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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EC8B it is the complementary color #3C1374. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EC8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EC8B shade: #C8EC86, #D9FE99, #EAFFAC, #FBFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EC8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EC8B shade: #C3EC8B, #B2DA78, #A1C865, #90B652 and #7FA43F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EC8B shade: #C4EC8D, #DEEC8D, #ECE18D, #ECC88D and #ECAE8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EC8B shade: #C4EC8D, #AAEC8D, #91EC8D, #8DECA3 and #8DECBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EC8B shade matches the following richer shades: #C4EC8D and #C6F782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EC8B shade: #C4EC8D, #C2E298, #C1D7A2, #BFCCAD and #BDC2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EC8B shade: #ECE18D, #DEEC8D, #C5EC8D, #ABEC8D and #92EC8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EC8B shade: #9FE146, #B2E769, #C4EC8D, #D6F2B0 and #E9F8D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EC8B shade: #C3EC8B, #8DECC8 and #EC8DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EC8B shade: #C3EC8B, #8DC5EC and #EC8DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EC8B shade: #C3EC8B, #8DECC8, #B58DEC and #EC8DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EC8B shade: #C3EC8B, #8DECE4, #B58DEC and #EC8D95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 41 / 7

HEX #C3EC8B

RGB 195 236 139

HSL 85.36, 0.72%, 0.74%

LAB 88.67, -29.1, 42.69

 

Complementary color

CMYK 48 / 84 / 0 / 55

HEX #3C1374

RGB 60 19 116

HSL 265.36, 0.72%, 0.26%

LAB 18.75, 40.64, -47.29

 

CMYK 15 / 0 / 43 / 7

HEX #C8EC86

RGB 200 236 134

HSL 81.18, 0.73%, 0.73%

LAB 88.92, -27.85, 45.51

 

CMYK 15 / 0 / 40 / 0

HEX #D9FE99

RGB 217 254 153

HSL 81.98, 0.98%, 0.8%

LAB 95.13, -27.91, 44.39

 

CMYK 8 / 0 / 33 / 0

HEX #EAFFAC

RGB 234 255 172

HSL 75.18, 1%, 0.84%

LAB 96.82, -19.89, 37.46

 

CMYK 2 / 0 / 25 / 0

HEX #FBFFBF

RGB 251 255 191

HSL 63.75, 1%, 0.87%

LAB 98.35, -11.26, 30.23

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 17 / 0 / 41 / 7

HEX #C3EC8B

RGB 195 236 139

HSL 85.36, 0.72%, 0.74%

LAB 88.67, -29.1, 42.69

 

CMYK 18 / 0 / 45 / 15

HEX #B2DA78

RGB 178 218 120

HSL 84.49, 0.57%, 0.66%

LAB 82.36, -29.08, 43.83

 

CMYK 20 / 0 / 50 / 22

HEX #A1C865

RGB 161 200 101

HSL 83.64, 0.47%, 0.59%

LAB 75.96, -29.01, 44.98

 

CMYK 21 / 0 / 55 / 29

HEX #90B652

RGB 144 182 82

HSL 82.8, 0.41%, 0.52%

LAB 69.47, -28.89, 46.09

 

CMYK 23 / 0 / 62 / 36

HEX #7FA43F

RGB 127 164 63

HSL 81.98, 0.44%, 0.45%

LAB 62.86, -28.68, 47.08

 

CMYK 17 / 0 / 40 / 7

HEX #C4EC8D

RGB 196 236 141

HSL 85.26, 0.71%, 0.74%

LAB 88.76, -28.49, 41.83

 

CMYK 6 / 0 / 40 / 7

HEX #DEEC8D

RGB 222 236 141

HSL 68.84, 0.71%, 0.74%

LAB 90.53, -18.81, 44.45

 

CMYK 0 / 5 / 40 / 7

HEX #ECE18D

RGB 236 225 141

HSL 53.05, 0.71%, 0.74%

LAB 88.74, -7.96, 42.4

 

CMYK 0 / 15 / 40 / 7

HEX #ECC88D

RGB 236 200 141

HSL 37.26, 0.71%, 0.74%

LAB 82.41, 4.85, 34.23

 

CMYK 0 / 26 / 40 / 7

HEX #ECAE8D

RGB 236 174 141

HSL 20.84, 0.71%, 0.74%

LAB 76.09, 18.56, 25.82

 

CMYK 17 / 0 / 40 / 7

HEX #C4EC8D

RGB 196 236 141

HSL 85.26, 0.71%, 0.74%

LAB 88.76, -28.49, 41.83

 

CMYK 28 / 0 / 40 / 7

HEX #AAEC8D

RGB 170 236 141

HSL 101.68, 0.71%, 0.74%

LAB 87.22, -37.61, 39.56

 

CMYK 39 / 0 / 40 / 7

HEX #91EC8D

RGB 145 236 141

HSL 117.47, 0.71%, 0.74%

LAB 85.97, -45.62, 37.7

 

CMYK 40 / 0 / 31 / 7

HEX #8DECA3

RGB 141 236 163

HSL 133.89, 0.71%, 0.74%

LAB 86.16, -43.29, 26.8

 

CMYK 40 / 0 / 20 / 7

HEX #8DECBD

RGB 141 236 189

HSL 150.32, 0.71%, 0.74%

LAB 86.67, -38.45, 14.07

 

CMYK 17 / 0 / 40 / 7

HEX #C4EC8D

RGB 196 236 141

HSL 85.26, 0.71%, 0.74%

LAB 88.76, -28.49, 41.83

 

CMYK 20 / 0 / 47 / 3

HEX #C6F782

RGB 198 247 130

HSL 85.13, 0.88%, 0.74%

LAB 91.75, -34.13, 50.89

 

CMYK 17 / 0 / 40 / 7

HEX #C4EC8D

RGB 196 236 141

HSL 85.26, 0.71%, 0.74%

LAB 88.76, -28.49, 41.83

 

CMYK 14 / 0 / 33 / 11

HEX #C2E298

RGB 194 226 152

HSL 85.95, 0.56%, 0.74%

LAB 86.07, -23.02, 32.8

 

CMYK 10 / 0 / 25 / 16

HEX #C1D7A2

RGB 193 215 162

HSL 84.91, 0.4%, 0.74%

LAB 83.2, -16.54, 23.77

 

CMYK 6 / 0 / 15 / 20

HEX #BFCCAD

RGB 191 204 173

HSL 85.16, 0.23%, 0.74%

LAB 80.34, -9.95, 13.96

 

CMYK 3 / 0 / 5 / 24

HEX #BDC2B8

RGB 189 194 184

HSL 90, 0.08%, 0.74%

LAB 77.79, -3.56, 4.42

 

CMYK 0 / 5 / 40 / 7

HEX #ECE18D

RGB 236 225 141

HSL 53.05, 0.71%, 0.74%

LAB 88.74, -7.96, 42.4

 

CMYK 6 / 0 / 40 / 7

HEX #DEEC8D

RGB 222 236 141

HSL 68.84, 0.71%, 0.74%

LAB 90.53, -18.81, 44.45

 

CMYK 17 / 0 / 40 / 7

HEX #C5EC8D

RGB 197 236 141

HSL 84.63, 0.71%, 0.74%

LAB 88.82, -28.13, 41.93

 

CMYK 28 / 0 / 40 / 7

HEX #ABEC8D

RGB 171 236 141

HSL 101.05, 0.71%, 0.74%

LAB 87.28, -37.28, 39.64

 

CMYK 38 / 0 / 40 / 7

HEX #92EC8D

RGB 146 236 141

HSL 116.84, 0.71%, 0.74%

LAB 86.02, -45.31, 37.76

 

CMYK 29 / 0 / 69 / 12

HEX #9FE146

RGB 159 225 70

HSL 85.55, 0.72%, 0.58%

LAB 82.73, -43.75, 65.88

 

CMYK 23 / 0 / 55 / 9

HEX #B2E769

RGB 178 231 105

HSL 85.24, 0.72%, 0.66%

LAB 85.82, -36.66, 55.06

 

CMYK 17 / 0 / 40 / 7

HEX #C4EC8D

RGB 196 236 141

HSL 85.26, 0.71%, 0.74%

LAB 88.76, -28.49, 41.83

 

CMYK 12 / 0 / 27 / 5

HEX #D6F2B0

RGB 214 242 176

HSL 85.45, 0.72%, 0.82%

LAB 92.1, -20.26, 28.91

 

CMYK 6 / 0 / 15 / 3

HEX #E9F8D4

RGB 233 248 212

HSL 85, 0.72%, 0.9%

LAB 95.67, -11.11, 15.64

 

CMYK 17 / 0 / 41 / 7

HEX #C3EC8B

RGB 195 236 139

HSL 85.36, 0.72%, 0.74%

LAB 88.67, -29.1, 42.69

 

CMYK 40 / 0 / 15 / 7

HEX #8DECC8

RGB 141 236 200

HSL 157.26, 0.71%, 0.74%

LAB 86.91, -36.21, 8.67

 

CMYK 0 / 40 / 0 / 7

HEX #EC8DEB

RGB 236 141 235

HSL 300.63, 0.71%, 0.74%

LAB 71.47, 49.75, -32.44

 

CMYK 17 / 0 / 41 / 7

HEX #C3EC8B

RGB 195 236 139

HSL 85.36, 0.72%, 0.74%

LAB 88.67, -29.1, 42.69

 

CMYK 40 / 17 / 0 / 7

HEX #8DC5EC

RGB 141 197 236

HSL 204.63, 0.71%, 0.74%

LAB 77.07, -8.35, -25.05

 

CMYK 0 / 40 / 17 / 7

HEX #EC8DC5

RGB 236 141 197

HSL 324.63, 0.71%, 0.74%

LAB 70.12, 43.43, -13.52

 

CMYK 17 / 0 / 41 / 7

HEX #C3EC8B

RGB 195 236 139

HSL 85.36, 0.72%, 0.74%

LAB 88.67, -29.1, 42.69

 

CMYK 40 / 0 / 15 / 7

HEX #8DECC8

RGB 141 236 200

HSL 157.26, 0.71%, 0.74%

LAB 86.91, -36.21, 8.67

 

CMYK 23 / 40 / 0 / 7

HEX #B58DEC

RGB 181 141 236

HSL 265.26, 0.71%, 0.74%

LAB 65.69, 33.84, -42.43

 

CMYK 0 / 40 / 25 / 7

HEX #EC8DB2

RGB 236 141 178

HSL 336.63, 0.71%, 0.74%

LAB 69.54, 40.64, -3.79

 

CMYK 17 / 0 / 41 / 7

HEX #C3EC8B

RGB 195 236 139

HSL 85.36, 0.72%, 0.74%

LAB 88.67, -29.1, 42.69

 

CMYK 40 / 0 / 3 / 7

HEX #8DECE4

RGB 141 236 228

HSL 174.95, 0.71%, 0.74%

LAB 87.61, -29.97, -4.98

 

CMYK 23 / 40 / 0 / 7

HEX #B58DEC

RGB 181 141 236

HSL 265.26, 0.71%, 0.74%

LAB 65.69, 33.84, -42.43

 

CMYK 0 / 40 / 37 / 7

HEX #EC8D95

RGB 236 141 149

HSL 354.95, 0.71%, 0.74%

LAB 68.79, 36.92, 11.36

 

Description

Color code: HEX #C3EC8B | qconv.com Color code: HEX #C3EC8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 236 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 236 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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