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Color name
HEX #C42AD5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C42AD5 it is the complementary color #3BD52A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C42AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C42AD5 shade: #C92AD0, #DA3CE3, #EB4EF6, #FC60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C42AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C42AD5 shade: #C42AD5, #B318C2, #A206AF, #91009C and #800089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C42AD5 shade: #C42AD5, #D52AB8, #D52A8A, #D52A5C and #D52A2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C42AD5 shade: #C42AD5, #962AD5, #682AD5, #3A2AD5 and #2A2AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C42AD5 shade matches the following richer shades: #C42AD5, #D415EA and #E501FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C42AD5 shade: #C42AD5, #B33FC0, #A353AC, #926897 and #827D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C42AD5 shade: #692AD5, #962AD5, #C42AD5, #D52AB8 and #D52A8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C42AD5 shade: #851C90, #A423B2, #C42AD5, #CE4DDC and #D76FE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C42AD5 shade: #C42AD5, #D53B2A and #2AD580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C42AD5 shade: #C42AD5, #D5C42A and #2AD5C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C42AD5 shade: #C42AD5, #D53B2A, #3BD52A and #2AC4D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C42AD5 shade: #C42AD5, #D56E2A, #3BD52A and #2A91D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

Complementary color

CMYK 72 / 0 / 80 / 16

HEX #3BD52A

RGB 59 213 42

HSL 114.04, 0.67%, 0.5%

LAB 75.26, -68.7, 66.45

 

CMYK 3 / 80 / 0 / 18

HEX #C92AD0

RGB 201 42 208

HSL 297.47, 0.66%, 0.49%

LAB 50.25, 77.21, -50.97

 

CMYK 4 / 74 / 0 / 11

HEX #DA3CE3

RGB 218 60 227

HSL 296.77, 0.75%, 0.56%

LAB 55.77, 78.59, -52.81

 

CMYK 4 / 68 / 0 / 4

HEX #EB4EF6

RGB 235 78 246

HSL 296.07, 0.9%, 0.64%

LAB 61.45, 79.3, -54.24

 

CMYK 1 / 62 / 0 / 0

HEX #FC60FF

RGB 252 96 255

HSL 298.87, 1%, 0.69%

LAB 66.73, 77.9, -50.67

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 8 / 88 / 0 / 24

HEX #B318C2

RGB 179 24 194

HSL 294.71, 0.78%, 0.43%

LAB 44.42, 74.83, -52.41

 

CMYK 7 / 97 / 0 / 31

HEX #A206AF

RGB 162 6 175

HSL 295.38, 0.93%, 0.35%

LAB 39.42, 71.34, -49.41

 

CMYK 7 / 100 / 0 / 39

HEX #91009C

RGB 145 0 156

HSL 295.77, 1%, 0.31%

LAB 34.84, 66.26, -45.51

 

CMYK 7 / 100 / 0 / 46

HEX #800089

RGB 128 0 137

HSL 296.06, 1%, 0.27%

LAB 30.39, 60.39, -41.16

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 0 / 80 / 14 / 16

HEX #D52AB8

RGB 213 42 184

HSL 310.18, 0.67%, 0.5%

LAB 50.99, 76.06, -35.77

 

CMYK 0 / 80 / 35 / 16

HEX #D52A8A

RGB 213 42 138

HSL 326.32, 0.67%, 0.5%

LAB 49.05, 70.51, -11.47

 

CMYK 0 / 80 / 57 / 16

HEX #D52A5C

RGB 213 42 92

HSL 342.46, 0.67%, 0.5%

LAB 47.72, 66.53, 14.69

 

CMYK 0 / 80 / 78 / 16

HEX #D52A2E

RGB 213 42 46

HSL 358.6, 0.67%, 0.5%

LAB 46.97, 64.24, 41.23

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 30 / 80 / 0 / 16

HEX #962AD5

RGB 150 42 213

HSL 277.89, 0.67%, 0.5%

LAB 42.68, 69.2, -66.46

 

CMYK 51 / 80 / 0 / 16

HEX #682AD5

RGB 104 42 213

HSL 261.75, 0.67%, 0.5%

LAB 36.75, 62.65, -76.4

 

CMYK 73 / 80 / 0 / 16

HEX #3A2AD5

RGB 58 42 213

HSL 245.61, 0.67%, 0.5%

LAB 32.61, 58.14, -83.37

 

CMYK 80 / 80 / 0 / 16

HEX #2A2AD5

RGB 42 42 213

HSL 240, 0.67%, 0.5%

LAB 31.7, 57.16, -84.92

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 9 / 91 / 0 / 8

HEX #D415EA

RGB 212 21 234

HSL 293.8, 0.84%, 0.5%

LAB 52.37, 86.96, -62.27

 

CMYK 10 / 100 / 0 / 0

HEX #E501FE

RGB 229 1 254

HSL 294.07, 0.99%, 0.5%

LAB 55.92, 94.19, -67.59

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 7 / 67 / 0 / 25

HEX #B33FC0

RGB 179 63 192

HSL 293.95, 0.51%, 0.5%

LAB 48.19, 63.31, -45.22

 

CMYK 5 / 52 / 0 / 33

HEX #A353AC

RGB 163 83 172

HSL 293.93, 0.35%, 0.5%

LAB 48.2, 46.37, -33.68

 

CMYK 3 / 31 / 0 / 41

HEX #926897

RGB 146 104 151

HSL 293.62, 0.18%, 0.5%

LAB 49.79, 25.21, -19.01

 

CMYK 0 / 4 / 0 / 49

HEX #827D82

RGB 130 125 130

HSL 300, 0.02%, 0.5%

LAB 52.98, 2.88, -2.04

 

CMYK 51 / 80 / 0 / 16

HEX #692AD5

RGB 105 42 213

HSL 262.11, 0.67%, 0.5%

LAB 36.86, 62.77, -76.21

 

CMYK 30 / 80 / 0 / 16

HEX #962AD5

RGB 150 42 213

HSL 277.89, 0.67%, 0.5%

LAB 42.68, 69.2, -66.46

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 0 / 80 / 14 / 16

HEX #D52AB8

RGB 213 42 184

HSL 310.18, 0.67%, 0.5%

LAB 50.99, 76.06, -35.77

 

CMYK 0 / 80 / 35 / 16

HEX #D52A8B

RGB 213 42 139

HSL 325.96, 0.67%, 0.5%

LAB 49.09, 70.61, -12.02

 

CMYK 8 / 81 / 0 / 44

HEX #851C90

RGB 133 28 144

HSL 294.31, 0.67%, 0.34%

LAB 33.63, 57.02, -40.24

 

CMYK 8 / 80 / 0 / 30

HEX #A423B2

RGB 164 35 178

HSL 294.13, 0.67%, 0.42%

LAB 41.7, 67.08, -47.51

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 6 / 65 / 0 / 14

HEX #CE4DDC

RGB 206 77 220

HSL 294.13, 0.67%, 0.58%

LAB 55.68, 68.9, -49.11

 

CMYK 5 / 51 / 0 / 11

HEX #D76FE3

RGB 215 111 227

HSL 293.79, 0.67%, 0.66%

LAB 62.81, 57.28, -41.7

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 0 / 72 / 80 / 16

HEX #D53B2A

RGB 213 59 42

HSL 5.96, 0.67%, 0.5%

LAB 48.81, 58.87, 45.22

 

CMYK 80 / 0 / 40 / 16

HEX #2AD580

RGB 42 213 128

HSL 150.18, 0.67%, 0.5%

LAB 75.85, -60.66, 30.43

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 0 / 8 / 80 / 16

HEX #D5C42A

RGB 213 196 42

HSL 54.04, 0.67%, 0.5%

LAB 78.34, -9.58, 72.23

 

CMYK 80 / 0 / 8 / 16

HEX #2AD5C4

RGB 42 213 196

HSL 174.04, 0.67%, 0.5%

LAB 77.32, -44.84, -3.48

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 0 / 72 / 80 / 16

HEX #D53B2A

RGB 213 59 42

HSL 5.96, 0.67%, 0.5%

LAB 48.81, 58.87, 45.22

 

CMYK 72 / 0 / 80 / 16

HEX #3BD52A

RGB 59 213 42

HSL 114.04, 0.67%, 0.5%

LAB 75.26, -68.7, 66.45

 

CMYK 80 / 8 / 0 / 16

HEX #2AC4D5

RGB 42 196 213

HSL 185.96, 0.67%, 0.5%

LAB 72.74, -32.15, -19.5

 

CMYK 8 / 80 / 0 / 16

HEX #C42AD5

RGB 196 42 213

HSL 294.04, 0.67%, 0.5%

LAB 49.73, 77.1, -54.71

 

CMYK 0 / 48 / 80 / 16

HEX #D56E2A

RGB 213 110 42

HSL 23.86, 0.67%, 0.5%

LAB 57.53, 36.04, 53.54

 

CMYK 72 / 0 / 80 / 16

HEX #3BD52A

RGB 59 213 42

HSL 114.04, 0.67%, 0.5%

LAB 75.26, -68.7, 66.45

 

CMYK 80 / 32 / 0 / 16

HEX #2A91D5

RGB 42 145 213

HSL 203.86, 0.67%, 0.5%

LAB 57.6, -5.28, -42.92

 

Description

Color code: HEX #C42AD5 | qconv.com Color code: HEX #C42AD5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 42 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 42 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 80 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 80% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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