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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E15D it is the complementary color #3C1EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E15D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E15D shade: #C8E158, #D9F36B, #EAFF7E, #FBFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E15D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E15D shade: #C3E15D, #B2CF4A, #A1BD37, #90AB24 and #7F9911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E15D shade: #C3E15B, #E1DB5B, #E1B75B, #E1935B and #E16F5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E15D shade: #C3E15B, #9FE15B, #7AE15B, #5BE160 and #5BE184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E15D shade matches the following richer shades: #C3E15B and #CBF14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E15D shade: #C3E15B, #BAD16B, #B1C27B, #A9B28A and #A0A29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E15D shade: #E1B75B, #E1DA5B, #C4E15B, #A0E15B and #7DE15B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E15D shade: #A1C524, #B6DB38, #C3E15B, #CFE77E and #DCEEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E15D shade: #C3E15D, #5BE193 and #C85BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E15D shade: #C3E15D, #5BC4E1 and #E15BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E15D shade: #C3E15D, #5BE193, #785BE1 and #E15BA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E15D shade: #C3E15D, #5BE1BB, #785BE1 and #E15B81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 59 / 12

HEX #C3E15D

RGB 195 225 93

HSL 73.64, 0.69%, 0.62%

LAB 85.12, -28.49, 59.84

 

Complementary color

CMYK 63 / 81 / 0 / 36

HEX #3C1EA2

RGB 60 30 162

HSL 253.64, 0.69%, 0.38%

LAB 25.25, 48.8, -65.33

 

CMYK 11 / 0 / 61 / 12

HEX #C8E158

RGB 200 225 88

HSL 70.95, 0.7%, 0.61%

LAB 85.42, -26.9, 62.39

 

CMYK 11 / 0 / 56 / 5

HEX #D9F36B

RGB 217 243 107

HSL 71.47, 0.85%, 0.69%

LAB 91.65, -27.31, 61.52

 

CMYK 8 / 0 / 51 / 0

HEX #EAFF7E

RGB 234 255 126

HSL 69.77, 1%, 0.75%

LAB 96.21, -24.82, 58.67

 

CMYK 2 / 0 / 43 / 0

HEX #FBFF91

RGB 251 255 145

HSL 62.18, 1%, 0.78%

LAB 97.66, -16.55, 51.9

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 13 / 0 / 59 / 12

HEX #C3E15D

RGB 195 225 93

HSL 73.64, 0.69%, 0.62%

LAB 85.12, -28.49, 59.84

 

CMYK 14 / 0 / 64 / 19

HEX #B2CF4A

RGB 178 207 74

HSL 73.08, 0.58%, 0.55%

LAB 78.8, -28.07, 60.61

 

CMYK 15 / 0 / 71 / 26

HEX #A1BD37

RGB 161 189 55

HSL 72.54, 0.55%, 0.48%

LAB 72.39, -27.52, 61.02

 

CMYK 16 / 0 / 79 / 33

HEX #90AB24

RGB 144 171 36

HSL 72, 0.65%, 0.41%

LAB 65.89, -26.82, 60.81

 

CMYK 17 / 0 / 89 / 40

HEX #7F9911

RGB 127 153 17

HSL 71.47, 0.8%, 0.33%

LAB 59.28, -25.89, 59.44

 

CMYK 13 / 0 / 60 / 12

HEX #C3E15B

RGB 195 225 91

HSL 73.43, 0.69%, 0.62%

LAB 85.1, -28.64, 60.68

 

CMYK 0 / 3 / 60 / 12

HEX #E1DB5B

RGB 225 219 91

HSL 57.31, 0.69%, 0.62%

LAB 85.72, -13.68, 61.99

 

CMYK 0 / 19 / 60 / 12

HEX #E1B75B

RGB 225 183 91

HSL 41.19, 0.69%, 0.62%

LAB 76.45, 4.78, 51.62

 

CMYK 0 / 35 / 60 / 12

HEX #E1935B

RGB 225 147 91

HSL 25.07, 0.69%, 0.62%

LAB 67.75, 23.97, 41.39

 

CMYK 0 / 51 / 60 / 12

HEX #E16F5B

RGB 225 111 91

HSL 8.96, 0.69%, 0.62%

LAB 60.01, 42.73, 31.83

 

CMYK 13 / 0 / 60 / 12

HEX #C3E15B

RGB 195 225 91

HSL 73.43, 0.69%, 0.62%

LAB 85.1, -28.64, 60.68

 

CMYK 29 / 0 / 60 / 12

HEX #9FE15B

RGB 159 225 91

HSL 89.55, 0.69%, 0.62%

LAB 82.9, -42.13, 57.62

 

CMYK 46 / 0 / 60 / 12

HEX #7AE15B

RGB 122 225 91

HSL 106.12, 0.69%, 0.62%

LAB 81.15, -54.2, 55.16

 

CMYK 60 / 0 / 57 / 12

HEX #5BE160

RGB 91 225 96

HSL 122.24, 0.69%, 0.62%

LAB 80.13, -61.71, 51.5

 

CMYK 60 / 0 / 41 / 12

HEX #5BE184

RGB 91 225 132

HSL 138.36, 0.69%, 0.62%

LAB 80.59, -56.6, 34.82

 

CMYK 13 / 0 / 60 / 12

HEX #C3E15B

RGB 195 225 91

HSL 73.43, 0.69%, 0.62%

LAB 85.1, -28.64, 60.68

 

CMYK 16 / 0 / 68 / 5

HEX #CBF14C

RGB 203 241 76

HSL 73.82, 0.85%, 0.62%

LAB 89.92, -33.95, 71.83

 

CMYK 13 / 0 / 60 / 12

HEX #C3E15B

RGB 195 225 91

HSL 73.43, 0.69%, 0.62%

LAB 85.1, -28.64, 60.68

 

CMYK 11 / 0 / 49 / 18

HEX #BAD16B

RGB 186 209 107

HSL 73.53, 0.53%, 0.62%

LAB 80.24, -23.09, 47.64

 

CMYK 9 / 0 / 37 / 24

HEX #B1C27B

RGB 177 194 123

HSL 74.37, 0.37%, 0.62%

LAB 75.68, -17.37, 33.81

 

CMYK 5 / 0 / 22 / 30

HEX #A9B28A

RGB 169 178 138

HSL 73.5, 0.21%, 0.62%

LAB 70.95, -10.12, 19.44

 

CMYK 1 / 0 / 5 / 36

HEX #A0A29A

RGB 160 162 154

HSL 75, 0.04%, 0.62%

LAB 66.25, -2.22, 3.9

 

CMYK 0 / 19 / 60 / 12

HEX #E1B75B

RGB 225 183 91

HSL 41.19, 0.69%, 0.62%

LAB 76.45, 4.78, 51.62

 

CMYK 0 / 3 / 60 / 12

HEX #E1DA5B

RGB 225 218 91

HSL 56.87, 0.69%, 0.62%

LAB 85.46, -13.19, 61.7

 

CMYK 13 / 0 / 60 / 12

HEX #C4E15B

RGB 196 225 91

HSL 72.99, 0.69%, 0.62%

LAB 85.17, -28.25, 60.77

 

CMYK 29 / 0 / 60 / 12

HEX #A0E15B

RGB 160 225 91

HSL 89.1, 0.69%, 0.62%

LAB 82.96, -41.77, 57.69

 

CMYK 44 / 0 / 60 / 12

HEX #7DE15B

RGB 125 225 91

HSL 104.78, 0.69%, 0.62%

LAB 81.27, -53.31, 55.34

 

CMYK 18 / 0 / 82 / 23

HEX #A1C524

RGB 161 197 36

HSL 73.42, 0.69%, 0.46%

LAB 74.6, -32.17, 69.01

 

CMYK 17 / 0 / 74 / 14

HEX #B6DB38

RGB 182 219 56

HSL 73.62, 0.69%, 0.54%

LAB 82.32, -33.13, 70.77

 

CMYK 13 / 0 / 60 / 12

HEX #C3E15B

RGB 195 225 91

HSL 73.43, 0.69%, 0.62%

LAB 85.1, -28.64, 60.68

 

CMYK 10 / 0 / 45 / 9

HEX #CFE77E

RGB 207 231 126

HSL 73.71, 0.69%, 0.7%

LAB 87.93, -23.7, 48.25

 

CMYK 8 / 0 / 32 / 7

HEX #DCEEA1

RGB 220 238 161

HSL 74.03, 0.69%, 0.78%

LAB 91.21, -18.17, 35.37

 

CMYK 13 / 0 / 59 / 12

HEX #C3E15D

RGB 195 225 93

HSL 73.64, 0.69%, 0.62%

LAB 85.12, -28.49, 59.84

 

CMYK 60 / 0 / 35 / 12

HEX #5BE193

RGB 91 225 147

HSL 145.07, 0.69%, 0.62%

LAB 80.84, -53.96, 27.51

 

CMYK 11 / 60 / 0 / 12

HEX #C85BE1

RGB 200 91 225

HSL 288.81, 0.69%, 0.62%

LAB 57.27, 62.45, -49.46

 

CMYK 13 / 0 / 59 / 12

HEX #C3E15D

RGB 195 225 93

HSL 73.64, 0.69%, 0.62%

LAB 85.12, -28.49, 59.84

 

CMYK 60 / 13 / 0 / 12

HEX #5BC4E1

RGB 91 196 225

HSL 192.99, 0.69%, 0.62%

LAB 74.28, -21.94, -23.57

 

CMYK 0 / 60 / 13 / 12

HEX #E15BC4

RGB 225 91 196

HSL 312.99, 0.69%, 0.62%

LAB 59.41, 63.94, -29.42

 

CMYK 13 / 0 / 59 / 12

HEX #C3E15D

RGB 195 225 93

HSL 73.64, 0.69%, 0.62%

LAB 85.12, -28.49, 59.84

 

CMYK 60 / 0 / 35 / 12

HEX #5BE193

RGB 91 225 147

HSL 145.07, 0.69%, 0.62%

LAB 80.84, -53.96, 27.51

 

CMYK 47 / 60 / 0 / 12

HEX #785BE1

RGB 120 91 225

HSL 252.99, 0.69%, 0.62%

LAB 48.15, 44.19, -64.59

 

CMYK 0 / 60 / 25 / 12

HEX #E15BA9

RGB 225 91 169

HSL 325.07, 0.69%, 0.62%

LAB 58.37, 60.13, -15.5

 

CMYK 13 / 0 / 59 / 12

HEX #C3E15D

RGB 195 225 93

HSL 73.64, 0.69%, 0.62%

LAB 85.12, -28.49, 59.84

 

CMYK 60 / 0 / 17 / 12

HEX #5BE1BB

RGB 91 225 187

HSL 162.99, 0.69%, 0.62%

LAB 81.65, -45.58, 7.74

 

CMYK 47 / 60 / 0 / 12

HEX #785BE1

RGB 120 91 225

HSL 252.99, 0.69%, 0.62%

LAB 48.15, 44.19, -64.59

 

CMYK 0 / 60 / 43 / 12

HEX #E15B81

RGB 225 91 129

HSL 342.99, 0.69%, 0.62%

LAB 57.15, 55.47, 6.04

 

Description

Color code: HEX #C3E15D | qconv.com Color code: HEX #C3E15D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 225 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 225 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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