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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E318 it is the complementary color #3C1CE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E318. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E318 shade: #C8E313, #D9F526, #EAFF39, #FBFF4C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E318. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E318 shade: #C3E318, #B2D105, #A1BF00, #90AD00 and #7F9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E318 shade: #C2E218, #E2CB18, #E29518, #E25E18 and #E22818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E318 shade: #C2E218, #8CE218, #55E218, #1EE218 and #18E248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E318 shade matches the following richer shades: #C2E218 and #D0F604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E318 shade: #C2E218, #B4CE2C, #A7BA40, #99A654 and #8B9169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E318 shade: #E29518, #E2CB18, #C4E218, #8EE218 and #58E218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E318 shade: #829710, #A2BD14, #C2E218, #CEEA39 and #D7EE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E318 shade: #C3E318, #18E25F and #B018E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E318 shade: #C3E318, #18C4E2 and #E218C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E318 shade: #C3E318, #18E25F, #3618E2 and #E2189B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E318 shade: #C3E318, #18E29B, #3618E2 and #E2185F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 89 / 11

HEX #C3E318

RGB 195 227 24

HSL 69.46, 0.81%, 0.49%

LAB 85.3, -32.66, 81.3

 

Complementary color

CMYK 74 / 88 / 0 / 9

HEX #3C1CE7

RGB 60 28 231

HSL 249.46, 0.81%, 0.51%

LAB 33.05, 68.63, -92.98

 

CMYK 12 / 0 / 92 / 11

HEX #C8E313

RGB 200 227 19

HSL 67.79, 0.85%, 0.48%

LAB 85.64, -30.72, 82.4

 

CMYK 11 / 0 / 84 / 4

HEX #D9F526

RGB 217 245 38

HSL 68.12, 0.91%, 0.55%

LAB 91.77, -31.8, 84.71

 

CMYK 8 / 0 / 78 / 0

HEX #EAFF39

RGB 234 255 57

HSL 66.36, 1%, 0.61%

LAB 95.71, -29.05, 84.08

 

CMYK 2 / 0 / 70 / 0

HEX #FBFF4C

RGB 251 255 76

HSL 61.34, 1%, 0.65%

LAB 97.05, -21.46, 80

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 14 / 0 / 89 / 11

HEX #C3E318

RGB 195 227 24

HSL 69.46, 0.81%, 0.49%

LAB 85.3, -32.66, 81.3

 

CMYK 15 / 0 / 98 / 18

HEX #B2D105

RGB 178 209 5

HSL 69.12, 0.95%, 0.42%

LAB 79.09, -31.48, 78.12

 

CMYK 16 / 0 / 100 / 25

HEX #A1BF00

RGB 161 191 0

HSL 69.42, 1%, 0.37%

LAB 72.79, -30.11, 73.35

 

CMYK 17 / 0 / 100 / 32

HEX #90AD00

RGB 144 173 0

HSL 70.06, 1%, 0.34%

LAB 66.38, -28.67, 68.01

 

CMYK 18 / 0 / 100 / 39

HEX #7F9B00

RGB 127 155 0

HSL 70.84, 1%, 0.3%

LAB 59.85, -27.21, 62.58

 

CMYK 14 / 0 / 89 / 11

HEX #C2E218

RGB 194 226 24

HSL 69.5, 0.81%, 0.49%

LAB 84.96, -32.6, 80.99

 

CMYK 0 / 10 / 89 / 11

HEX #E2CB18

RGB 226 203 24

HSL 53.17, 0.81%, 0.49%

LAB 81.26, -7.99, 79.13

 

CMYK 0 / 34 / 89 / 11

HEX #E29518

RGB 226 149 24

HSL 37.13, 0.81%, 0.49%

LAB 67.82, 20.37, 68.76

 

CMYK 0 / 58 / 89 / 11

HEX #E25E18

RGB 226 94 24

HSL 20.79, 0.81%, 0.49%

LAB 56.33, 48.43, 60.1

 

CMYK 0 / 82 / 89 / 11

HEX #E22818

RGB 226 40 24

HSL 4.75, 0.81%, 0.49%

LAB 49.19, 67.86, 54.89

 

CMYK 14 / 0 / 89 / 11

HEX #C2E218

RGB 194 226 24

HSL 69.5, 0.81%, 0.49%

LAB 84.96, -32.6, 80.99

 

CMYK 38 / 0 / 89 / 11

HEX #8CE218

RGB 140 226 24

HSL 85.54, 0.81%, 0.49%

LAB 81.86, -52.88, 77.18

 

CMYK 62 / 0 / 89 / 11

HEX #55E218

RGB 85 226 24

HSL 101.88, 0.81%, 0.49%

LAB 79.84, -68.51, 74.67

 

CMYK 87 / 0 / 89 / 11

HEX #1EE218

RGB 30 226 24

HSL 118.22, 0.81%, 0.49%

LAB 78.89, -76.72, 73.49

 

CMYK 89 / 0 / 68 / 11

HEX #18E248

RGB 24 226 72

HSL 134.26, 0.81%, 0.49%

LAB 79.07, -74.19, 60.07

 

CMYK 14 / 0 / 89 / 11

HEX #C2E218

RGB 194 226 24

HSL 69.5, 0.81%, 0.49%

LAB 84.96, -32.6, 80.99

 

CMYK 15 / 0 / 98 / 4

HEX #D0F604

RGB 208 246 4

HSL 69.42, 0.97%, 0.49%

LAB 91.38, -36.36, 88.41

 

CMYK 14 / 0 / 89 / 11

HEX #C2E218

RGB 194 226 24

HSL 69.5, 0.81%, 0.49%

LAB 84.96, -32.6, 80.99

 

CMYK 13 / 0 / 79 / 19

HEX #B4CE2C

RGB 180 206 44

HSL 69.63, 0.65%, 0.49%

LAB 78.48, -28.37, 70.8

 

CMYK 10 / 0 / 66 / 27

HEX #A7BA40

RGB 167 186 64

HSL 69.34, 0.49%, 0.49%

LAB 72.03, -23.05, 57.31

 

CMYK 8 / 0 / 49 / 35

HEX #99A654

RGB 153 166 84

HSL 69.51, 0.33%, 0.49%

LAB 65.5, -17.14, 40.58

 

CMYK 4 / 0 / 28 / 43

HEX #8B9169

RGB 139 145 105

HSL 69, 0.16%, 0.49%

LAB 58.75, -9.18, 20.56

 

CMYK 0 / 34 / 89 / 11

HEX #E29518

RGB 226 149 24

HSL 37.13, 0.81%, 0.49%

LAB 67.82, 20.37, 68.76

 

CMYK 0 / 10 / 89 / 11

HEX #E2CB18

RGB 226 203 24

HSL 53.17, 0.81%, 0.49%

LAB 81.26, -7.99, 79.13

 

CMYK 13 / 0 / 89 / 11

HEX #C4E218

RGB 196 226 24

HSL 68.91, 0.81%, 0.49%

LAB 85.1, -31.79, 81.16

 

CMYK 37 / 0 / 89 / 11

HEX #8EE218

RGB 142 226 24

HSL 84.95, 0.81%, 0.49%

LAB 81.95, -52.2, 77.3

 

CMYK 61 / 0 / 89 / 11

HEX #58E218

RGB 88 226 24

HSL 100.99, 0.81%, 0.49%

LAB 79.92, -67.84, 74.77

 

CMYK 14 / 0 / 89 / 41

HEX #829710

RGB 130 151 16

HSL 69.33, 0.81%, 0.33%

LAB 58.9, -23.63, 59.41

 

CMYK 14 / 0 / 89 / 26

HEX #A2BD14

RGB 162 189 20

HSL 69.59, 0.81%, 0.41%

LAB 72.31, -28.45, 70.54

 

CMYK 14 / 0 / 89 / 11

HEX #C2E218

RGB 194 226 24

HSL 69.5, 0.81%, 0.49%

LAB 84.96, -32.6, 80.99

 

CMYK 12 / 0 / 76 / 8

HEX #CEEA39

RGB 206 234 57

HSL 69.49, 0.81%, 0.57%

LAB 88.09, -30.48, 76.44

 

CMYK 10 / 0 / 61 / 7

HEX #D7EE5E

RGB 215 238 94

HSL 69.58, 0.81%, 0.65%

LAB 90.05, -26.71, 65.23

 

CMYK 14 / 0 / 89 / 11

HEX #C3E318

RGB 195 227 24

HSL 69.46, 0.81%, 0.49%

LAB 85.3, -32.66, 81.3

 

CMYK 89 / 0 / 58 / 11

HEX #18E25F

RGB 24 226 95

HSL 141.09, 0.81%, 0.49%

LAB 79.28, -71.62, 50.66

 

CMYK 22 / 89 / 0 / 11

HEX #B018E2

RGB 176 24 226

HSL 285.15, 0.81%, 0.49%

LAB 46.14, 79.83, -68.09

 

CMYK 14 / 0 / 89 / 11

HEX #C3E318

RGB 195 227 24

HSL 69.46, 0.81%, 0.49%

LAB 85.3, -32.66, 81.3

 

CMYK 89 / 13 / 0 / 11

HEX #18C4E2

RGB 24 196 226

HSL 188.91, 0.81%, 0.49%

LAB 73, -29.23, -26.18

 

CMYK 0 / 89 / 13 / 11

HEX #E218C4

RGB 226 24 196

HSL 308.91, 0.81%, 0.49%

LAB 52.74, 83.51, -39.84

 

CMYK 14 / 0 / 89 / 11

HEX #C3E318

RGB 195 227 24

HSL 69.46, 0.81%, 0.49%

LAB 85.3, -32.66, 81.3

 

CMYK 89 / 0 / 58 / 11

HEX #18E25F

RGB 24 226 95

HSL 141.09, 0.81%, 0.49%

LAB 79.28, -71.62, 50.66

 

CMYK 76 / 89 / 0 / 11

HEX #3618E2

RGB 54 24 226

HSL 248.91, 0.81%, 0.49%

LAB 31.64, 68.25, -92.47

 

CMYK 0 / 89 / 31 / 11

HEX #E2189B

RGB 226 24 155

HSL 321.09, 0.81%, 0.49%

LAB 50.91, 78.68, -18.62

 

CMYK 14 / 0 / 89 / 11

HEX #C3E318

RGB 195 227 24

HSL 69.46, 0.81%, 0.49%

LAB 85.3, -32.66, 81.3

 

CMYK 89 / 0 / 31 / 11

HEX #18E29B

RGB 24 226 155

HSL 158.91, 0.81%, 0.49%

LAB 80.15, -61.3, 22.26

 

CMYK 76 / 89 / 0 / 11

HEX #3618E2

RGB 54 24 226

HSL 248.91, 0.81%, 0.49%

LAB 31.64, 68.25, -92.47

 

CMYK 0 / 89 / 58 / 11

HEX #E2185F

RGB 226 24 95

HSL 338.91, 0.81%, 0.49%

LAB 49.07, 73.63, 15.1

 

Description

Color code: HEX #C3E318 | qconv.com Color code: HEX #C3E318 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 227 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 227 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 89 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 89% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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