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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4113B it is the complementary color #3BEEC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4113B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4113B shade: #C91136, #DA2349, #EB355C, #FC476F and #FF5982

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4113B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4113B shade: #C4113B, #B30028, #A20015, #910002 and #800000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4113B shade: #C5113B and #C51111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4113B shade: #C5113B, #C5116B, #C5119C, #BD11C5 and #8C11C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4113B shade matches the following richer shades: #C5113B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4113B shade: #C5113B, #B32244, #A2334D, #914556 and #7F5660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4113B shade: #C5119E, #C5116E, #C5113E, #C51411 and #C54411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4113B shade: #790A24, #9F0D2F, #C5113B, #EA1446 and #ED3A64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4113B shade: #C4113B, #C5BC11 and #1186C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4113B shade: #C4113B, #3EC511 and #113EC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4113B shade: #C4113B, #C5BC11, #11C598 and #111AC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4113B shade: #C4113B, #98C511, #11C598 and #3E11C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 70 / 23

HEX #C4113B

RGB 196 17 59

HSL 345.92, 0.84%, 0.42%

LAB 41.93, 65.27, 26.9

 

Complementary color

CMYK 75 / 0 / 18 / 7

HEX #3BEEC4

RGB 59 238 196

HSL 165.92, 0.84%, 0.58%

LAB 85.03, -53.6, 7.76

 

CMYK 0 / 92 / 73 / 21

HEX #C91136

RGB 201 17 54

HSL 347.93, 0.84%, 0.43%

LAB 42.89, 66.32, 31.38

 

CMYK 0 / 84 / 67 / 15

HEX #DA2349

RGB 218 35 73

HSL 347.54, 0.72%, 0.5%

LAB 47.74, 68.39, 26.52

 

CMYK 0 / 77 / 61 / 8

HEX #EB355C

RGB 235 53 92

HSL 347.14, 0.82%, 0.56%

LAB 52.93, 69.5, 22.42

 

CMYK 0 / 72 / 56 / 1

HEX #FC476F

RGB 252 71 111

HSL 346.74, 0.97%, 0.63%

LAB 58.37, 69.92, 18.99

 

CMYK 0 / 65 / 49 / 0

HEX #FF5982

RGB 255 89 130

HSL 345.18, 1%, 0.67%

LAB 61.67, 65.71, 12.53

 

CMYK 0 / 91 / 70 / 23

HEX #C4113B

RGB 196 17 59

HSL 345.92, 0.84%, 0.42%

LAB 41.93, 65.27, 26.9

 

CMYK 0 / 100 / 78 / 30

HEX #B30028

RGB 179 0 40

HSL 346.59, 1%, 0.35%

LAB 37.37, 62.19, 32.37

 

CMYK 0 / 100 / 87 / 36

HEX #A20015

RGB 162 0 21

HSL 352.22, 1%, 0.32%

LAB 33.43, 57.37, 38.25

 

CMYK 0 / 100 / 99 / 43

HEX #910002

RGB 145 0 2

HSL 359.17, 1%, 0.28%

LAB 29.47, 52.63, 42.17

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 91 / 70 / 23

HEX #C5113B

RGB 197 17 59

HSL 346, 0.84%, 0.42%

LAB 42.13, 65.52, 27.2

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 91 / 70 / 23

HEX #C5113B

RGB 197 17 59

HSL 346, 0.84%, 0.42%

LAB 42.13, 65.52, 27.2

 

CMYK 0 / 91 / 46 / 23

HEX #C5116B

RGB 197 17 107

HSL 330, 0.84%, 0.42%

LAB 43.26, 68.64, -1.39

 

CMYK 0 / 91 / 21 / 23

HEX #C5119C

RGB 197 17 156

HSL 313.67, 0.84%, 0.42%

LAB 45.18, 73.77, -28.51

 

CMYK 4 / 91 / 0 / 23

HEX #BD11C5

RGB 189 17 197

HSL 297.33, 0.84%, 0.42%

LAB 45.98, 78.01, -51.57

 

CMYK 29 / 91 / 0 / 23

HEX #8C11C5

RGB 140 17 197

HSL 281, 0.84%, 0.42%

LAB 37.86, 70.58, -65.11

 

CMYK 0 / 91 / 70 / 23

HEX #C5113B

RGB 197 17 59

HSL 346, 0.84%, 0.42%

LAB 42.13, 65.52, 27.2

 

CMYK 0 / 91 / 70 / 23

HEX #C5113B

RGB 197 17 59

HSL 346, 0.84%, 0.42%

LAB 42.13, 65.52, 27.2

 

CMYK 0 / 81 / 62 / 30

HEX #B32244

RGB 179 34 68

HSL 345.93, 0.68%, 0.42%

LAB 39.82, 57.79, 17.86

 

CMYK 0 / 69 / 52 / 36

HEX #A2334D

RGB 162 51 77

HSL 345.95, 0.52%, 0.42%

LAB 38.87, 47.52, 10.33

 

CMYK 0 / 52 / 41 / 43

HEX #914556

RGB 145 69 86

HSL 346.58, 0.36%, 0.42%

LAB 39.49, 33.89, 5.14

 

CMYK 0 / 32 / 24 / 50

HEX #7F5660

RGB 127 86 96

HSL 345.37, 0.19%, 0.42%

LAB 41.24, 18.55, 1.12

 

CMYK 0 / 91 / 20 / 23

HEX #C5119E

RGB 197 17 158

HSL 313, 0.84%, 0.42%

LAB 45.28, 74.02, -29.56

 

CMYK 0 / 91 / 44 / 23

HEX #C5116E

RGB 197 17 110

HSL 329, 0.84%, 0.42%

LAB 43.36, 68.9, -3.13

 

CMYK 0 / 91 / 69 / 23

HEX #C5113E

RGB 197 17 62

HSL 345, 0.84%, 0.42%

LAB 42.18, 65.66, 25.4

 

CMYK 0 / 90 / 91 / 23

HEX #C51411

RGB 197 20 17

HSL 1, 0.84%, 0.42%

LAB 41.86, 63.87, 49.84

 

CMYK 0 / 65 / 91 / 23

HEX #C54411

RGB 197 68 17

HSL 17, 0.84%, 0.42%

LAB 47.03, 49.49, 53.4

 

CMYK 0 / 92 / 70 / 53

HEX #790A24

RGB 121 10 36

HSL 345.95, 0.85%, 0.26%

LAB 24.98, 45.29, 17.18

 

CMYK 0 / 92 / 70 / 38

HEX #9F0D2F

RGB 159 13 47

HSL 346.03, 0.85%, 0.34%

LAB 33.7, 55.72, 22.59

 

CMYK 0 / 91 / 70 / 23

HEX #C5113B

RGB 197 17 59

HSL 346, 0.84%, 0.42%

LAB 42.13, 65.52, 27.2

 

CMYK 0 / 91 / 70 / 8

HEX #EA1446

RGB 234 20 70

HSL 345.98, 0.84%, 0.5%

LAB 50.02, 74.79, 31.87

 

CMYK 0 / 76 / 58 / 7

HEX #ED3A64

RGB 237 58 100

HSL 345.92, 0.83%, 0.58%

LAB 53.97, 69.1, 19.1

 

CMYK 0 / 91 / 70 / 23

HEX #C4113B

RGB 196 17 59

HSL 345.92, 0.84%, 0.42%

LAB 41.93, 65.27, 26.9

 

CMYK 0 / 5 / 91 / 23

HEX #C5BC11

RGB 197 188 17

HSL 57, 0.84%, 0.42%

LAB 74.75, -13.02, 74.1

 

CMYK 91 / 32 / 0 / 23

HEX #1186C5

RGB 17 134 197

HSL 201, 0.84%, 0.42%

LAB 53.17, -6.64, -40.91

 

CMYK 0 / 91 / 70 / 23

HEX #C4113B

RGB 196 17 59

HSL 345.92, 0.84%, 0.42%

LAB 41.93, 65.27, 26.9

 

CMYK 69 / 0 / 91 / 23

HEX #3EC511

RGB 62 197 17

HSL 105, 0.84%, 0.42%

LAB 70.17, -64.19, 67.4

 

CMYK 91 / 69 / 0 / 23

HEX #113EC5

RGB 17 62 197

HSL 225, 0.84%, 0.42%

LAB 33.13, 39.3, -73.27

 

CMYK 0 / 91 / 70 / 23

HEX #C4113B

RGB 196 17 59

HSL 345.92, 0.84%, 0.42%

LAB 41.93, 65.27, 26.9

 

CMYK 0 / 5 / 91 / 23

HEX #C5BC11

RGB 197 188 17

HSL 57, 0.84%, 0.42%

LAB 74.75, -13.02, 74.1

 

CMYK 91 / 0 / 23 / 23

HEX #11C598

RGB 17 197 152

HSL 165, 0.84%, 0.42%

LAB 71.09, -51.38, 11.21

 

CMYK 91 / 87 / 0 / 23

HEX #111AC5

RGB 17 26 197

HSL 237, 0.84%, 0.42%

LAB 26.42, 58.44, -84.4

 

CMYK 0 / 91 / 70 / 23

HEX #C4113B

RGB 196 17 59

HSL 345.92, 0.84%, 0.42%

LAB 41.93, 65.27, 26.9

 

CMYK 23 / 0 / 91 / 23

HEX #98C511

RGB 152 197 17

HSL 75, 0.84%, 0.42%

LAB 73.96, -36.3, 72.07

 

CMYK 91 / 0 / 23 / 23

HEX #11C598

RGB 17 197 152

HSL 165, 0.84%, 0.42%

LAB 71.09, -51.38, 11.21

 

CMYK 69 / 91 / 0 / 23

HEX #3E11C5

RGB 62 17 197

HSL 255, 0.84%, 0.42%

LAB 28, 63.02, -81.7

 

Description

Color code: HEX #C4113B | qconv.com Color code: HEX #C4113B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 17 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 17 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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