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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E4DF it is the complementary color #3C1B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E4DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E4DF shade: #C8E4DA, #D9F6ED, #EAFFFF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E4DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E4DF shade: #C3E4DF, #B2D2CC, #A1C0B9, #90AEA6 and #7F9C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E4DF shade: #C3E4DF, #C3E4D6, #C3E4CD, #C3E4C4 and #CAE4C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E4DF shade: #C3E4DF, #C3E0E4, #C3D7E4, #C3CEE4 and #C3C5E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E4DF shade matches the following richer shades: #C3E4DF, #BCEBE4, #B5F2E8 and #AEF9ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E4DF shade: #C3E4DF, #CADDDA, #D1D6D5, #D8CFD0 and #DFC8CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E4DF shade: #C3E4CD, #C3E4D5, #C3E4DE, #C3E0E4 and #C3D8E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E4DF shade: #8ACAC0, #A6D7CF, #C3E4DF, #DFF0EE and #FCFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E4DF shade: #C3E4DF, #C4C3E4 and #E4D1C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E4DF shade: #C3E4DF, #DEC3E4 and #E4DEC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E4DF shade: #C3E4DF, #C4C3E4, #E4C3C8 and #E3E4C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E4DF shade: #C3E4DF, #CEC3E4, #E4C3C8 and #D9E4C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

Complementary color

CMYK 0 / 55 / 47 / 76

HEX #3C1B20

RGB 60 27 32

HSL 350.91, 0.38%, 0.17%

LAB 14.67, 16.81, 3.99

 

CMYK 12 / 0 / 4 / 11

HEX #C8E4DA

RGB 200 228 218

HSL 158.57, 0.34%, 0.84%

LAB 88.37, -11.11, 1.75

 

CMYK 12 / 0 / 4 / 4

HEX #D9F6ED

RGB 217 246 237

HSL 161.38, 0.62%, 0.91%

LAB 94.64, -11.09, 1.13

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 15 / 0 / 3 / 18

HEX #B2D2CC

RGB 178 210 204

HSL 168.75, 0.26%, 0.76%

LAB 81.79, -11.78, -0.6

 

CMYK 16 / 0 / 4 / 25

HEX #A1C0B9

RGB 161 192 185

HSL 166.45, 0.2%, 0.69%

LAB 75.31, -11.84, 0.03

 

CMYK 17 / 0 / 5 / 32

HEX #90AEA6

RGB 144 174 166

HSL 164, 0.16%, 0.62%

LAB 68.72, -11.91, 0.68

 

CMYK 19 / 0 / 6 / 39

HEX #7F9C93

RGB 127 156 147

HSL 161.38, 0.13%, 0.55%

LAB 61.99, -11.99, 1.35

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 14 / 0 / 6 / 11

HEX #C3E4D6

RGB 195 228 214

HSL 154.55, 0.38%, 0.83%

LAB 87.94, -13.49, 3.2

 

CMYK 14 / 0 / 10 / 11

HEX #C3E4CD

RGB 195 228 205

HSL 138.18, 0.38%, 0.83%

LAB 87.73, -15.17, 7.61

 

CMYK 14 / 0 / 14 / 11

HEX #C3E4C4

RGB 195 228 196

HSL 121.82, 0.38%, 0.83%

LAB 87.52, -16.79, 12.03

 

CMYK 11 / 0 / 14 / 11

HEX #CAE4C3

RGB 202 228 195

HSL 107.27, 0.38%, 0.83%

LAB 87.96, -14.59, 13.24

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 14 / 2 / 0 / 11

HEX #C3E0E4

RGB 195 224 228

HSL 187.27, 0.38%, 0.83%

LAB 87.25, -8.71, -5.18

 

CMYK 14 / 6 / 0 / 11

HEX #C3D7E4

RGB 195 215 228

HSL 203.64, 0.38%, 0.83%

LAB 84.9, -4.06, -8.66

 

CMYK 14 / 10 / 0 / 11

HEX #C3CEE4

RGB 195 206 228

HSL 220, 0.38%, 0.83%

LAB 82.56, 0.66, -12.14

 

CMYK 14 / 14 / 0 / 11

HEX #C3C5E4

RGB 195 197 228

HSL 236.36, 0.38%, 0.83%

LAB 80.26, 5.45, -15.6

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 20 / 0 / 3 / 8

HEX #BCEBE4

RGB 188 235 228

HSL 171.06, 0.54%, 0.83%

LAB 89.72, -16.44, -1.59

 

CMYK 25 / 0 / 4 / 5

HEX #B5F2E8

RGB 181 242 232

HSL 170.16, 0.7%, 0.83%

LAB 91.3, -21.16, -1.41

 

CMYK 30 / 0 / 5 / 2

HEX #AEF9ED

RGB 174 249 237

HSL 170.4, 0.86%, 0.83%

LAB 92.96, -25.49, -1.64

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 9 / 0 / 1 / 13

HEX #CADDDA

RGB 202 221 218

HSL 170.53, 0.22%, 0.83%

LAB 86.67, -6.89, -0.71

 

CMYK 2 / 0 / 0 / 16

HEX #D1D6D5

RGB 209 214 213

HSL 168, 0.06%, 0.83%

LAB 85.23, -1.87, -0.11

 

CMYK 0 / 4 / 4 / 15

HEX #D8CFD0

RGB 216 207 208

HSL 353.33, 0.1%, 0.83%

LAB 83.85, 3.28, 0.6

 

CMYK 0 / 10 / 9 / 13

HEX #DFC8CB

RGB 223 200 203

HSL 352.17, 0.26%, 0.83%

LAB 82.54, 8.56, 1.44

 

CMYK 14 / 0 / 10 / 11

HEX #C3E4CD

RGB 195 228 205

HSL 138.18, 0.38%, 0.83%

LAB 87.73, -15.17, 7.61

 

CMYK 14 / 0 / 7 / 11

HEX #C3E4D5

RGB 195 228 213

HSL 152.73, 0.38%, 0.83%

LAB 87.92, -13.68, 3.69

 

CMYK 14 / 0 / 3 / 11

HEX #C3E4DE

RGB 195 228 222

HSL 169.09, 0.38%, 0.83%

LAB 88.14, -11.94, -0.71

 

CMYK 14 / 2 / 0 / 11

HEX #C3E0E4

RGB 195 224 228

HSL 187.27, 0.38%, 0.83%

LAB 87.25, -8.71, -5.18

 

CMYK 14 / 5 / 0 / 11

HEX #C3D8E4

RGB 195 216 228

HSL 201.82, 0.38%, 0.83%

LAB 85.16, -4.58, -8.28

 

CMYK 32 / 0 / 5 / 21

HEX #8ACAC0

RGB 138 202 192

HSL 170.63, 0.38%, 0.67%

LAB 76.95, -22.5, -1.52

 

CMYK 23 / 0 / 4 / 16

HEX #A6D7CF

RGB 166 215 207

HSL 170.2, 0.38%, 0.75%

LAB 82.49, -17.47, -1.26

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 7 / 0 / 1 / 6

HEX #DFF0EE

RGB 223 240 238

HSL 172.94, 0.36%, 0.91%

LAB 93.53, -5.95, -0.97

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFD

RGB 252 253 253

HSL 180, 0.2%, 0.99%

LAB 99.24, -0.32, -0.13

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 14 / 14 / 0 / 11

HEX #C4C3E4

RGB 196 195 228

HSL 241.82, 0.38%, 0.83%

LAB 79.82, 6.85, -16.24

 

CMYK 0 / 8 / 14 / 11

HEX #E4D1C3

RGB 228 209 195

HSL 25.45, 0.38%, 0.83%

LAB 85.01, 4.31, 9.32

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 3 / 14 / 0 / 11

HEX #DEC3E4

RGB 222 195 228

HSL 289.09, 0.38%, 0.83%

LAB 81.93, 15.33, -12.87

 

CMYK 0 / 3 / 14 / 11

HEX #E4DEC3

RGB 228 222 195

HSL 49.09, 0.38%, 0.83%

LAB 88.29, -2.42, 13.98

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 14 / 14 / 0 / 11

HEX #C4C3E4

RGB 196 195 228

HSL 241.82, 0.38%, 0.83%

LAB 79.82, 6.85, -16.24

 

CMYK 0 / 14 / 12 / 11

HEX #E4C3C8

RGB 228 195 200

HSL 350.91, 0.38%, 0.83%

LAB 81.67, 12.48, 1.83

 

CMYK 0 / 0 / 14 / 11

HEX #E3E4C3

RGB 227 228 195

HSL 61.82, 0.38%, 0.83%

LAB 89.75, -5.84, 16.02

 

CMYK 14 / 0 / 2 / 11

HEX #C3E4DF

RGB 195 228 223

HSL 170.91, 0.38%, 0.83%

LAB 88.17, -11.75, -1.2

 

CMYK 10 / 14 / 0 / 11

HEX #CEC3E4

RGB 206 195 228

HSL 260, 0.38%, 0.83%

LAB 80.6, 10.07, -14.99

 

CMYK 0 / 14 / 12 / 11

HEX #E4C3C8

RGB 228 195 200

HSL 350.91, 0.38%, 0.83%

LAB 81.67, 12.48, 1.83

 

CMYK 5 / 0 / 14 / 11

HEX #D9E4C3

RGB 217 228 195

HSL 80, 0.38%, 0.83%

LAB 89.01, -9.39, 14.87

 

Description

Color code: HEX #C3E4DF | qconv.com Color code: HEX #C3E4DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 228 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 228 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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