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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E799 it is the complementary color #3C1866. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E799. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E799 shade: #C8E794, #D9F9A7, #EAFFBA, #FBFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E799. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E799 shade: #C3E799, #B2D586, #A1C373, #90B160 and #7F9F4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E799 shade: #C2E798, #D8E798, #E7E198, #E7CB98 and #E7B698

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E799 shade: #C2E798, #ADE798, #98E798, #98E7AD and #98E7C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E799 shade matches the following richer shades: #C2E798, #C3F18D and #C4FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E799 shade: #C2E798, #C1DCA2, #C1D2AC, #C0C8B7 and #BFBEC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E799 shade: #E7E098, #D8E798, #C3E798, #AEE798 and #99E798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E799 shade: #9BD755, #AFDF76, #C2E798, #D6EFB9 and #EAF6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E799 shade: #C3E799, #98E7CB and #E798E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E799 shade: #C3E799, #98C3E7 and #E798C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E799 shade: #C3E799, #98E7CB, #BB98E7 and #E798B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E799 shade: #C3E799, #98E7E3, #BB98E7 and #E7989C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 34 / 9

HEX #C3E799

RGB 195 231 153

HSL 87.69, 0.62%, 0.75%

LAB 87.51, -24.94, 34.21

 

Complementary color

CMYK 41 / 76 / 0 / 60

HEX #3C1866

RGB 60 24 102

HSL 267.69, 0.62%, 0.25%

LAB 18.25, 34.44, -38.99

 

CMYK 13 / 0 / 36 / 9

HEX #C8E794

RGB 200 231 148

HSL 82.41, 0.63%, 0.74%

LAB 87.76, -23.78, 37.12

 

CMYK 13 / 0 / 33 / 2

HEX #D9F9A7

RGB 217 249 167

HSL 83.41, 0.87%, 0.82%

LAB 94.01, -23.8, 36.03

 

CMYK 8 / 0 / 27 / 0

HEX #EAFFBA

RGB 234 255 186

HSL 78.26, 1%, 0.86%

LAB 97.05, -18.05, 30.78

 

CMYK 2 / 0 / 20 / 0

HEX #FBFFCD

RGB 251 255 205

HSL 64.8, 1%, 0.9%

LAB 98.61, -9.33, 23.51

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 16 / 0 / 34 / 9

HEX #C3E799

RGB 195 231 153

HSL 87.69, 0.62%, 0.75%

LAB 87.51, -24.94, 34.21

 

CMYK 16 / 0 / 37 / 16

HEX #B2D586

RGB 178 213 134

HSL 86.58, 0.48%, 0.68%

LAB 81.17, -24.97, 35.32

 

CMYK 17 / 0 / 41 / 24

HEX #A1C373

RGB 161 195 115

HSL 85.5, 0.4%, 0.61%

LAB 74.73, -24.97, 36.48

 

CMYK 19 / 0 / 46 / 31

HEX #90B160

RGB 144 177 96

HSL 84.44, 0.34%, 0.54%

LAB 68.18, -24.95, 37.66

 

CMYK 20 / 0 / 52 / 38

HEX #7F9F4D

RGB 127 159 77

HSL 83.41, 0.35%, 0.46%

LAB 61.52, -24.88, 38.85

 

CMYK 16 / 0 / 34 / 9

HEX #C2E798

RGB 194 231 152

HSL 88.1, 0.62%, 0.75%

LAB 87.43, -25.43, 34.6

 

CMYK 6 / 0 / 34 / 9

HEX #D8E798

RGB 216 231 152

HSL 71.39, 0.62%, 0.75%

LAB 88.93, -17.35, 36.85

 

CMYK 0 / 3 / 34 / 9

HEX #E7E198

RGB 231 225 152

HSL 55.44, 0.62%, 0.75%

LAB 88.5, -8.67, 36.5

 

CMYK 0 / 12 / 34 / 9

HEX #E7CB98

RGB 231 203 152

HSL 38.73, 0.62%, 0.75%

LAB 82.9, 2.59, 29.08

 

CMYK 0 / 21 / 34 / 9

HEX #E7B698

RGB 231 182 152

HSL 22.78, 0.62%, 0.75%

LAB 77.7, 13.64, 22.04

 

CMYK 16 / 0 / 34 / 9

HEX #C2E798

RGB 194 231 152

HSL 88.1, 0.62%, 0.75%

LAB 87.43, -25.43, 34.6

 

CMYK 25 / 0 / 34 / 9

HEX #ADE798

RGB 173 231 152

HSL 104.05, 0.62%, 0.75%

LAB 86.16, -32.77, 32.68

 

CMYK 34 / 0 / 34 / 9

HEX #98E798

RGB 152 231 152

HSL 120, 0.62%, 0.75%

LAB 85.04, -39.61, 31

 

CMYK 34 / 0 / 25 / 9

HEX #98E7AD

RGB 152 231 173

HSL 135.95, 0.62%, 0.75%

LAB 85.43, -36.08, 20.72

 

CMYK 34 / 0 / 16 / 9

HEX #98E7C2

RGB 152 231 194

HSL 151.9, 0.62%, 0.75%

LAB 85.87, -32.09, 10.39

 

CMYK 16 / 0 / 34 / 9

HEX #C2E798

RGB 194 231 152

HSL 88.1, 0.62%, 0.75%

LAB 87.43, -25.43, 34.6

 

CMYK 19 / 0 / 41 / 5

HEX #C3F18D

RGB 195 241 141

HSL 87.6, 0.78%, 0.75%

LAB 90.06, -31.2, 43.48

 

CMYK 22 / 0 / 48 / 2

HEX #C4FB83

RGB 196 251 131

HSL 87.5, 0.94%, 0.75%

LAB 92.74, -36.56, 51.61

 

CMYK 16 / 0 / 34 / 9

HEX #C2E798

RGB 194 231 152

HSL 88.1, 0.62%, 0.75%

LAB 87.43, -25.43, 34.6

 

CMYK 12 / 0 / 26 / 14

HEX #C1DCA2

RGB 193 220 162

HSL 87.93, 0.45%, 0.75%

LAB 84.55, -19.02, 25.61

 

CMYK 8 / 0 / 18 / 18

HEX #C1D2AC

RGB 193 210 172

HSL 86.84, 0.3%, 0.75%

LAB 82.06, -12.47, 16.94

 

CMYK 4 / 0 / 9 / 22

HEX #C0C8B7

RGB 192 200 183

HSL 88.24, 0.13%, 0.75%

LAB 79.58, -5.83, 7.55

 

CMYK 1 / 2 / 0 / 24

HEX #BFBEC1

RGB 191 190 193

HSL 260, 0.02%, 0.75%

LAB 77.13, 0.91, -1.39

 

CMYK 0 / 3 / 34 / 9

HEX #E7E098

RGB 231 224 152

HSL 54.68, 0.62%, 0.75%

LAB 88.24, -8.17, 36.16

 

CMYK 6 / 0 / 34 / 9

HEX #D8E798

RGB 216 231 152

HSL 71.39, 0.62%, 0.75%

LAB 88.93, -17.35, 36.85

 

CMYK 16 / 0 / 34 / 9

HEX #C3E798

RGB 195 231 152

HSL 87.34, 0.62%, 0.75%

LAB 87.5, -25.07, 34.7

 

CMYK 25 / 0 / 34 / 9

HEX #AEE798

RGB 174 231 152

HSL 103.29, 0.62%, 0.75%

LAB 86.21, -32.43, 32.77

 

CMYK 34 / 0 / 34 / 9

HEX #99E798

RGB 153 231 152

HSL 119.24, 0.62%, 0.75%

LAB 85.09, -39.3, 31.08

 

CMYK 28 / 0 / 60 / 16

HEX #9BD755

RGB 155 215 85

HSL 87.69, 0.62%, 0.59%

LAB 79.74, -39.69, 56.61

 

CMYK 22 / 0 / 47 / 13

HEX #AFDF76

RGB 175 223 118

HSL 87.43, 0.62%, 0.67%

LAB 83.55, -32.75, 46.22

 

CMYK 16 / 0 / 34 / 9

HEX #C2E798

RGB 194 231 152

HSL 88.1, 0.62%, 0.75%

LAB 87.43, -25.43, 34.6

 

CMYK 10 / 0 / 23 / 6

HEX #D6EFB9

RGB 214 239 185

HSL 87.78, 0.63%, 0.83%

LAB 91.47, -17.48, 23.45

 

CMYK 5 / 0 / 11 / 4

HEX #EAF6DB

RGB 234 246 219

HSL 86.67, 0.6%, 0.91%

LAB 95.38, -8.64, 11.63

 

CMYK 16 / 0 / 34 / 9

HEX #C3E799

RGB 195 231 153

HSL 87.69, 0.62%, 0.75%

LAB 87.51, -24.94, 34.21

 

CMYK 34 / 0 / 12 / 9

HEX #98E7CB

RGB 152 231 203

HSL 158.73, 0.62%, 0.75%

LAB 86.08, -30.25, 5.97

 

CMYK 0 / 34 / 2 / 9

HEX #E798E3

RGB 231 152 227

HSL 303.04, 0.62%, 0.75%

LAB 72.89, 41.09, -25.93

 

CMYK 16 / 0 / 34 / 9

HEX #C3E799

RGB 195 231 153

HSL 87.69, 0.62%, 0.75%

LAB 87.51, -24.94, 34.21

 

CMYK 34 / 16 / 0 / 9

HEX #98C3E7

RGB 152 195 231

HSL 207.34, 0.62%, 0.75%

LAB 76.97, -5.64, -22.46

 

CMYK 0 / 34 / 16 / 9

HEX #E798C3

RGB 231 152 195

HSL 327.34, 0.62%, 0.75%

LAB 71.82, 35.68, -9.93

 

CMYK 16 / 0 / 34 / 9

HEX #C3E799

RGB 195 231 153

HSL 87.69, 0.62%, 0.75%

LAB 87.51, -24.94, 34.21

 

CMYK 34 / 0 / 12 / 9

HEX #98E7CB

RGB 152 231 203

HSL 158.73, 0.62%, 0.75%

LAB 86.08, -30.25, 5.97

 

CMYK 19 / 34 / 0 / 9

HEX #BB98E7

RGB 187 152 231

HSL 266.58, 0.62%, 0.75%

LAB 68.6, 28.32, -35.1

 

CMYK 0 / 34 / 23 / 9

HEX #E798B3

RGB 231 152 179

HSL 339.49, 0.62%, 0.75%

LAB 71.35, 33.26, -1.75

 

CMYK 16 / 0 / 34 / 9

HEX #C3E799

RGB 195 231 153

HSL 87.69, 0.62%, 0.75%

LAB 87.51, -24.94, 34.21

 

CMYK 34 / 0 / 2 / 9

HEX #98E7E3

RGB 152 231 227

HSL 176.96, 0.62%, 0.75%

LAB 86.69, -24.98, -5.76

 

CMYK 19 / 34 / 0 / 9

HEX #BB98E7

RGB 187 152 231

HSL 266.58, 0.62%, 0.75%

LAB 68.6, 28.32, -35.1

 

CMYK 0 / 34 / 32 / 9

HEX #E7989C

RGB 231 152 156

HSL 356.96, 0.62%, 0.75%

LAB 70.76, 30.14, 10.17

 

Description

Color code: HEX #C3E799 | qconv.com Color code: HEX #C3E799 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 231 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 231 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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