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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3FA5B it is the complementary color #3C05A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3FA5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3FA5B shade: #C8FA56, #D9FF69, #EAFF7C, #FBFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3FA5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3FA5B shade: #C3FA5B, #B2E848, #A1D635, #90C422 and #7FB20F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3FA5B shade: #C3FA5C, #EEFA5C, #FADB5C, #FAB15C and #FA865C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3FA5B shade: #C3FA5C, #99FA5C, #6EFA5C, #5CFA74 and #5CFA9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3FA5B shade matches the following richer shades: #C3FA5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3FA5B shade: #C3FA5C, #BFEC69, #BBDF77, #B7D185 and #B2C392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3FA5B shade: #FADA5C, #EFFA5C, #C5FA5C, #9BFA5C and #71FA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3FA5B shade: #A6F70C, #B5F934, #C3FA5C, #D2FB84 and #E1FCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3FA5B shade: #C3FA5B, #5CFAB0 and #EF5CFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3FA5B shade: #C3FA5B, #5CC5FA and #FA5CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3FA5B shade: #C3FA5B, #5CFAB0, #905CFA and #FA5CA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3FA5B shade: #C3FA5B, #5CFAE0, #905CFA and #FA5C76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 64 / 2

HEX #C3FA5B

RGB 195 250 91

HSL 80.75, 0.94%, 0.67%

LAB 92.01, -40.06, 68.17

 

Complementary color

CMYK 63 / 97 / 0 / 36

HEX #3C05A4

RGB 60 5 164

HSL 260.75, 0.94%, 0.33%

LAB 22.83, 57.28, -70.57

 

CMYK 20 / 0 / 66 / 2

HEX #C8FA56

RGB 200 250 86

HSL 78.29, 0.94%, 0.66%

LAB 92.27, -38.54, 70.48

 

CMYK 15 / 0 / 59 / 0

HEX #D9FF69

RGB 217 255 105

HSL 75.2, 1%, 0.71%

LAB 94.86, -33.03, 65.98

 

CMYK 8 / 0 / 51 / 0

HEX #EAFF7C

RGB 234 255 124

HSL 69.62, 1%, 0.74%

LAB 96.19, -25, 59.54

 

CMYK 2 / 0 / 44 / 0

HEX #FBFF8F

RGB 251 255 143

HSL 62.14, 1%, 0.78%

LAB 97.64, -16.74, 52.82

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 22 / 0 / 64 / 2

HEX #C3FA5B

RGB 195 250 91

HSL 80.75, 0.94%, 0.67%

LAB 92.01, -40.06, 68.17

 

CMYK 23 / 0 / 69 / 9

HEX #B2E848

RGB 178 232 72

HSL 80.25, 0.78%, 0.6%

LAB 85.83, -39.68, 68.64

 

CMYK 25 / 0 / 75 / 16

HEX #A1D635

RGB 161 214 53

HSL 79.75, 0.66%, 0.52%

LAB 79.57, -39.18, 68.66

 

CMYK 27 / 0 / 83 / 23

HEX #90C422

RGB 144 196 34

HSL 79.26, 0.7%, 0.45%

LAB 73.24, -38.51, 67.92

 

CMYK 29 / 0 / 92 / 30

HEX #7FB20F

RGB 127 178 15

HSL 78.77, 0.84%, 0.38%

LAB 66.81, -37.63, 65.96

 

CMYK 22 / 0 / 63 / 2

HEX #C3FA5C

RGB 195 250 92

HSL 80.89, 0.94%, 0.67%

LAB 92.02, -39.99, 67.79

 

CMYK 5 / 0 / 63 / 2

HEX #EEFA5C

RGB 238 250 92

HSL 64.56, 0.94%, 0.67%

LAB 94.87, -23.43, 71.68

 

CMYK 0 / 12 / 63 / 2

HEX #FADB5C

RGB 250 219 92

HSL 48.23, 0.94%, 0.67%

LAB 87.85, -3.35, 64.5

 

CMYK 0 / 29 / 63 / 2

HEX #FAB15C

RGB 250 177 92

HSL 32.28, 0.94%, 0.67%

LAB 77.6, 18.38, 53.15

 

CMYK 0 / 46 / 63 / 2

HEX #FA865C

RGB 250 134 92

HSL 15.95, 0.94%, 0.67%

LAB 68.13, 40.68, 42.08

 

CMYK 22 / 0 / 63 / 2

HEX #C3FA5C

RGB 195 250 92

HSL 80.89, 0.94%, 0.67%

LAB 92.02, -39.99, 67.79

 

CMYK 39 / 0 / 63 / 2

HEX #99FA5C

RGB 153 250 92

HSL 96.84, 0.94%, 0.67%

LAB 89.82, -54.51, 64.77

 

CMYK 56 / 0 / 63 / 2

HEX #6EFA5C

RGB 110 250 92

HSL 113.16, 0.94%, 0.67%

LAB 88.19, -66.6, 62.51

 

CMYK 63 / 0 / 54 / 2

HEX #5CFA74

RGB 92 250 116

HSL 129.11, 0.94%, 0.67%

LAB 87.92, -67.86, 51.69

 

CMYK 63 / 0 / 36 / 2

HEX #5CFA9F

RGB 92 250 159

HSL 145.44, 0.94%, 0.67%

LAB 88.52, -61.23, 31.72

 

CMYK 22 / 0 / 63 / 2

HEX #C3FA5C

RGB 195 250 92

HSL 80.89, 0.94%, 0.67%

LAB 92.02, -39.99, 67.79

 

CMYK 22 / 0 / 63 / 2

HEX #C3FA5C

RGB 195 250 92

HSL 80.89, 0.94%, 0.67%

LAB 92.02, -39.99, 67.79

 

CMYK 19 / 0 / 56 / 7

HEX #BFEC69

RGB 191 236 105

HSL 80.61, 0.78%, 0.67%

LAB 88.01, -34.13, 57.8

 

CMYK 16 / 0 / 47 / 13

HEX #BBDF77

RGB 187 223 119

HSL 80.77, 0.62%, 0.67%

LAB 84.31, -28.2, 46.86

 

CMYK 12 / 0 / 36 / 18

HEX #B7D185

RGB 183 209 133

HSL 80.53, 0.45%, 0.67%

LAB 80.38, -21.29, 34.88

 

CMYK 9 / 0 / 25 / 24

HEX #B2C392

RGB 178 195 146

HSL 80.82, 0.29%, 0.67%

LAB 76.42, -14.33, 22.75

 

CMYK 0 / 13 / 63 / 2

HEX #FADA5C

RGB 250 218 92

HSL 47.85, 0.94%, 0.67%

LAB 87.6, -2.84, 64.23

 

CMYK 4 / 0 / 63 / 2

HEX #EFFA5C

RGB 239 250 92

HSL 64.18, 0.94%, 0.67%

LAB 94.95, -23.03, 71.78

 

CMYK 21 / 0 / 63 / 2

HEX #C5FA5C

RGB 197 250 92

HSL 80.13, 0.94%, 0.67%

LAB 92.14, -39.25, 67.95

 

CMYK 38 / 0 / 63 / 2

HEX #9BFA5C

RGB 155 250 92

HSL 96.08, 0.94%, 0.67%

LAB 89.91, -53.87, 64.89

 

CMYK 55 / 0 / 63 / 2

HEX #71FA5C

RGB 113 250 92

HSL 112.03, 0.94%, 0.67%

LAB 88.28, -65.87, 62.64

 

CMYK 33 / 0 / 95 / 3

HEX #A6F70C

RGB 166 247 12

HSL 80.68, 0.94%, 0.51%

LAB 89.23, -52.52, 85.09

 

CMYK 27 / 0 / 79 / 2

HEX #B5F934

RGB 181 249 52

HSL 80.71, 0.94%, 0.59%

LAB 90.7, -46.94, 79.65

 

CMYK 22 / 0 / 63 / 2

HEX #C3FA5C

RGB 195 250 92

HSL 80.89, 0.94%, 0.67%

LAB 92.02, -39.99, 67.79

 

CMYK 16 / 0 / 47 / 2

HEX #D2FB84

RGB 210 251 132

HSL 80.67, 0.94%, 0.75%

LAB 93.61, -31.39, 52.4

 

CMYK 11 / 0 / 32 / 1

HEX #E1FCAC

RGB 225 252 172

HSL 80.25, 0.93%, 0.83%

LAB 95.42, -21.7, 35.5

 

CMYK 22 / 0 / 64 / 2

HEX #C3FA5B

RGB 195 250 91

HSL 80.75, 0.94%, 0.67%

LAB 92.01, -40.06, 68.17

 

CMYK 63 / 0 / 30 / 2

HEX #5CFAB0

RGB 92 250 176

HSL 151.9, 0.94%, 0.67%

LAB 88.82, -58.01, 23.53

 

CMYK 4 / 63 / 0 / 2

HEX #EF5CFA

RGB 239 92 250

HSL 295.82, 0.94%, 0.67%

LAB 64.09, 75.66, -52.23

 

CMYK 22 / 0 / 64 / 2

HEX #C3FA5B

RGB 195 250 91

HSL 80.75, 0.94%, 0.67%

LAB 92.01, -40.06, 68.17

 

CMYK 63 / 21 / 0 / 2

HEX #5CC5FA

RGB 92 197 250

HSL 200.13, 0.94%, 0.67%

LAB 75.52, -14.75, -35.13

 

CMYK 0 / 63 / 21 / 2

HEX #FA5CC5

RGB 250 92 197

HSL 320.13, 0.94%, 0.67%

LAB 63.35, 70.37, -23.61

 

CMYK 22 / 0 / 64 / 2

HEX #C3FA5B

RGB 195 250 91

HSL 80.75, 0.94%, 0.67%

LAB 92.01, -40.06, 68.17

 

CMYK 63 / 0 / 30 / 2

HEX #5CFAB0

RGB 92 250 176

HSL 151.9, 0.94%, 0.67%

LAB 88.82, -58.01, 23.53

 

CMYK 42 / 63 / 0 / 2

HEX #905CFA

RGB 144 92 250

HSL 259.75, 0.94%, 0.67%

LAB 52.38, 55.19, -71.64

 

CMYK 0 / 63 / 34 / 2

HEX #FA5CA6

RGB 250 92 166

HSL 331.9, 0.94%, 0.67%

LAB 62.28, 66.57, -7.51

 

CMYK 22 / 0 / 64 / 2

HEX #C3FA5B

RGB 195 250 91

HSL 80.75, 0.94%, 0.67%

LAB 92.01, -40.06, 68.17

 

CMYK 63 / 0 / 10 / 2

HEX #5CFAE0

RGB 92 250 224

HSL 170.13, 0.94%, 0.67%

LAB 89.87, -47.27, 0.24

 

CMYK 42 / 63 / 0 / 2

HEX #905CFA

RGB 144 92 250

HSL 259.75, 0.94%, 0.67%

LAB 52.38, 55.19, -71.64

 

CMYK 0 / 63 / 53 / 2

HEX #FA5C76

RGB 250 92 118

HSL 350.13, 0.94%, 0.67%

LAB 61.03, 62, 18.49

 

Description

Color code: HEX #C3FA5B | qconv.com Color code: HEX #C3FA5B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 250 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 250 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 64 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 64% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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