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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C437DF it is the complementary color #3BC820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C437DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C437DF shade: #C937DA, #DA49ED, #EB5BFF, #FC6DFF and #FF7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C437DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C437DF shade: #C437DF, #B325CC, #A213B9, #9101A6 and #800093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C437DF shade: #C43ADF, #DF3ACD, #DF3AA0, #DF3A74 and #DF3A47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C437DF shade: #C43ADF, #983ADF, #6B3ADF, #3F3ADF and #3A3ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C437DF shade matches the following richer shades: #C43ADF and #D127F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C437DF shade: #C43ADF, #B84CCC, #AB5FBA, #9F71A7 and #928495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C437DF shade: #6B3ADF, #973ADF, #C33ADF, #DF3ACE and #DF3AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C437DF shade: #931CAA, #B221CE, #C43ADF, #CF5DE5 and #D981EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C437DF shade: #C437DF, #DF3F3A and #3ADF81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C437DF shade: #C437DF, #DFC33A and #3ADFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C437DF shade: #C437DF, #DF3F3A, #55DF3A and #3AD9DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C437DF shade: #C437DF, #DF713A, #55DF3A and #3AA8DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 75 / 0 / 13

HEX #C437DF

RGB 196 55 223

HSL 290.36, 0.72%, 0.55%

LAB 51.61, 75.15, -57.41

 

Complementary color

CMYK 71 / 0 / 84 / 22

HEX #3BC820

RGB 59 200 32

HSL 110.36, 0.72%, 0.45%

LAB 71.11, -65.16, 65.24

 

CMYK 8 / 75 / 0 / 15

HEX #C937DA

RGB 201 55 218

HSL 293.74, 0.69%, 0.54%

LAB 52.08, 75.26, -53.77

 

CMYK 8 / 69 / 0 / 7

HEX #DA49ED

RGB 218 73 237

HSL 293.05, 0.82%, 0.61%

LAB 57.83, 75.97, -55.14

 

CMYK 8 / 64 / 0 / 0

HEX #EB5BFF

RGB 235 91 255

HSL 292.68, 1%, 0.68%

LAB 63.64, 76.01, -55.72

 

CMYK 1 / 57 / 0 / 0

HEX #FC6DFF

RGB 252 109 255

HSL 298.77, 1%, 0.71%

LAB 68.64, 72.63, -47.66

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 12 / 75 / 0 / 13

HEX #C437DF

RGB 196 55 223

HSL 290.36, 0.72%, 0.55%

LAB 51.61, 75.15, -57.41

 

CMYK 12 / 82 / 0 / 20

HEX #B325CC

RGB 179 37 204

HSL 291.02, 0.69%, 0.47%

LAB 46, 73.77, -55.68

 

CMYK 12 / 90 / 0 / 27

HEX #A213B9

RGB 162 19 185

HSL 291.69, 0.81%, 0.4%

LAB 40.65, 71.35, -53.35

 

CMYK 13 / 99 / 0 / 35

HEX #9101A6

RGB 145 1 166

HSL 292.36, 0.99%, 0.33%

LAB 35.59, 67.78, -50.37

 

CMYK 13 / 100 / 0 / 42

HEX #800093

RGB 128 0 147

HSL 292.24, 1%, 0.29%

LAB 31.1, 62.08, -46.19

 

CMYK 12 / 74 / 0 / 13

HEX #C43ADF

RGB 196 58 223

HSL 290.18, 0.72%, 0.55%

LAB 51.94, 74.2, -56.87

 

CMYK 0 / 74 / 8 / 13

HEX #DF3ACD

RGB 223 58 205

HSL 306.55, 0.72%, 0.55%

LAB 55.2, 76.84, -41.17

 

CMYK 0 / 74 / 28 / 13

HEX #DF3AA0

RGB 223 58 160

HSL 322.91, 0.72%, 0.55%

LAB 53.22, 70.9, -18.1

 

CMYK 0 / 74 / 48 / 13

HEX #DF3A74

RGB 223 58 116

HSL 338.91, 0.72%, 0.55%

LAB 51.81, 66.43, 6.08

 

CMYK 0 / 74 / 68 / 13

HEX #DF3A47

RGB 223 58 71

HSL 355.27, 0.72%, 0.55%

LAB 50.88, 63.42, 31.84

 

CMYK 12 / 74 / 0 / 13

HEX #C43ADF

RGB 196 58 223

HSL 290.18, 0.72%, 0.55%

LAB 51.94, 74.2, -56.87

 

CMYK 32 / 74 / 0 / 13

HEX #983ADF

RGB 152 58 223

HSL 274.18, 0.72%, 0.55%

LAB 45.67, 65.99, -67.3

 

CMYK 52 / 74 / 0 / 13

HEX #6B3ADF

RGB 107 58 223

HSL 257.82, 0.72%, 0.55%

LAB 40.38, 58.77, -76.17

 

CMYK 72 / 74 / 0 / 13

HEX #3F3ADF

RGB 63 58 223

HSL 241.82, 0.72%, 0.55%

LAB 36.76, 53.63, -82.25

 

CMYK 74 / 74 / 0 / 13

HEX #3A3ADF

RGB 58 58 223

HSL 240, 0.72%, 0.55%

LAB 36.47, 53.2, -82.75

 

CMYK 12 / 74 / 0 / 13

HEX #C43ADF

RGB 196 58 223

HSL 290.18, 0.72%, 0.55%

LAB 51.94, 74.2, -56.87

 

CMYK 13 / 84 / 0 / 5

HEX #D127F1

RGB 209 39 241

HSL 290.5, 0.88%, 0.55%

LAB 53.34, 84.66, -64.66

 

CMYK 12 / 74 / 0 / 13

HEX #C43ADF

RGB 196 58 223

HSL 290.18, 0.72%, 0.55%

LAB 51.94, 74.2, -56.87

 

CMYK 10 / 63 / 0 / 20

HEX #B84CCC

RGB 184 76 204

HSL 290.63, 0.56%, 0.55%

LAB 51.52, 61.28, -46.81

 

CMYK 8 / 49 / 0 / 27

HEX #AB5FBA

RGB 171 95 186

HSL 290.11, 0.4%, 0.55%

LAB 52.27, 45.2, -35.37

 

CMYK 5 / 32 / 0 / 35

HEX #9F71A7

RGB 159 113 167

HSL 291.11, 0.23%, 0.55%

LAB 54, 27.7, -21.8

 

CMYK 2 / 11 / 0 / 42

HEX #928495

RGB 146 132 149

HSL 289.41, 0.07%, 0.55%

LAB 56.86, 8.54, -7.17

 

CMYK 52 / 74 / 0 / 13

HEX #6B3ADF

RGB 107 58 223

HSL 257.82, 0.72%, 0.55%

LAB 40.38, 58.77, -76.17

 

CMYK 32 / 74 / 0 / 13

HEX #973ADF

RGB 151 58 223

HSL 273.82, 0.72%, 0.55%

LAB 45.54, 65.81, -67.52

 

CMYK 13 / 74 / 0 / 13

HEX #C33ADF

RGB 195 58 223

HSL 289.82, 0.72%, 0.55%

LAB 51.79, 74, -57.12

 

CMYK 0 / 74 / 8 / 13

HEX #DF3ACE

RGB 223 58 206

HSL 306.18, 0.72%, 0.55%

LAB 55.25, 76.99, -41.67

 

CMYK 0 / 74 / 27 / 13

HEX #DF3AA2

RGB 223 58 162

HSL 322.18, 0.72%, 0.55%

LAB 53.3, 71.13, -19.16

 

CMYK 14 / 84 / 0 / 33

HEX #931CAA

RGB 147 28 170

HSL 290.28, 0.72%, 0.39%

LAB 37.73, 64.34, -49.29

 

CMYK 14 / 84 / 0 / 19

HEX #B221CE

RGB 178 33 206

HSL 290.29, 0.72%, 0.47%

LAB 45.65, 74.88, -57.41

 

CMYK 12 / 74 / 0 / 13

HEX #C43ADF

RGB 196 58 223

HSL 290.18, 0.72%, 0.55%

LAB 51.94, 74.2, -56.87

 

CMYK 10 / 59 / 0 / 10

HEX #CF5DE5

RGB 207 93 229

HSL 290.29, 0.72%, 0.63%

LAB 58.74, 64, -49.31

 

CMYK 7 / 45 / 0 / 8

HEX #D981EA

RGB 217 129 234

HSL 290.29, 0.71%, 0.71%

LAB 66.82, 50.16, -39.29

 

CMYK 12 / 75 / 0 / 13

HEX #C437DF

RGB 196 55 223

HSL 290.36, 0.72%, 0.55%

LAB 51.61, 75.15, -57.41

 

CMYK 0 / 72 / 74 / 13

HEX #DF3F3A

RGB 223 63 58

HSL 1.82, 0.72%, 0.55%

LAB 51.32, 61.14, 39.8

 

CMYK 74 / 0 / 42 / 13

HEX #3ADF81

RGB 58 223 129

HSL 145.82, 0.72%, 0.55%

LAB 79.19, -62.13, 34.35

 

CMYK 12 / 75 / 0 / 13

HEX #C437DF

RGB 196 55 223

HSL 290.36, 0.72%, 0.55%

LAB 51.61, 75.15, -57.41

 

CMYK 0 / 13 / 74 / 13

HEX #DFC33A

RGB 223 195 58

HSL 49.82, 0.72%, 0.55%

LAB 79.05, -4.19, 68.13

 

CMYK 74 / 0 / 13 / 13

HEX #3ADFC3

RGB 58 223 195

HSL 169.82, 0.72%, 0.55%

LAB 80.52, -47.77, 1.77

 

CMYK 12 / 75 / 0 / 13

HEX #C437DF

RGB 196 55 223

HSL 290.36, 0.72%, 0.55%

LAB 51.61, 75.15, -57.41

 

CMYK 0 / 72 / 74 / 13

HEX #DF3F3A

RGB 223 63 58

HSL 1.82, 0.72%, 0.55%

LAB 51.32, 61.14, 39.8

 

CMYK 62 / 0 / 74 / 13

HEX #55DF3A

RGB 85 223 58

HSL 110.18, 0.72%, 0.55%

LAB 79.05, -65.9, 65.41

 

CMYK 74 / 3 / 0 / 13

HEX #3AD9DF

RGB 58 217 223

HSL 182.18, 0.72%, 0.55%

LAB 79.53, -37.46, -14.62

 

CMYK 12 / 75 / 0 / 13

HEX #C437DF

RGB 196 55 223

HSL 290.36, 0.72%, 0.55%

LAB 51.61, 75.15, -57.41

 

CMYK 0 / 49 / 74 / 13

HEX #DF713A

RGB 223 113 58

HSL 20, 0.72%, 0.55%

LAB 59.71, 39.07, 48.87

 

CMYK 62 / 0 / 74 / 13

HEX #55DF3A

RGB 85 223 58

HSL 110.18, 0.72%, 0.55%

LAB 79.05, -65.9, 65.41

 

CMYK 74 / 25 / 0 / 13

HEX #3AA8DF

RGB 58 168 223

HSL 200, 0.72%, 0.55%

LAB 65.15, -12.9, -36.63

 

Description

Color code: HEX #C437DF | qconv.com Color code: HEX #C437DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 55 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 55 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 75 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 75% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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