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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C41FB3 it is the complementary color #3BE04C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C41FB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C41FB3 shade: #C91FAE, #DA31C1, #EB43D4, #FC55E7 and #FF67FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C41FB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C41FB3 shade: #C41FB3, #B30DA0, #A2008D, #91007A and #800067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C41FB3 shade: #C71FB5, #C71F88, #C71F5B, #C71F2E and #C71F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C41FB3 shade: #C71FB5, #AB1FC7, #7D1FC7, #501FC7 and #231FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C41FB3 shade matches the following richer shades: #C71FB5 and #D90CC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C41FB3 shade: #C71FB5, #B432A7, #A14498, #8F5789 and #7C697A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C41FB3 shade: #7E1FC7, #AB1FC7, #C71FB6, #C71F89 and #C71F5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C41FB3 shade: #7F1474, #A31995, #C71FB5, #DF30CD and #E454D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C41FB3 shade: #C41FB3, #C7511F and #1FC794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C41FB3 shade: #C41FB3, #B6C71F and #1FB6C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C41FB3 shade: #C41FB3, #C7511F, #1FC730 and #1F94C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C41FB3 shade: #C41FB3, #C7841F, #1FC730 and #1F62C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 9 / 23

HEX #C41FB3

RGB 196 31 179

HSL 306.18, 0.73%, 0.45%

LAB 46.94, 74.34, -39.44

 

Complementary color

CMYK 74 / 0 / 66 / 12

HEX #3BE04C

RGB 59 224 76

HSL 126.18, 0.73%, 0.55%

LAB 78.9, -69.53, 58.44

 

CMYK 0 / 85 / 13 / 21

HEX #C91FAE

RGB 201 31 174

HSL 309.53, 0.73%, 0.45%

LAB 47.56, 74.64, -35.44

 

CMYK 0 / 78 / 11 / 15

HEX #DA31C1

RGB 218 49 193

HSL 308.88, 0.7%, 0.52%

LAB 52.9, 76.59, -37.95

 

CMYK 0 / 71 / 10 / 8

HEX #EB43D4

RGB 235 67 212

HSL 308.21, 0.81%, 0.59%

LAB 58.44, 77.72, -39.92

 

CMYK 0 / 66 / 8 / 1

HEX #FC55E7

RGB 252 85 231

HSL 307.54, 0.97%, 0.66%

LAB 64.13, 78.26, -41.5

 

CMYK 0 / 60 / 2 / 0

HEX #FF67FA

RGB 255 103 250

HSL 301.97, 1%, 0.7%

LAB 67.92, 75.03, -46.03

 

CMYK 0 / 84 / 9 / 23

HEX #C41FB3

RGB 196 31 179

HSL 306.18, 0.73%, 0.45%

LAB 46.94, 74.34, -39.44

 

CMYK 0 / 93 / 11 / 30

HEX #B30DA0

RGB 179 13 160

HSL 306.87, 0.86%, 0.38%

LAB 41.86, 71.3, -36.37

 

CMYK 0 / 100 / 13 / 36

HEX #A2008D

RGB 162 0 141

HSL 307.78, 1%, 0.32%

LAB 37.12, 66.96, -32.51

 

CMYK 0 / 100 / 16 / 43

HEX #91007A

RGB 145 0 122

HSL 309.52, 1%, 0.28%

LAB 32.76, 61.19, -27.79

 

CMYK 0 / 100 / 20 / 50

HEX #800067

RGB 128 0 103

HSL 311.72, 1%, 0.25%

LAB 28.3, 55.29, -22.88

 

CMYK 0 / 84 / 9 / 22

HEX #C71FB5

RGB 199 31 181

HSL 306.43, 0.73%, 0.45%

LAB 47.57, 75.21, -39.58

 

CMYK 0 / 84 / 32 / 22

HEX #C71F88

RGB 199 31 136

HSL 322.5, 0.73%, 0.45%

LAB 45.5, 69.54, -15.89

 

CMYK 0 / 84 / 54 / 22

HEX #C71F5B

RGB 199 31 91

HSL 338.57, 0.73%, 0.45%

LAB 44.06, 65.42, 9.81

 

CMYK 0 / 84 / 77 / 22

HEX #C71F2E

RGB 199 31 46

HSL 354.64, 0.73%, 0.45%

LAB 43.24, 63.02, 36.42

 

CMYK 0 / 84 / 84 / 22

HEX #C71F1F

RGB 199 31 31

HSL 0, 0.73%, 0.45%

LAB 43.09, 62.58, 44.53

 

CMYK 0 / 84 / 9 / 22

HEX #C71FB5

RGB 199 31 181

HSL 306.43, 0.73%, 0.45%

LAB 47.57, 75.21, -39.58

 

CMYK 14 / 84 / 0 / 22

HEX #AB1FC7

RGB 171 31 199

HSL 290, 0.73%, 0.45%

LAB 43.89, 72.93, -56.25

 

CMYK 37 / 84 / 0 / 22

HEX #7D1FC7

RGB 125 31 199

HSL 273.57, 0.73%, 0.45%

LAB 36.86, 65.81, -67.99

 

CMYK 60 / 84 / 0 / 22

HEX #501FC7

RGB 80 31 199

HSL 257.5, 0.73%, 0.45%

LAB 31.37, 60.56, -77.23

 

CMYK 82 / 84 / 0 / 22

HEX #231FC7

RGB 35 31 199

HSL 241.43, 0.73%, 0.45%

LAB 28.01, 57.55, -82.9

 

CMYK 0 / 84 / 9 / 22

HEX #C71FB5

RGB 199 31 181

HSL 306.43, 0.73%, 0.45%

LAB 47.57, 75.21, -39.58

 

CMYK 0 / 94 / 10 / 15

HEX #D90CC4

RGB 217 12 196

HSL 306.15, 0.9%, 0.45%

LAB 50.69, 83.18, -43.19

 

CMYK 0 / 84 / 9 / 22

HEX #C71FB5

RGB 199 31 181

HSL 306.43, 0.73%, 0.45%

LAB 47.57, 75.21, -39.58

 

CMYK 0 / 72 / 7 / 29

HEX #B432A7

RGB 180 50 167

HSL 306, 0.57%, 0.45%

LAB 45.32, 64.11, -35.07

 

CMYK 0 / 58 / 6 / 37

HEX #A14498

RGB 161 68 152

HSL 305.81, 0.41%, 0.45%

LAB 44.2, 49.5, -28.09

 

CMYK 0 / 39 / 4 / 44

HEX #8F5789

RGB 143 87 137

HSL 306.43, 0.24%, 0.45%

LAB 44.89, 31.19, -18.21

 

CMYK 0 / 15 / 2 / 51

HEX #7C697A

RGB 124 105 122

HSL 306.32, 0.08%, 0.45%

LAB 46.7, 10.76, -6.65

 

CMYK 37 / 84 / 0 / 22

HEX #7E1FC7

RGB 126 31 199

HSL 273.93, 0.73%, 0.45%

LAB 37, 65.95, -67.75

 

CMYK 14 / 84 / 0 / 22

HEX #AB1FC7

RGB 171 31 199

HSL 290, 0.73%, 0.45%

LAB 43.89, 72.93, -56.25

 

CMYK 0 / 84 / 9 / 22

HEX #C71FB6

RGB 199 31 182

HSL 306.07, 0.73%, 0.45%

LAB 47.62, 75.35, -40.08

 

CMYK 0 / 84 / 31 / 22

HEX #C71F89

RGB 199 31 137

HSL 322.14, 0.73%, 0.45%

LAB 45.54, 69.65, -16.44

 

CMYK 0 / 84 / 54 / 22

HEX #C71F5C

RGB 199 31 92

HSL 338.21, 0.73%, 0.45%

LAB 44.08, 65.5, 9.22

 

CMYK 0 / 84 / 9 / 50

HEX #7F1474

RGB 127 20 116

HSL 306.17, 0.73%, 0.29%

LAB 30.09, 53.24, -28.42

 

CMYK 0 / 85 / 9 / 36

HEX #A31995

RGB 163 25 149

HSL 306.09, 0.73%, 0.37%

LAB 38.99, 64.66, -34.45

 

CMYK 0 / 84 / 9 / 22

HEX #C71FB5

RGB 199 31 181

HSL 306.43, 0.73%, 0.45%

LAB 47.57, 75.21, -39.58

 

CMYK 0 / 78 / 8 / 13

HEX #DF30CD

RGB 223 48 205

HSL 306.17, 0.73%, 0.53%

LAB 54.25, 79.57, -42.67

 

CMYK 0 / 63 / 7 / 11

HEX #E454D5

RGB 228 84 213

HSL 306.25, 0.73%, 0.61%

LAB 59.56, 70.19, -38.81

 

CMYK 0 / 84 / 9 / 23

HEX #C41FB3

RGB 196 31 179

HSL 306.18, 0.73%, 0.45%

LAB 46.94, 74.34, -39.44

 

CMYK 0 / 59 / 84 / 22

HEX #C7511F

RGB 199 81 31

HSL 17.86, 0.73%, 0.45%

LAB 49.65, 44.67, 50.3

 

CMYK 84 / 0 / 26 / 22

HEX #1FC794

RGB 31 199 148

HSL 161.79, 0.73%, 0.45%

LAB 71.74, -52.24, 14.3

 

CMYK 0 / 84 / 9 / 23

HEX #C41FB3

RGB 196 31 179

HSL 306.18, 0.73%, 0.45%

LAB 46.94, 74.34, -39.44

 

CMYK 9 / 0 / 84 / 22

HEX #B6C71F

RGB 182 199 31

HSL 66.07, 0.73%, 0.45%

LAB 76.61, -24.62, 72.51

 

CMYK 84 / 9 / 0 / 22

HEX #1FB6C7

RGB 31 182 199

HSL 186.07, 0.73%, 0.45%

LAB 67.93, -30.64, -19.17

 

CMYK 0 / 84 / 9 / 23

HEX #C41FB3

RGB 196 31 179

HSL 306.18, 0.73%, 0.45%

LAB 46.94, 74.34, -39.44

 

CMYK 0 / 59 / 84 / 22

HEX #C7511F

RGB 199 81 31

HSL 17.86, 0.73%, 0.45%

LAB 49.65, 44.67, 50.3

 

CMYK 84 / 0 / 76 / 22

HEX #1FC730

RGB 31 199 48

HSL 126.07, 0.73%, 0.45%

LAB 70.42, -67.75, 59.85

 

CMYK 84 / 26 / 0 / 22

HEX #1F94C7

RGB 31 148 199

HSL 198.21, 0.73%, 0.45%

LAB 57.65, -12.98, -35

 

CMYK 0 / 84 / 9 / 23

HEX #C41FB3

RGB 196 31 179

HSL 306.18, 0.73%, 0.45%

LAB 46.94, 74.34, -39.44

 

CMYK 0 / 34 / 84 / 22

HEX #C7841F

RGB 199 132 31

HSL 36.07, 0.73%, 0.45%

LAB 60.55, 18.05, 59.64

 

CMYK 84 / 0 / 76 / 22

HEX #1FC730

RGB 31 199 48

HSL 126.07, 0.73%, 0.45%

LAB 70.42, -67.75, 59.85

 

CMYK 84 / 51 / 0 / 22

HEX #1F62C7

RGB 31 98 199

HSL 216.07, 0.73%, 0.45%

LAB 42.99, 17.38, -58.31

 

Description

Color code: HEX #C41FB3 | qconv.com Color code: HEX #C41FB3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 31 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 31 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 9 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 9% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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