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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C413A6 it is the complementary color #3BEC59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C413A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C413A6 shade: #C913A1, #DA25B4, #EB37C7, #FC49DA and #FF5BED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C413A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C413A6 shade: #C413A6, #B30193, #A20080, #91006D and #80005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C413A6 shade: #C313A5, #C31376, #C31346, #C31317 and #C31313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C413A6 shade: #C313A5, #B113C3, #8213C3, #5313C3 and #2313C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C413A6 shade matches the following richer shades: #C313A5 and #D402B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C413A6 shade: #C313A5, #B2259A, #A0368E, #8F4783 and #7E5977

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C413A6 shade: #8313C3, #B113C3, #C313A6, #C31377 and #C31348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C413A6 shade: #780C66, #9D1085, #C313A5, #E817C5 and #EC3DCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C413A6 shade: #C413A6, #C35413 and #13C39A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C413A6 shade: #C413A6, #A6C313 and #13A6C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C413A6 shade: #C413A6, #C35413, #13C331 and #1383C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C413A6 shade: #C413A6, #C38813, #13C331 and #134EC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 15 / 23

HEX #C413A6

RGB 196 19 166

HSL 310.17, 0.82%, 0.42%

LAB 45.57, 74.58, -33.89

 

Complementary color

CMYK 75 / 0 / 62 / 7

HEX #3BEC59

RGB 59 236 89

HSL 130.17, 0.82%, 0.58%

LAB 82.72, -71.98, 57.33

 

CMYK 0 / 91 / 20 / 21

HEX #C913A1

RGB 201 19 161

HSL 313.19, 0.83%, 0.43%

LAB 46.25, 74.93, -29.78

 

CMYK 0 / 83 / 17 / 15

HEX #DA25B4

RGB 218 37 180

HSL 312.6, 0.71%, 0.5%

LAB 51.29, 77.68, -32.9

 

CMYK 0 / 77 / 15 / 8

HEX #EB37C7

RGB 235 55 199

HSL 312, 0.82%, 0.57%

LAB 56.6, 79.44, -35.39

 

CMYK 0 / 71 / 13 / 1

HEX #FC49DA

RGB 252 73 218

HSL 311.4, 0.97%, 0.64%

LAB 62.1, 80.47, -37.39

 

CMYK 0 / 64 / 7 / 0

HEX #FF5BED

RGB 255 91 237

HSL 306.59, 1%, 0.68%

LAB 65.64, 77.67, -42.44

 

CMYK 0 / 90 / 15 / 23

HEX #C413A6

RGB 196 19 166

HSL 310.17, 0.82%, 0.42%

LAB 45.57, 74.58, -33.89

 

CMYK 0 / 99 / 18 / 30

HEX #B30193

RGB 179 1 147

HSL 310.79, 0.99%, 0.35%

LAB 40.75, 70.82, -30.24

 

CMYK 0 / 100 / 21 / 36

HEX #A20080

RGB 162 0 128

HSL 312.59, 1%, 0.32%

LAB 36.44, 65.26, -25.53

 

CMYK 0 / 100 / 25 / 43

HEX #91006D

RGB 145 0 109

HSL 314.9, 1%, 0.28%

LAB 32.09, 59.51, -20.57

 

CMYK 0 / 100 / 30 / 50

HEX #80005A

RGB 128 0 90

HSL 317.81, 1%, 0.25%

LAB 27.65, 53.65, -15.38

 

CMYK 0 / 90 / 15 / 24

HEX #C313A5

RGB 195 19 165

HSL 310.23, 0.82%, 0.42%

LAB 45.34, 74.26, -33.68

 

CMYK 0 / 90 / 39 / 24

HEX #C31376

RGB 195 19 118

HSL 326.25, 0.82%, 0.42%

LAB 43.32, 68.9, -8.19

 

CMYK 0 / 90 / 64 / 24

HEX #C31346

RGB 195 19 70

HSL 342.61, 0.82%, 0.42%

LAB 42.02, 65.28, 20.09

 

CMYK 0 / 90 / 88 / 24

HEX #C31317

RGB 195 19 23

HSL 358.64, 0.82%, 0.42%

LAB 41.42, 63.59, 46.72

 

CMYK 0 / 90 / 90 / 24

HEX #C31313

RGB 195 19 19

HSL 0, 0.82%, 0.42%

LAB 41.4, 63.52, 48.49

 

CMYK 0 / 90 / 15 / 24

HEX #C313A5

RGB 195 19 165

HSL 310.23, 0.82%, 0.42%

LAB 45.34, 74.26, -33.68

 

CMYK 9 / 90 / 0 / 24

HEX #B113C3

RGB 177 19 195

HSL 293.86, 0.82%, 0.42%

LAB 43.88, 75.45, -53.89

 

CMYK 33 / 90 / 0 / 24

HEX #8213C3

RGB 130 19 195

HSL 277.84, 0.82%, 0.42%

LAB 36.27, 68.51, -66.58

 

CMYK 57 / 90 / 0 / 24

HEX #5313C3

RGB 83 19 195

HSL 261.82, 0.82%, 0.42%

LAB 30.02, 63.47, -77.1

 

CMYK 82 / 90 / 0 / 24

HEX #2313C3

RGB 35 19 195

HSL 245.45, 0.82%, 0.42%

LAB 26.05, 60.75, -83.81

 

CMYK 0 / 90 / 15 / 24

HEX #C313A5

RGB 195 19 165

HSL 310.23, 0.82%, 0.42%

LAB 45.34, 74.26, -33.68

 

CMYK 0 / 99 / 17 / 17

HEX #D402B1

RGB 212 2 177

HSL 310, 0.98%, 0.42%

LAB 48.53, 80.61, -35.55

 

CMYK 0 / 90 / 15 / 24

HEX #C313A5

RGB 195 19 165

HSL 310.23, 0.82%, 0.42%

LAB 45.34, 74.26, -33.68

 

CMYK 0 / 79 / 13 / 30

HEX #B2259A

RGB 178 37 154

HSL 310.21, 0.66%, 0.42%

LAB 42.95, 65.66, -31.06

 

CMYK 0 / 66 / 11 / 37

HEX #A0368E

RGB 160 54 142

HSL 310.19, 0.5%, 0.42%

LAB 41.32, 53.75, -26.56

 

CMYK 0 / 50 / 8 / 44

HEX #8F4783

RGB 143 71 131

HSL 310, 0.34%, 0.42%

LAB 41.19, 38.89, -20.25

 

CMYK 0 / 29 / 6 / 51

HEX #7E5977

RGB 126 89 119

HSL 311.35, 0.17%, 0.42%

LAB 42.63, 20.49, -10.92

 

CMYK 33 / 90 / 0 / 24

HEX #8313C3

RGB 131 19 195

HSL 278.18, 0.82%, 0.42%

LAB 36.43, 68.64, -66.33

 

CMYK 9 / 90 / 0 / 24

HEX #B113C3

RGB 177 19 195

HSL 293.86, 0.82%, 0.42%

LAB 43.88, 75.45, -53.89

 

CMYK 0 / 90 / 15 / 24

HEX #C313A6

RGB 195 19 166

HSL 309.89, 0.82%, 0.42%

LAB 45.39, 74.39, -34.19

 

CMYK 0 / 90 / 39 / 24

HEX #C31377

RGB 195 19 119

HSL 325.91, 0.82%, 0.42%

LAB 43.36, 69, -8.76

 

CMYK 0 / 90 / 63 / 24

HEX #C31348

RGB 195 19 72

HSL 341.93, 0.82%, 0.42%

LAB 42.06, 65.39, 18.88

 

CMYK 0 / 90 / 15 / 53

HEX #780C66

RGB 120 12 102

HSL 310, 0.82%, 0.26%

LAB 27.34, 51.38, -23.85

 

CMYK 0 / 90 / 15 / 38

HEX #9D1085

RGB 157 16 133

HSL 310.21, 0.82%, 0.34%

LAB 36.43, 62.86, -28.73

 

CMYK 0 / 90 / 15 / 24

HEX #C313A5

RGB 195 19 165

HSL 310.23, 0.82%, 0.42%

LAB 45.34, 74.26, -33.68

 

CMYK 0 / 90 / 15 / 9

HEX #E817C5

RGB 232 23 197

HSL 310.05, 0.82%, 0.5%

LAB 53.81, 84.88, -38.65

 

CMYK 0 / 74 / 13 / 7

HEX #EC3DCE

RGB 236 61 206

HSL 310.29, 0.82%, 0.58%

LAB 57.68, 78.92, -37.69

 

CMYK 0 / 90 / 15 / 23

HEX #C413A6

RGB 196 19 166

HSL 310.17, 0.82%, 0.42%

LAB 45.57, 74.58, -33.89

 

CMYK 0 / 57 / 90 / 24

HEX #C35413

RGB 195 84 19

HSL 22.16, 0.82%, 0.42%

LAB 49.48, 41.46, 54.37

 

CMYK 90 / 0 / 21 / 24

HEX #13C39A

RGB 19 195 154

HSL 166.02, 0.82%, 0.42%

LAB 70.53, -49.99, 9.33

 

CMYK 0 / 90 / 15 / 23

HEX #C413A6

RGB 196 19 166

HSL 310.17, 0.82%, 0.42%

LAB 45.57, 74.58, -33.89

 

CMYK 15 / 0 / 90 / 24

HEX #A6C313

RGB 166 195 19

HSL 69.89, 0.82%, 0.42%

LAB 74.31, -29.65, 72.43

 

CMYK 90 / 15 / 0 / 24

HEX #13A6C3

RGB 19 166 195

HSL 189.89, 0.82%, 0.42%

LAB 62.8, -24.72, -24.78

 

CMYK 0 / 90 / 15 / 23

HEX #C413A6

RGB 196 19 166

HSL 310.17, 0.82%, 0.42%

LAB 45.57, 74.58, -33.89

 

CMYK 0 / 57 / 90 / 24

HEX #C35413

RGB 195 84 19

HSL 22.16, 0.82%, 0.42%

LAB 49.48, 41.46, 54.37

 

CMYK 90 / 0 / 75 / 24

HEX #13C331

RGB 19 195 49

HSL 130.23, 0.82%, 0.42%

LAB 69.03, -67.46, 58.1

 

CMYK 90 / 33 / 0 / 24

HEX #1383C3

RGB 19 131 195

HSL 201.82, 0.82%, 0.42%

LAB 52.19, -5.53, -41.32

 

CMYK 0 / 90 / 15 / 23

HEX #C413A6

RGB 196 19 166

HSL 310.17, 0.82%, 0.42%

LAB 45.57, 74.58, -33.89

 

CMYK 0 / 30 / 90 / 24

HEX #C38813

RGB 195 136 19

HSL 39.89, 0.82%, 0.42%

LAB 61.01, 13.82, 63.08

 

CMYK 90 / 0 / 75 / 24

HEX #13C331

RGB 19 195 49

HSL 130.23, 0.82%, 0.42%

LAB 69.03, -67.46, 58.1

 

CMYK 90 / 60 / 0 / 24

HEX #134EC3

RGB 19 78 195

HSL 219.89, 0.82%, 0.42%

LAB 36.98, 28.21, -65.77

 

Description

Color code: HEX #C413A6 | qconv.com Color code: HEX #C413A6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 19 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 19 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 15 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 15% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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