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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EC48 it is the complementary color #3C13B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EC48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EC48 shade: #C8EC43, #D9FE56, #EAFF69, #FBFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EC48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EC48 shade: #C3EC48, #B2DA35, #A1C822, #90B60F and #7FA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EC48 shade: #C2EC46, #ECE846, #ECBC46, #EC8F46 and #EC6346

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EC48 shade: #C2EC46, #96EC46, #69EC46, #46EC50 and #46EC7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EC48 shade matches the following richer shades: #C2EC46 and #CBFC36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EC48 shade: #C2EC46, #BADB57, #B2CB67, #AABA78 and #A1AA88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EC48 shade: #ECBD46, #ECE946, #C2EC46, #96EC46 and #6AEC46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EC48 shade: #9DCA15, #B6E821, #C2EC46, #CFF06C and #DBF391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EC48 shade: #C3EC48, #46EC91 and #D346EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EC48 shade: #C3EC48, #46C2EC and #EC46C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EC48 shade: #C3EC48, #46EC91, #7046EC and #EC46A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EC48 shade: #C3EC48, #46ECC2, #7046EC and #EC4670

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 69 / 7

HEX #C3EC48

RGB 195 236 72

HSL 75, 0.81%, 0.6%

LAB 88, -34.99, 71.17

 

Complementary color

CMYK 67 / 90 / 0 / 28

HEX #3C13B7

RGB 60 19 183

HSL 255, 0.81%, 0.4%

LAB 26.29, 58.72, -76.25

 

CMYK 15 / 0 / 72 / 7

HEX #C8EC43

RGB 200 236 67

HSL 72.78, 0.82%, 0.59%

LAB 88.29, -33.32, 73.3

 

CMYK 15 / 0 / 66 / 0

HEX #D9FE56

RGB 217 254 86

HSL 73.21, 0.99%, 0.67%

LAB 94.44, -33.88, 73.06

 

CMYK 8 / 0 / 59 / 0

HEX #EAFF69

RGB 234 255 105

HSL 68.4, 1%, 0.71%

LAB 96.01, -26.5, 67.57

 

CMYK 2 / 0 / 51 / 0

HEX #FBFF7C

RGB 251 255 124

HSL 61.83, 1%, 0.74%

LAB 97.42, -18.43, 61.3

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 17 / 0 / 69 / 7

HEX #C3EC48

RGB 195 236 72

HSL 75, 0.81%, 0.6%

LAB 88, -34.99, 71.17

 

CMYK 18 / 0 / 76 / 15

HEX #B2DA35

RGB 178 218 53

HSL 74.55, 0.69%, 0.53%

LAB 81.76, -34.39, 71.1

 

CMYK 20 / 0 / 83 / 22

HEX #A1C822

RGB 161 200 34

HSL 74.1, 0.71%, 0.46%

LAB 75.45, -33.63, 70.26

 

CMYK 21 / 0 / 92 / 29

HEX #90B60F

RGB 144 182 15

HSL 73.65, 0.85%, 0.39%

LAB 69.05, -32.67, 68.21

 

CMYK 23 / 0 / 100 / 36

HEX #7FA400

RGB 127 164 0

HSL 73.54, 1%, 0.32%

LAB 62.56, -31.5, 64.63

 

CMYK 18 / 0 / 70 / 7

HEX #C2EC46

RGB 194 236 70

HSL 75.18, 0.81%, 0.6%

LAB 87.92, -35.49, 71.77

 

CMYK 0 / 2 / 70 / 7

HEX #ECE846

RGB 236 232 70

HSL 58.55, 0.81%, 0.6%

LAB 89.85, -16.76, 74.69

 

CMYK 0 / 20 / 70 / 7

HEX #ECBC46

RGB 236 188 70

HSL 42.65, 0.81%, 0.6%

LAB 78.6, 5.53, 63.54

 

CMYK 0 / 39 / 70 / 7

HEX #EC8F46

RGB 236 143 70

HSL 26.39, 0.81%, 0.6%

LAB 67.96, 29.29, 52.43

 

CMYK 0 / 58 / 70 / 7

HEX #EC6346

RGB 236 99 70

HSL 10.48, 0.81%, 0.6%

LAB 59.16, 51.24, 42.7

 

CMYK 18 / 0 / 70 / 7

HEX #C2EC46

RGB 194 236 70

HSL 75.18, 0.81%, 0.6%

LAB 87.92, -35.49, 71.77

 

CMYK 36 / 0 / 70 / 7

HEX #96EC46

RGB 150 236 70

HSL 91.08, 0.81%, 0.6%

LAB 85.46, -51.49, 68.5

 

CMYK 56 / 0 / 70 / 7

HEX #69EC46

RGB 105 236 70

HSL 107.35, 0.81%, 0.6%

LAB 83.67, -64.78, 66.1

 

CMYK 70 / 0 / 66 / 7

HEX #46EC50

RGB 70 236 80

HSL 123.61, 0.81%, 0.6%

LAB 82.85, -71.23, 61.19

 

CMYK 70 / 0 / 47 / 7

HEX #46EC7D

RGB 70 236 125

HSL 139.88, 0.81%, 0.6%

LAB 83.32, -65.61, 41.67

 

CMYK 18 / 0 / 70 / 7

HEX #C2EC46

RGB 194 236 70

HSL 75.18, 0.81%, 0.6%

LAB 87.92, -35.49, 71.77

 

CMYK 19 / 0 / 79 / 1

HEX #CBFC36

RGB 203 252 54

HSL 74.85, 0.97%, 0.6%

LAB 92.83, -39.94, 81.53

 

CMYK 18 / 0 / 70 / 7

HEX #C2EC46

RGB 194 236 70

HSL 75.18, 0.81%, 0.6%

LAB 87.92, -35.49, 71.77

 

CMYK 15 / 0 / 60 / 14

HEX #BADB57

RGB 186 219 87

HSL 75, 0.65%, 0.6%

LAB 82.8, -29.64, 59.67

 

CMYK 12 / 0 / 49 / 20

HEX #B2CB67

RGB 178 203 103

HSL 75, 0.49%, 0.6%

LAB 77.97, -23.7, 46.7

 

CMYK 9 / 0 / 35 / 27

HEX #AABA78

RGB 170 186 120

HSL 74.55, 0.32%, 0.6%

LAB 72.91, -16.4, 31.67

 

CMYK 5 / 0 / 20 / 33

HEX #A1AA88

RGB 161 170 136

HSL 75.88, 0.17%, 0.6%

LAB 68.1, -9.24, 16.49

 

CMYK 0 / 20 / 70 / 7

HEX #ECBD46

RGB 236 189 70

HSL 43.01, 0.81%, 0.6%

LAB 78.85, 5.01, 63.79

 

CMYK 0 / 1 / 70 / 7

HEX #ECE946

RGB 236 233 70

HSL 58.92, 0.81%, 0.6%

LAB 90.12, -17.25, 74.94

 

CMYK 18 / 0 / 70 / 7

HEX #C2EC46

RGB 194 236 70

HSL 75.18, 0.81%, 0.6%

LAB 87.92, -35.49, 71.77

 

CMYK 36 / 0 / 70 / 7

HEX #96EC46

RGB 150 236 70

HSL 91.08, 0.81%, 0.6%

LAB 85.46, -51.49, 68.5

 

CMYK 55 / 0 / 70 / 7

HEX #6AEC46

RGB 106 236 70

HSL 106.99, 0.81%, 0.6%

LAB 83.7, -64.53, 66.15

 

CMYK 22 / 0 / 90 / 21

HEX #9DCA15

RGB 157 202 21

HSL 74.92, 0.81%, 0.44%

LAB 75.74, -36.5, 73.02

 

CMYK 22 / 0 / 86 / 9

HEX #B6E821

RGB 182 232 33

HSL 75.08, 0.81%, 0.52%

LAB 85.89, -39.85, 79.87

 

CMYK 18 / 0 / 70 / 7

HEX #C2EC46

RGB 194 236 70

HSL 75.18, 0.81%, 0.6%

LAB 87.92, -35.49, 71.77

 

CMYK 14 / 0 / 55 / 6

HEX #CFF06C

RGB 207 240 108

HSL 75, 0.81%, 0.68%

LAB 90.17, -29.66, 59.22

 

CMYK 10 / 0 / 40 / 5

HEX #DBF391

RGB 219 243 145

HSL 74.69, 0.8%, 0.76%

LAB 92.22, -22.88, 44.6

 

CMYK 17 / 0 / 69 / 7

HEX #C3EC48

RGB 195 236 72

HSL 75, 0.81%, 0.6%

LAB 88, -34.99, 71.17

 

CMYK 70 / 0 / 39 / 7

HEX #46EC91

RGB 70 236 145

HSL 147.11, 0.81%, 0.6%

LAB 83.62, -62.24, 32.15

 

CMYK 11 / 70 / 0 / 7

HEX #D346EC

RGB 211 70 236

HSL 290.96, 0.81%, 0.6%

LAB 56.37, 75.41, -56.97

 

CMYK 17 / 0 / 69 / 7

HEX #C3EC48

RGB 195 236 72

HSL 75, 0.81%, 0.6%

LAB 88, -34.99, 71.17

 

CMYK 70 / 18 / 0 / 7

HEX #46C2EC

RGB 70 194 236

HSL 195.18, 0.81%, 0.6%

LAB 73.51, -20.87, -30.75

 

CMYK 0 / 70 / 18 / 7

HEX #EC46C2

RGB 236 70 194

HSL 315.18, 0.81%, 0.6%

LAB 58.14, 74.47, -30.12

 

CMYK 17 / 0 / 69 / 7

HEX #C3EC48

RGB 195 236 72

HSL 75, 0.81%, 0.6%

LAB 88, -34.99, 71.17

 

CMYK 70 / 0 / 39 / 7

HEX #46EC91

RGB 70 236 145

HSL 147.11, 0.81%, 0.6%

LAB 83.62, -62.24, 32.15

 

CMYK 53 / 70 / 0 / 7

HEX #7046EC

RGB 112 70 236

HSL 255.18, 0.81%, 0.6%

LAB 44.06, 57.2, -77.49

 

CMYK 0 / 70 / 32 / 7

HEX #EC46A1

RGB 236 70 161

HSL 327.11, 0.81%, 0.6%

LAB 56.87, 70.4, -12.95

 

CMYK 17 / 0 / 69 / 7

HEX #C3EC48

RGB 195 236 72

HSL 75, 0.81%, 0.6%

LAB 88, -34.99, 71.17

 

CMYK 70 / 0 / 18 / 7

HEX #46ECC2

RGB 70 236 194

HSL 164.82, 0.81%, 0.6%

LAB 84.58, -51.92, 8.19

 

CMYK 53 / 70 / 0 / 7

HEX #7046EC

RGB 112 70 236

HSL 255.18, 0.81%, 0.6%

LAB 44.06, 57.2, -77.49

 

CMYK 0 / 70 / 53 / 7

HEX #EC4670

RGB 236 70 112

HSL 344.82, 0.81%, 0.6%

LAB 55.46, 65.74, 13.96

 

Description

Color code: HEX #C3EC48 | qconv.com Color code: HEX #C3EC48 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 236 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 236 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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