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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C429004C it is the complementary color #3BD6FF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C429004C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C429004C shade: #C929004C, #DA3B0E4C, #EB4D214C, #FC5F344C and #FF71474C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C429004C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C429004C shade: #C429004C, #B317004C, #A205004C, #9100004C and #8000004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C429004C shade: #C22900 and #C20000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C429004C shade: #C22900, #C25D00, #C29100, #BEC200 and #8AC200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C429004C shade matches the following richer shades: #C22900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C429004C shade: #C22900, #B23210, #A23B1F, #93442F and #834D3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C429004C shade: #C20041, #C2000D, #C22700, #C25A00 and #C28E00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C429004C shade: #6F1700, #992000, #C22900, #EB3100 and #FF4615

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C429004C shade: #C42900, #74C200 and #0027C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C429004C shade: #C42900, #00C227 and #2700C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C429004C shade: #C42900, #74C200, #009BC2 and #4E00C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C429004C shade: #C42900, #3AC200, #009BC2 and #8800C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 30 / 7

HEX #C429004C

RGBA 196 41 0 0.3

HSLA 12.55, 1%, 0.38%, 0.3

LABA 43.24, 58.72, 56.09, 0.3

 

Complementary color

CMYK 23 / 5 / 0 / 0

HEX #3BD6FF4C

RGBA 59 214 255 0.3

HSLA 192.55, 1%, 0.62%, 0.3

LABA 79.75, -26.23, -31.34, 0.3

 

CMYK 0 / 24 / 30 / 6

HEX #C929004C

RGBA 201 41 0 0.3

HSLA 12.24, 1%, 0.39%, 0.3

LABA 44.24, 60.2, 57.1, 0.3

 

CMYK 0 / 22 / 28 / 4

HEX #DA3B0E4C

RGBA 218 59 14 0.3

HSLA 13.24, 0.88%, 0.45%, 0.3

LABA 49.57, 59.87, 57.84, 0.3

 

CMYK 0 / 20 / 26 / 2

HEX #EB4D214C

RGBA 235 77 33 0.3

HSLA 13.07, 0.83%, 0.53%, 0.3

LABA 55.15, 59, 56.56, 0.3

 

CMYK 0 / 19 / 24 / 0

HEX #FC5F344C

RGBA 252 95 52 0.3

HSLA 12.9, 0.97%, 0.6%, 0.3

LABA 60.89, 57.84, 54.38, 0.3

 

CMYK 0 / 17 / 22 / 0

HEX #FF71474C

RGBA 255 113 71 0.3

HSLA 13.7, 1%, 0.64%, 0.3

LABA 64.58, 51.61, 49.04, 0.3

 

CMYK 0 / 24 / 30 / 7

HEX #C429004C

RGBA 196 41 0 0.3

HSLA 12.55, 1%, 0.38%, 0.3

LABA 43.24, 58.72, 56.09, 0.3

 

CMYK 0 / 26 / 30 / 9

HEX #B317004C

RGBA 179 23 0 0.3

HSLA 7.71, 1%, 0.35%, 0.3

LABA 38.19, 58.23, 51.94, 0.3

 

CMYK 0 / 29 / 30 / 11

HEX #A205004C

RGBA 162 5 0 0.3

HSLA 1.85, 1%, 0.32%, 0.3

LABA 33.54, 56.39, 47.6, 0.3

 

CMYK 0 / 30 / 30 / 13

HEX #9100004C

RGBA 145 0 0 0.3

HSLA 0, 1%, 0.28%, 0.3

LABA 29.46, 52.6, 42.98, 0.3

 

CMYK 0 / 30 / 30 / 15

HEX #8000004C

RGBA 128 0 0 0.3

HSLA 0, 1%, 0.25%, 0.3

LABA 25.53, 48.06, 38.06, 0.3

 

CMYK 0 / 79 / 100 / 24

HEX #C22900

RGB 194 41 0

HSL 12.68, 1%, 0.38%

LAB 42.85, 58.12, 55.68

 

CMYK 0 / 100 / 100 / 24

HEX #C20000

RGB 194 0 0

HSL 0, 1%, 0.38%

LAB 40.36, 65.21, 54.72

 

CMYK 0 / 79 / 100 / 24

HEX #C22900

RGB 194 41 0

HSL 12.68, 1%, 0.38%

LAB 42.85, 58.12, 55.68

 

CMYK 0 / 52 / 100 / 24

HEX #C25D00

RGB 194 93 0

HSL 28.76, 1%, 0.38%

LAB 51.03, 36.31, 59.92

 

CMYK 0 / 25 / 100 / 24

HEX #C29100

RGB 194 145 0

HSL 44.85, 1%, 0.38%

LAB 63.11, 8.19, 67.68

 

CMYK 2 / 0 / 100 / 24

HEX #BEC200

RGB 190 194 0

HSL 61.24, 1%, 0.38%

LAB 75.78, -19.27, 76.53

 

CMYK 29 / 0 / 100 / 24

HEX #8AC200

RGB 138 194 0

HSL 77.32, 1%, 0.38%

LAB 72.22, -40.69, 72.28

 

CMYK 0 / 79 / 100 / 24

HEX #C22900

RGB 194 41 0

HSL 12.68, 1%, 0.38%

LAB 42.85, 58.12, 55.68

 

CMYK 0 / 79 / 100 / 24

HEX #C22900

RGB 194 41 0

HSL 12.68, 1%, 0.38%

LAB 42.85, 58.12, 55.68

 

CMYK 0 / 72 / 91 / 30

HEX #B23210

RGB 178 50 16

HSL 12.59, 0.84%, 0.38%

LAB 40.87, 50.24, 47.75

 

CMYK 0 / 64 / 81 / 36

HEX #A23B1F

RGB 162 59 31

HSL 12.82, 0.68%, 0.38%

LAB 39.43, 41.21, 38.56

 

CMYK 0 / 54 / 68 / 42

HEX #93442F

RGB 147 68 47

HSL 12.6, 0.52%, 0.38%

LAB 38.8, 31.65, 28.25

 

CMYK 0 / 41 / 52 / 49

HEX #834D3F

RGB 131 77 63

HSL 12.35, 0.35%, 0.38%

LAB 38.71, 21.2, 18.02

 

CMYK 0 / 100 / 66 / 24

HEX #C20041

RGB 194 0 65

HSL 339.9, 1%, 0.38%

LAB 40.98, 66.89, 21.85

 

CMYK 0 / 100 / 93 / 24

HEX #C2000D

RGB 194 0 13

HSL 355.98, 1%, 0.38%

LAB 40.41, 65.34, 50.14

 

CMYK 0 / 80 / 100 / 24

HEX #C22700

RGB 194 39 0

HSL 12.06, 1%, 0.38%

LAB 42.64, 58.69, 55.6

 

CMYK 0 / 54 / 100 / 24

HEX #C25A00

RGB 194 90 0

HSL 27.84, 1%, 0.38%

LAB 50.43, 37.84, 59.57

 

CMYK 0 / 27 / 100 / 24

HEX #C28E00

RGB 194 142 0

HSL 43.92, 1%, 0.38%

LAB 62.35, 9.83, 67.16

 

CMYK 0 / 79 / 100 / 56

HEX #6F1700

RGB 111 23 0

HSL 12.43, 1%, 0.22%

LAB 23.65, 37.31, 34.92

 

CMYK 0 / 79 / 100 / 40

HEX #992000

RGB 153 32 0

HSL 12.55, 1%, 0.3%

LAB 33.57, 48.18, 46.63

 

CMYK 0 / 79 / 100 / 24

HEX #C22900

RGB 194 41 0

HSL 12.68, 1%, 0.38%

LAB 42.85, 58.12, 55.68

 

CMYK 0 / 79 / 100 / 8

HEX #EB3100

RGB 235 49 0

HSL 12.51, 1%, 0.46%

LAB 51.68, 67.89, 64.18

 

CMYK 0 / 73 / 92 / 0

HEX #FF4615

RGB 255 70 21

HSL 12.56, 1%, 0.54%

LAB 57.75, 67.64, 64.34

 

CMYK 0 / 79 / 100 / 23

HEX #C42900

RGB 196 41 0

HSL 12.55, 1%, 0.38%

LAB 43.24, 58.72, 56.09

 

CMYK 40 / 0 / 100 / 24

HEX #74C200

RGB 116 194 0

HSL 84.12, 1%, 0.38%

LAB 71.07, -48.7, 70.91

 

CMYK 100 / 80 / 0 / 24

HEX #0027C2

RGB 0 39 194

HSL 227.94, 1%, 0.38%

LAB 27.7, 51.27, -80.5

 

CMYK 0 / 79 / 100 / 23

HEX #C42900

RGB 196 41 0

HSL 12.55, 1%, 0.38%

LAB 43.24, 58.72, 56.09

 

CMYK 100 / 0 / 80 / 24

HEX #00C227

RGB 0 194 39

HSL 132.06, 1%, 0.38%

LAB 68.56, -68.77, 60.78

 

CMYK 80 / 100 / 0 / 24

HEX #2700C2

RGB 39 0 194

HSL 252.06, 1%, 0.38%

LAB 24.72, 64.95, -85.43

 

CMYK 0 / 79 / 100 / 23

HEX #C42900

RGB 196 41 0

HSL 12.55, 1%, 0.38%

LAB 43.24, 58.72, 56.09

 

CMYK 40 / 0 / 100 / 24

HEX #74C200

RGB 116 194 0

HSL 84.12, 1%, 0.38%

LAB 71.07, -48.7, 70.91

 

CMYK 100 / 20 / 0 / 24

HEX #009BC2

RGB 0 155 194

HSL 192.06, 1%, 0.38%

LAB 59.29, -20.05, -29.66

 

CMYK 60 / 100 / 0 / 24

HEX #4E00C2

RGB 78 0 194

HSL 264.12, 1%, 0.38%

LAB 28.15, 66.5, -79.63

 

CMYK 0 / 79 / 100 / 23

HEX #C42900

RGB 196 41 0

HSL 12.55, 1%, 0.38%

LAB 43.24, 58.72, 56.09

 

CMYK 70 / 0 / 100 / 24

HEX #3AC200

RGB 58 194 0

HSL 102.06, 1%, 0.38%

LAB 69.1, -64.36, 68.51

 

CMYK 100 / 20 / 0 / 24

HEX #009BC2

RGB 0 155 194

HSL 192.06, 1%, 0.38%

LAB 59.29, -20.05, -29.66

 

CMYK 30 / 100 / 0 / 24

HEX #8800C2

RGB 136 0 194

HSL 282.06, 1%, 0.38%

LAB 36.23, 71.72, -66.03

 

Description

Color code: HEX #C429004C | qconv.com Color code: HEX #C429004C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 41 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 41 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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