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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C41DF0 it is the complementary color #3BE20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C41DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C41DF0 shade: #C91DEB, #DA2FFE, #EB41FF, #FC53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C41DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C41DF0 shade: #C41DF0, #B30BDD, #A200CA, #9100B7 and #8000A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C41DF0 shade: #C51EF1, #F11EE4, #F11EAB, #F11E72 and #F11E39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C41DF0 shade: #C51EF1, #8C1EF1, #531EF1 and #1E1EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C41DF0 shade matches the following richer shades: #C51EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C41DF0 shade: #C51EF1, #B931DD, #AE44CA, #A358B6 and #976BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C41DF0 shade: #521EF1, #8B1EF1, #C31EF1, #F11EE6 and #F11EAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C41DF0 shade: #8E0BB1, #AD0ED7, #C51EF1, #CF44F3 and #D96BF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C41DF0 shade: #C41DF0, #F11E21 and #1EF16F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C41DF0 shade: #C41DF0, #F1C31E and #1EF1C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C41DF0 shade: #C41DF0, #F11E21, #4BF11E and #1EF1ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C41DF0 shade: #C41DF0, #F1591E, #4BF11E and #1EB5F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 88 / 0 / 6

HEX #C41DF0

RGB 196 29 240

HSL 287.49, 0.88%, 0.53%

LAB 50.58, 84.36, -68.67

 

Complementary color

CMYK 74 / 0 / 93 / 11

HEX #3BE20F

RGB 59 226 15

HSL 107.49, 0.88%, 0.47%

LAB 79.25, -73.6, 75.19

 

CMYK 14 / 88 / 0 / 8

HEX #C91DEB

RGB 201 29 235

HSL 290.1, 0.84%, 0.52%

LAB 51.03, 84.27, -65.08

 

CMYK 14 / 81 / 0 / 0

HEX #DA2FFE

RGB 218 47 254

HSL 289.57, 0.99%, 0.59%

LAB 56.18, 86.54, -67.26

 

CMYK 8 / 75 / 0 / 0

HEX #EB41FF

RGB 235 65 255

HSL 293.68, 1%, 0.63%

LAB 60.48, 84.96, -60.76

 

CMYK 1 / 67 / 0 / 0

HEX #FC53FF

RGB 252 83 255

HSL 298.95, 1%, 0.66%

LAB 65.04, 82.64, -53.34

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 18 / 88 / 0 / 6

HEX #C41DF0

RGB 196 29 240

HSL 287.49, 0.88%, 0.53%

LAB 50.58, 84.36, -68.67

 

CMYK 19 / 95 / 0 / 13

HEX #B30BDD

RGB 179 11 221

HSL 288, 0.91%, 0.45%

LAB 45.69, 81.05, -65.95

 

CMYK 20 / 100 / 0 / 21

HEX #A200CA

RGB 162 0 202

HSL 288.12, 1%, 0.4%

LAB 41.13, 76.49, -62.53

 

CMYK 21 / 100 / 0 / 28

HEX #9100B7

RGB 145 0 183

HSL 287.54, 1%, 0.36%

LAB 36.82, 70.85, -58.52

 

CMYK 22 / 100 / 0 / 36

HEX #8000A4

RGB 128 0 164

HSL 286.83, 1%, 0.32%

LAB 32.41, 65.1, -54.44

 

CMYK 18 / 88 / 0 / 5

HEX #C51EF1

RGB 197 30 241

HSL 287.49, 0.88%, 0.53%

LAB 50.86, 84.51, -68.76

 

CMYK 0 / 88 / 5 / 5

HEX #F11EE4

RGB 241 30 228

HSL 303.7, 0.88%, 0.53%

LAB 57.3, 89.67, -50.72

 

CMYK 0 / 88 / 29 / 5

HEX #F11EAB

RGB 241 30 171

HSL 319.91, 0.88%, 0.53%

LAB 54.63, 82.63, -22.14

 

CMYK 0 / 88 / 53 / 5

HEX #F11E72

RGB 241 30 114

HSL 336.11, 0.88%, 0.53%

LAB 52.78, 77.54, 9.13

 

CMYK 0 / 88 / 76 / 5

HEX #F11E39

RGB 241 30 57

HSL 352.32, 0.88%, 0.53%

LAB 51.75, 74.61, 41.82

 

CMYK 18 / 88 / 0 / 5

HEX #C51EF1

RGB 197 30 241

HSL 287.49, 0.88%, 0.53%

LAB 50.86, 84.51, -68.76

 

CMYK 42 / 88 / 0 / 5

HEX #8C1EF1

RGB 140 30 241

HSL 271.28, 0.88%, 0.53%

LAB 42.54, 76.97, -82.69

 

CMYK 66 / 88 / 0 / 5

HEX #531EF1

RGB 83 30 241

HSL 255.07, 0.88%, 0.53%

LAB 36.21, 71.89, -93.36

 

CMYK 88 / 88 / 0 / 5

HEX #1E1EF1

RGB 30 30 241

HSL 240, 0.88%, 0.53%

LAB 33.04, 69.65, -98.72

 

CMYK 18 / 88 / 0 / 5

HEX #C51EF1

RGB 197 30 241

HSL 287.49, 0.88%, 0.53%

LAB 50.86, 84.51, -68.76

 

CMYK 18 / 88 / 0 / 5

HEX #C51EF1

RGB 197 30 241

HSL 287.49, 0.88%, 0.53%

LAB 50.86, 84.51, -68.76

 

CMYK 16 / 78 / 0 / 13

HEX #B931DD

RGB 185 49 221

HSL 287.44, 0.72%, 0.53%

LAB 49.17, 74.58, -60.28

 

CMYK 14 / 66 / 0 / 21

HEX #AE44CA

RGB 174 68 202

HSL 287.46, 0.56%, 0.53%

LAB 48.76, 62, -50.14

 

CMYK 10 / 52 / 0 / 29

HEX #A358B6

RGB 163 88 182

HSL 287.87, 0.39%, 0.53%

LAB 49.67, 45.78, -37.21

 

CMYK 7 / 34 / 0 / 36

HEX #976BA3

RGB 151 107 163

HSL 287.14, 0.23%, 0.53%

LAB 51.54, 27.65, -23.32

 

CMYK 66 / 88 / 0 / 5

HEX #521EF1

RGB 82 30 241

HSL 254.79, 0.88%, 0.53%

LAB 36.12, 71.83, -93.51

 

CMYK 42 / 88 / 0 / 5

HEX #8B1EF1

RGB 139 30 241

HSL 271, 0.88%, 0.53%

LAB 42.41, 76.86, -82.91

 

CMYK 19 / 88 / 0 / 5

HEX #C31EF1

RGB 195 30 241

HSL 286.92, 0.88%, 0.53%

LAB 50.55, 84.21, -69.28

 

CMYK 0 / 88 / 5 / 5

HEX #F11EE6

RGB 241 30 230

HSL 303.13, 0.88%, 0.53%

LAB 57.41, 89.95, -51.67

 

CMYK 0 / 88 / 28 / 5

HEX #F11EAE

RGB 241 30 174

HSL 319.05, 0.88%, 0.53%

LAB 54.75, 82.96, -23.71

 

CMYK 20 / 94 / 0 / 31

HEX #8E0BB1

RGB 142 11 177

HSL 287.35, 0.88%, 0.37%

LAB 36.3, 68, -55.82

 

CMYK 20 / 93 / 0 / 16

HEX #AD0ED7

RGB 173 14 215

HSL 287.46, 0.88%, 0.45%

LAB 44.38, 78.86, -64.68

 

CMYK 18 / 88 / 0 / 5

HEX #C51EF1

RGB 197 30 241

HSL 287.49, 0.88%, 0.53%

LAB 50.86, 84.51, -68.76

 

CMYK 15 / 72 / 0 / 5

HEX #CF44F3

RGB 207 68 243

HSL 287.66, 0.88%, 0.61%

LAB 55.96, 76.56, -61.58

 

CMYK 12 / 57 / 0 / 4

HEX #D96BF6

RGB 217 107 246

HSL 287.48, 0.89%, 0.69%

LAB 63.28, 63.28, -51.49

 

CMYK 18 / 88 / 0 / 6

HEX #C41DF0

RGB 196 29 240

HSL 287.49, 0.88%, 0.53%

LAB 50.58, 84.36, -68.67

 

CMYK 0 / 88 / 86 / 5

HEX #F11E21

RGB 241 30 33

HSL 359.15, 0.88%, 0.53%

LAB 51.54, 74.01, 54.11

 

CMYK 88 / 0 / 54 / 5

HEX #1EF16F

RGB 30 241 111

HSL 143.03, 0.88%, 0.53%

LAB 84.14, -73.73, 49.18

 

CMYK 18 / 88 / 0 / 6

HEX #C41DF0

RGB 196 29 240

HSL 287.49, 0.88%, 0.53%

LAB 50.58, 84.36, -68.67

 

CMYK 0 / 19 / 88 / 5

HEX #F1C31E

RGB 241 195 30

HSL 46.92, 0.88%, 0.53%

LAB 80.64, 2.67, 78.11

 

CMYK 88 / 0 / 19 / 5

HEX #1EF1C3

RGB 30 241 195

HSL 166.92, 0.88%, 0.53%

LAB 85.57, -57.44, 9.01

 

CMYK 18 / 88 / 0 / 6

HEX #C41DF0

RGB 196 29 240

HSL 287.49, 0.88%, 0.53%

LAB 50.58, 84.36, -68.67

 

CMYK 0 / 88 / 86 / 5

HEX #F11E21

RGB 241 30 33

HSL 359.15, 0.88%, 0.53%

LAB 51.54, 74.01, 54.11

 

CMYK 69 / 0 / 88 / 5

HEX #4BF11E

RGB 75 241 30

HSL 107.2, 0.88%, 0.53%

LAB 84.23, -75.02, 77.3

 

CMYK 88 / 0 / 2 / 5

HEX #1EF1ED

RGB 30 241 237

HSL 178.86, 0.88%, 0.53%

LAB 86.65, -46.31, -11.41

 

CMYK 18 / 88 / 0 / 6

HEX #C41DF0

RGB 196 29 240

HSL 287.49, 0.88%, 0.53%

LAB 50.58, 84.36, -68.67

 

CMYK 0 / 63 / 88 / 5

HEX #F1591E

RGB 241 89 30

HSL 16.78, 0.88%, 0.53%

LAB 57.98, 56.07, 60.39

 

CMYK 69 / 0 / 88 / 5

HEX #4BF11E

RGB 75 241 30

HSL 107.2, 0.88%, 0.53%

LAB 84.23, -75.02, 77.3

 

CMYK 88 / 25 / 0 / 5

HEX #1EB5F1

RGB 30 181 241

HSL 197.06, 0.88%, 0.53%

LAB 69.24, -16.21, -40.14

 

Description

Color code: HEX #C41DF0 | qconv.com Color code: HEX #C41DF0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 29 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 29 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 88 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 88% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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