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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C41241 it is the complementary color #3BEDBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C41241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C41241 shade: #C9123C, #DA244F, #EB3662, #FC4875 and #FF5A88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C41241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C41241 shade: #C41241, #B3002E, #A2001B, #910008 and #800000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C41241 shade: #C41241 and #C41212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C41241 shade: #C41241, #C41271, #C412A1, #B712C4 and #8712C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C41241 shade matches the following richer shades: #C41241 and #D50139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C41241 shade: #C41241, #B32449, #A13552, #90465A and #7F5862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C41241 shade: #C412A0, #C41271, #C41242, #C41212 and #C44212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C41241 shade: #780B28, #9E0F35, #C41241, #E9164E and #ED3C6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C41241 shade: #C41241, #C4B812 and #1289C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C41241 shade: #C41241, #42C412 and #1242C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C41241 shade: #C41241, #C4B812, #12C495 and #121EC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C41241 shade: #C41241, #9BC412, #12C495 and #3C12C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

Complementary color

CMYK 75 / 0 / 20 / 7

HEX #3BEDBE

RGB 59 237 190

HSL 164.16, 0.83%, 0.58%

LAB 84.59, -54.64, 10.27

 

CMYK 0 / 91 / 70 / 21

HEX #C9123C

RGB 201 18 60

HSL 346.23, 0.84%, 0.43%

LAB 43.03, 66.44, 27.87

 

CMYK 0 / 83 / 64 / 15

HEX #DA244F

RGB 218 36 79

HSL 345.82, 0.72%, 0.5%

LAB 47.92, 68.49, 23.1

 

CMYK 0 / 77 / 58 / 8

HEX #EB3662

RGB 235 54 98

HSL 345.41, 0.82%, 0.57%

LAB 53.15, 69.59, 19.12

 

CMYK 0 / 71 / 54 / 1

HEX #FC4875

RGB 252 72 117

HSL 345, 0.97%, 0.64%

LAB 58.62, 70.01, 15.8

 

CMYK 0 / 65 / 47 / 0

HEX #FF5A88

RGB 255 90 136

HSL 343.27, 1%, 0.68%

LAB 61.95, 65.83, 9.46

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 100 / 74 / 30

HEX #B3002E

RGB 179 0 46

HSL 344.58, 1%, 0.35%

LAB 37.45, 62.41, 28.76

 

CMYK 0 / 100 / 83 / 36

HEX #A2001B

RGB 162 0 27

HSL 350, 1%, 0.32%

LAB 33.48, 57.52, 34.94

 

CMYK 0 / 100 / 94 / 43

HEX #910008

RGB 145 0 8

HSL 356.69, 1%, 0.28%

LAB 29.51, 52.72, 39.76

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 91 / 91 / 23

HEX #C41212

RGB 196 18 18

HSL 0, 0.83%, 0.42%

LAB 41.55, 63.92, 49.12

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 91 / 42 / 23

HEX #C41271

RGB 196 18 113

HSL 327.98, 0.83%, 0.42%

LAB 43.3, 68.81, -5.1

 

CMYK 0 / 91 / 18 / 23

HEX #C412A1

RGB 196 18 161

HSL 311.8, 0.83%, 0.42%

LAB 45.28, 74.07, -31.37

 

CMYK 7 / 91 / 0 / 23

HEX #B712C4

RGB 183 18 196

HSL 295.62, 0.83%, 0.42%

LAB 44.92, 76.74, -52.74

 

CMYK 31 / 91 / 0 / 23

HEX #8712C4

RGB 135 18 196

HSL 279.44, 0.83%, 0.42%

LAB 37.06, 69.55, -65.86

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 100 / 73 / 16

HEX #D50139

RGB 213 1 57

HSL 344.15, 0.99%, 0.42%

LAB 44.89, 70.99, 32.53

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 80 / 59 / 30

HEX #B32449

RGB 179 36 73

HSL 344.48, 0.67%, 0.42%

LAB 40.13, 57.56, 15.1

 

CMYK 0 / 67 / 49 / 37

HEX #A13552

RGB 161 53 82

HSL 343.89, 0.5%, 0.42%

LAB 39.13, 46.8, 7.5

 

CMYK 0 / 51 / 38 / 44

HEX #90465A

RGB 144 70 90

HSL 343.78, 0.35%, 0.42%

LAB 39.66, 33.47, 2.86

 

CMYK 0 / 31 / 23 / 50

HEX #7F5862

RGB 127 88 98

HSL 344.62, 0.18%, 0.42%

LAB 41.8, 17.69, 0.72

 

CMYK 0 / 91 / 18 / 23

HEX #C412A0

RGB 196 18 160

HSL 312.13, 0.83%, 0.42%

LAB 45.23, 73.95, -30.85

 

CMYK 0 / 91 / 42 / 23

HEX #C41271

RGB 196 18 113

HSL 327.98, 0.83%, 0.42%

LAB 43.3, 68.81, -5.1

 

CMYK 0 / 91 / 66 / 23

HEX #C41242

RGB 196 18 66

HSL 343.82, 0.83%, 0.42%

LAB 42.1, 65.46, 22.74

 

CMYK 0 / 91 / 91 / 23

HEX #C41212

RGB 196 18 18

HSL 0, 0.83%, 0.42%

LAB 41.55, 63.92, 49.12

 

CMYK 0 / 66 / 91 / 23

HEX #C44212

RGB 196 66 18

HSL 16.18, 0.83%, 0.42%

LAB 46.55, 50, 52.63

 

CMYK 0 / 91 / 67 / 53

HEX #780B28

RGB 120 11 40

HSL 344.04, 0.83%, 0.26%

LAB 24.91, 45.04, 14.3

 

CMYK 0 / 91 / 66 / 38

HEX #9E0F35

RGB 158 15 53

HSL 344.06, 0.83%, 0.34%

LAB 33.71, 55.43, 18.66

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 91 / 67 / 9

HEX #E9164E

RGB 233 22 78

HSL 344.08, 0.83%, 0.5%

LAB 50.03, 74.66, 27.02

 

CMYK 0 / 75 / 55 / 7

HEX #ED3C6B

RGB 237 60 107

HSL 344.07, 0.83%, 0.58%

LAB 54.34, 68.97, 15.41

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 6 / 91 / 23

HEX #C4B812

RGB 196 184 18

HSL 55.96, 0.83%, 0.42%

LAB 73.58, -11.4, 73.01

 

CMYK 91 / 30 / 0 / 23

HEX #1289C4

RGB 18 137 196

HSL 199.89, 0.83%, 0.42%

LAB 54.03, -8.7, -38.98

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 66 / 0 / 91 / 23

HEX #42C412

RGB 66 196 18

HSL 103.82, 0.83%, 0.42%

LAB 69.95, -63.04, 67.09

 

CMYK 91 / 66 / 0 / 23

HEX #1242C4

RGB 18 66 196

HSL 223.82, 0.83%, 0.42%

LAB 34, 36.41, -71.24

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 0 / 6 / 91 / 23

HEX #C4B812

RGB 196 184 18

HSL 55.96, 0.83%, 0.42%

LAB 73.58, -11.4, 73.01

 

CMYK 91 / 0 / 24 / 23

HEX #12C495

RGB 18 196 149

HSL 164.16, 0.83%, 0.42%

LAB 70.72, -51.67, 12.3

 

CMYK 91 / 85 / 0 / 23

HEX #121EC4

RGB 18 30 196

HSL 235.96, 0.83%, 0.42%

LAB 26.86, 56.53, -83.08

 

CMYK 0 / 91 / 67 / 23

HEX #C41241

RGB 196 18 65

HSL 344.16, 0.83%, 0.42%

LAB 42.08, 65.41, 23.35

 

CMYK 21 / 0 / 91 / 23

HEX #9BC412

RGB 155 196 18

HSL 73.82, 0.83%, 0.42%

LAB 73.86, -34.63, 71.92

 

CMYK 91 / 0 / 24 / 23

HEX #12C495

RGB 18 196 149

HSL 164.16, 0.83%, 0.42%

LAB 70.72, -51.67, 12.3

 

CMYK 69 / 91 / 0 / 23

HEX #3C12C4

RGB 60 18 196

HSL 254.16, 0.83%, 0.42%

LAB 27.79, 62.4, -81.46

 

Description

Color code: HEX #C41241 | qconv.com Color code: HEX #C41241 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 18 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 18 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 67 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 67% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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