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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C42AC5 it is the complementary color #3BD53A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C42AC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C42AC5 shade: #C92AC0, #DA3CD3, #EB4EE6, #FC60F9 and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C42AC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C42AC5 shade: #C42AC5, #B318B2, #A2069F, #91008C and #800079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C42AC5 shade: #C52AC6, #C62A9D, #C62A73, #C62A49 and #C62A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C42AC5 shade: #C52AC6, #9B2AC6, #712AC6, #472AC6 and #2A2AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C42AC5 shade matches the following richer shades: #C52AC6, #D817D9 and #EB03ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C42AC5 shade: #C52AC6, #B23DB2, #9E519F, #8B648C and #787878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C42AC5 shade: #702AC6, #9A2AC6, #C32AC6, #C62A9F and #C62A75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C42AC5 shade: #811C82, #A323A4, #C52AC6, #D642D7 and #DD64DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C42AC5 shade: #C42AC5, #C6472A and #2AC685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C42AC5 shade: #C42AC5, #C6C32A and #2AC6C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C42AC5 shade: #C42AC5, #C6472A, #2DC62A and #2AA9C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C42AC5 shade: #C42AC5, #C6752A, #2DC62A and #2A7AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 79 / 0 / 23

HEX #C42AC5

RGB 196 42 197

HSL 299.61, 0.65%, 0.47%

LAB 48.79, 74.53, -47.01

 

Complementary color

CMYK 72 / 0 / 73 / 16

HEX #3BD53A

RGB 59 213 58

HSL 119.61, 0.65%, 0.53%

LAB 75.34, -67.64, 61.5

 

CMYK 0 / 79 / 4 / 21

HEX #C92AC0

RGB 201 42 192

HSL 303.4, 0.65%, 0.48%

LAB 49.35, 74.75, -43.16

 

CMYK 0 / 72 / 3 / 15

HEX #DA3CD3

RGB 218 60 211

HSL 302.66, 0.68%, 0.55%

LAB 54.91, 76.07, -45.11

 

CMYK 0 / 67 / 2 / 8

HEX #EB4EE6

RGB 235 78 230

HSL 301.91, 0.8%, 0.61%

LAB 60.63, 76.73, -46.63

 

CMYK 0 / 62 / 1 / 1

HEX #FC60F9

RGB 252 96 249

HSL 301.15, 0.96%, 0.68%

LAB 66.44, 76.93, -47.83

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 1 / 79 / 0 / 23

HEX #C42AC5

RGB 196 42 197

HSL 299.61, 0.65%, 0.47%

LAB 48.79, 74.53, -47.01

 

CMYK 0 / 87 / 1 / 30

HEX #B318B2

RGB 179 24 178

HSL 300.39, 0.76%, 0.4%

LAB 43.44, 72.31, -44.59

 

CMYK 0 / 96 / 2 / 36

HEX #A2069F

RGB 162 6 159

HSL 301.15, 0.93%, 0.33%

LAB 38.4, 68.85, -41.45

 

CMYK 0 / 100 / 3 / 43

HEX #91008C

RGB 145 0 140

HSL 302.07, 1%, 0.28%

LAB 33.8, 63.76, -37.37

 

CMYK 0 / 100 / 5 / 50

HEX #800079

RGB 128 0 121

HSL 303.28, 1%, 0.25%

LAB 29.34, 57.86, -32.79

 

CMYK 1 / 79 / 0 / 22

HEX #C52AC6

RGB 197 42 198

HSL 299.62, 0.65%, 0.47%

LAB 49.01, 74.88, -47.22

 

CMYK 0 / 79 / 21 / 22

HEX #C62A9D

RGB 198 42 157

HSL 315.77, 0.65%, 0.47%

LAB 47.1, 69.21, -26.11

 

CMYK 0 / 79 / 42 / 22

HEX #C62A73

RGB 198 42 115

HSL 331.92, 0.65%, 0.47%

LAB 45.5, 64.47, -3.05

 

CMYK 0 / 79 / 63 / 22

HEX #C62A49

RGB 198 42 73

HSL 348.08, 0.65%, 0.47%

LAB 44.44, 61.21, 21.5

 

CMYK 0 / 79 / 79 / 22

HEX #C62A2A

RGB 198 42 42

HSL 0, 0.65%, 0.47%

LAB 43.99, 59.8, 39.43

 

CMYK 1 / 79 / 0 / 22

HEX #C52AC6

RGB 197 42 198

HSL 299.62, 0.65%, 0.47%

LAB 49.01, 74.88, -47.22

 

CMYK 22 / 79 / 0 / 22

HEX #9B2AC6

RGB 155 42 198

HSL 283.46, 0.65%, 0.47%

LAB 42.31, 67.04, -58.34

 

CMYK 43 / 79 / 0 / 22

HEX #712AC6

RGB 113 42 198

HSL 267.31, 0.65%, 0.47%

LAB 36.45, 60.15, -68.14

 

CMYK 64 / 79 / 0 / 22

HEX #472AC6

RGB 71 42 198

HSL 251.15, 0.65%, 0.47%

LAB 31.97, 54.87, -75.67

 

CMYK 79 / 79 / 0 / 22

HEX #2A2AC6

RGB 42 42 198

HSL 240, 0.65%, 0.47%

LAB 29.97, 52.5, -79.04

 

CMYK 1 / 79 / 0 / 22

HEX #C52AC6

RGB 197 42 198

HSL 299.62, 0.65%, 0.47%

LAB 49.01, 74.88, -47.22

 

CMYK 0 / 89 / 0 / 15

HEX #D817D9

RGB 216 23 217

HSL 299.69, 0.81%, 0.47%

LAB 52.09, 84.77, -53.04

 

CMYK 1 / 99 / 0 / 7

HEX #EB03ED

RGB 235 3 237

HSL 299.49, 0.98%, 0.47%

LAB 55.93, 92.45, -58.03

 

CMYK 1 / 79 / 0 / 22

HEX #C52AC6

RGB 197 42 198

HSL 299.62, 0.65%, 0.47%

LAB 49.01, 74.88, -47.22

 

CMYK 0 / 66 / 0 / 30

HEX #B23DB2

RGB 178 61 178

HSL 300, 0.49%, 0.47%

LAB 47, 61.41, -38.95

 

CMYK 1 / 49 / 0 / 38

HEX #9E519F

RGB 158 81 159

HSL 299.23, 0.33%, 0.47%

LAB 46.52, 43.44, -28.68

 

CMYK 1 / 29 / 0 / 45

HEX #8B648C

RGB 139 100 140

HSL 298.5, 0.17%, 0.47%

LAB 47.62, 22.87, -15.88

 

CMYK 0 / 0 / 0 / 53

HEX #787878

RGB 120 120 120

HSL 0, 0%, 0.47%

LAB 50.43, 0, -0.01

 

CMYK 43 / 79 / 0 / 22

HEX #702AC6

RGB 112 42 198

HSL 266.92, 0.65%, 0.47%

LAB 36.32, 60.01, -68.35

 

CMYK 22 / 79 / 0 / 22

HEX #9A2AC6

RGB 154 42 198

HSL 283.08, 0.65%, 0.47%

LAB 42.16, 66.86, -58.6

 

CMYK 2 / 79 / 0 / 22

HEX #C32AC6

RGB 195 42 198

HSL 298.85, 0.65%, 0.47%

LAB 48.68, 74.49, -47.77

 

CMYK 0 / 79 / 20 / 22

HEX #C62A9F

RGB 198 42 159

HSL 315, 0.65%, 0.47%

LAB 47.19, 69.47, -27.16

 

CMYK 0 / 79 / 41 / 22

HEX #C62A75

RGB 198 42 117

HSL 331.15, 0.65%, 0.47%

LAB 45.56, 64.66, -4.18

 

CMYK 1 / 78 / 0 / 49

HEX #811C82

RGB 129 28 130

HSL 299.41, 0.65%, 0.31%

LAB 32.05, 53.73, -34.11

 

CMYK 1 / 79 / 0 / 36

HEX #A323A4

RGB 163 35 164

HSL 299.53, 0.65%, 0.39%

LAB 40.69, 64.54, -40.81

 

CMYK 1 / 79 / 0 / 22

HEX #C52AC6

RGB 197 42 198

HSL 299.62, 0.65%, 0.47%

LAB 49.01, 74.88, -47.22

 

CMYK 0 / 69 / 0 / 16

HEX #D642D7

RGB 214 66 215

HSL 299.6, 0.65%, 0.55%

LAB 55.17, 73.89, -47.01

 

CMYK 0 / 55 / 0 / 13

HEX #DD64DE

RGB 221 100 222

HSL 299.51, 0.65%, 0.63%

LAB 61.45, 63.13, -40.99

 

CMYK 1 / 79 / 0 / 23

HEX #C42AC5

RGB 196 42 197

HSL 299.61, 0.65%, 0.47%

LAB 48.79, 74.53, -47.01

 

CMYK 0 / 64 / 79 / 22

HEX #C6472A

RGB 198 71 42

HSL 11.15, 0.65%, 0.47%

LAB 47.85, 49.18, 43.38

 

CMYK 79 / 0 / 33 / 22

HEX #2AC685

RGB 42 198 133

HSL 155, 0.65%, 0.47%

LAB 71.26, -54.16, 21.67

 

CMYK 1 / 79 / 0 / 23

HEX #C42AC5

RGB 196 42 197

HSL 299.61, 0.65%, 0.47%

LAB 48.79, 74.53, -47.01

 

CMYK 0 / 2 / 79 / 22

HEX #C6C32A

RGB 198 195 42

HSL 58.85, 0.65%, 0.47%

LAB 76.8, -15.51, 70.39

 

CMYK 79 / 0 / 2 / 22

HEX #2AC6C3

RGB 42 198 195

HSL 178.85, 0.65%, 0.47%

LAB 72.77, -38.47, -9.67

 

CMYK 1 / 79 / 0 / 23

HEX #C42AC5

RGB 196 42 197

HSL 299.61, 0.65%, 0.47%

LAB 48.79, 74.53, -47.01

 

CMYK 0 / 64 / 79 / 22

HEX #C6472A

RGB 198 71 42

HSL 11.15, 0.65%, 0.47%

LAB 47.85, 49.18, 43.38

 

CMYK 77 / 0 / 79 / 22

HEX #2DC62A

RGB 45 198 42

HSL 118.85, 0.65%, 0.47%

LAB 70.26, -66.22, 61.65

 

CMYK 79 / 15 / 0 / 22

HEX #2AA9C6

RGB 42 169 198

HSL 191.15, 0.65%, 0.47%

LAB 64.12, -23.54, -24.41

 

CMYK 1 / 79 / 0 / 23

HEX #C42AC5

RGB 196 42 197

HSL 299.61, 0.65%, 0.47%

LAB 48.79, 74.53, -47.01

 

CMYK 0 / 41 / 79 / 22

HEX #C6752A

RGB 198 117 42

HSL 28.85, 0.65%, 0.47%

LAB 56.97, 26.15, 52.29

 

CMYK 77 / 0 / 79 / 22

HEX #2DC62A

RGB 45 198 42

HSL 118.85, 0.65%, 0.47%

LAB 70.26, -66.22, 61.65

 

CMYK 79 / 38 / 0 / 22

HEX #2A7AC6

RGB 42 122 198

HSL 209.23, 0.65%, 0.47%

LAB 50.08, 2.86, -46.34

 

Description

Color code: HEX #C42AC5 | qconv.com Color code: HEX #C42AC5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 42 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 42 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 79 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 79% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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