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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C42A8F it is the complementary color #3BD570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C42A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C42A8F shade: #C92A8A, #DA3C9D, #EB4EB0, #FC60C3 and #FF72D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C42A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C42A8F shade: #C42A8F, #B3187C, #A20669, #910056 and #800043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C42A8F shade: #C62A90, #C62A66, #C62A3C and #C62A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C42A8F shade: #C62A90, #C62ABA, #A72AC6, #7D2AC6 and #532AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C42A8F shade matches the following richer shades: #C62A90, #D91796 and #ED039C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C42A8F shade: #C62A90, #B23D8A, #9F5184, #8C647E and #787878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C42A8F shade: #A72AC6, #C62ABB, #C62A92, #C62A68 and #C62A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C42A8F shade: #821C5F, #A42377, #C62A90, #D742A4 and #DE64B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C42A8F shade: #C42A8F, #C67D2A and #2AC6BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C42A8F shade: #C42A8F, #92C62A and #2A92C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C42A8F shade: #C42A8F, #C67D2A, #2AC65E and #2A73C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C42A8F shade: #C42A8F, #C6AC2A, #2AC65E and #2A44C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 27 / 23

HEX #C42A8F

RGB 196 42 143

HSL 320.65, 0.65%, 0.47%

LAB 46.14, 67, -19.2

 

Complementary color

CMYK 72 / 0 / 47 / 16

HEX #3BD570

RGB 59 213 112

HSL 140.65, 0.65%, 0.53%

LAB 75.88, -61.27, 38.58

 

CMYK 0 / 79 / 31 / 21

HEX #C92A8A

RGB 201 42 138

HSL 323.77, 0.65%, 0.48%

LAB 46.85, 67.62, -15.01

 

CMYK 0 / 72 / 28 / 15

HEX #DA3C9D

RGB 218 60 157

HSL 323.16, 0.68%, 0.55%

LAB 52.48, 68.65, -17.54

 

CMYK 0 / 67 / 25 / 8

HEX #EB4EB0

RGB 235 78 176

HSL 322.55, 0.8%, 0.61%

LAB 58.27, 69.06, -19.56

 

CMYK 0 / 62 / 23 / 1

HEX #FC60C3

RGB 252 96 195

HSL 321.92, 0.96%, 0.68%

LAB 64.16, 69.04, -21.21

 

CMYK 0 / 55 / 16 / 0

HEX #FF72D6

RGB 255 114 214

HSL 317.45, 1%, 0.72%

LAB 68.13, 64.84, -25.78

 

CMYK 0 / 79 / 27 / 23

HEX #C42A8F

RGB 196 42 143

HSL 320.65, 0.65%, 0.47%

LAB 46.14, 67, -19.2

 

CMYK 0 / 87 / 31 / 30

HEX #B3187C

RGB 179 24 124

HSL 321.29, 0.76%, 0.4%

LAB 40.72, 65.06, -16.15

 

CMYK 0 / 96 / 35 / 36

HEX #A20669

RGB 162 6 105

HSL 321.92, 0.93%, 0.33%

LAB 35.66, 61.87, -12.23

 

CMYK 0 / 100 / 41 / 43

HEX #910056

RGB 145 0 86

HSL 324.41, 1%, 0.28%

LAB 31.09, 56.96, -7.17

 

CMYK 0 / 100 / 48 / 50

HEX #800043

RGB 128 0 67

HSL 328.59, 1%, 0.25%

LAB 26.72, 51.24, -1.39

 

CMYK 0 / 79 / 27 / 22

HEX #C62A90

RGB 198 42 144

HSL 320.77, 0.65%, 0.47%

LAB 46.55, 67.6, -19.16

 

CMYK 0 / 79 / 48 / 22

HEX #C62A66

RGB 198 42 102

HSL 336.92, 0.65%, 0.47%

LAB 45.11, 63.3, 4.43

 

CMYK 0 / 79 / 70 / 22

HEX #C62A3C

RGB 198 42 60

HSL 353.08, 0.65%, 0.47%

LAB 44.22, 60.52, 29.17

 

CMYK 0 / 79 / 79 / 22

HEX #C62A2A

RGB 198 42 42

HSL 0, 0.65%, 0.47%

LAB 43.99, 59.8, 39.43

 

CMYK 0 / 79 / 27 / 22

HEX #C62A90

RGB 198 42 144

HSL 320.77, 0.65%, 0.47%

LAB 46.55, 67.6, -19.16

 

CMYK 0 / 79 / 6 / 22

HEX #C62ABA

RGB 198 42 186

HSL 304.62, 0.65%, 0.47%

LAB 48.52, 73.25, -41.01

 

CMYK 16 / 79 / 0 / 22

HEX #A72AC6

RGB 167 42 198

HSL 288.08, 0.65%, 0.47%

LAB 44.16, 69.2, -55.27

 

CMYK 37 / 79 / 0 / 22

HEX #7D2AC6

RGB 125 42 198

HSL 271.92, 0.65%, 0.47%

LAB 38.01, 61.99, -65.53

 

CMYK 58 / 79 / 0 / 22

HEX #532AC6

RGB 83 42 198

HSL 255.77, 0.65%, 0.47%

LAB 33.08, 56.17, -73.81

 

CMYK 0 / 79 / 27 / 22

HEX #C62A90

RGB 198 42 144

HSL 320.77, 0.65%, 0.47%

LAB 46.55, 67.6, -19.16

 

CMYK 0 / 89 / 31 / 15

HEX #D91796

RGB 217 23 150

HSL 320.72, 0.81%, 0.47%

LAB 48.97, 76.39, -18.75

 

CMYK 0 / 99 / 34 / 7

HEX #ED039C

RGB 237 3 156

HSL 320.77, 0.98%, 0.47%

LAB 52.36, 82.99, -16.8

 

CMYK 0 / 79 / 27 / 22

HEX #C62A90

RGB 198 42 144

HSL 320.77, 0.65%, 0.47%

LAB 46.55, 67.6, -19.16

 

CMYK 0 / 66 / 22 / 30

HEX #B23D8A

RGB 178 61 138

HSL 320.51, 0.49%, 0.47%

LAB 45.13, 55.2, -17.99

 

CMYK 0 / 49 / 17 / 38

HEX #9F5184

RGB 159 81 132

HSL 320.77, 0.33%, 0.47%

LAB 45.53, 39, -14.03

 

CMYK 0 / 29 / 10 / 45

HEX #8C647E

RGB 140 100 126

HSL 321, 0.17%, 0.47%

LAB 47.23, 20.51, -8.08

 

CMYK 0 / 0 / 0 / 53

HEX #787878

RGB 120 120 120

HSL 0, 0%, 0.47%

LAB 50.43, 0, -0.01

 

CMYK 16 / 79 / 0 / 22

HEX #A72AC6

RGB 167 42 198

HSL 288.08, 0.65%, 0.47%

LAB 44.16, 69.2, -55.27

 

CMYK 0 / 79 / 6 / 22

HEX #C62ABB

RGB 198 42 187

HSL 304.23, 0.65%, 0.47%

LAB 48.57, 73.4, -41.51

 

CMYK 0 / 79 / 26 / 22

HEX #C62A92

RGB 198 42 146

HSL 320, 0.65%, 0.47%

LAB 46.63, 67.84, -20.24

 

CMYK 0 / 79 / 47 / 22

HEX #C62A68

RGB 198 42 104

HSL 336.15, 0.65%, 0.47%

LAB 45.17, 63.47, 3.27

 

CMYK 0 / 79 / 68 / 22

HEX #C62A3F

RGB 198 42 63

HSL 351.92, 0.65%, 0.47%

LAB 44.26, 60.67, 27.41

 

CMYK 0 / 78 / 27 / 49

HEX #821C5F

RGB 130 28 95

HSL 320.59, 0.65%, 0.31%

LAB 30.41, 48.6, -14.38

 

CMYK 0 / 79 / 27 / 36

HEX #A42377

RGB 164 35 119

HSL 320.93, 0.65%, 0.39%

LAB 38.6, 58.25, -16.54

 

CMYK 0 / 79 / 27 / 22

HEX #C62A90

RGB 198 42 144

HSL 320.77, 0.65%, 0.47%

LAB 46.55, 67.6, -19.16

 

CMYK 0 / 69 / 24 / 16

HEX #D742A4

RGB 215 66 164

HSL 320.54, 0.65%, 0.55%

LAB 52.98, 66.7, -20.95

 

CMYK 0 / 55 / 19 / 13

HEX #DE64B4

RGB 222 100 180

HSL 320.66, 0.65%, 0.63%

LAB 59.83, 56.73, -19.66

 

CMYK 0 / 79 / 27 / 23

HEX #C42A8F

RGB 196 42 143

HSL 320.65, 0.65%, 0.47%

LAB 46.14, 67, -19.2

 

CMYK 0 / 37 / 79 / 22

HEX #C67D2A

RGB 198 125 42

HSL 31.92, 0.65%, 0.47%

LAB 58.83, 21.8, 54.04

 

CMYK 79 / 0 / 6 / 22

HEX #2AC6BB

RGB 42 198 187

HSL 175.77, 0.65%, 0.47%

LAB 72.54, -40.76, -5.66

 

CMYK 0 / 79 / 27 / 23

HEX #C42A8F

RGB 196 42 143

HSL 320.65, 0.65%, 0.47%

LAB 46.14, 67, -19.2

 

CMYK 26 / 0 / 79 / 22

HEX #92C62A

RGB 146 198 42

HSL 80, 0.65%, 0.47%

LAB 73.98, -38.31, 66.47

 

CMYK 79 / 26 / 0 / 22

HEX #2A92C6

RGB 42 146 198

HSL 200, 0.65%, 0.47%

LAB 57.2, -11.21, -35.12

 

CMYK 0 / 79 / 27 / 23

HEX #C42A8F

RGB 196 42 143

HSL 320.65, 0.65%, 0.47%

LAB 46.14, 67, -19.2

 

CMYK 0 / 37 / 79 / 22

HEX #C67D2A

RGB 198 125 42

HSL 31.92, 0.65%, 0.47%

LAB 58.83, 21.8, 54.04

 

CMYK 79 / 0 / 53 / 22

HEX #2AC65E

RGB 42 198 94

HSL 140, 0.65%, 0.47%

LAB 70.66, -61.18, 40.84

 

CMYK 79 / 42 / 0 / 22

HEX #2A73C6

RGB 42 115 198

HSL 211.92, 0.65%, 0.47%

LAB 48.05, 7.18, -49.59

 

CMYK 0 / 79 / 27 / 23

HEX #C42A8F

RGB 196 42 143

HSL 320.65, 0.65%, 0.47%

LAB 46.14, 67, -19.2

 

CMYK 0 / 13 / 79 / 22

HEX #C6AC2A

RGB 198 172 42

HSL 50, 0.65%, 0.47%

LAB 70.65, -3.66, 64.91

 

CMYK 79 / 0 / 53 / 22

HEX #2AC65E

RGB 42 198 94

HSL 140, 0.65%, 0.47%

LAB 70.66, -61.18, 40.84

 

CMYK 79 / 66 / 0 / 22

HEX #2A44C6

RGB 42 68 198

HSL 230, 0.65%, 0.47%

LAB 35.41, 37.44, -70.08

 

Description

Color code: HEX #C42A8F | qconv.com Color code: HEX #C42A8F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 42 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 42 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 27 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 27% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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