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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EDD700 it is the complementary color #3C122800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EDD700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EDD700 shade: #C8EDD200, #D9FFE500, #EAFFF800, #FBFFFF00 and #FFFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EDD700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EDD700 shade: #C3EDD700, #B2DBC400, #A1C9B100, #90B79E00 and #7FA58B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EDD700 shade: #C4EDD8, #C4EDCD, #C7EDC4, #D2EDC4 and #DDEDC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EDD700 shade: #C4EDD8, #C4EDE3, #C4EDED, #C4E2ED and #C4D6ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EDD700 shade matches the following richer shades: #C4EDD8, #BEF4D7 and #B8FAD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EDD700 shade: #C4EDD8, #CAE7D8, #D0E1D8, #D7DBD9 and #DDD5D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EDD700 shade: #C7EDC4, #C4EDCC, #C4EDD7, #C4EDE2 and #C4EDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EDD700 shade: #85DAAD, #A4E4C3, #C4EDD8, #E4F7ED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EDD700 shade: #C3EDD7, #C4D2ED and #EDC7C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EDD700 shade: #C3EDD7, #D7C4ED and #EDD7C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EDD700 shade: #C3EDD7, #C4D2ED, #EDC4DA and #EDE0C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EDD700 shade: #C3EDD7, #C4C5ED, #EDC4DA and #EDECC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #C3EDD700

RGBA 195 237 215 0

HSLA 148.57, 0.54%, 0.85%, 0

LABA 90.36, -17.79, 6.17, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #3C122800

RGBA 60 18 40 0

HSLA 328.57, 0.54%, 0.15%, 0

LABA 12.9, 23.38, -4.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C8EDD200

RGBA 200 237 210 0

HSLA 136.22, 0.51%, 0.86%, 0

LABA 90.55, -17.1, 9.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9FFE500

RGBA 217 255 229 0

HSLA 138.95, 1%, 0.93%, 0

LABA 96.79, -17.02, 8.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EAFFF800

RGBA 234 255 248 0

HSLA 160, 1%, 0.96%, 0

LABA 98.35, -8.09, 0.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FBFFFF00

RGBA 251 255 255 0

HSLA 180, 1%, 0.99%, 0

LABA 99.71, -1.31, -0.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF00

RGBA 255 255 255 0

HSLA 0, 0%, 1%, 0

LABA 100, 0.01, -0.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3EDD700

RGBA 195 237 215 0

HSLA 148.57, 0.54%, 0.85%, 0

LABA 90.36, -17.79, 6.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2DBC400

RGBA 178 219 196 0

HSLA 146.34, 0.36%, 0.78%, 0

LABA 84.02, -17.91, 6.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A1C9B100

RGBA 161 201 177 0

HSLA 144, 0.27%, 0.71%, 0

LABA 77.59, -18.04, 7.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #90B79E00

RGBA 144 183 158 0

HSLA 141.54, 0.21%, 0.64%, 0

LABA 71.05, -18.19, 8.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7FA58B00

RGBA 127 165 139 0

HSLA 138.95, 0.17%, 0.57%, 0

LABA 64.39, -18.37, 9.29, 0

 

CMYK 17 / 0 / 9 / 7

HEX #C4EDD8

RGB 196 237 216

HSL 149.27, 0.53%, 0.85%

LAB 90.44, -17.29, 5.78

 

CMYK 17 / 0 / 14 / 7

HEX #C4EDCD

RGB 196 237 205

HSL 133.17, 0.53%, 0.85%

LAB 90.19, -19.31, 11.14

 

CMYK 16 / 0 / 17 / 7

HEX #C7EDC4

RGB 199 237 196

HSL 115.61, 0.53%, 0.85%

LAB 90.18, -19.89, 15.83

 

CMYK 11 / 0 / 17 / 7

HEX #D2EDC4

RGB 210 237 196

HSL 99.51, 0.53%, 0.85%

LAB 90.9, -16.16, 16.94

 

CMYK 7 / 0 / 17 / 7

HEX #DDEDC4

RGB 221 237 196

HSL 83.41, 0.53%, 0.85%

LAB 91.65, -12.34, 18.11

 

CMYK 17 / 0 / 9 / 7

HEX #C4EDD8

RGB 196 237 216

HSL 149.27, 0.53%, 0.85%

LAB 90.44, -17.29, 5.78

 

CMYK 17 / 0 / 4 / 7

HEX #C4EDE3

RGB 196 237 227

HSL 165.37, 0.53%, 0.85%

LAB 90.71, -15.16, 0.43

 

CMYK 17 / 0 / 0 / 7

HEX #C4EDED

RGB 196 237 237

HSL 180, 0.53%, 0.85%

LAB 90.97, -13.15, -4.41

 

CMYK 17 / 5 / 0 / 7

HEX #C4E2ED

RGB 196 226 237

HSL 196.1, 0.53%, 0.85%

LAB 88.09, -7.57, -8.67

 

CMYK 17 / 10 / 0 / 7

HEX #C4D6ED

RGB 196 214 237

HSL 213.66, 0.53%, 0.85%

LAB 84.97, -1.35, -13.32

 

CMYK 17 / 0 / 9 / 7

HEX #C4EDD8

RGB 196 237 216

HSL 149.27, 0.53%, 0.85%

LAB 90.44, -17.29, 5.78

 

CMYK 22 / 0 / 12 / 4

HEX #BEF4D7

RGB 190 244 215

HSL 147.78, 0.71%, 0.85%

LAB 91.93, -22.8, 8.39

 

CMYK 26 / 0 / 14 / 2

HEX #B8FAD7

RGB 184 250 215

HSL 148.18, 0.87%, 0.85%

LAB 93.22, -27.52, 10.19

 

CMYK 17 / 0 / 9 / 7

HEX #C4EDD8

RGB 196 237 216

HSL 149.27, 0.53%, 0.85%

LAB 90.44, -17.29, 5.78

 

CMYK 13 / 0 / 6 / 9

HEX #CAE7D8

RGB 202 231 216

HSL 148.97, 0.38%, 0.85%

LAB 89.24, -12.35, 4.08

 

CMYK 8 / 0 / 4 / 12

HEX #D0E1D8

RGB 208 225 216

HSL 148.24, 0.22%, 0.85%

LAB 88.07, -7.33, 2.45

 

CMYK 2 / 0 / 1 / 14

HEX #D7DBD9

RGB 215 219 217

HSL 150, 0.05%, 0.85%

LAB 87.06, -1.71, 0.5

 

CMYK 0 / 4 / 2 / 13

HEX #DDD5D9

RGB 221 213 217

HSL 330, 0.11%, 0.85%

LAB 85.99, 3.45, -1

 

CMYK 16 / 0 / 17 / 7

HEX #C7EDC4

RGB 199 237 196

HSL 115.61, 0.53%, 0.85%

LAB 90.18, -19.89, 15.83

 

CMYK 17 / 0 / 14 / 7

HEX #C4EDCC

RGB 196 237 204

HSL 131.71, 0.53%, 0.85%

LAB 90.17, -19.49, 11.63

 

CMYK 17 / 0 / 9 / 7

HEX #C4EDD7

RGB 196 237 215

HSL 147.8, 0.53%, 0.85%

LAB 90.42, -17.47, 6.26

 

CMYK 17 / 0 / 5 / 7

HEX #C4EDE2

RGB 196 237 226

HSL 163.9, 0.53%, 0.85%

LAB 90.69, -15.36, 0.91

 

CMYK 17 / 0 / 0 / 7

HEX #C4EDED

RGB 196 237 237

HSL 180, 0.53%, 0.85%

LAB 90.97, -13.15, -4.41

 

CMYK 39 / 0 / 21 / 15

HEX #85DAAD

RGB 133 218 173

HSL 148.24, 0.53%, 0.69%

LAB 80.82, -35.62, 14.16

 

CMYK 28 / 0 / 14 / 11

HEX #A4E4C3

RGB 164 228 195

HSL 149.06, 0.54%, 0.77%

LAB 85.67, -26.92, 9.66

 

CMYK 17 / 0 / 9 / 7

HEX #C4EDD8

RGB 196 237 216

HSL 149.27, 0.53%, 0.85%

LAB 90.44, -17.29, 5.78

 

CMYK 8 / 0 / 4 / 3

HEX #E4F7ED

RGB 228 247 237

HSL 148.42, 0.54%, 0.93%

LAB 95.63, -8.04, 2.66

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 0 / 9 / 7

HEX #C3EDD7

RGB 195 237 215

HSL 148.57, 0.54%, 0.85%

LAB 90.36, -17.79, 6.17

 

CMYK 17 / 11 / 0 / 7

HEX #C4D2ED

RGB 196 210 237

HSL 219.51, 0.53%, 0.85%

LAB 83.94, 0.76, -14.87

 

CMYK 0 / 16 / 17 / 7

HEX #EDC7C4

RGB 237 199 196

HSL 4.39, 0.53%, 0.85%

LAB 83.36, 12.96, 6.51

 

CMYK 18 / 0 / 9 / 7

HEX #C3EDD7

RGB 195 237 215

HSL 148.57, 0.54%, 0.85%

LAB 90.36, -17.79, 6.17

 

CMYK 9 / 17 / 0 / 7

HEX #D7C4ED

RGB 215 196 237

HSL 267.8, 0.53%, 0.85%

LAB 81.86, 14.25, -17.84

 

CMYK 0 / 9 / 17 / 7

HEX #EDD7C4

RGB 237 215 196

HSL 27.8, 0.53%, 0.85%

LAB 87.29, 4.59, 12.13

 

CMYK 18 / 0 / 9 / 7

HEX #C3EDD7

RGB 195 237 215

HSL 148.57, 0.54%, 0.85%

LAB 90.36, -17.79, 6.17

 

CMYK 17 / 11 / 0 / 7

HEX #C4D2ED

RGB 196 210 237

HSL 219.51, 0.53%, 0.85%

LAB 83.94, 0.76, -14.87

 

CMYK 0 / 17 / 8 / 7

HEX #EDC4DA

RGB 237 196 218

HSL 327.8, 0.53%, 0.85%

LAB 83.2, 18.1, -5.48

 

CMYK 0 / 5 / 17 / 7

HEX #EDE0C4

RGB 237 224 196

HSL 40.98, 0.53%, 0.85%

LAB 89.53, -0.06, 15.31

 

CMYK 18 / 0 / 9 / 7

HEX #C3EDD7

RGB 195 237 215

HSL 148.57, 0.54%, 0.85%

LAB 90.36, -17.79, 6.17

 

CMYK 17 / 17 / 0 / 7

HEX #C4C5ED

RGB 196 197 237

HSL 238.54, 0.53%, 0.85%

LAB 80.62, 7.68, -19.87

 

CMYK 0 / 17 / 8 / 7

HEX #EDC4DA

RGB 237 196 218

HSL 327.8, 0.53%, 0.85%

LAB 83.2, 18.1, -5.48

 

CMYK 0 / 0 / 17 / 7

HEX #EDECC4

RGB 237 236 196

HSL 58.54, 0.53%, 0.85%

LAB 92.57, -6.16, 19.56

 

Description

Color code: HEX #C3EDD700 | qconv.com Color code: HEX #C3EDD700 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 237 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 237 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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