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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C419EC it is the complementary color #3BE613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C419EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C419EC shade: #C919E7, #DA2BFA, #EB3DFF, #FC4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C419EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C419EC shade: #C419EC, #B307D9, #A200C6, #9100B3 and #8000A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C419EC shade: #C418EC, #EC18DB, #EC18A2, #EC1869 and #EC182F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C419EC shade: #C418EC, #8B18EC, #5118EC and #1818EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C419EC shade matches the following richer shades: #C418EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C419EC shade: #C418EC, #B72CD8, #AB40C4, #9E54B0 and #92699B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C419EC shade: #5018EC, #8918EC, #C218EC, #EC18DE and #EC18A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C419EC shade: #880DA4, #A710CA, #C418EC, #CE3EEF and #D764F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C419EC shade: #C419EC, #EC1818 and #18EC6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C419EC shade: #C419EC, #ECC218 and #18ECC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C419EC shade: #C419EC, #EC1818, #42EC18 and #18ECEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C419EC shade: #C419EC, #EC5818, #42EC18 and #18ADEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 89 / 0 / 7

HEX #C419EC

RGB 196 25 236

HSL 288.63, 0.85%, 0.51%

LAB 50.08, 84.32, -67.22

 

Complementary color

CMYK 74 / 0 / 92 / 10

HEX #3BE613

RGB 59 230 19

HSL 108.63, 0.85%, 0.49%

LAB 80.5, -74.69, 75.74

 

CMYK 13 / 89 / 0 / 9

HEX #C919E7

RGB 201 25 231

HSL 291.26, 0.81%, 0.5%

LAB 50.55, 84.25, -63.6

 

CMYK 13 / 83 / 0 / 2

HEX #DA2BFA

RGB 218 43 250

HSL 290.72, 0.95%, 0.57%

LAB 55.62, 86.77, -65.94

 

CMYK 8 / 76 / 0 / 0

HEX #EB3DFF

RGB 235 61 255

HSL 293.81, 1%, 0.62%

LAB 60.09, 86.1, -61.4

 

CMYK 1 / 69 / 0 / 0

HEX #FC4FFF

RGB 252 79 255

HSL 298.98, 1%, 0.65%

LAB 64.57, 83.98, -54.1

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 17 / 89 / 0 / 7

HEX #C419EC

RGB 196 25 236

HSL 288.63, 0.85%, 0.51%

LAB 50.08, 84.32, -67.22

 

CMYK 18 / 97 / 0 / 15

HEX #B307D9

RGB 179 7 217

HSL 289.14, 0.94%, 0.44%

LAB 45.28, 80.73, -64.32

 

CMYK 18 / 100 / 0 / 22

HEX #A200C6

RGB 162 0 198

HSL 289.09, 1%, 0.39%

LAB 40.83, 75.8, -60.69

 

CMYK 19 / 100 / 0 / 30

HEX #9100B3

RGB 145 0 179

HSL 288.6, 1%, 0.35%

LAB 36.51, 70.14, -56.65

 

CMYK 20 / 100 / 0 / 37

HEX #8000A0

RGB 128 0 160

HSL 288, 1%, 0.31%

LAB 32.09, 64.37, -52.54

 

CMYK 17 / 90 / 0 / 7

HEX #C418EC

RGB 196 24 236

HSL 288.68, 0.85%, 0.51%

LAB 50.03, 84.47, -67.3

 

CMYK 0 / 90 / 7 / 7

HEX #EC18DB

RGB 236 24 219

HSL 304.81, 0.85%, 0.51%

LAB 55.69, 88.36, -48.24

 

CMYK 0 / 90 / 31 / 7

HEX #EC18A2

RGB 236 24 162

HSL 320.94, 0.85%, 0.51%

LAB 53.05, 81.5, -19.33

 

CMYK 0 / 90 / 56 / 7

HEX #EC1869

RGB 236 24 105

HSL 337.08, 0.85%, 0.51%

LAB 51.27, 76.64, 12.34

 

CMYK 0 / 90 / 80 / 7

HEX #EC182F

RGB 236 24 47

HSL 353.49, 0.85%, 0.51%

LAB 50.32, 73.97, 45.57

 

CMYK 17 / 90 / 0 / 7

HEX #C418EC

RGB 196 24 236

HSL 288.68, 0.85%, 0.51%

LAB 50.03, 84.47, -67.3

 

CMYK 41 / 90 / 0 / 7

HEX #8B18EC

RGB 139 24 236

HSL 272.55, 0.85%, 0.51%

LAB 41.53, 77.08, -81.53

 

CMYK 66 / 90 / 0 / 7

HEX #5118EC

RGB 81 24 236

HSL 256.13, 0.85%, 0.51%

LAB 34.92, 72.15, -92.67

 

CMYK 90 / 90 / 0 / 7

HEX #1818EC

RGB 24 24 236

HSL 240, 0.85%, 0.51%

LAB 31.59, 70.06, -98.32

 

CMYK 17 / 90 / 0 / 7

HEX #C418EC

RGB 196 24 236

HSL 288.68, 0.85%, 0.51%

LAB 50.03, 84.47, -67.3

 

CMYK 17 / 90 / 0 / 7

HEX #C418EC

RGB 196 24 236

HSL 288.68, 0.85%, 0.51%

LAB 50.03, 84.47, -67.3

 

CMYK 15 / 80 / 0 / 15

HEX #B72CD8

RGB 183 44 216

HSL 288.49, 0.69%, 0.51%

LAB 48.04, 74.76, -59.26

 

CMYK 13 / 67 / 0 / 23

HEX #AB40C4

RGB 171 64 196

HSL 288.64, 0.53%, 0.51%

LAB 47.38, 61.84, -48.9

 

CMYK 10 / 52 / 0 / 31

HEX #9E54B0

RGB 158 84 176

HSL 288.26, 0.37%, 0.51%

LAB 47.94, 45.23, -36.48

 

CMYK 6 / 32 / 0 / 39

HEX #92699B

RGB 146 105 155

HSL 289.2, 0.2%, 0.51%

LAB 50.19, 25.46, -20.75

 

CMYK 66 / 90 / 0 / 7

HEX #5018EC

RGB 80 24 236

HSL 255.85, 0.85%, 0.51%

LAB 34.83, 72.09, -92.82

 

CMYK 42 / 90 / 0 / 7

HEX #8918EC

RGB 137 24 236

HSL 271.98, 0.85%, 0.51%

LAB 41.26, 76.86, -81.99

 

CMYK 18 / 90 / 0 / 7

HEX #C218EC

RGB 194 24 236

HSL 288.11, 0.85%, 0.51%

LAB 49.71, 84.18, -67.83

 

CMYK 0 / 90 / 6 / 7

HEX #EC18DE

RGB 236 24 222

HSL 303.96, 0.85%, 0.51%

LAB 55.85, 88.77, -49.69

 

CMYK 0 / 90 / 30 / 7

HEX #EC18A5

RGB 236 24 165

HSL 320.09, 0.85%, 0.51%

LAB 53.17, 81.81, -20.92

 

CMYK 17 / 92 / 0 / 36

HEX #880DA4

RGB 136 13 164

HSL 288.87, 0.85%, 0.35%

LAB 34.4, 64.46, -51.15

 

CMYK 17 / 92 / 0 / 21

HEX #A710CA

RGB 167 16 202

HSL 288.71, 0.85%, 0.43%

LAB 42.54, 75.48, -60.21

 

CMYK 17 / 90 / 0 / 7

HEX #C418EC

RGB 196 24 236

HSL 288.68, 0.85%, 0.51%

LAB 50.03, 84.47, -67.3

 

CMYK 14 / 74 / 0 / 6

HEX #CE3EEF

RGB 206 62 239

HSL 288.81, 0.85%, 0.59%

LAB 54.86, 77.66, -61.11

 

CMYK 11 / 59 / 0 / 5

HEX #D764F2

RGB 215 100 242

HSL 288.59, 0.85%, 0.67%

LAB 61.63, 65.23, -51.9

 

CMYK 17 / 89 / 0 / 7

HEX #C419EC

RGB 196 25 236

HSL 288.63, 0.85%, 0.51%

LAB 50.08, 84.32, -67.22

 

CMYK 0 / 90 / 90 / 7

HEX #EC1818

RGB 236 24 24

HSL 0, 0.85%, 0.51%

LAB 50.16, 73.5, 56.5

 

CMYK 90 / 0 / 54 / 7

HEX #18EC6D

RGB 24 236 109

HSL 144.06, 0.85%, 0.51%

LAB 82.53, -72.82, 48.15

 

CMYK 17 / 89 / 0 / 7

HEX #C419EC

RGB 196 25 236

HSL 288.63, 0.85%, 0.51%

LAB 50.08, 84.32, -67.22

 

CMYK 0 / 18 / 90 / 7

HEX #ECC218

RGB 236 194 24

HSL 48.11, 0.85%, 0.51%

LAB 79.89, 0.93, 78.47

 

CMYK 90 / 0 / 18 / 7

HEX #18ECC2

RGB 24 236 194

HSL 168.11, 0.85%, 0.51%

LAB 84.01, -56.03, 7.29

 

CMYK 17 / 89 / 0 / 7

HEX #C419EC

RGB 196 25 236

HSL 288.63, 0.85%, 0.51%

LAB 50.08, 84.32, -67.22

 

CMYK 0 / 90 / 90 / 7

HEX #EC1818

RGB 236 24 24

HSL 0, 0.85%, 0.51%

LAB 50.16, 73.5, 56.5

 

CMYK 72 / 0 / 90 / 7

HEX #42EC18

RGB 66 236 24

HSL 108.11, 0.85%, 0.51%

LAB 82.49, -75.24, 76.75

 

CMYK 90 / 0 / 0 / 7

HEX #18ECEC

RGB 24 236 236

HSL 180, 0.85%, 0.51%

LAB 85.12, -44.69, -13.18

 

CMYK 17 / 89 / 0 / 7

HEX #C419EC

RGB 196 25 236

HSL 288.63, 0.85%, 0.51%

LAB 50.08, 84.32, -67.22

 

CMYK 0 / 63 / 90 / 7

HEX #EC5818

RGB 236 88 24

HSL 18.11, 0.85%, 0.51%

LAB 56.96, 54.67, 61.3

 

CMYK 72 / 0 / 90 / 7

HEX #42EC18

RGB 66 236 24

HSL 108.11, 0.85%, 0.51%

LAB 82.49, -75.24, 76.75

 

CMYK 90 / 27 / 0 / 7

HEX #18ADEC

RGB 24 173 236

HSL 197.83, 0.85%, 0.51%

LAB 66.62, -13.98, -41.5

 

Description

Color code: HEX #C419EC | qconv.com Color code: HEX #C419EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 25 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 25 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 89 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 89% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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