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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E549 it is the complementary color #3C1AB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E549 shade: #C8E544, #D9F757, #EAFF6A, #FBFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E549 shade: #C3E549, #B2D336, #A1C123, #90AF10 and #7F9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E549 shade: #C3E548, #E5DD48, #E5B248, #E58848 and #E55E48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E549 shade: #C3E548, #98E548, #6EE548, #48E54C and #48E577

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E549 shade matches the following richer shades: #C3E548 and #CCF637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E549 shade: #C3E548, #B9D459, #B0C36A, #A6B27B and #9DA18C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E549 shade: #E5B348, #E5DD48, #C3E548, #99E548 and #6FE548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E549 shade: #9BBF1B, #B7E024, #C3E548, #CFEA6C and #DAEF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E549 shade: #C3E549, #48E589 and #C848E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E549 shade: #C3E549, #48C3E5 and #E548C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E549 shade: #C3E549, #48E589, #6A48E5 and #E548A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E549 shade: #C3E549, #48E5B8, #6A48E5 and #E54874

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 68 / 10

HEX #C3E549

RGB 195 229 73

HSL 73.08, 0.75%, 0.59%

LAB 86.07, -31.72, 68.87

 

Complementary color

CMYK 67 / 86 / 0 / 29

HEX #3C1AB6

RGB 60 26 182

HSL 253.08, 0.75%, 0.41%

LAB 26.95, 56.11, -74.56

 

CMYK 13 / 0 / 70 / 10

HEX #C8E544

RGB 200 229 68

HSL 70.81, 0.76%, 0.58%

LAB 86.37, -30.02, 71.08

 

CMYK 12 / 0 / 65 / 3

HEX #D9F757

RGB 217 247 87

HSL 71.25, 0.91%, 0.65%

LAB 92.56, -30.6, 70.73

 

CMYK 8 / 0 / 58 / 0

HEX #EAFF6A

RGB 234 255 106

HSL 68.46, 1%, 0.71%

LAB 96.02, -26.43, 67.16

 

CMYK 2 / 0 / 51 / 0

HEX #FBFF7D

RGB 251 255 125

HSL 61.85, 1%, 0.75%

LAB 97.43, -18.34, 60.86

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 15 / 0 / 68 / 10

HEX #C3E549

RGB 195 229 73

HSL 73.08, 0.75%, 0.59%

LAB 86.07, -31.72, 68.87

 

CMYK 16 / 0 / 74 / 17

HEX #B2D336

RGB 178 211 54

HSL 72.61, 0.64%, 0.52%

LAB 79.8, -31.11, 68.93

 

CMYK 17 / 0 / 82 / 24

HEX #A1C123

RGB 161 193 35

HSL 72.15, 0.69%, 0.45%

LAB 73.44, -30.34, 68.26

 

CMYK 18 / 0 / 91 / 31

HEX #90AF10

RGB 144 175 16

HSL 71.7, 0.83%, 0.37%

LAB 67, -29.36, 66.4

 

CMYK 19 / 0 / 100 / 38

HEX #7F9D00

RGB 127 157 0

HSL 71.46, 1%, 0.31%

LAB 60.45, -28.17, 63.03

 

CMYK 15 / 0 / 69 / 10

HEX #C3E548

RGB 195 229 72

HSL 72.99, 0.75%, 0.59%

LAB 86.06, -31.78, 69.23

 

CMYK 0 / 3 / 69 / 10

HEX #E5DD48

RGB 229 221 72

HSL 56.94, 0.75%, 0.59%

LAB 86.42, -14.15, 70.42

 

CMYK 0 / 22 / 69 / 10

HEX #E5B248

RGB 229 178 72

HSL 40.51, 0.75%, 0.59%

LAB 75.43, 7.92, 59.21

 

CMYK 0 / 41 / 69 / 10

HEX #E58848

RGB 229 136 72

HSL 24.46, 0.75%, 0.59%

LAB 65.54, 30.23, 48.56

 

CMYK 0 / 59 / 69 / 10

HEX #E55E48

RGB 229 94 72

HSL 8.41, 0.75%, 0.59%

LAB 57.2, 51.14, 39.07

 

CMYK 15 / 0 / 69 / 10

HEX #C3E548

RGB 195 229 72

HSL 72.99, 0.75%, 0.59%

LAB 86.06, -31.78, 69.23

 

CMYK 34 / 0 / 69 / 10

HEX #98E548

RGB 152 229 72

HSL 89.43, 0.75%, 0.59%

LAB 83.54, -47.79, 65.85

 

CMYK 52 / 0 / 69 / 10

HEX #6EE548

RGB 110 229 72

HSL 105.48, 0.75%, 0.59%

LAB 81.74, -60.81, 63.42

 

CMYK 69 / 0 / 67 / 10

HEX #48E54C

RGB 72 229 76

HSL 121.53, 0.75%, 0.59%

LAB 80.7, -69.01, 60.46

 

CMYK 69 / 0 / 48 / 10

HEX #48E577

RGB 72 229 119

HSL 137.96, 0.75%, 0.59%

LAB 81.15, -63.75, 41.86

 

CMYK 15 / 0 / 69 / 10

HEX #C3E548

RGB 195 229 72

HSL 72.99, 0.75%, 0.59%

LAB 86.06, -31.78, 69.23

 

CMYK 17 / 0 / 78 / 4

HEX #CCF637

RGB 204 246 55

HSL 73.19, 0.91%, 0.59%

LAB 91.25, -36.84, 79.85

 

CMYK 15 / 0 / 69 / 10

HEX #C3E548

RGB 195 229 72

HSL 72.99, 0.75%, 0.59%

LAB 86.06, -31.78, 69.23

 

CMYK 13 / 0 / 58 / 17

HEX #B9D459

RGB 185 212 89

HSL 73.17, 0.59%, 0.59%

LAB 80.81, -26.55, 56.58

 

CMYK 10 / 0 / 46 / 24

HEX #B0C36A

RGB 176 195 106

HSL 72.81, 0.43%, 0.59%

LAB 75.64, -20.23, 42.37

 

CMYK 7 / 0 / 31 / 30

HEX #A6B27B

RGB 166 178 123

HSL 73.09, 0.26%, 0.59%

LAB 70.44, -13.45, 26.78

 

CMYK 2 / 0 / 13 / 37

HEX #9DA18C

RGB 157 161 140

HSL 71.43, 0.1%, 0.59%

LAB 65.4, -5.27, 10.45

 

CMYK 0 / 22 / 69 / 10

HEX #E5B348

RGB 229 179 72

HSL 40.89, 0.75%, 0.59%

LAB 75.68, 7.39, 59.47

 

CMYK 0 / 3 / 69 / 10

HEX #E5DD48

RGB 229 221 72

HSL 56.94, 0.75%, 0.59%

LAB 86.42, -14.15, 70.42

 

CMYK 15 / 0 / 69 / 10

HEX #C3E548

RGB 195 229 72

HSL 72.99, 0.75%, 0.59%

LAB 86.06, -31.78, 69.23

 

CMYK 33 / 0 / 69 / 10

HEX #99E548

RGB 153 229 72

HSL 89.04, 0.75%, 0.59%

LAB 83.59, -47.44, 65.91

 

CMYK 52 / 0 / 69 / 10

HEX #6FE548

RGB 111 229 72

HSL 105.1, 0.75%, 0.59%

LAB 81.78, -60.54, 63.47

 

CMYK 19 / 0 / 86 / 25

HEX #9BBF1B

RGB 155 191 27

HSL 73.17, 0.75%, 0.43%

LAB 72.43, -32.1, 69.11

 

CMYK 18 / 0 / 84 / 12

HEX #B7E024

RGB 183 224 36

HSL 73.09, 0.75%, 0.51%

LAB 83.71, -35.79, 77.44

 

CMYK 15 / 0 / 69 / 10

HEX #C3E548

RGB 195 229 72

HSL 72.99, 0.75%, 0.59%

LAB 86.06, -31.78, 69.23

 

CMYK 12 / 0 / 54 / 8

HEX #CFEA6C

RGB 207 234 108

HSL 72.86, 0.75%, 0.67%

LAB 88.54, -26.84, 57.34

 

CMYK 9 / 0 / 40 / 6

HEX #DAEF90

RGB 218 239 144

HSL 73.26, 0.75%, 0.75%

LAB 91.08, -21.44, 43.62

 

CMYK 15 / 0 / 68 / 10

HEX #C3E549

RGB 195 229 73

HSL 73.08, 0.75%, 0.59%

LAB 86.07, -31.72, 68.87

 

CMYK 69 / 0 / 40 / 10

HEX #48E589

RGB 72 229 137

HSL 144.84, 0.75%, 0.59%

LAB 81.41, -60.8, 33.28

 

CMYK 13 / 69 / 0 / 10

HEX #C848E5

RGB 200 72 229

HSL 288.92, 0.75%, 0.59%

LAB 54.63, 71.13, -55.92

 

CMYK 15 / 0 / 68 / 10

HEX #C3E549

RGB 195 229 73

HSL 73.08, 0.75%, 0.59%

LAB 86.07, -31.72, 68.87

 

CMYK 69 / 15 / 0 / 10

HEX #48C3E5

RGB 72 195 229

HSL 192.99, 0.75%, 0.59%

LAB 73.59, -23.29, -26.84

 

CMYK 0 / 69 / 15 / 10

HEX #E548C3

RGB 229 72 195

HSL 312.99, 0.75%, 0.59%

LAB 57.3, 72.24, -32.08

 

CMYK 15 / 0 / 68 / 10

HEX #C3E549

RGB 195 229 73

HSL 73.08, 0.75%, 0.59%

LAB 86.07, -31.72, 68.87

 

CMYK 69 / 0 / 40 / 10

HEX #48E589

RGB 72 229 137

HSL 144.84, 0.75%, 0.59%

LAB 81.41, -60.8, 33.28

 

CMYK 54 / 69 / 0 / 10

HEX #6A48E5

RGB 106 72 229

HSL 252.99, 0.75%, 0.59%

LAB 43.29, 53.28, -74.81

 

CMYK 0 / 69 / 28 / 10

HEX #E548A4

RGB 229 72 164

HSL 324.84, 0.75%, 0.59%

LAB 56.06, 68.2, -16.04

 

CMYK 15 / 0 / 68 / 10

HEX #C3E549

RGB 195 229 73

HSL 73.08, 0.75%, 0.59%

LAB 86.07, -31.72, 68.87

 

CMYK 69 / 0 / 20 / 10

HEX #48E5B8

RGB 72 229 184

HSL 162.8, 0.75%, 0.59%

LAB 82.31, -51.13, 10.2

 

CMYK 54 / 69 / 0 / 10

HEX #6A48E5

RGB 106 72 229

HSL 252.99, 0.75%, 0.59%

LAB 43.29, 53.28, -74.81

 

CMYK 0 / 69 / 49 / 10

HEX #E54874

RGB 229 72 116

HSL 343.18, 0.75%, 0.59%

LAB 54.61, 63.29, 10.2

 

Description

Color code: HEX #C3E549 | qconv.com Color code: HEX #C3E549 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 229 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 229 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 68 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 68% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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