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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E25E it is the complementary color #3C1DA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E25E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E25E shade: #C8E259, #D9F46C, #EAFF7F, #FBFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E25E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E25E shade: #C3E25E, #B2D04B, #A1BE38, #90AC25 and #7F9A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E25E shade: #C3E15F, #E1DD5F, #E1BA5F, #E1965F and #E1735F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E25E shade: #C3E15F, #A0E15F, #7CE15F, #5FE165 and #5FE188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E25E shade matches the following richer shades: #C3E15F and #CBF150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E25E shade: #C3E15F, #BBD26E, #B2C37E, #AAB38D and #A2A49C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E25E shade: #E1BA5F, #E1DD5F, #C3E15F, #A0E15F and #7DE15F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E25E shade: #A3C925, #B6DB3C, #C3E15F, #D0E882 and #DDEEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E25E shade: #C3E25E, #5FE197 and #CC5FE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E25E shade: #C3E25E, #5FC3E1 and #E15FC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E25E shade: #C3E25E, #5FE197, #7D5FE1 and #E15FA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E25E shade: #C3E25E, #5FE1BF, #7D5FE1 and #E15F82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 58 / 11

HEX #C3E25E

RGB 195 226 94

HSL 74.09, 0.69%, 0.63%

LAB 85.4, -28.88, 59.73

 

Complementary color

CMYK 63 / 82 / 0 / 37

HEX #3C1DA1

RGB 60 29 161

HSL 254.09, 0.69%, 0.37%

LAB 24.99, 48.96, -65.16

 

CMYK 12 / 0 / 61 / 11

HEX #C8E259

RGB 200 226 89

HSL 71.39, 0.7%, 0.62%

LAB 85.7, -27.3, 62.28

 

CMYK 11 / 0 / 56 / 4

HEX #D9F46C

RGB 217 244 108

HSL 71.91, 0.86%, 0.69%

LAB 91.92, -27.7, 61.4

 

CMYK 8 / 0 / 50 / 0

HEX #EAFF7F

RGB 234 255 127

HSL 69.84, 1%, 0.75%

LAB 96.22, -24.73, 58.23

 

CMYK 2 / 0 / 43 / 0

HEX #FBFF92

RGB 251 255 146

HSL 62.2, 1%, 0.79%

LAB 97.67, -16.45, 51.45

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 14 / 0 / 58 / 11

HEX #C3E25E

RGB 195 226 94

HSL 74.09, 0.69%, 0.63%

LAB 85.4, -28.88, 59.73

 

CMYK 14 / 0 / 64 / 18

HEX #B2D04B

RGB 178 208 75

HSL 73.53, 0.59%, 0.55%

LAB 79.09, -28.47, 60.5

 

CMYK 15 / 0 / 71 / 25

HEX #A1BE38

RGB 161 190 56

HSL 72.99, 0.54%, 0.48%

LAB 72.69, -27.94, 60.95

 

CMYK 16 / 0 / 78 / 33

HEX #90AC25

RGB 144 172 37

HSL 72.44, 0.65%, 0.41%

LAB 66.19, -27.26, 60.77

 

CMYK 18 / 0 / 88 / 40

HEX #7F9A12

RGB 127 154 18

HSL 71.91, 0.79%, 0.34%

LAB 59.59, -26.36, 59.49

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 0 / 2 / 58 / 12

HEX #E1DD5F

RGB 225 221 95

HSL 58.15, 0.68%, 0.63%

LAB 86.28, -14.4, 60.88

 

CMYK 0 / 17 / 58 / 12

HEX #E1BA5F

RGB 225 186 95

HSL 42, 0.68%, 0.63%

LAB 77.25, 3.49, 50.64

 

CMYK 0 / 33 / 58 / 12

HEX #E1965F

RGB 225 150 95

HSL 25.38, 0.68%, 0.63%

LAB 68.49, 22.66, 40.22

 

CMYK 0 / 49 / 58 / 12

HEX #E1735F

RGB 225 115 95

HSL 9.23, 0.68%, 0.63%

LAB 60.87, 41.01, 30.69

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 29 / 0 / 58 / 12

HEX #A0E15F

RGB 160 225 95

HSL 90, 0.68%, 0.63%

LAB 82.99, -41.41, 55.99

 

CMYK 45 / 0 / 58 / 12

HEX #7CE15F

RGB 124 225 95

HSL 106.62, 0.68%, 0.63%

LAB 81.27, -53.19, 53.56

 

CMYK 58 / 0 / 55 / 12

HEX #5FE165

RGB 95 225 101

HSL 122.77, 0.68%, 0.63%

LAB 80.3, -60.19, 49.46

 

CMYK 58 / 0 / 40 / 12

HEX #5FE188

RGB 95 225 136

HSL 138.92, 0.68%, 0.63%

LAB 80.77, -55.06, 33.06

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 16 / 0 / 67 / 5

HEX #CBF150

RGB 203 241 80

HSL 74.16, 0.85%, 0.63%

LAB 89.95, -33.71, 70.39

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 11 / 0 / 48 / 18

HEX #BBD26E

RGB 187 210 110

HSL 73.8, 0.53%, 0.63%

LAB 80.62, -22.89, 46.68

 

CMYK 9 / 0 / 35 / 24

HEX #B2C37E

RGB 178 195 126

HSL 74.78, 0.37%, 0.63%

LAB 76.07, -17.1, 32.79

 

CMYK 5 / 0 / 21 / 30

HEX #AAB38D

RGB 170 179 141

HSL 74.21, 0.2%, 0.63%

LAB 71.36, -9.8, 18.39

 

CMYK 1 / 0 / 5 / 36

HEX #A2A49C

RGB 162 164 156

HSL 75, 0.04%, 0.63%

LAB 67, -2.21, 3.89

 

CMYK 0 / 17 / 58 / 12

HEX #E1BA5F

RGB 225 186 95

HSL 42, 0.68%, 0.63%

LAB 77.25, 3.49, 50.64

 

CMYK 0 / 2 / 58 / 12

HEX #E1DD5F

RGB 225 221 95

HSL 58.15, 0.68%, 0.63%

LAB 86.28, -14.4, 60.88

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 29 / 0 / 58 / 12

HEX #A0E15F

RGB 160 225 95

HSL 90, 0.68%, 0.63%

LAB 82.99, -41.41, 55.99

 

CMYK 44 / 0 / 58 / 12

HEX #7DE15F

RGB 125 225 95

HSL 106.15, 0.68%, 0.63%

LAB 81.31, -52.9, 53.62

 

CMYK 19 / 0 / 82 / 21

HEX #A3C925

RGB 163 201 37

HSL 73.9, 0.69%, 0.47%

LAB 75.88, -33.19, 69.94

 

CMYK 17 / 0 / 73 / 14

HEX #B6DB3C

RGB 182 219 60

HSL 73.96, 0.69%, 0.55%

LAB 82.34, -32.93, 69.48

 

CMYK 13 / 0 / 58 / 12

HEX #C3E15F

RGB 195 225 95

HSL 73.85, 0.68%, 0.63%

LAB 85.14, -28.33, 59

 

CMYK 10 / 0 / 44 / 9

HEX #D0E882

RGB 208 232 130

HSL 74.12, 0.69%, 0.71%

LAB 88.32, -23.38, 46.82

 

CMYK 7 / 0 / 31 / 7

HEX #DDEEA5

RGB 221 238 165

HSL 73.97, 0.68%, 0.79%

LAB 91.34, -17.28, 33.55

 

CMYK 14 / 0 / 58 / 11

HEX #C3E25E

RGB 195 226 94

HSL 74.09, 0.69%, 0.63%

LAB 85.4, -28.88, 59.73

 

CMYK 58 / 0 / 33 / 12

HEX #5FE197

RGB 95 225 151

HSL 145.85, 0.68%, 0.63%

LAB 81.03, -52.38, 25.72

 

CMYK 9 / 58 / 0 / 12

HEX #CC5FE1

RGB 204 95 225

HSL 290.31, 0.68%, 0.63%

LAB 58.47, 61.61, -47.52

 

CMYK 14 / 0 / 58 / 11

HEX #C3E25E

RGB 195 226 94

HSL 74.09, 0.69%, 0.63%

LAB 85.4, -28.88, 59.73

 

CMYK 58 / 13 / 0 / 12

HEX #5FC3E1

RGB 95 195 225

HSL 193.85, 0.68%, 0.63%

LAB 74.13, -20.7, -23.79

 

CMYK 0 / 58 / 13 / 12

HEX #E15FC3

RGB 225 95 195

HSL 313.85, 0.68%, 0.63%

LAB 60.01, 62.06, -27.93

 

CMYK 14 / 0 / 58 / 11

HEX #C3E25E

RGB 195 226 94

HSL 74.09, 0.69%, 0.63%

LAB 85.4, -28.88, 59.73

 

CMYK 58 / 0 / 33 / 12

HEX #5FE197

RGB 95 225 151

HSL 145.85, 0.68%, 0.63%

LAB 81.03, -52.38, 25.72

 

CMYK 44 / 58 / 0 / 12

HEX #7D5FE1

RGB 125 95 225

HSL 253.85, 0.68%, 0.63%

LAB 49.47, 42.95, -62.42

 

CMYK 0 / 58 / 25 / 12

HEX #E15FA9

RGB 225 95 169

HSL 325.85, 0.68%, 0.63%

LAB 59.03, 58.37, -14.51

 

CMYK 14 / 0 / 58 / 11

HEX #C3E25E

RGB 195 226 94

HSL 74.09, 0.69%, 0.63%

LAB 85.4, -28.88, 59.73

 

CMYK 58 / 0 / 15 / 12

HEX #5FE1BF

RGB 95 225 191

HSL 164.31, 0.68%, 0.63%

LAB 81.86, -43.88, 5.94

 

CMYK 44 / 58 / 0 / 12

HEX #7D5FE1

RGB 125 95 225

HSL 253.85, 0.68%, 0.63%

LAB 49.47, 42.95, -62.42

 

CMYK 0 / 58 / 42 / 12

HEX #E15F82

RGB 225 95 130

HSL 343.85, 0.68%, 0.63%

LAB 57.85, 53.77, 6.46

 

Description

Color code: HEX #C3E25E | qconv.com Color code: HEX #C3E25E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 226 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 226 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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