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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C403DA it is the complementary color #3BFC25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C403DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C403DA shade: #C903D5, #DA15E8, #EB27FB, #FC39FF and #FF4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C403DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C403DA shade: #C403DA, #B300C7, #A200B4, #9100A1 and #80008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C403DA shade: #C203D8, #D803B4, #D8037B, #D80342 and #D80308

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C403DA shade: #C203D8, #8903D8, #5003D8, #1603D8 and #0303D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C403DA shade matches the following richer shades: #C203D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C403DA shade: #C203D8, #B415C6, #A627B5, #9839A3 and #8A4A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C403DA shade: #4E03D8, #8603D8, #BF03D8, #D803B8 and #D8037F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C403DA shade: #790287, #9E03AF, #C203D8, #E209FB and #E732FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C403DA shade: #C403DA, #D81503 and #03D86A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C403DA shade: #C403DA, #D8BF03 and #03D8BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C403DA shade: #C403DA, #D81503, #1CD803 and #03C6D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C403DA shade: #C403DA, #D85503, #1CD803 and #0386D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 99 / 0 / 15

HEX #C403DA

RGB 196 3 218

HSL 293.86, 0.97%, 0.43%

LAB 48.09, 83.68, -60.22

 

Complementary color

CMYK 77 / 0 / 85 / 1

HEX #3BFC25

RGB 59 252 37

HSL 113.86, 0.97%, 0.57%

LAB 87.33, -80.48, 78.56

 

CMYK 6 / 99 / 0 / 16

HEX #C903D5

RGB 201 3 213

HSL 296.57, 0.97%, 0.42%

LAB 48.62, 83.67, -56.46

 

CMYK 6 / 91 / 0 / 9

HEX #DA15E8

RGB 218 21 232

HSL 296.02, 0.83%, 0.5%

LAB 53.24, 87.59, -59.68

 

CMYK 6 / 84 / 0 / 2

HEX #EB27FB

RGB 235 39 251

HSL 295.47, 0.96%, 0.57%

LAB 58.11, 90.54, -62.35

 

CMYK 1 / 78 / 0 / 0

HEX #FC39FF

RGB 252 57 255

HSL 299.09, 1%, 0.61%

LAB 62.37, 90.28, -57.59

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 10 / 99 / 0 / 15

HEX #C403DA

RGB 196 3 218

HSL 293.86, 0.97%, 0.43%

LAB 48.09, 83.68, -60.22

 

CMYK 10 / 100 / 0 / 22

HEX #B300C7

RGB 179 0 199

HSL 293.97, 1%, 0.39%

LAB 43.81, 78.41, -56.31

 

CMYK 10 / 100 / 0 / 29

HEX #A200B4

RGB 162 0 180

HSL 294, 1%, 0.35%

LAB 39.54, 72.8, -52.19

 

CMYK 10 / 100 / 0 / 37

HEX #9100A1

RGB 145 0 161

HSL 294.04, 1%, 0.32%

LAB 35.19, 67.08, -47.99

 

CMYK 10 / 100 / 0 / 44

HEX #80008E

RGB 128 0 142

HSL 294.08, 1%, 0.28%

LAB 30.74, 61.23, -43.69

 

CMYK 10 / 99 / 0 / 15

HEX #C203D8

RGB 194 3 216

HSL 293.8, 0.97%, 0.43%

LAB 47.61, 83.07, -59.86

 

CMYK 0 / 99 / 17 / 15

HEX #D803B4

RGB 216 3 180

HSL 310.14, 0.97%, 0.43%

LAB 49.45, 81.63, -35.82

 

CMYK 0 / 99 / 43 / 15

HEX #D8037B

RGB 216 3 123

HSL 326.2, 0.97%, 0.43%

LAB 47.1, 75.6, -5.21

 

CMYK 0 / 99 / 69 / 15

HEX #D80342

RGB 216 3 66

HSL 342.25, 0.97%, 0.43%

LAB 45.71, 71.89, 28.18

 

CMYK 0 / 99 / 96 / 15

HEX #D80308

RGB 216 3 8

HSL 358.59, 0.97%, 0.43%

LAB 45.19, 70.48, 56.86

 

CMYK 10 / 99 / 0 / 15

HEX #C203D8

RGB 194 3 216

HSL 293.8, 0.97%, 0.43%

LAB 47.61, 83.07, -59.86

 

CMYK 37 / 99 / 0 / 15

HEX #8903D8

RGB 137 3 216

HSL 277.75, 0.97%, 0.43%

LAB 38.45, 75.73, -75.18

 

CMYK 63 / 99 / 0 / 15

HEX #5003D8

RGB 80 3 216

HSL 261.69, 0.97%, 0.43%

LAB 31.18, 71.18, -87.43

 

CMYK 90 / 99 / 0 / 15

HEX #1603D8

RGB 22 3 216

HSL 245.35, 0.97%, 0.43%

LAB 27.28, 69.46, -94.04

 

CMYK 99 / 99 / 0 / 15

HEX #0303D8

RGB 3 3 216

HSL 240, 0.97%, 0.43%

LAB 26.86, 69.31, -94.76

 

CMYK 10 / 99 / 0 / 15

HEX #C203D8

RGB 194 3 216

HSL 293.8, 0.97%, 0.43%

LAB 47.61, 83.07, -59.86

 

CMYK 10 / 99 / 0 / 15

HEX #C203D8

RGB 194 3 216

HSL 293.8, 0.97%, 0.43%

LAB 47.61, 83.07, -59.86

 

CMYK 9 / 89 / 0 / 22

HEX #B415C6

RGB 180 21 198

HSL 293.9, 0.81%, 0.43%

LAB 44.68, 76.13, -54.31

 

CMYK 8 / 78 / 0 / 29

HEX #A627B5

RGB 166 39 181

HSL 293.66, 0.65%, 0.43%

LAB 42.6, 66.87, -47.82

 

CMYK 7 / 65 / 0 / 36

HEX #9839A3

RGB 152 57 163

HSL 293.77, 0.48%, 0.43%

LAB 41.6, 54.09, -38.86

 

CMYK 5 / 49 / 0 / 43

HEX #8A4A91

RGB 138 74 145

HSL 294.08, 0.32%, 0.43%

LAB 41.76, 38.39, -27.93

 

CMYK 64 / 99 / 0 / 15

HEX #4E03D8

RGB 78 3 216

HSL 261.13, 0.97%, 0.43%

LAB 30.98, 71.08, -87.77

 

CMYK 38 / 99 / 0 / 15

HEX #8603D8

RGB 134 3 216

HSL 276.9, 0.97%, 0.43%

LAB 38.01, 75.41, -75.93

 

CMYK 12 / 99 / 0 / 15

HEX #BF03D8

RGB 191 3 216

HSL 292.96, 0.97%, 0.43%

LAB 47.1, 82.63, -60.7

 

CMYK 0 / 99 / 15 / 15

HEX #D803B8

RGB 216 3 184

HSL 309.01, 0.97%, 0.43%

LAB 49.65, 82.13, -37.85

 

CMYK 0 / 99 / 41 / 15

HEX #D8037F

RGB 216 3 127

HSL 325.07, 0.97%, 0.43%

LAB 47.23, 75.95, -7.46

 

CMYK 10 / 99 / 0 / 47

HEX #790287

RGB 121 2 135

HSL 293.68, 0.97%, 0.27%

LAB 29.05, 58.59, -42.13

 

CMYK 10 / 98 / 0 / 31

HEX #9E03AF

RGB 158 3 175

HSL 294.07, 0.97%, 0.35%

LAB 38.6, 71.04, -50.77

 

CMYK 10 / 99 / 0 / 15

HEX #C203D8

RGB 194 3 216

HSL 293.8, 0.97%, 0.43%

LAB 47.61, 83.07, -59.86

 

CMYK 10 / 96 / 0 / 2

HEX #E209FB

RGB 226 9 251

HSL 293.8, 0.97%, 0.51%

LAB 55.41, 92.77, -66.77

 

CMYK 8 / 80 / 0 / 1

HEX #E732FC

RGB 231 50 252

HSL 293.76, 0.97%, 0.59%

LAB 58.32, 87.72, -62.6

 

CMYK 10 / 99 / 0 / 15

HEX #C403DA

RGB 196 3 218

HSL 293.86, 0.97%, 0.43%

LAB 48.09, 83.68, -60.22

 

CMYK 0 / 90 / 99 / 15

HEX #D81503

RGB 216 21 3

HSL 5.07, 0.97%, 0.43%

LAB 45.83, 68.57, 58.64

 

CMYK 99 / 0 / 51 / 15

HEX #03D86A

RGB 3 216 106

HSL 149.01, 0.97%, 0.43%

LAB 76.17, -67.83, 41.76

 

CMYK 10 / 99 / 0 / 15

HEX #C403DA

RGB 196 3 218

HSL 293.86, 0.97%, 0.43%

LAB 48.09, 83.68, -60.22

 

CMYK 0 / 12 / 99 / 15

HEX #D8BF03

RGB 216 191 3

HSL 52.96, 0.97%, 0.43%

LAB 77.2, -6.44, 78.27

 

CMYK 99 / 0 / 12 / 15

HEX #03D8BF

RGB 3 216 191

HSL 172.96, 0.97%, 0.43%

LAB 77.81, -49.43, -0.11

 

CMYK 10 / 99 / 0 / 15

HEX #C403DA

RGB 196 3 218

HSL 293.86, 0.97%, 0.43%

LAB 48.09, 83.68, -60.22

 

CMYK 0 / 90 / 99 / 15

HEX #D81503

RGB 216 21 3

HSL 5.07, 0.97%, 0.43%

LAB 45.83, 68.57, 58.64

 

CMYK 87 / 0 / 99 / 15

HEX #1CD803

RGB 28 216 3

HSL 112.96, 0.97%, 0.43%

LAB 75.68, -74.59, 73.28

 

CMYK 99 / 8 / 0 / 15

HEX #03C6D8

RGB 3 198 216

HSL 185.07, 0.97%, 0.43%

LAB 73.13, -34.1, -20.57

 

CMYK 10 / 99 / 0 / 15

HEX #C403DA

RGB 196 3 218

HSL 293.86, 0.97%, 0.43%

LAB 48.09, 83.68, -60.22

 

CMYK 0 / 61 / 99 / 15

HEX #D85503

RGB 216 85 3

HSL 23.1, 0.97%, 0.43%

LAB 53.06, 48.64, 62.27

 

CMYK 87 / 0 / 99 / 15

HEX #1CD803

RGB 28 216 3

HSL 112.96, 0.97%, 0.43%

LAB 75.68, -74.59, 73.28

 

CMYK 99 / 38 / 0 / 15

HEX #0386D8

RGB 3 134 216

HSL 203.1, 0.97%, 0.43%

LAB 54.06, 0.1, -50.26

 

Description

Color code: HEX #C403DA | qconv.com Color code: HEX #C403DA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 3 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 3 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 99 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 99% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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