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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C401A9 it is the complementary color #3BFE56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C401A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C401A9 shade: #C901A4, #DA13B7, #EB25CA, #FC37DD and #FF49F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C401A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C401A9 shade: #C401A9, #B30096, #A20083, #910070 and #80005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C401A9 shade: #C601AB, #C60176, #C60140, #C6010B and #C60101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C401A9 shade: #C601AB, #AC01C6, #7701C6, #4201C6 and #0D01C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C401A9 shade matches the following richer shades: #C601AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C401A9 shade: #C601AB, #B6119F, #A62193, #963188 and #86417C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C401A9 shade: #7701C6, #AC01C6, #C601AC, #C60177 and #C60143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C401A9 shade: #740164, #9D0187, #C601AB, #EF01CE and #FE1CDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C401A9 shade: #C401A9, #C64301 and #01C691

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C401A9 shade: #C401A9, #ACC601 and #01ACC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C401A9 shade: #C401A9, #C64301, #01C61B and #0184C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C401A9 shade: #C401A9, #C67E01, #01C61B and #0149C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 14 / 23

HEX #C401A9

RGB 196 1 169

HSL 308.31, 0.99%, 0.39%

LAB 45.11, 76.78, -36.4

 

Complementary color

CMYK 77 / 0 / 66 / 0

HEX #3BFE56

RGB 59 254 86

HSL 128.31, 0.99%, 0.61%

LAB 88.2, -77.84, 64.58

 

CMYK 0 / 100 / 18 / 21

HEX #C901A4

RGB 201 1 164

HSL 311.1, 0.99%, 0.4%

LAB 45.8, 77.06, -32.28

 

CMYK 0 / 91 / 16 / 15

HEX #DA13B7

RGB 218 19 183

HSL 310.55, 0.84%, 0.46%

LAB 50.44, 80.97, -35.99

 

CMYK 0 / 84 / 14 / 8

HEX #EB25CA

RGB 235 37 202

HSL 310, 0.83%, 0.53%

LAB 55.33, 83.92, -39.11

 

CMYK 0 / 78 / 12 / 1

HEX #FC37DD

RGB 252 55 221

HSL 309.44, 0.97%, 0.6%

LAB 60.47, 85.94, -41.64

 

CMYK 0 / 71 / 6 / 0

HEX #FF49F0

RGB 255 73 240

HSL 304.95, 1%, 0.64%

LAB 63.6, 84.25, -47.3

 

CMYK 0 / 99 / 14 / 23

HEX #C401A9

RGB 196 1 169

HSL 308.31, 0.99%, 0.39%

LAB 45.11, 76.78, -36.4

 

CMYK 0 / 100 / 16 / 30

HEX #B30096

RGB 179 0 150

HSL 309.72, 1%, 0.35%

LAB 40.87, 71.3, -31.88

 

CMYK 0 / 100 / 19 / 36

HEX #A20083

RGB 162 0 131

HSL 311.48, 1%, 0.32%

LAB 36.59, 65.64, -27.16

 

CMYK 0 / 100 / 23 / 43

HEX #910070

RGB 145 0 112

HSL 313.66, 1%, 0.28%

LAB 32.23, 59.88, -22.26

 

CMYK 0 / 100 / 27 / 50

HEX #80005D

RGB 128 0 93

HSL 316.41, 1%, 0.25%

LAB 27.79, 54.01, -17.14

 

CMYK 0 / 99 / 14 / 22

HEX #C601AB

RGB 198 1 171

HSL 308.22, 0.99%, 0.39%

LAB 45.59, 77.4, -36.81

 

CMYK 0 / 99 / 40 / 22

HEX #C60176

RGB 198 1 118

HSL 324.37, 0.99%, 0.39%

LAB 43.26, 71.48, -8.22

 

CMYK 0 / 99 / 68 / 22

HEX #C60140

RGB 198 1 64

HSL 340.81, 0.99%, 0.39%

LAB 41.84, 67.7, 23.76

 

CMYK 0 / 99 / 94 / 22

HEX #C6010B

RGB 198 1 11

HSL 356.95, 0.99%, 0.39%

LAB 41.3, 66.22, 51.81

 

CMYK 0 / 99 / 99 / 22

HEX #C60101

RGB 198 1 1

HSL 0, 0.99%, 0.39%

LAB 41.26, 66.12, 55.2

 

CMYK 0 / 99 / 14 / 22

HEX #C601AB

RGB 198 1 171

HSL 308.22, 0.99%, 0.39%

LAB 45.59, 77.4, -36.81

 

CMYK 13 / 99 / 0 / 22

HEX #AC01C6

RGB 172 1 198

HSL 292.08, 0.99%, 0.39%

LAB 42.57, 77.12, -57.8

 

CMYK 40 / 99 / 0 / 22

HEX #7701C6

RGB 119 1 198

HSL 275.94, 0.99%, 0.39%

LAB 34.03, 70.5, -72.09

 

CMYK 67 / 99 / 0 / 22

HEX #4201C6

RGB 66 1 198

HSL 259.8, 0.99%, 0.39%

LAB 27.46, 66.63, -83.18

 

CMYK 93 / 99 / 0 / 22

HEX #0D01C6

RGB 13 1 198

HSL 243.65, 0.99%, 0.39%

LAB 24.27, 65.33, -88.57

 

CMYK 0 / 99 / 14 / 22

HEX #C601AB

RGB 198 1 171

HSL 308.22, 0.99%, 0.39%

LAB 45.59, 77.4, -36.81

 

CMYK 0 / 99 / 14 / 22

HEX #C601AB

RGB 198 1 171

HSL 308.22, 0.99%, 0.39%

LAB 45.59, 77.4, -36.81

 

CMYK 0 / 91 / 13 / 29

HEX #B6119F

RGB 182 17 159

HSL 308.36, 0.83%, 0.39%

LAB 42.54, 71.22, -34.66

 

CMYK 0 / 80 / 11 / 35

HEX #A62193

RGB 166 33 147

HSL 308.57, 0.67%, 0.39%

LAB 40.08, 63.08, -31.46

 

CMYK 0 / 67 / 9 / 41

HEX #963188

RGB 150 49 136

HSL 308.32, 0.51%, 0.39%

LAB 38.65, 52.2, -27.18

 

CMYK 0 / 51 / 7 / 47

HEX #86417C

RGB 134 65 124

HSL 308.7, 0.35%, 0.39%

LAB 38.38, 37.94, -20.39

 

CMYK 40 / 99 / 0 / 22

HEX #7701C6

RGB 119 1 198

HSL 275.94, 0.99%, 0.39%

LAB 34.03, 70.5, -72.09

 

CMYK 13 / 99 / 0 / 22

HEX #AC01C6

RGB 172 1 198

HSL 292.08, 0.99%, 0.39%

LAB 42.57, 77.12, -57.8

 

CMYK 0 / 99 / 13 / 22

HEX #C601AC

RGB 198 1 172

HSL 307.92, 0.99%, 0.39%

LAB 45.64, 77.53, -37.32

 

CMYK 0 / 99 / 40 / 22

HEX #C60177

RGB 198 1 119

HSL 324.06, 0.99%, 0.39%

LAB 43.3, 71.57, -8.79

 

CMYK 0 / 99 / 66 / 22

HEX #C60143

RGB 198 1 67

HSL 339.9, 0.99%, 0.39%

LAB 41.9, 67.85, 21.94

 

CMYK 0 / 99 / 14 / 55

HEX #740164

RGB 116 1 100

HSL 308.35, 0.98%, 0.23%

LAB 25.73, 52.29, -25.14

 

CMYK 0 / 99 / 14 / 38

HEX #9D0187

RGB 157 1 135

HSL 308.46, 0.99%, 0.31%

LAB 35.87, 65.1, -30.85

 

CMYK 0 / 99 / 14 / 22

HEX #C601AB

RGB 198 1 171

HSL 308.22, 0.99%, 0.39%

LAB 45.59, 77.4, -36.81

 

CMYK 0 / 100 / 14 / 6

HEX #EF01CE

RGB 239 1 206

HSL 308.32, 0.99%, 0.47%

LAB 54.9, 89.1, -42.04

 

CMYK 0 / 89 / 12 / 0

HEX #FE1CDF

RGB 254 28 223

HSL 308.23, 0.99%, 0.55%

LAB 59.19, 91.59, -44.76

 

CMYK 0 / 99 / 14 / 23

HEX #C401A9

RGB 196 1 169

HSL 308.31, 0.99%, 0.39%

LAB 45.11, 76.78, -36.4

 

CMYK 0 / 66 / 99 / 22

HEX #C64301

RGB 198 67 1

HSL 20.1, 0.99%, 0.39%

LAB 47, 50.07, 57.79

 

CMYK 99 / 0 / 27 / 22

HEX #01C691

RGB 1 198 145

HSL 163.86, 0.99%, 0.39%

LAB 71.17, -54.03, 15.08

 

CMYK 0 / 99 / 14 / 23

HEX #C401A9

RGB 196 1 169

HSL 308.31, 0.99%, 0.39%

LAB 45.11, 76.78, -36.4

 

CMYK 13 / 0 / 99 / 22

HEX #ACC601

RGB 172 198 1

HSL 67.92, 0.99%, 0.39%

LAB 75.55, -28.84, 75.66

 

CMYK 99 / 13 / 0 / 22

HEX #01ACC6

RGB 1 172 198

HSL 187.92, 0.99%, 0.39%

LAB 64.63, -27.38, -23.65

 

CMYK 0 / 99 / 14 / 23

HEX #C401A9

RGB 196 1 169

HSL 308.31, 0.99%, 0.39%

LAB 45.11, 76.78, -36.4

 

CMYK 0 / 66 / 99 / 22

HEX #C64301

RGB 198 67 1

HSL 20.1, 0.99%, 0.39%

LAB 47, 50.07, 57.79

 

CMYK 99 / 0 / 86 / 22

HEX #01C61B

RGB 1 198 27

HSL 127.92, 0.99%, 0.39%

LAB 69.81, -70.47, 64.97

 

CMYK 99 / 33 / 0 / 22

HEX #0184C6

RGB 1 132 198

HSL 200.1, 0.99%, 0.39%

LAB 52.49, -5.69, -42.55

 

CMYK 0 / 99 / 14 / 23

HEX #C401A9

RGB 196 1 169

HSL 308.31, 0.99%, 0.39%

LAB 45.11, 76.78, -36.4

 

CMYK 0 / 36 / 99 / 22

HEX #C67E01

RGB 198 126 1

HSL 38.07, 0.99%, 0.39%

LAB 58.91, 20.38, 64.93

 

CMYK 99 / 0 / 86 / 22

HEX #01C61B

RGB 1 198 27

HSL 127.92, 0.99%, 0.39%

LAB 69.81, -70.47, 64.97

 

CMYK 99 / 63 / 0 / 22

HEX #0149C6

RGB 1 73 198

HSL 218.07, 0.99%, 0.39%

LAB 35.69, 32.06, -69.65

 

Description

Color code: HEX #C401A9 | qconv.com Color code: HEX #C401A9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 1 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 1 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 14 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 14% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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