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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C417E3 it is the complementary color #3BE81C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C417E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C417E3 shade: #C917DE, #DA29F1, #EB3BFF, #FC4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C417E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C417E3 shade: #C417E3, #B305D0, #A200BD, #9100AA and #800097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C417E3 shade: #C416E3, #E316CB, #E31694, #E3165D and #E31626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C417E3 shade: #C416E3, #8D16E3, #5616E3, #1E16E3 and #1616E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C417E3 shade matches the following richer shades: #C416E3 and #D202F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C417E3 shade: #C416E3, #B62BCF, #A83FBB, #9A53A7 and #8C6793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C417E3 shade: #5416E3, #8B16E3, #C116E3, #E316CF and #E31698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C417E3 shade: #830F98, #A413BE, #C416E3, #D038EB and #D95DEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C417E3 shade: #C417E3, #E31D16 and #16E36F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C417E3 shade: #C417E3, #E3C116 and #16E3C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C417E3 shade: #C417E3, #E31D16, #39E316 and #16DDE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C417E3 shade: #C417E3, #E35B16, #39E316 and #169FE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 90 / 0 / 11

HEX #C417E3

RGB 196 23 227

HSL 290.88, 0.82%, 0.49%

LAB 49.37, 83.11, -63.28

 

Complementary color

CMYK 75 / 0 / 88 / 9

HEX #3BE81C

RGB 59 232 28

HSL 110.88, 0.82%, 0.51%

LAB 81.14, -75.02, 74.88

 

CMYK 9 / 90 / 0 / 13

HEX #C917DE

RGB 201 23 222

HSL 293.67, 0.81%, 0.48%

LAB 49.86, 83.08, -59.6

 

CMYK 10 / 83 / 0 / 5

HEX #DA29F1

RGB 218 41 241

HSL 293.1, 0.88%, 0.55%

LAB 54.91, 85.73, -62.06

 

CMYK 8 / 77 / 0 / 0

HEX #EB3BFF

RGB 235 59 255

HSL 293.88, 1%, 0.62%

LAB 59.9, 86.65, -61.7

 

CMYK 1 / 70 / 0 / 0

HEX #FC4DFF

RGB 252 77 255

HSL 298.99, 1%, 0.65%

LAB 64.34, 84.63, -54.46

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 14 / 90 / 0 / 11

HEX #C417E3

RGB 196 23 227

HSL 290.88, 0.82%, 0.49%

LAB 49.37, 83.11, -63.28

 

CMYK 14 / 98 / 0 / 18

HEX #B305D0

RGB 179 5 208

HSL 291.43, 0.95%, 0.42%

LAB 44.58, 79.41, -60.28

 

CMYK 14 / 100 / 0 / 26

HEX #A200BD

RGB 162 0 189

HSL 291.43, 1%, 0.37%

LAB 40.17, 74.28, -56.48

 

CMYK 15 / 100 / 0 / 33

HEX #9100AA

RGB 145 0 170

HSL 291.18, 1%, 0.33%

LAB 35.83, 68.59, -52.37

 

CMYK 15 / 100 / 0 / 41

HEX #800097

RGB 128 0 151

HSL 290.86, 1%, 0.3%

LAB 31.4, 62.77, -48.17

 

CMYK 14 / 90 / 0 / 11

HEX #C416E3

RGB 196 22 227

HSL 290.93, 0.82%, 0.49%

LAB 49.32, 83.26, -63.36

 

CMYK 0 / 90 / 11 / 11

HEX #E316CB

RGB 227 22 203

HSL 307.02, 0.82%, 0.49%

LAB 53.19, 84.86, -43.16

 

CMYK 0 / 90 / 35 / 11

HEX #E31694

RGB 227 22 148

HSL 323.12, 0.82%, 0.49%

LAB 50.74, 78.44, -14.68

 

CMYK 0 / 90 / 59 / 11

HEX #E3165D

RGB 227 22 93

HSL 339.22, 0.82%, 0.49%

LAB 49.12, 74.02, 16.44

 

CMYK 0 / 90 / 83 / 11

HEX #E31626

RGB 227 22 38

HSL 355.32, 0.82%, 0.49%

LAB 48.32, 71.75, 47.78

 

CMYK 14 / 90 / 0 / 11

HEX #C416E3

RGB 196 22 227

HSL 290.93, 0.82%, 0.49%

LAB 49.32, 83.26, -63.36

 

CMYK 38 / 90 / 0 / 11

HEX #8D16E3

RGB 141 22 227

HSL 274.83, 0.82%, 0.49%

LAB 40.87, 75.82, -77.49

 

CMYK 62 / 90 / 0 / 11

HEX #5616E3

RGB 86 22 227

HSL 258.73, 0.82%, 0.49%

LAB 34.19, 70.76, -88.75

 

CMYK 87 / 90 / 0 / 11

HEX #1E16E3

RGB 30 22 227

HSL 242.34, 0.82%, 0.49%

LAB 30.39, 68.35, -95.17

 

CMYK 90 / 90 / 0 / 11

HEX #1616E3

RGB 22 22 227

HSL 240, 0.82%, 0.49%

LAB 30.13, 68.21, -95.6

 

CMYK 14 / 90 / 0 / 11

HEX #C416E3

RGB 196 22 227

HSL 290.93, 0.82%, 0.49%

LAB 49.32, 83.26, -63.36

 

CMYK 15 / 99 / 0 / 3

HEX #D202F8

RGB 210 2 248

HSL 290.73, 0.98%, 0.49%

LAB 52.42, 90.52, -70.06

 

CMYK 14 / 90 / 0 / 11

HEX #C416E3

RGB 196 22 227

HSL 290.93, 0.82%, 0.49%

LAB 49.32, 83.26, -63.36

 

CMYK 12 / 79 / 0 / 19

HEX #B62BCF

RGB 182 43 207

HSL 290.85, 0.66%, 0.49%

LAB 47.21, 73.27, -55.44

 

CMYK 10 / 66 / 0 / 27

HEX #A83FBB

RGB 168 63 187

HSL 290.81, 0.5%, 0.49%

LAB 46.27, 59.86, -45.47

 

CMYK 8 / 50 / 0 / 35

HEX #9A53A7

RGB 154 83 167

HSL 290.71, 0.34%, 0.49%

LAB 46.77, 42.78, -33.06

 

CMYK 5 / 30 / 0 / 42

HEX #8C6793

RGB 140 103 147

HSL 290.45, 0.18%, 0.49%

LAB 48.74, 22.9, -18.31

 

CMYK 63 / 90 / 0 / 11

HEX #5416E3

RGB 84 22 227

HSL 258.15, 0.82%, 0.49%

LAB 33.99, 70.62, -89.07

 

CMYK 39 / 90 / 0 / 11

HEX #8B16E3

RGB 139 22 227

HSL 274.24, 0.82%, 0.49%

LAB 40.59, 75.59, -77.96

 

CMYK 15 / 90 / 0 / 11

HEX #C116E3

RGB 193 22 227

HSL 290.05, 0.82%, 0.49%

LAB 48.83, 82.8, -64.17

 

CMYK 0 / 90 / 9 / 11

HEX #E316CF

RGB 227 22 207

HSL 305.85, 0.82%, 0.49%

LAB 53.4, 85.4, -45.12

 

CMYK 0 / 90 / 33 / 11

HEX #E31698

RGB 227 22 152

HSL 321.95, 0.82%, 0.49%

LAB 50.89, 78.84, -16.84

 

CMYK 14 / 90 / 0 / 40

HEX #830F98

RGB 131 15 152

HSL 290.8, 0.82%, 0.33%

LAB 32.78, 61.15, -46.54

 

CMYK 14 / 90 / 0 / 25

HEX #A413BE

RGB 164 19 190

HSL 290.88, 0.82%, 0.41%

LAB 41.34, 72.52, -55.17

 

CMYK 14 / 90 / 0 / 11

HEX #C416E3

RGB 196 22 227

HSL 290.93, 0.82%, 0.49%

LAB 49.32, 83.26, -63.36

 

CMYK 11 / 76 / 0 / 8

HEX #D038EB

RGB 208 56 235

HSL 290.95, 0.82%, 0.57%

LAB 54.28, 79.19, -59.79

 

CMYK 9 / 61 / 0 / 6

HEX #D95DEF

RGB 217 93 239

HSL 290.96, 0.82%, 0.65%

LAB 60.62, 68.23, -51.83

 

CMYK 14 / 90 / 0 / 11

HEX #C417E3

RGB 196 23 227

HSL 290.88, 0.82%, 0.49%

LAB 49.37, 83.11, -63.28

 

CMYK 0 / 87 / 90 / 11

HEX #E31D16

RGB 227 29 22

HSL 2.05, 0.82%, 0.49%

LAB 48.6, 70.36, 55.36

 

CMYK 90 / 0 / 51 / 11

HEX #16E36F

RGB 22 227 111

HSL 146.05, 0.82%, 0.49%

LAB 79.76, -69.81, 43.82

 

CMYK 14 / 90 / 0 / 11

HEX #C417E3

RGB 196 23 227

HSL 290.88, 0.82%, 0.49%

LAB 49.37, 83.11, -63.28

 

CMYK 0 / 15 / 90 / 11

HEX #E3C116

RGB 227 193 22

HSL 50.05, 0.82%, 0.49%

LAB 78.77, -2.47, 77.58

 

CMYK 90 / 0 / 15 / 11

HEX #16E3C1

RGB 22 227 193

HSL 170.05, 0.82%, 0.49%

LAB 81.27, -52.79, 3.86

 

CMYK 14 / 90 / 0 / 11

HEX #C417E3

RGB 196 23 227

HSL 290.88, 0.82%, 0.49%

LAB 49.37, 83.11, -63.28

 

CMYK 0 / 87 / 90 / 11

HEX #E31D16

RGB 227 29 22

HSL 2.05, 0.82%, 0.49%

LAB 48.6, 70.36, 55.36

 

CMYK 75 / 0 / 90 / 11

HEX #39E316

RGB 57 227 22

HSL 109.76, 0.82%, 0.49%

LAB 79.54, -74.03, 74.49

 

CMYK 90 / 3 / 0 / 11

HEX #16DDE3

RGB 22 221 227

HSL 181.76, 0.82%, 0.49%

LAB 80.42, -40.75, -15.46

 

CMYK 14 / 90 / 0 / 11

HEX #C417E3

RGB 196 23 227

HSL 290.88, 0.82%, 0.49%

LAB 49.37, 83.11, -63.28

 

CMYK 0 / 60 / 90 / 11

HEX #E35B16

RGB 227 91 22

HSL 20.2, 0.82%, 0.49%

LAB 55.96, 50.13, 60.52

 

CMYK 75 / 0 / 90 / 11

HEX #39E316

RGB 57 227 22

HSL 109.76, 0.82%, 0.49%

LAB 79.54, -74.03, 74.49

 

CMYK 90 / 30 / 0 / 11

HEX #169FE3

RGB 22 159 227

HSL 199.9, 0.82%, 0.49%

LAB 62.09, -9.58, -43.66

 

Description

Color code: HEX #C417E3 | qconv.com Color code: HEX #C417E3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 23 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 23 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 90 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 90% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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