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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E3BE it is the complementary color #3C1C41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E3BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E3BE shade: #C8E3B9, #D9F5CC, #EAFFDF and #FBFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E3BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E3BE shade: #C3E3BE, #B2D1AB, #A1BF98, #90AD85 and #7F9B72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E3BE shade: #C3E3BE, #CDE3BE, #D7E3BE, #E1E3BE and #E3DBBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E3BE shade: #C3E3BE, #BEE3C3, #BEE3CD, #BEE3D7 and #BEE3E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E3BE shade matches the following richer shades: #C3E3BE, #BEEAB7, #B8F2AF and #B3F9A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E3BE shade: #C3E3BE, #C9DCC6, #CED4CD, #D3CDD5 and #D9C5DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E3BE shade: #D7E3BE, #CEE3BE, #C4E3BE, #BEE3C3 and #BEE3CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E3BE shade: #8ECA84, #A9D7A1, #C3E3BE, #DEEFDB and #F9FCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E3BE shade: #C3E3BE, #BEE1E3 and #E3BED2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E3BE shade: #C3E3BE, #BEC4E3 and #E3BEC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E3BE shade: #C3E3BE, #BEE1E3, #DDBEE3 and #E3C0BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E3BE shade: #C3E3BE, #BED6E3, #DDBEE3 and #E3CBBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

Complementary color

CMYK 8 / 57 / 0 / 75

HEX #3C1C41

RGB 60 28 65

HSL 291.89, 0.4%, 0.18%

LAB 16.37, 22.48, -16.99

 

CMYK 12 / 0 / 19 / 11

HEX #C8E3B9

RGB 200 227 185

HSL 98.57, 0.43%, 0.81%

LAB 87.35, -16.44, 17.58

 

CMYK 11 / 0 / 17 / 4

HEX #D9F5CC

RGB 217 245 204

HSL 100.98, 0.67%, 0.88%

LAB 93.63, -16.4, 16.72

 

CMYK 8 / 0 / 13 / 0

HEX #EAFFDF

RGB 234 255 223

HSL 99.38, 1%, 0.94%

LAB 97.77, -12.45, 12.98

 

CMYK 2 / 0 / 5 / 0

HEX #FBFFF2

RGB 251 255 242

HSL 78.46, 1%, 0.97%

LAB 99.39, -3.56, 5.74

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 15 / 0 / 18 / 18

HEX #B2D1AB

RGB 178 209 171

HSL 108.95, 0.29%, 0.75%

LAB 80.74, -17.41, 15.47

 

CMYK 16 / 0 / 20 / 25

HEX #A1BF98

RGB 161 191 152

HSL 106.15, 0.23%, 0.67%

LAB 74.26, -17.51, 16.38

 

CMYK 17 / 0 / 23 / 32

HEX #90AD85

RGB 144 173 133

HSL 103.5, 0.2%, 0.6%

LAB 67.66, -17.61, 17.34

 

CMYK 18 / 0 / 26 / 39

HEX #7F9B72

RGB 127 155 114

HSL 100.98, 0.17%, 0.53%

LAB 60.93, -17.73, 18.36

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 10 / 0 / 16 / 11

HEX #CDE3BE

RGB 205 227 190

HSL 95.68, 0.4%, 0.82%

LAB 87.79, -13.89, 15.65

 

CMYK 5 / 0 / 16 / 11

HEX #D7E3BE

RGB 215 227 190

HSL 79.46, 0.4%, 0.82%

LAB 88.5, -10.38, 16.74

 

CMYK 1 / 0 / 16 / 11

HEX #E1E3BE

RGB 225 227 190

HSL 63.24, 0.4%, 0.82%

LAB 89.24, -6.81, 17.88

 

CMYK 0 / 4 / 16 / 11

HEX #E3DBBE

RGB 227 219 190

HSL 47.03, 0.4%, 0.82%

LAB 87.34, -2.01, 15.25

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 16 / 0 / 14 / 11

HEX #BEE3C3

RGB 190 227 195

HSL 128.11, 0.4%, 0.82%

LAB 86.91, -18.14, 11.64

 

CMYK 16 / 0 / 10 / 11

HEX #BEE3CD

RGB 190 227 205

HSL 144.32, 0.4%, 0.82%

LAB 87.14, -16.31, 6.73

 

CMYK 16 / 0 / 5 / 11

HEX #BEE3D7

RGB 190 227 215

HSL 160.54, 0.4%, 0.82%

LAB 87.38, -14.4, 1.82

 

CMYK 16 / 0 / 1 / 11

HEX #BEE3E1

RGB 190 227 225

HSL 176.76, 0.4%, 0.82%

LAB 87.64, -12.41, -3.06

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 19 / 0 / 22 / 8

HEX #BEEAB7

RGB 190 234 183

HSL 111.76, 0.55%, 0.82%

LAB 88.55, -23.62, 20.2

 

CMYK 24 / 0 / 28 / 5

HEX #B8F2AF

RGB 184 242 175

HSL 111.94, 0.72%, 0.82%

LAB 90.22, -30.72, 26.56

 

CMYK 28 / 0 / 33 / 2

HEX #B3F9A8

RGB 179 249 168

HSL 111.85, 0.87%, 0.82%

LAB 91.76, -36.67, 32.13

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 9 / 0 / 10 / 14

HEX #C9DCC6

RGB 201 220 198

HSL 111.82, 0.24%, 0.82%

LAB 85.85, -10.38, 8.65

 

CMYK 3 / 0 / 3 / 17

HEX #CED4CD

RGB 206 212 205

HSL 111.43, 0.08%, 0.82%

LAB 84.29, -3.31, 2.74

 

CMYK 1 / 4 / 0 / 16

HEX #D3CDD5

RGB 211 205 213

HSL 285, 0.09%, 0.82%

LAB 83.08, 3.52, -3.24

 

CMYK 1 / 10 / 0 / 14

HEX #D9C5DC

RGB 217 197 220

HSL 292.17, 0.25%, 0.82%

LAB 81.76, 11.09, -8.88

 

CMYK 5 / 0 / 16 / 11

HEX #D7E3BE

RGB 215 227 190

HSL 79.46, 0.4%, 0.82%

LAB 88.5, -10.38, 16.74

 

CMYK 9 / 0 / 16 / 11

HEX #CEE3BE

RGB 206 227 190

HSL 94.05, 0.4%, 0.82%

LAB 87.86, -13.54, 15.75

 

CMYK 14 / 0 / 16 / 11

HEX #C4E3BE

RGB 196 227 190

HSL 110.27, 0.4%, 0.82%

LAB 87.19, -16.99, 14.71

 

CMYK 16 / 0 / 14 / 11

HEX #BEE3C3

RGB 190 227 195

HSL 128.11, 0.4%, 0.82%

LAB 86.91, -18.14, 11.64

 

CMYK 16 / 0 / 10 / 11

HEX #BEE3CC

RGB 190 227 204

HSL 142.7, 0.4%, 0.82%

LAB 87.12, -16.5, 7.22

 

CMYK 30 / 0 / 35 / 21

HEX #8ECA84

RGB 142 202 132

HSL 111.43, 0.4%, 0.65%

LAB 75.86, -32.71, 28.97

 

CMYK 21 / 0 / 25 / 16

HEX #A9D7A1

RGB 169 215 161

HSL 111.11, 0.4%, 0.74%

LAB 81.63, -25.14, 21.88

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 7 / 0 / 8 / 6

HEX #DEEFDB

RGB 222 239 219

HSL 111, 0.38%, 0.9%

LAB 92.74, -9.2, 7.75

 

CMYK 1 / 0 / 2 / 1

HEX #F9FCF8

RGB 249 252 248

HSL 105, 0.4%, 0.98%

LAB 98.65, -1.69, 1.55

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 16 / 1 / 0 / 11

HEX #BEE1E3

RGB 190 225 227

HSL 183.24, 0.4%, 0.82%

LAB 87.17, -10.99, -4.81

 

CMYK 0 / 16 / 7 / 11

HEX #E3BED2

RGB 227 190 210

HSL 327.57, 0.4%, 0.82%

LAB 80.63, 16.47, -5.08

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 16 / 14 / 0 / 11

HEX #BEC4E3

RGB 190 196 227

HSL 230.27, 0.4%, 0.82%

LAB 79.6, 4.19, -16.09

 

CMYK 0 / 16 / 14 / 11

HEX #E3BEC4

RGB 227 190 196

HSL 350.27, 0.4%, 0.82%

LAB 80.26, 14.14, 1.92

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 16 / 1 / 0 / 11

HEX #BEE1E3

RGB 190 225 227

HSL 183.24, 0.4%, 0.82%

LAB 87.17, -10.99, -4.81

 

CMYK 3 / 16 / 0 / 11

HEX #DDBEE3

RGB 221 190 227

HSL 290.27, 0.4%, 0.82%

LAB 80.6, 17.49, -14.33

 

CMYK 0 / 15 / 16 / 11

HEX #E3C0BE

RGB 227 192 190

HSL 3.24, 0.4%, 0.82%

LAB 80.6, 12.12, 5.64

 

CMYK 14 / 0 / 16 / 11

HEX #C3E3BE

RGB 195 227 190

HSL 111.89, 0.4%, 0.82%

LAB 87.12, -17.33, 14.61

 

CMYK 16 / 6 / 0 / 11

HEX #BED6E3

RGB 190 214 227

HSL 201.08, 0.4%, 0.82%

LAB 84.27, -5.32, -9.1

 

CMYK 3 / 16 / 0 / 11

HEX #DDBEE3

RGB 221 190 227

HSL 290.27, 0.4%, 0.82%

LAB 80.6, 17.49, -14.33

 

CMYK 0 / 11 / 16 / 11

HEX #E3CBBE

RGB 227 203 190

HSL 21.08, 0.4%, 0.82%

LAB 83.32, 6.31, 9.53

 

Description

Color code: HEX #C3E3BE | qconv.com Color code: HEX #C3E3BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 227 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 227 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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