2BB0C5 and #5E2BC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4412B shade: #C4412B, #63C52B, #2BB0C5 and #8C2BC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 78 / 23

HEX #C4412B

RGB 196 65 43

HSL 8.63, 0.64%, 0.47%

LAB 46.57, 51.07, 41.43

 

Complementary color

CMYK 72 / 10 / 0 / 17

HEX #3BBED4

RGB 59 190 212

HSL 188.63, 0.64%, 0.53%

LAB 71.22, -27.75, -21.24

 

CMYK 0 / 68 / 81 / 21

HEX #C94126

RGB 201 65 38

HSL 9.94, 0.68%, 0.47%

LAB 47.41, 52.59, 45.15

 

CMYK 0 / 62 / 74 / 15

HEX #DA5339

RGB 218 83 57

HSL 9.69, 0.69%, 0.54%

LAB 53.37, 51.5, 42.36

 

CMYK 0 / 57 / 68 / 8

HEX #EB654C

RGB 235 101 76

HSL 9.43, 0.8%, 0.61%

LAB 59.43, 50.26, 39.74

 

CMYK 0 / 53 / 62 / 1

HEX #FC775F

RGB 252 119 95

HSL 9.17, 0.96%, 0.68%

LAB 65.53, 48.98, 37.37

 

CMYK 0 / 46 / 55 / 0

HEX #FF8972

RGB 255 137 114

HSL 9.79, 1%, 0.72%

LAB 69.73, 42.6, 32.43

 

CMYK 0 / 67 / 78 / 23

HEX #C4412B

RGB 196 65 43

HSL 8.63, 0.64%, 0.47%

LAB 46.57, 51.07, 41.43

 

CMYK 0 / 74 / 87 / 30

HEX #B32F18

RGB 179 47 24

HSL 8.9, 0.76%, 0.4%

LAB 40.71, 51.83, 44.33

 

CMYK 0 / 82 / 97 / 36

HEX #A21D05

RGB 162 29 5

HSL 9.17, 0.94%, 0.33%

LAB 35.14, 51.94, 46.47

 

CMYK 0 / 92 / 100 / 43

HEX #910B00

RGB 145 11 0

HSL 4.55, 1%, 0.28%

LAB 30.06, 50.89, 43.44

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 67 / 78 / 23

HEX #C5412B

RGB 197 65 43

HSL 8.57, 0.64%, 0.47%

LAB 46.74, 51.41, 41.67

 

CMYK 0 / 78 / 78 / 23

HEX #C52B2B

RGB 197 43 43

HSL 0, 0.64%, 0.47%

LAB 43.9, 59.24, 38.73

 

CMYK 0 / 67 / 78 / 23

HEX #C5412B

RGB 197 65 43

HSL 8.57, 0.64%, 0.47%

LAB 46.74, 51.41, 41.67

 

CMYK 0 / 46 / 78 / 23

HEX #C56B2B

RGB 197 107 43

HSL 24.94, 0.64%, 0.47%

LAB 54.62, 31.14, 49.53

 

CMYK 0 / 25 / 78 / 23

HEX #C5942B

RGB 197 148 43

HSL 40.91, 0.64%, 0.47%

LAB 64.34, 8.81, 58.77

 

CMYK 0 / 4 / 78 / 23

HEX #C5BD2B

RGB 197 189 43

HSL 56.88, 0.64%, 0.47%

LAB 75.1, -12.87, 68.55

 

CMYK 18 / 0 / 78 / 23

HEX #A2C52B

RGB 162 197 43

HSL 73.64, 0.64%, 0.47%

LAB 74.69, -31.5, 67.2

 

CMYK 0 / 67 / 78 / 23

HEX #C5412B

RGB 197 65 43

HSL 8.57, 0.64%, 0.47%

LAB 46.74, 51.41, 41.67

 

CMYK 0 / 76 / 89 / 15

HEX #D83318

RGB 216 51 24

HSL 8.44, 0.8%, 0.47%

LAB 48.3, 62.01, 53.36

 

CMYK 0 / 84 / 98 / 8

HEX #EB2604

RGB 235 38 4

HSL 8.83, 0.97%, 0.47%

LAB 50.75, 70.57, 62.77

 

CMYK 0 / 67 / 78 / 23

HEX #C5412B

RGB 197 65 43

HSL 8.57, 0.64%, 0.47%

LAB 46.74, 51.41, 41.67

 

CMYK 0 / 55 / 64 / 31

HEX #B14F3F

RGB 177 79 63

HSL 8.42, 0.48%, 0.47%

LAB 46.04, 38.77, 28.78

 

CMYK 0 / 41 / 48 / 38

HEX #9E5D52

RGB 158 93 82

HSL 8.68, 0.32%, 0.47%

LAB 46.59, 25.31, 17.72

 

CMYK 0 / 22 / 27 / 46

HEX #8A6B65

RGB 138 107 101

HSL 9.73, 0.15%, 0.47%

LAB 48.08, 11.39, 8.09

 

CMYK 2 / 1 / 0 / 53

HEX #777879

RGB 119 120 121

HSL 210, 0.01%, 0.47%

LAB 50.38, -0.17, -0.69

 

CMYK 0 / 78 / 47 / 23

HEX #C52B69

RGB 197 43 105

HSL 335.84, 0.64%, 0.47%

LAB 45.11, 63, 2.54

 

CMYK 0 / 78 / 68 / 23

HEX #C52B40

RGB 197 43 64

HSL 351.82, 0.64%, 0.47%

LAB 44.19, 60.14, 26.67

 

CMYK 0 / 68 / 78 / 23

HEX #C5402B

RGB 197 64 43

HSL 8.18, 0.64%, 0.47%

LAB 46.59, 51.82, 41.52

 

CMYK 0 / 47 / 78 / 23

HEX #C5692B

RGB 197 105 43

HSL 24.16, 0.64%, 0.47%

LAB 54.18, 32.2, 49.11

 

CMYK 0 / 26 / 78 / 23

HEX #C5912B

RGB 197 145 43

HSL 39.74, 0.64%, 0.47%

LAB 63.59, 10.45, 58.07

 

CMYK 0 / 67 / 78 / 49

HEX #812B1C

RGB 129 43 28

HSL 8.91, 0.64%, 0.31%

LAB 30.59, 36.22, 29.23

 

CMYK 0 / 67 / 78 / 36

HEX #A33624

RGB 163 54 36

HSL 8.5, 0.64%, 0.39%

LAB 38.82, 44, 35.31

 

CMYK 0 / 67 / 78 / 23

HEX #C5412B

RGB 197 65 43

HSL 8.57, 0.64%, 0.47%

LAB 46.74, 51.41, 41.67

 

CMYK 0 / 59 / 69 / 16

HEX #D65843

RGB 214 88 67

HSL 8.57, 0.64%, 0.55%

LAB 53.69, 48.31, 37.1

 

CMYK 0 / 47 / 54 / 13

HEX #DD7665

RGB 221 118 101

HSL 8.5, 0.64%, 0.63%

LAB 61.02, 38.44, 27.42

 

CMYK 0 / 67 / 78 / 23

HEX #C4412B

RGB 196 65 43

HSL 8.63, 0.64%, 0.47%

LAB 46.57, 51.07, 41.43

 

CMYK 26 / 0 / 78 / 23

HEX #91C52B

RGB 145 197 43

HSL 80.26, 0.64%, 0.47%

LAB 73.63, -38.2, 65.83

 

CMYK 78 / 57 / 0 / 23

HEX #2B54C5

RGB 43 84 197

HSL 224.03, 0.64%, 0.47%

LAB 39.39, 26.85, -62.98

 

CMYK 0 / 67 / 78 / 23

HEX #C4412B

RGB 196 65 43

HSL 8.63, 0.64%, 0.47%

LAB 46.57, 51.07, 41.43

 

CMYK 78 / 0 / 68 / 23

HEX #2BC540

RGB 43 197 64

HSL 128.18, 0.64%, 0.47%

LAB 70.05, -64.42, 53.61

 

CMYK 68 / 78 / 0 / 23

HEX #402BC5

RGB 64 43 197

HSL 248.18, 0.64%, 0.47%

LAB 31.46, 53.42, -75.95

 

CMYK 0 / 67 / 78 / 23

HEX #C4412B

RGB 196 65 43

HSL 8.63, 0.64%, 0.47%

LAB 46.57, 51.07, 41.43

 

CMYK 26 / 0 / 78 / 23

HEX #91C52B

RGB 145 197 43

HSL 80.26, 0.64%, 0.47%

LAB 73.63, -38.2, 65.83

 

CMYK 78 / 11 / 0 / 23

HEX #2BB0C5

RGB 43 176 197

HSL 188.18, 0.64%, 0.47%

LAB 66.21, -27.3, -20.66

 

CMYK 52 / 78 / 0 / 23

HEX #5E2BC5

RGB 94 43 197

HSL 259.87, 0.64%, 0.47%

LAB 34.27, 56.83, -71.22

 

CMYK 0 / 67 / 78 / 23

HEX #C4412B

RGB 196 65 43

HSL 8.63, 0.64%, 0.47%

LAB 46.57, 51.07, 41.43

 

CMYK 50 / 0 / 78 / 23

HEX #63C52B

RGB 99 197 43

HSL 98.18, 0.64%, 0.47%

LAB 71.39, -54, 62.94

 

CMYK 78 / 11 / 0 / 23

HEX #2BB0C5

RGB 43 176 197

HSL 188.18, 0.64%, 0.47%

LAB 66.21, -27.3, -20.66

 

CMYK 29 / 78 / 0 / 23

HEX #8C2BC5

RGB 140 43 197

HSL 277.79, 0.64%, 0.47%

LAB 40.14, 63.89, -61.39

 

Description

Color code: HEX #C4412B | qconv.com Color code: HEX #C4412B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 65 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 65 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 78 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 78% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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