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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C41296 it is the complementary color #3BED69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C41296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C41296 shade: #C91291, #DA24A4, #EB36B7, #FC48CA and #FF5ADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C41296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C41296 shade: #C41296, #B30083, #A20070, #91005D and #80004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C41296 shade: #C41296, #C41266, #C41236 and #C41212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C41296 shade: #C41296, #C212C4, #9212C4, #6212C4 and #3212C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C41296 shade matches the following richer shades: #C41296 and #D5019E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C41296 shade: #C41296, #B3248E, #A13585, #90467D and #7F5875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C41296 shade: #9212C4, #C112C4, #C41298, #C41268 and #C41239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C41296 shade: #780B5C, #9E0F79, #C41296, #E916B3 and #ED3CBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C41296 shade: #C41296, #C46212 and #12C4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C41296 shade: #C41296, #98C412 and #1298C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C41296 shade: #C41296, #C46212, #12C43F and #1274C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C41296 shade: #C41296, #C49812, #12C43F and #123FC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

Complementary color

CMYK 75 / 0 / 56 / 7

HEX #3BED69

RGB 59 237 105

HSL 135.51, 0.83%, 0.58%

LAB 83.19, -70.39, 50.87

 

CMYK 0 / 91 / 28 / 21

HEX #C91291

RGB 201 18 145

HSL 318.36, 0.84%, 0.43%

LAB 45.49, 73.16, -21.34

 

CMYK 0 / 83 / 25 / 15

HEX #DA24A4

RGB 218 36 164

HSL 317.8, 0.72%, 0.5%

LAB 50.51, 75.91, -24.71

 

CMYK 0 / 77 / 22 / 8

HEX #EB36B7

RGB 235 54 183

HSL 317.24, 0.82%, 0.57%

LAB 55.81, 77.65, -27.4

 

CMYK 0 / 71 / 20 / 1

HEX #FC48CA

RGB 252 72 202

HSL 316.67, 0.97%, 0.64%

LAB 61.3, 78.66, -29.58

 

CMYK 0 / 65 / 13 / 0

HEX #FF5ADD

RGB 255 90 221

HSL 312.36, 1%, 0.68%

LAB 64.8, 75.7, -34.84

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 100 / 27 / 30

HEX #B30083

RGB 179 0 131

HSL 316.09, 1%, 0.35%

LAB 39.95, 68.98, -21.67

 

CMYK 0 / 100 / 31 / 36

HEX #A20070

RGB 162 0 112

HSL 318.52, 1%, 0.32%

LAB 35.7, 63.37, -16.62

 

CMYK 0 / 100 / 36 / 43

HEX #91005D

RGB 145 0 93

HSL 321.52, 1%, 0.28%

LAB 31.37, 57.67, -11.34

 

CMYK 0 / 100 / 42 / 50

HEX #80004A

RGB 128 0 74

HSL 325.31, 1%, 0.25%

LAB 26.97, 51.9, -5.75

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 91 / 48 / 23

HEX #C41266

RGB 196 18 102

HSL 331.69, 0.83%, 0.42%

LAB 42.96, 67.86, 1.27

 

CMYK 0 / 91 / 72 / 23

HEX #C41236

RGB 196 18 54

HSL 347.87, 0.83%, 0.42%

LAB 41.9, 64.91, 29.95

 

CMYK 0 / 91 / 91 / 23

HEX #C41212

RGB 196 18 18

HSL 0, 0.83%, 0.42%

LAB 41.55, 63.92, 49.12

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 1 / 91 / 0 / 23

HEX #C212C4

RGB 194 18 196

HSL 299.33, 0.83%, 0.42%

LAB 46.83, 78.58, -49.58

 

CMYK 26 / 91 / 0 / 23

HEX #9212C4

RGB 146 18 196

HSL 283.15, 0.83%, 0.42%

LAB 38.78, 71.05, -62.98

 

CMYK 50 / 91 / 0 / 23

HEX #6212C4

RGB 98 18 196

HSL 266.97, 0.83%, 0.42%

LAB 31.84, 65.29, -74.62

 

CMYK 74 / 91 / 0 / 23

HEX #3212C4

RGB 50 18 196

HSL 250.79, 0.83%, 0.42%

LAB 27.01, 61.89, -82.78

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 100 / 26 / 16

HEX #D5019E

RGB 213 1 158

HSL 315.57, 0.99%, 0.42%

LAB 47.8, 78.62, -25.4

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 80 / 21 / 30

HEX #B3248E

RGB 179 36 142

HSL 315.52, 0.67%, 0.42%

LAB 42.46, 64.51, -24.54

 

CMYK 0 / 67 / 17 / 37

HEX #A13585

RGB 161 53 133

HSL 315.56, 0.5%, 0.42%

LAB 40.92, 53.05, -21.66

 

CMYK 0 / 51 / 13 / 44

HEX #90467D

RGB 144 70 125

HSL 315.41, 0.35%, 0.42%

LAB 40.88, 38.69, -17.04

 

CMYK 0 / 31 / 8 / 50

HEX #7F5875

RGB 127 88 117

HSL 315.38, 0.18%, 0.42%

LAB 42.42, 21.07, -10.01

 

CMYK 26 / 91 / 0 / 23

HEX #9212C4

RGB 146 18 196

HSL 283.15, 0.83%, 0.42%

LAB 38.78, 71.05, -62.98

 

CMYK 2 / 91 / 0 / 23

HEX #C112C4

RGB 193 18 196

HSL 298.99, 0.83%, 0.42%

LAB 46.65, 78.41, -49.87

 

CMYK 0 / 91 / 22 / 23

HEX #C41298

RGB 196 18 152

HSL 314.83, 0.83%, 0.42%

LAB 44.85, 72.95, -26.63

 

CMYK 0 / 91 / 47 / 23

HEX #C41268

RGB 196 18 104

HSL 331.01, 0.83%, 0.42%

LAB 43.02, 68.02, 0.1

 

CMYK 0 / 91 / 71 / 23

HEX #C41239

RGB 196 18 57

HSL 346.85, 0.83%, 0.42%

LAB 41.94, 65.04, 28.16

 

CMYK 0 / 91 / 23 / 53

HEX #780B5C

RGB 120 11 92

HSL 315.41, 0.83%, 0.26%

LAB 26.75, 50.17, -18.23

 

CMYK 0 / 91 / 23 / 38

HEX #9E0F79

RGB 158 15 121

HSL 315.52, 0.83%, 0.34%

LAB 35.97, 61.65, -21.95

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 91 / 23 / 9

HEX #E916B3

RGB 233 22 179

HSL 315.36, 0.83%, 0.5%

LAB 53.12, 83.01, -29.27

 

CMYK 0 / 75 / 19 / 7

HEX #ED3CBF

RGB 237 60 191

HSL 315.59, 0.83%, 0.58%

LAB 57.07, 77.44, -30.03

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 50 / 91 / 23

HEX #C46212

RGB 196 98 18

HSL 26.97, 0.83%, 0.42%

LAB 52.41, 34.77, 56.91

 

CMYK 91 / 0 / 14 / 23

HEX #12C4A9

RGB 18 196 169

HSL 170.9, 0.83%, 0.42%

LAB 71.2, -46.55, 2.14

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 22 / 0 / 91 / 23

HEX #98C412

RGB 152 196 18

HSL 74.83, 0.83%, 0.42%

LAB 73.67, -35.82, 71.69

 

CMYK 91 / 22 / 0 / 23

HEX #1298C4

RGB 18 152 196

HSL 194.83, 0.83%, 0.42%

LAB 58.57, -17.07, -31.88

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 50 / 91 / 23

HEX #C46212

RGB 196 98 18

HSL 26.97, 0.83%, 0.42%

LAB 52.41, 34.77, 56.91

 

CMYK 91 / 0 / 68 / 23

HEX #12C43F

RGB 18 196 63

HSL 135.17, 0.83%, 0.42%

LAB 69.45, -66.58, 53.29

 

CMYK 91 / 41 / 0 / 23

HEX #1274C4

RGB 18 116 196

HSL 206.97, 0.83%, 0.42%

LAB 47.76, 3.87, -48.93

 

CMYK 0 / 91 / 23 / 23

HEX #C41296

RGB 196 18 150

HSL 315.51, 0.83%, 0.42%

LAB 44.76, 72.71, -25.57

 

CMYK 0 / 22 / 91 / 23

HEX #C49812

RGB 196 152 18

HSL 45.17, 0.83%, 0.42%

LAB 65.15, 5.51, 66.51

 

CMYK 91 / 0 / 68 / 23

HEX #12C43F

RGB 18 196 63

HSL 135.17, 0.83%, 0.42%

LAB 69.45, -66.58, 53.29

 

CMYK 91 / 68 / 0 / 23

HEX #123FC4

RGB 18 63 196

HSL 224.83, 0.83%, 0.42%

LAB 33.28, 38.34, -72.43

 

Description

Color code: HEX #C41296 | qconv.com Color code: HEX #C41296 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 18 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 18 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 23 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 23% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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