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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C43297 it is the complementary color #3BCD68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C43297. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C43297 shade: #C93292, #DA44A5, #EB56B8, #FC68CB and #FF7ADE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C43297. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C43297 shade: #C43297, #B32084, #A20E71, #91005E and #80004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C43297 shade: #C33296, #C3326F, #C33248 and #C33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C43297 shade: #C33296, #C332BD, #A132C3, #7A32C3 and #5332C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C43297 shade matches the following richer shades: #C33296, #D61E9E and #EA0BA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C43297 shade: #C33296, #AF468F, #9B5A87, #876E7F and #738178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C43297 shade: #A132C3, #C332BE, #C33297, #C33271 and #C3324A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C43297 shade: #812164, #A22A7D, #C33296, #D14DA8 and #DA6EB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C43297 shade: #C43297, #C37A32 and #32C3B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C43297 shade: #C43297, #97C332 and #3297C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C43297 shade: #C43297, #C37A32, #32C35E and #327AC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C43297 shade: #C43297, #C3A632, #32C35E and #324FC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 23 / 23

HEX #C43297

RGB 196 50 151

HSL 318.49, 0.59%, 0.48%

LAB 47.3, 65.64, -22.23

 

Complementary color

CMYK 71 / 0 / 49 / 20

HEX #3BCD68

RGB 59 205 104

HSL 138.49, 0.59%, 0.52%

LAB 73.28, -59.7, 39.27

 

CMYK 0 / 75 / 27 / 21

HEX #C93292

RGB 201 50 146

HSL 321.85, 0.6%, 0.49%

LAB 47.97, 66.25, -18.13

 

CMYK 0 / 69 / 24 / 15

HEX #DA44A5

RGB 218 68 165

HSL 321.2, 0.67%, 0.56%

LAB 53.77, 66.88, -20.28

 

CMYK 0 / 63 / 22 / 8

HEX #EB56B8

RGB 235 86 184

HSL 320.54, 0.79%, 0.63%

LAB 59.69, 67, -22.01

 

CMYK 0 / 59 / 19 / 1

HEX #FC68CB

RGB 252 104 203

HSL 319.86, 0.96%, 0.7%

LAB 65.68, 66.8, -23.41

 

CMYK 0 / 52 / 13 / 0

HEX #FF7ADE

RGB 255 122 222

HSL 314.89, 1%, 0.74%

LAB 69.79, 62.4, -27.67

 

CMYK 0 / 74 / 23 / 23

HEX #C43297

RGB 196 50 151

HSL 318.49, 0.59%, 0.48%

LAB 47.3, 65.64, -22.23

 

CMYK 0 / 82 / 26 / 30

HEX #B32084

RGB 179 32 132

HSL 319.18, 0.7%, 0.41%

LAB 41.66, 64.26, -19.65

 

CMYK 0 / 91 / 30 / 36

HEX #A20E71

RGB 162 14 113

HSL 319.86, 0.84%, 0.35%

LAB 36.34, 61.72, -16.26

 

CMYK 0 / 100 / 35 / 43

HEX #91005E

RGB 145 0 94

HSL 321.1, 1%, 0.28%

LAB 31.41, 57.78, -11.92

 

CMYK 0 / 100 / 41 / 50

HEX #80004B

RGB 128 0 75

HSL 324.84, 1%, 0.25%

LAB 27.01, 52, -6.36

 

CMYK 0 / 74 / 23 / 24

HEX #C33296

RGB 195 50 150

HSL 318.62, 0.59%, 0.48%

LAB 47.09, 65.27, -21.98

 

CMYK 0 / 74 / 43 / 24

HEX #C3326F

RGB 195 50 111

HSL 334.76, 0.59%, 0.48%

LAB 45.68, 60.86, -0.38

 

CMYK 0 / 74 / 63 / 24

HEX #C33248

RGB 195 50 72

HSL 350.9, 0.59%, 0.48%

LAB 44.73, 57.79, 22.39

 

CMYK 0 / 74 / 74 / 24

HEX #C33232

RGB 195 50 50

HSL 0, 0.59%, 0.48%

LAB 44.4, 56.68, 35.16

 

CMYK 0 / 74 / 23 / 24

HEX #C33296

RGB 195 50 150

HSL 318.62, 0.59%, 0.48%

LAB 47.09, 65.27, -21.98

 

CMYK 0 / 74 / 3 / 24

HEX #C332BD

RGB 195 50 189

HSL 302.48, 0.59%, 0.48%

LAB 48.95, 70.84, -42.11

 

CMYK 17 / 74 / 0 / 24

HEX #A132C3

RGB 161 50 195

HSL 285.93, 0.59%, 0.48%

LAB 43.94, 64.9, -53.92

 

CMYK 37 / 74 / 0 / 24

HEX #7A32C3

RGB 122 50 195

HSL 269.79, 0.59%, 0.48%

LAB 38.48, 57.62, -63.03

 

CMYK 57 / 74 / 0 / 24

HEX #5332C3

RGB 83 50 195

HSL 253.66, 0.59%, 0.48%

LAB 34.11, 51.54, -70.36

 

CMYK 0 / 74 / 23 / 24

HEX #C33296

RGB 195 50 150

HSL 318.62, 0.59%, 0.48%

LAB 47.09, 65.27, -21.98

 

CMYK 0 / 86 / 26 / 16

HEX #D61E9E

RGB 214 30 158

HSL 318.26, 0.75%, 0.48%

LAB 49.12, 75.51, -23.34

 

CMYK 0 / 95 / 29 / 8

HEX #EA0BA5

RGB 234 11 165

HSL 318.57, 0.91%, 0.48%

LAB 52.34, 82.74, -22.23

 

CMYK 0 / 74 / 23 / 24

HEX #C33296

RGB 195 50 150

HSL 318.62, 0.59%, 0.48%

LAB 47.09, 65.27, -21.98

 

CMYK 0 / 60 / 18 / 31

HEX #AF468F

RGB 175 70 143

HSL 318.29, 0.43%, 0.48%

LAB 46.28, 51.17, -19.29

 

CMYK 0 / 42 / 13 / 39

HEX #9B5A87

RGB 155 90 135

HSL 318.46, 0.27%, 0.48%

LAB 47.01, 33.26, -13.63

 

CMYK 0 / 19 / 6 / 47

HEX #876E7F

RGB 135 110 127

HSL 319.2, 0.1%, 0.48%

LAB 49.3, 12.94, -5.66

 

CMYK 11 / 0 / 7 / 49

HEX #738178

RGB 115 129 120

HSL 141.43, 0.06%, 0.48%

LAB 52.62, -7.01, 3.13

 

CMYK 17 / 74 / 0 / 24

HEX #A132C3

RGB 161 50 195

HSL 285.93, 0.59%, 0.48%

LAB 43.94, 64.9, -53.92

 

CMYK 0 / 74 / 3 / 24

HEX #C332BE

RGB 195 50 190

HSL 302.07, 0.59%, 0.48%

LAB 49.01, 71, -42.6

 

CMYK 0 / 74 / 23 / 24

HEX #C33297

RGB 195 50 151

HSL 318.21, 0.59%, 0.48%

LAB 47.13, 65.4, -22.52

 

CMYK 0 / 74 / 42 / 24

HEX #C33271

RGB 195 50 113

HSL 333.93, 0.59%, 0.48%

LAB 45.74, 61.05, -1.52

 

CMYK 0 / 74 / 62 / 24

HEX #C3324A

RGB 195 50 74

HSL 350.07, 0.59%, 0.48%

LAB 44.77, 57.92, 21.21

 

CMYK 0 / 74 / 22 / 49

HEX #812164

RGB 129 33 100

HSL 318.13, 0.59%, 0.32%

LAB 31.06, 47.29, -16.64

 

CMYK 0 / 74 / 23 / 36

HEX #A22A7D

RGB 162 42 125

HSL 318.5, 0.59%, 0.4%

LAB 39.27, 56.3, -19.27

 

CMYK 0 / 74 / 23 / 24

HEX #C33296

RGB 195 50 150

HSL 318.62, 0.59%, 0.48%

LAB 47.09, 65.27, -21.98

 

CMYK 0 / 63 / 20 / 18

HEX #D14DA8

RGB 209 77 168

HSL 318.64, 0.59%, 0.56%

LAB 53.7, 61.4, -22.27

 

CMYK 0 / 50 / 16 / 15

HEX #DA6EB8

RGB 218 110 184

HSL 318.89, 0.59%, 0.64%

LAB 61.24, 51.34, -19.86

 

CMYK 0 / 74 / 23 / 23

HEX #C43297

RGB 196 50 151

HSL 318.49, 0.59%, 0.48%

LAB 47.3, 65.64, -22.23

 

CMYK 0 / 37 / 74 / 24

HEX #C37A32

RGB 195 122 50

HSL 29.79, 0.59%, 0.48%

LAB 57.8, 22.48, 49.46

 

CMYK 74 / 0 / 8 / 24

HEX #32C3B4

RGB 50 195 180

HSL 173.79, 0.59%, 0.48%

LAB 71.56, -40.53, -3.29

 

CMYK 0 / 74 / 23 / 23

HEX #C43297

RGB 196 50 151

HSL 318.49, 0.59%, 0.48%

LAB 47.3, 65.64, -22.23

 

CMYK 23 / 0 / 74 / 24

HEX #97C332

RGB 151 195 50

HSL 78.21, 0.59%, 0.48%

LAB 73.44, -34.62, 63.57

 

CMYK 74 / 23 / 0 / 24

HEX #3297C3

RGB 50 151 195

HSL 198.21, 0.59%, 0.48%

LAB 58.74, -14.1, -31.01

 

CMYK 0 / 74 / 23 / 23

HEX #C43297

RGB 196 50 151

HSL 318.49, 0.59%, 0.48%

LAB 47.3, 65.64, -22.23

 

CMYK 0 / 37 / 74 / 24

HEX #C37A32

RGB 195 122 50

HSL 29.79, 0.59%, 0.48%

LAB 57.8, 22.48, 49.46

 

CMYK 74 / 0 / 52 / 24

HEX #32C35E

RGB 50 195 94

HSL 138.21, 0.59%, 0.48%

LAB 69.84, -59.08, 39.87

 

CMYK 74 / 37 / 0 / 24

HEX #327AC3

RGB 50 122 195

HSL 210.21, 0.59%, 0.48%

LAB 50.14, 2.7, -44.52

 

CMYK 0 / 74 / 23 / 23

HEX #C43297

RGB 196 50 151

HSL 318.49, 0.59%, 0.48%

LAB 47.3, 65.64, -22.23

 

CMYK 0 / 15 / 74 / 24

HEX #C3A632

RGB 195 166 50

HSL 48, 0.59%, 0.48%

LAB 68.83, -1.48, 60.34

 

CMYK 74 / 0 / 52 / 24

HEX #32C35E

RGB 50 195 94

HSL 138.21, 0.59%, 0.48%

LAB 69.84, -59.08, 39.87

 

CMYK 74 / 59 / 0 / 24

HEX #324FC3

RGB 50 79 195

HSL 228, 0.59%, 0.48%

LAB 38.22, 30.12, -63.71

 

Description

Color code: HEX #C43297 | qconv.com Color code: HEX #C43297 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 50 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 50 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 23 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 23% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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