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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4381F it is the complementary color #3BC7E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4381F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4381F shade: #C9381A, #DA4A2D, #EB5C40, #FC6E53 and #FF8066

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4381F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4381F shade: #C4381F, #B3260C, #A21400, #910200 and #800000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4381F shade: #C7381F and #C71F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4381F shade: #C7381F, #C7661F, #C7931F, #C7C01F and #A0C71F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4381F shade matches the following richer shades: #C7381F and #D92B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4381F shade: #C7381F, #B44532, #A15244, #8F5F57 and #7C6C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4381F shade: #C71F5F, #C71F33, #C7381F, #C7651F and #C7911F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4381F shade: #7F2414, #A32E19, #C7381F, #DF4B30 and #E46A54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4381F shade: #C4381F, #8CC71F and #1F49C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4381F shade: #C4381F, #1FC738 and #381FC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4381F shade: #C4381F, #8CC71F, #1FADC7 and #5A1FC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4381F shade: #C4381F, #5AC71F, #1FADC7 and #8C1FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 84 / 23

HEX #C4381F

RGB 196 56 31

HSL 9.09, 0.73%, 0.45%

LAB 45.17, 54.23, 46.16

 

Complementary color

CMYK 74 / 11 / 0 / 12

HEX #3BC7E0

RGB 59 199 224

HSL 189.09, 0.73%, 0.55%

LAB 74.29, -28.49, -23.08

 

CMYK 0 / 72 / 87 / 21

HEX #C9381A

RGB 201 56 26

HSL 10.29, 0.77%, 0.45%

LAB 46.07, 55.73, 49.57

 

CMYK 0 / 66 / 79 / 15

HEX #DA4A2D

RGB 218 74 45

HSL 10.06, 0.7%, 0.52%

LAB 51.83, 54.87, 46.97

 

CMYK 0 / 61 / 73 / 8

HEX #EB5C40

RGB 235 92 64

HSL 9.82, 0.81%, 0.59%

LAB 57.74, 53.75, 44.24

 

CMYK 0 / 56 / 67 / 1

HEX #FC6E53

RGB 252 110 83

HSL 9.59, 0.97%, 0.66%

LAB 63.73, 52.51, 41.69

 

CMYK 0 / 50 / 60 / 0

HEX #FF8066

RGB 255 128 102

HSL 10.2, 1%, 0.7%

LAB 67.77, 46.18, 36.45

 

CMYK 0 / 71 / 84 / 23

HEX #C4381F

RGB 196 56 31

HSL 9.09, 0.73%, 0.45%

LAB 45.17, 54.23, 46.16

 

CMYK 0 / 79 / 93 / 30

HEX #B3260C

RGB 179 38 12

HSL 9.34, 0.87%, 0.37%

LAB 39.57, 54.59, 48.41

 

CMYK 0 / 88 / 100 / 36

HEX #A21400

RGB 162 20 0

HSL 7.41, 1%, 0.32%

LAB 34.36, 54.04, 48.07

 

CMYK 0 / 99 / 100 / 43

HEX #910200

RGB 145 2 0

HSL 0.83, 1%, 0.28%

LAB 29.57, 52.29, 43.06

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 72 / 84 / 22

HEX #C7381F

RGB 199 56 31

HSL 8.93, 0.73%, 0.45%

LAB 45.73, 55.2, 46.87

 

CMYK 0 / 84 / 84 / 22

HEX #C71F1F

RGB 199 31 31

HSL 0, 0.73%, 0.45%

LAB 43.09, 62.58, 44.53

 

CMYK 0 / 72 / 84 / 22

HEX #C7381F

RGB 199 56 31

HSL 8.93, 0.73%, 0.45%

LAB 45.73, 55.2, 46.87

 

CMYK 0 / 49 / 84 / 22

HEX #C7661F

RGB 199 102 31

HSL 25.36, 0.73%, 0.45%

LAB 53.75, 34.2, 53.84

 

CMYK 0 / 26 / 84 / 22

HEX #C7931F

RGB 199 147 31

HSL 41.43, 0.73%, 0.45%

LAB 64.25, 9.85, 62.75

 

CMYK 0 / 4 / 84 / 22

HEX #C7C01F

RGB 199 192 31

HSL 57.5, 0.73%, 0.45%

LAB 76.03, -13.9, 72.57

 

CMYK 20 / 0 / 84 / 22

HEX #A0C71F

RGB 160 199 31

HSL 73.93, 0.73%, 0.45%

LAB 75.09, -33.67, 70.62

 

CMYK 0 / 72 / 84 / 22

HEX #C7381F

RGB 199 56 31

HSL 8.93, 0.73%, 0.45%

LAB 45.73, 55.2, 46.87

 

CMYK 0 / 80 / 94 / 15

HEX #D92B0C

RGB 217 43 12

HSL 9.07, 0.9%, 0.45%

LAB 47.63, 64.43, 57.15

 

CMYK 0 / 72 / 84 / 22

HEX #C7381F

RGB 199 56 31

HSL 8.93, 0.73%, 0.45%

LAB 45.73, 55.2, 46.87

 

CMYK 0 / 62 / 72 / 29

HEX #B44532

RGB 180 69 50

HSL 8.77, 0.57%, 0.45%

LAB 44.5, 43.98, 34.55

 

CMYK 0 / 49 / 58 / 37

HEX #A15244

RGB 161 82 68

HSL 9.03, 0.41%, 0.45%

LAB 44.27, 31.31, 23.09

 

CMYK 0 / 34 / 39 / 44

HEX #8F5F57

RGB 143 95 87

HSL 8.57, 0.24%, 0.45%

LAB 45.24, 18.53, 12.57

 

CMYK 0 / 13 / 15 / 51

HEX #7C6C69

RGB 124 108 105

HSL 9.47, 0.08%, 0.45%

LAB 47.01, 5.75, 3.98

 

CMYK 0 / 84 / 52 / 22

HEX #C71F5F

RGB 199 31 95

HSL 337.14, 0.73%, 0.45%

LAB 44.16, 65.72, 7.45

 

CMYK 0 / 84 / 74 / 22

HEX #C71F33

RGB 199 31 51

HSL 352.86, 0.73%, 0.45%

LAB 43.3, 63.2, 33.55

 

CMYK 0 / 72 / 84 / 22

HEX #C7381F

RGB 199 56 31

HSL 8.93, 0.73%, 0.45%

LAB 45.73, 55.2, 46.87

 

CMYK 0 / 49 / 84 / 22

HEX #C7651F

RGB 199 101 31

HSL 25, 0.73%, 0.45%

LAB 53.54, 34.72, 53.66

 

CMYK 0 / 27 / 84 / 22

HEX #C7911F

RGB 199 145 31

HSL 40.71, 0.73%, 0.45%

LAB 63.75, 10.94, 62.33

 

CMYK 0 / 72 / 84 / 50

HEX #7F2414

RGB 127 36 20

HSL 8.97, 0.73%, 0.29%

LAB 28.96, 38.31, 31.99

 

CMYK 0 / 72 / 85 / 36

HEX #A32E19

RGB 163 46 25

HSL 9.13, 0.73%, 0.37%

LAB 37.5, 46.94, 39.86

 

CMYK 0 / 72 / 84 / 22

HEX #C7381F

RGB 199 56 31

HSL 8.93, 0.73%, 0.45%

LAB 45.73, 55.2, 46.87

 

CMYK 0 / 66 / 78 / 13

HEX #DF4B30

RGB 223 75 48

HSL 9.26, 0.73%, 0.53%

LAB 52.88, 56.24, 46.79

 

CMYK 0 / 54 / 63 / 11

HEX #E46A54

RGB 228 106 84

HSL 9.17, 0.73%, 0.61%

LAB 59.38, 45.83, 35.04

 

CMYK 0 / 71 / 84 / 23

HEX #C4381F

RGB 196 56 31

HSL 9.09, 0.73%, 0.45%

LAB 45.17, 54.23, 46.16

 

CMYK 30 / 0 / 84 / 22

HEX #8CC71F

RGB 140 199 31

HSL 81.07, 0.73%, 0.45%

LAB 73.88, -41.46, 69.1

 

CMYK 84 / 63 / 0 / 22

HEX #1F49C7

RGB 31 73 199

HSL 225, 0.73%, 0.45%

LAB 36.33, 33.74, -69.16

 

CMYK 0 / 71 / 84 / 23

HEX #C4381F

RGB 196 56 31

HSL 9.09, 0.73%, 0.45%

LAB 45.17, 54.23, 46.16

 

CMYK 84 / 0 / 72 / 22

HEX #1FC738

RGB 31 199 56

HSL 128.93, 0.73%, 0.45%

LAB 70.47, -67.12, 57.1

 

CMYK 72 / 84 / 0 / 22

HEX #381FC7

RGB 56 31 199

HSL 248.93, 0.73%, 0.45%

LAB 29.27, 58.66, -80.77

 

CMYK 0 / 71 / 84 / 23

HEX #C4381F

RGB 196 56 31

HSL 9.09, 0.73%, 0.45%

LAB 45.17, 54.23, 46.16

 

CMYK 30 / 0 / 84 / 22

HEX #8CC71F

RGB 140 199 31

HSL 81.07, 0.73%, 0.45%

LAB 73.88, -41.46, 69.1

 

CMYK 84 / 13 / 0 / 22

HEX #1FADC7

RGB 31 173 199

HSL 189.29, 0.73%, 0.45%

LAB 65.2, -26.19, -23.32

 

CMYK 55 / 84 / 0 / 22

HEX #5A1FC7

RGB 90 31 199

HSL 261.07, 0.73%, 0.45%

LAB 32.43, 61.54, -75.44

 

CMYK 0 / 71 / 84 / 23

HEX #C4381F

RGB 196 56 31

HSL 9.09, 0.73%, 0.45%

LAB 45.17, 54.23, 46.16

 

CMYK 55 / 0 / 84 / 22

HEX #5AC71F

RGB 90 199 31

HSL 98.93, 0.73%, 0.45%

LAB 71.64, -57.86, 66.27

 

CMYK 84 / 13 / 0 / 22

HEX #1FADC7

RGB 31 173 199

HSL 189.29, 0.73%, 0.45%

LAB 65.2, -26.19, -23.32

 

CMYK 30 / 84 / 0 / 22

HEX #8C1FC7

RGB 140 31 199

HSL 278.93, 0.73%, 0.45%

LAB 39.03, 67.97, -64.35

 

Description

Color code: HEX #C4381F | qconv.com Color code: HEX #C4381F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 56 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 56 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 84 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 84% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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