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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EB78 it is the complementary color #3C1487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EB78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C3EB78: #C8EB73, #D9FD86, #EAFF99, #FBFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EB78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C3EB78: #C3EB78, #B2D965, #A1C752, #90B53F and #7FA32C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

Complementary color

CMYK 56 / 85 / 0 / 47

HEX #3C1487

RGB 60 20 135

HSL 260.87, 0.74%, 0.3%

LAB 20.87, 45.42, -55.89

 

CMYK 15 / 0 / 51 / 8

HEX #C8EB73

RGB 200 235 115

HSL 77.5, 0.75%, 0.69%

LAB 88.42, -29.36, 53.89

 

CMYK 14 / 0 / 47 / 1

HEX #D9FD86

RGB 217 253 134

HSL 78.15, 0.97%, 0.76%

LAB 94.62, -29.53, 52.81

 

CMYK 8 / 0 / 40 / 0

HEX #EAFF99

RGB 234 255 153

HSL 72.35, 1%, 0.8%

LAB 96.54, -22.14, 46.41

 

CMYK 2 / 0 / 33 / 0

HEX #FBFFAC

RGB 251 255 172

HSL 62.89, 1%, 0.84%

LAB 98.04, -13.64, 39.29

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 18 / 0 / 53 / 15

HEX #B2D965

RGB 178 217 101

HSL 80.17, 0.6%, 0.62%

LAB 81.85, -30.59, 52.25

 

CMYK 19 / 0 / 59 / 22

HEX #A1C752

RGB 161 199 82

HSL 79.49, 0.51%, 0.55%

LAB 75.47, -30.37, 53.25

 

CMYK 20 / 0 / 65 / 29

HEX #90B53F

RGB 144 181 63

HSL 78.81, 0.48%, 0.48%

LAB 68.99, -30.05, 54.04

 

CMYK 22 / 0 / 73 / 36

HEX #7FA32C

RGB 127 163 44

HSL 78.15, 0.57%, 0.41%

LAB 62.41, -29.58, 54.43

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 24 / 0 / 49 / 8

HEX #B2EB79

RGB 178 235 121

HSL 90, 0.74%, 0.7%

LAB 87.13, -36.83, 49.22

 

CMYK 32 / 0 / 49 / 8

HEX #9FEB79

RGB 159 235 121

HSL 100, 0.74%, 0.7%

LAB 86.09, -43.38, 47.72

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 49 / 0 / 49 / 8

HEX #79EB79

RGB 121 235 121

HSL 120, 0.74%, 0.7%

LAB 84.41, -54.88, 45.27

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 16 / 0 / 48 / 88

HEX #1A1F10

RGB 26 31 16

HSL 80, 0.32%, 0.09%

LAB 10.83, -5.73, 9

 

CMYK 17 / 0 / 49 / 68

HEX #44522A

RGB 68 82 42

HSL 81, 0.32%, 0.24%

LAB 32.77, -13.14, 21.61

 

CMYK 17 / 0 / 49 / 48

HEX #6E8544

RGB 110 133 68

HSL 81.23, 0.32%, 0.39%

LAB 52.41, -19.58, 32.16

 

CMYK 17 / 0 / 49 / 28

HEX #99B85E

RGB 153 184 94

HSL 80.67, 0.39%, 0.55%

LAB 70.78, -25.12, 41.99

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 49 / 0 / 23 / 8

HEX #79EBB6

RGB 121 235 182

HSL 152.11, 0.74%, 0.7%

LAB 85.43, -44.54, 15.86

 

CMYK 3 / 49 / 0 / 8

HEX #E379EB

RGB 227 121 235

HSL 295.79, 0.74%, 0.7%

LAB 66.52, 57.16, -40.22

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 49 / 16 / 0 / 8

HEX #79C5EB

RGB 121 197 235

HSL 200, 0.74%, 0.7%

LAB 76.07, -13.46, -26.13

 

CMYK 0 / 49 / 16 / 8

HEX #EB79C5

RGB 235 121 197

HSL 320, 0.74%, 0.7%

LAB 66.03, 53.17, -19.71

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 49 / 0 / 23 / 8

HEX #79EBB6

RGB 121 235 182

HSL 152.11, 0.74%, 0.7%

LAB 85.43, -44.54, 15.86

 

CMYK 32 / 49 / 0 / 8

HEX #9F79EB

RGB 159 121 235

HSL 260, 0.74%, 0.7%

LAB 59.01, 38.86, -52.56

 

CMYK 0 / 49 / 26 / 8

HEX #EB79AE

RGB 235 121 174

HSL 332.11, 0.74%, 0.7%

LAB 65.27, 49.89, -7.86

 

CMYK 17 / 0 / 49 / 8

HEX #C3EB78

RGB 195 235 120

HSL 80.87, 0.74%, 0.7%

LAB 88.15, -30.74, 51.17

 

CMYK 49 / 0 / 8 / 8

HEX #79EBD8

RGB 121 235 216

HSL 170, 0.74%, 0.7%

LAB 86.23, -37.03, -0.8

 

CMYK 32 / 49 / 0 / 8

HEX #9F79EB

RGB 159 121 235

HSL 260, 0.74%, 0.7%

LAB 59.01, 38.86, -52.56

 

CMYK 0 / 49 / 40 / 8

HEX #EB798C

RGB 235 121 140

HSL 350, 0.74%, 0.7%

LAB 64.35, 45.76, 10.13

 

Description

Color code: HEX #C3EB78 | qconv.com Color code: HEX #C3EB78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 235 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 235 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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