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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EB78 it is the complementary color #3C1487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EB78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EB78 shade: #C8EB73, #D9FD86, #EAFF99, #FBFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EB78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EB78 shade: #C3EB78, #B2D965, #A1C752, #90B53F and #7FA32C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EB78 shade: #C4EB7A, #E2EB7A, #EBD57A, #EBB77A and #EB987A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EB78 shade: #C4EB7A, #A5EB7A, #87EB7A, #7AEB8C and #7AEBAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EB78 shade matches the following richer shades: #C4EB7A and #C7F76E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EB78 shade: #C4EB7A, #C0DF86, #BCD293, #B8C69F and #B5BAAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EB78 shade: #EBD47A, #E4EB7A, #C5EB7A, #A7EB7A and #89EB7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EB78 shade: #A4E032, #B4E656, #C4EB7A, #D4F09E and #E4F6C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EB78 shade: #C3EB78, #7AEBB6 and #E47AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EB78 shade: #C3EB78, #7AC5EB and #EB7AC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EB78 shade: #C3EB78, #7AEBB6, #A07AEB and #EB7AAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EB78 shade: #C3EB78, #7AEBD8, #A07AEB and #EB7A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

Complementary color

CMYK 56 / 85 / 0 / 47

HEX #3C1487

RGB 60 20 135

HSL 260.87, 0.74%, 0.3%

LAB 20.87, 45.42, -55.89

 

CMYK 15 / 0 / 51 / 8

HEX #C8EB73

RGB 200 235 115

HSL 77.5, 0.75%, 0.69%

LAB 88.42, -29.36, 53.89

 

CMYK 14 / 0 / 47 / 1

HEX #D9FD86

RGB 217 253 134

HSL 78.15, 0.97%, 0.76%

LAB 94.62, -29.53, 52.81

 

CMYK 8 / 0 / 40 / 0

HEX #EAFF99

RGB 234 255 153

HSL 72.35, 1%, 0.8%

LAB 96.54, -22.14, 46.41

 

CMYK 2 / 0 / 33 / 0

HEX #FBFFAC

RGB 251 255 172

HSL 62.89, 1%, 0.84%

LAB 98.04, -13.64, 39.29

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 18 / 0 / 53 / 15

HEX #B2D965

RGB 178 217 101

HSL 80.17, 0.6%, 0.62%

LAB 81.85, -30.59, 52.25

 

CMYK 19 / 0 / 59 / 22

HEX #A1C752

RGB 161 199 82

HSL 79.49, 0.51%, 0.55%

LAB 75.47, -30.37, 53.25

 

CMYK 20 / 0 / 65 / 29

HEX #90B53F

RGB 144 181 63

HSL 78.81, 0.48%, 0.48%

LAB 68.99, -30.05, 54.04

 

CMYK 22 / 0 / 73 / 36

HEX #7FA32C

RGB 127 163 44

HSL 78.15, 0.57%, 0.41%

LAB 62.41, -29.58, 54.43

 

CMYK 17 / 0 / 48 / 8

HEX #C4EB7A

RGB 196 235 122

HSL 80.71, 0.74%, 0.7%

LAB 88.24, -30.16, 50.35

 

CMYK 4 / 0 / 48 / 8

HEX #E2EB7A

RGB 226 235 122

HSL 64.78, 0.74%, 0.7%

LAB 90.32, -18.69, 53.35

 

CMYK 0 / 9 / 48 / 8

HEX #EBD57A

RGB 235 213 122

HSL 48.32, 0.74%, 0.7%

LAB 85.33, -4.14, 47.47

 

CMYK 0 / 22 / 48 / 8

HEX #EBB77A

RGB 235 183 122

HSL 32.39, 0.74%, 0.7%

LAB 77.84, 11.45, 38.11

 

CMYK 0 / 35 / 48 / 8

HEX #EB987A

RGB 235 152 122

HSL 15.93, 0.74%, 0.7%

LAB 70.54, 27.9, 28.66

 

CMYK 17 / 0 / 48 / 8

HEX #C4EB7A

RGB 196 235 122

HSL 80.71, 0.74%, 0.7%

LAB 88.24, -30.16, 50.35

 

CMYK 30 / 0 / 48 / 8

HEX #A5EB7A

RGB 165 235 122

HSL 97.17, 0.74%, 0.7%

LAB 86.42, -41.24, 47.71

 

CMYK 43 / 0 / 48 / 8

HEX #87EB7A

RGB 135 235 122

HSL 113.1, 0.74%, 0.7%

LAB 84.98, -50.8, 45.62

 

CMYK 48 / 0 / 40 / 8

HEX #7AEB8C

RGB 122 235 140

HSL 129.56, 0.74%, 0.7%

LAB 84.71, -51.86, 36.37

 

CMYK 48 / 0 / 28 / 8

HEX #7AEBAA

RGB 122 235 170

HSL 145.49, 0.74%, 0.7%

LAB 85.23, -46.66, 21.81

 

CMYK 17 / 0 / 48 / 8

HEX #C4EB7A

RGB 196 235 122

HSL 80.71, 0.74%, 0.7%

LAB 88.24, -30.16, 50.35

 

CMYK 19 / 0 / 55 / 3

HEX #C7F76E

RGB 199 247 110

HSL 81.02, 0.9%, 0.7%

LAB 91.59, -35.72, 59.83

 

CMYK 17 / 0 / 48 / 8

HEX #C4EB7A

RGB 196 235 122

HSL 80.71, 0.74%, 0.7%

LAB 88.24, -30.16, 50.35

 

CMYK 14 / 0 / 40 / 13

HEX #C0DF86

RGB 192 223 134

HSL 80.9, 0.58%, 0.7%

LAB 84.84, -24.62, 40.25

 

CMYK 10 / 0 / 30 / 18

HEX #BCD293

RGB 188 210 147

HSL 80.95, 0.41%, 0.7%

LAB 81.23, -18.04, 28.85

 

CMYK 7 / 0 / 20 / 22

HEX #B8C69F

RGB 184 198 159

HSL 81.54, 0.25%, 0.7%

LAB 77.92, -11.66, 17.97

 

CMYK 3 / 0 / 8 / 27

HEX #B5BAAB

RGB 181 186 171

HSL 80, 0.1%, 0.7%

LAB 74.75, -4.48, 6.99

 

CMYK 0 / 10 / 48 / 8

HEX #EBD47A

RGB 235 212 122

HSL 47.79, 0.74%, 0.7%

LAB 85.08, -3.63, 47.16

 

CMYK 3 / 0 / 48 / 8

HEX #E4EB7A

RGB 228 235 122

HSL 63.72, 0.74%, 0.7%

LAB 90.47, -17.9, 53.57

 

CMYK 16 / 0 / 48 / 8

HEX #C5EB7A

RGB 197 235 122

HSL 80.18, 0.74%, 0.7%

LAB 88.3, -29.79, 50.44

 

CMYK 29 / 0 / 48 / 8

HEX #A7EB7A

RGB 167 235 122

HSL 96.11, 0.74%, 0.7%

LAB 86.52, -40.56, 47.87

 

CMYK 42 / 0 / 48 / 8

HEX #89EB7A

RGB 137 235 122

HSL 112.04, 0.74%, 0.7%

LAB 85.07, -50.21, 45.75

 

CMYK 27 / 0 / 78 / 12

HEX #A4E032

RGB 164 224 50

HSL 80.69, 0.74%, 0.54%

LAB 82.61, -42.58, 72.47

 

CMYK 22 / 0 / 63 / 10

HEX #B4E656

RGB 180 230 86

HSL 80.83, 0.74%, 0.62%

LAB 85.49, -37.08, 62.91

 

CMYK 17 / 0 / 48 / 8

HEX #C4EB7A

RGB 196 235 122

HSL 80.71, 0.74%, 0.7%

LAB 88.24, -30.16, 50.35

 

CMYK 12 / 0 / 34 / 6

HEX #D4F09E

RGB 212 240 158

HSL 80.49, 0.73%, 0.78%

LAB 91.14, -22.45, 36.68

 

CMYK 7 / 0 / 21 / 4

HEX #E4F6C2

RGB 228 246 194

HSL 80.77, 0.74%, 0.86%

LAB 94.44, -14.64, 23.09

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 48 / 0 / 23 / 8

HEX #7AEBB6

RGB 122 235 182

HSL 151.86, 0.74%, 0.7%

LAB 85.47, -44.3, 15.92

 

CMYK 3 / 48 / 0 / 8

HEX #E47AEB

RGB 228 122 235

HSL 296.28, 0.74%, 0.7%

LAB 66.83, 56.95, -39.72

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 48 / 16 / 0 / 8

HEX #7AC5EB

RGB 122 197 235

HSL 200.18, 0.74%, 0.7%

LAB 76.11, -13.23, -26.06

 

CMYK 0 / 48 / 16 / 8

HEX #EB7AC5

RGB 235 122 197

HSL 320.18, 0.74%, 0.7%

LAB 66.22, 52.68, -19.42

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 48 / 0 / 23 / 8

HEX #7AEBB6

RGB 122 235 182

HSL 151.86, 0.74%, 0.7%

LAB 85.47, -44.3, 15.92

 

CMYK 32 / 48 / 0 / 8

HEX #A07AEB

RGB 160 122 235

HSL 260.18, 0.74%, 0.7%

LAB 59.33, 38.55, -52.05

 

CMYK 0 / 48 / 26 / 8

HEX #EB7AAF

RGB 235 122 175

HSL 331.86, 0.74%, 0.7%

LAB 65.5, 49.53, -8.1

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 48 / 0 / 8 / 8

HEX #7AEBD8

RGB 122 235 216

HSL 169.91, 0.74%, 0.7%

LAB 86.26, -36.81, -0.75

 

CMYK 32 / 48 / 0 / 8

HEX #A07AEB

RGB 160 122 235

HSL 260.18, 0.74%, 0.7%

LAB 59.33, 38.55, -52.05

 

CMYK 0 / 48 / 40 / 8

HEX #EB7A8D

RGB 235 122 141

HSL 349.91, 0.74%, 0.7%

LAB 64.57, 45.37, 9.87

 

Description

Color code: HEX #C3EB78 | qconv.com Color code: HEX #C3EB78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 235 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 235 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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