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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EA59 it is the complementary color #3C15A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EA59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EA59 shade: #C8EA54, #D9FC67, #EAFF7A, #FBFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EA59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EA59 shade: #C3EA59, #B2D846, #A1C633, #90B420 and #7FA20D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EA59 shade: #C3EA57, #EAEA57, #EAC257, #EA9B57 and #EA7357

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EA59 shade: #C3EA57, #9BEA57, #73EA57, #57EA63 and #57EA8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EA59 shade matches the following richer shades: #C3EA57 and #CAFA48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EA59 shade: #C3EA57, #BCDB66, #B5CC76, #ADBC85 and #A6AD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EA59 shade: #EAC357, #EAEA57, #C3EA57, #9CEA57 and #74EA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EA59 shade: #A2D51A, #B5E632, #C3EA57, #D0EF7C and #DDF3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EA59 shade: #C3EA59, #57EA9C and #D757EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EA59 shade: #C3EA59, #57C3EA and #EA57C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EA59 shade: #C3EA59, #57EA9C, #7E57EA and #EA57A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EA59 shade: #C3EA59, #57EAC8, #7E57EA and #EA5779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 62 / 8

HEX #C3EA59

RGB 195 234 89

HSL 76.14, 0.78%, 0.63%

LAB 87.57, -32.98, 64.2

 

Complementary color

CMYK 64 / 87 / 0 / 35

HEX #3C15A6

RGB 60 21 166

HSL 256.14, 0.78%, 0.37%

LAB 24.48, 53.53, -69.04

 

CMYK 15 / 0 / 64 / 8

HEX #C8EA54

RGB 200 234 84

HSL 73.6, 0.78%, 0.62%

LAB 87.86, -31.39, 66.62

 

CMYK 14 / 0 / 59 / 1

HEX #D9FC67

RGB 217 252 103

HSL 74.09, 0.96%, 0.7%

LAB 94.03, -31.81, 65.9

 

CMYK 8 / 0 / 52 / 0

HEX #EAFF7A

RGB 234 255 122

HSL 69.47, 1%, 0.74%

LAB 96.17, -25.17, 60.42

 

CMYK 2 / 0 / 45 / 0

HEX #FBFF8D

RGB 251 255 141

HSL 62.11, 1%, 0.78%

LAB 97.61, -16.93, 53.73

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 17 / 0 / 62 / 8

HEX #C3EA59

RGB 195 234 89

HSL 76.14, 0.78%, 0.63%

LAB 87.57, -32.98, 64.2

 

CMYK 18 / 0 / 68 / 15

HEX #B2D846

RGB 178 216 70

HSL 75.62, 0.65%, 0.56%

LAB 81.3, -32.55, 64.78

 

CMYK 19 / 0 / 74 / 22

HEX #A1C633

RGB 161 198 51

HSL 75.1, 0.59%, 0.49%

LAB 74.95, -32, 64.91

 

CMYK 20 / 0 / 82 / 29

HEX #90B420

RGB 144 180 32

HSL 74.59, 0.7%, 0.42%

LAB 68.52, -31.27, 64.28

 

CMYK 22 / 0 / 92 / 36

HEX #7FA20D

RGB 127 162 13

HSL 74.09, 0.85%, 0.34%

LAB 61.98, -30.32, 62.36

 

CMYK 17 / 0 / 63 / 8

HEX #C3EA57

RGB 195 234 87

HSL 75.92, 0.78%, 0.63%

LAB 87.55, -33.12, 65

 

CMYK 0 / 0 / 63 / 8

HEX #EAEA57

RGB 234 234 87

HSL 60, 0.78%, 0.63%

LAB 90.33, -17.65, 68.79

 

CMYK 0 / 17 / 63 / 8

HEX #EAC257

RGB 234 194 87

HSL 43.67, 0.78%, 0.63%

LAB 80.05, 2.52, 57.74

 

CMYK 0 / 34 / 63 / 8

HEX #EA9B57

RGB 234 155 87

HSL 27.76, 0.78%, 0.63%

LAB 70.61, 23.11, 47.07

 

CMYK 0 / 51 / 63 / 8

HEX #EA7357

RGB 234 115 87

HSL 11.43, 0.78%, 0.63%

LAB 62.03, 43.83, 36.85

 

CMYK 17 / 0 / 63 / 8

HEX #C3EA57

RGB 195 234 87

HSL 75.92, 0.78%, 0.63%

LAB 87.55, -33.12, 65

 

CMYK 34 / 0 / 63 / 8

HEX #9BEA57

RGB 155 234 87

HSL 92.24, 0.78%, 0.63%

LAB 85.25, -47.72, 61.84

 

CMYK 51 / 0 / 63 / 8

HEX #73EA57

RGB 115 234 87

HSL 108.57, 0.78%, 0.63%

LAB 83.54, -60.01, 59.47

 

CMYK 63 / 0 / 58 / 8

HEX #57EA63

RGB 87 234 99

HSL 124.9, 0.78%, 0.63%

LAB 82.79, -65.39, 53.24

 

CMYK 63 / 0 / 41 / 8

HEX #57EA8A

RGB 87 234 138

HSL 140.82, 0.78%, 0.63%

LAB 83.29, -59.81, 35.3

 

CMYK 17 / 0 / 63 / 8

HEX #C3EA57

RGB 195 234 87

HSL 75.92, 0.78%, 0.63%

LAB 87.55, -33.12, 65

 

CMYK 19 / 0 / 71 / 2

HEX #CAFA48

RGB 202 250 72

HSL 76.18, 0.95%, 0.63%

LAB 92.31, -38.61, 75.58

 

CMYK 17 / 0 / 63 / 8

HEX #C3EA57

RGB 195 234 87

HSL 75.92, 0.78%, 0.63%

LAB 87.55, -33.12, 65

 

CMYK 14 / 0 / 53 / 14

HEX #BCDB66

RGB 188 219 102

HSL 75.9, 0.62%, 0.63%

LAB 83.08, -27.6, 53.39

 

CMYK 11 / 0 / 42 / 20

HEX #B5CC76

RGB 181 204 118

HSL 76.05, 0.46%, 0.63%

LAB 78.65, -21.41, 40.21

 

CMYK 8 / 0 / 29 / 26

HEX #ADBC85

RGB 173 188 133

HSL 76.36, 0.29%, 0.63%

LAB 73.9, -14.52, 26.18

 

CMYK 4 / 0 / 14 / 32

HEX #A6AD94

RGB 166 173 148

HSL 76.8, 0.13%, 0.63%

LAB 69.56, -7, 12.02

 

CMYK 0 / 17 / 63 / 8

HEX #EAC357

RGB 234 195 87

HSL 44.08, 0.78%, 0.63%

LAB 80.3, 2, 58.02

 

CMYK 0 / 0 / 63 / 8

HEX #EAEA57

RGB 234 234 87

HSL 60, 0.78%, 0.63%

LAB 90.33, -17.65, 68.79

 

CMYK 17 / 0 / 63 / 8

HEX #C3EA57

RGB 195 234 87

HSL 75.92, 0.78%, 0.63%

LAB 87.55, -33.12, 65

 

CMYK 33 / 0 / 63 / 8

HEX #9CEA57

RGB 156 234 87

HSL 91.84, 0.78%, 0.63%

LAB 85.3, -47.37, 61.91

 

CMYK 50 / 0 / 63 / 8

HEX #74EA57

RGB 116 234 87

HSL 108.16, 0.78%, 0.63%

LAB 83.57, -59.73, 59.52

 

CMYK 24 / 0 / 88 / 16

HEX #A2D51A

RGB 162 213 26

HSL 76.36, 0.78%, 0.47%

LAB 79.24, -39.35, 75.16

 

CMYK 21 / 0 / 78 / 10

HEX #B5E632

RGB 181 230 50

HSL 76.33, 0.78%, 0.55%

LAB 85.33, -38.77, 75.33

 

CMYK 17 / 0 / 63 / 8

HEX #C3EA57

RGB 195 234 87

HSL 75.92, 0.78%, 0.63%

LAB 87.55, -33.12, 65

 

CMYK 13 / 0 / 48 / 6

HEX #D0EF7C

RGB 208 239 124

HSL 76.17, 0.78%, 0.71%

LAB 90.14, -27.34, 51.9

 

CMYK 9 / 0 / 34 / 5

HEX #DDF3A0

RGB 221 243 160

HSL 75.9, 0.78%, 0.79%

LAB 92.58, -20.36, 37.69

 

CMYK 17 / 0 / 62 / 8

HEX #C3EA59

RGB 195 234 89

HSL 76.14, 0.78%, 0.63%

LAB 87.57, -32.98, 64.2

 

CMYK 63 / 0 / 33 / 8

HEX #57EA9C

RGB 87 234 156

HSL 148.16, 0.78%, 0.63%

LAB 83.59, -56.58, 26.58

 

CMYK 8 / 63 / 0 / 8

HEX #D757EA

RGB 215 87 234

HSL 292.24, 0.78%, 0.63%

LAB 59.16, 69.39, -51.37

 

CMYK 17 / 0 / 62 / 8

HEX #C3EA59

RGB 195 234 89

HSL 76.14, 0.78%, 0.63%

LAB 87.57, -32.98, 64.2

 

CMYK 63 / 17 / 0 / 8

HEX #57C3EA

RGB 87 195 234

HSL 195.92, 0.78%, 0.63%

LAB 74.19, -19.44, -28.58

 

CMYK 0 / 63 / 17 / 8

HEX #EA57C3

RGB 234 87 195

HSL 315.92, 0.78%, 0.63%

LAB 60.11, 67.85, -27.66

 

CMYK 17 / 0 / 62 / 8

HEX #C3EA59

RGB 195 234 89

HSL 76.14, 0.78%, 0.63%

LAB 87.57, -32.98, 64.2

 

CMYK 63 / 0 / 33 / 8

HEX #57EA9C

RGB 87 234 156

HSL 148.16, 0.78%, 0.63%

LAB 83.59, -56.58, 26.58

 

CMYK 46 / 63 / 0 / 8

HEX #7E57EA

RGB 126 87 234

HSL 255.92, 0.78%, 0.63%

LAB 48.5, 50.11, -69.07

 

CMYK 0 / 63 / 29 / 8

HEX #EA57A6

RGB 234 87 166

HSL 327.76, 0.78%, 0.63%

LAB 59.03, 64.03, -12.63

 

CMYK 17 / 0 / 62 / 8

HEX #C3EA59

RGB 195 234 89

HSL 76.14, 0.78%, 0.63%

LAB 87.57, -32.98, 64.2

 

CMYK 63 / 0 / 15 / 8

HEX #57EAC8

RGB 87 234 200

HSL 166.12, 0.78%, 0.63%

LAB 84.51, -47.07, 4.98

 

CMYK 46 / 63 / 0 / 8

HEX #7E57EA

RGB 126 87 234

HSL 255.92, 0.78%, 0.63%

LAB 48.5, 50.11, -69.07

 

CMYK 0 / 63 / 48 / 8

HEX #EA5779

RGB 234 87 121

HSL 346.12, 0.78%, 0.63%

LAB 57.74, 59.3, 11.77

 

Description

Color code: HEX #C3EA59 | qconv.com Color code: HEX #C3EA59 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 234 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 234 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 62 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 62% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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