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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3D211 it is the complementary color #3C2DEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3D211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3D211 shade: #C8D20C, #D9E41F, #EAF632, #FBFF45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3D211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3D211 shade: #C3D211, #B2C000, #A1AE00, #909C00 and #7F8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3D211 shade: #C5D411, #D4AF11, #D47A11, #D44611 and #D41111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3D211 shade: #C5D411, #91D411, #5CD411, #27D411 and #11D430

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3D211 shade matches the following richer shades: #C5D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3D211 shade: #C5D411, #B5C224, #A6AF36, #969D49 and #868A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3D211 shade: #D47911, #D4AD11, #C7D411, #93D411 and #5FD411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3D211 shade: #7E880B, #A2AE0E, #C5D411, #DDED22 and #E3F048

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3D211 shade: #C3D211, #11D445 and #9311D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3D211 shade: #C3D211, #11C7D4 and #D411C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3D211 shade: #C3D211, #11D445, #1E11D4 and #D411A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3D211 shade: #C3D211, #11D480, #1E11D4 and #D41166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 92 / 18

HEX #C3D211

RGB 195 210 17

HSL 64.66, 0.85%, 0.45%

LAB 80.59, -24.77, 78.56

 

Complementary color

CMYK 75 / 81 / 0 / 7

HEX #3C2DEE

RGB 60 45 238

HSL 244.66, 0.85%, 0.55%

LAB 36, 64.22, -92.05

 

CMYK 5 / 0 / 94 / 18

HEX #C8D20C

RGB 200 210 12

HSL 63.03, 0.89%, 0.44%

LAB 80.96, -22.73, 79.58

 

CMYK 5 / 0 / 86 / 11

HEX #D9E41F

RGB 217 228 31

HSL 63.35, 0.78%, 0.51%

LAB 87.16, -23.99, 82.27

 

CMYK 5 / 0 / 80 / 4

HEX #EAF632

RGB 234 246 50

HSL 63.67, 0.92%, 0.58%

LAB 93.29, -25.07, 83.77

 

CMYK 2 / 0 / 73 / 0

HEX #FBFF45

RGB 251 255 69

HSL 61.29, 1%, 0.64%

LAB 97.01, -21.77, 82.23

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 7 / 0 / 92 / 18

HEX #C3D211

RGB 195 210 17

HSL 64.66, 0.85%, 0.45%

LAB 80.59, -24.77, 78.56

 

CMYK 7 / 0 / 100 / 25

HEX #B2C000

RGB 178 192 0

HSL 64.38, 1%, 0.38%

LAB 74.29, -23.43, 75.02

 

CMYK 7 / 0 / 100 / 32

HEX #A1AE00

RGB 161 174 0

HSL 64.48, 1%, 0.34%

LAB 67.91, -21.87, 69.71

 

CMYK 8 / 0 / 100 / 39

HEX #909C00

RGB 144 156 0

HSL 64.62, 1%, 0.31%

LAB 61.4, -20.29, 64.29

 

CMYK 8 / 0 / 100 / 46

HEX #7F8A00

RGB 127 138 0

HSL 64.78, 1%, 0.27%

LAB 54.75, -18.68, 58.76

 

CMYK 7 / 0 / 92 / 17

HEX #C5D411

RGB 197 212 17

HSL 64.62, 0.85%, 0.45%

LAB 81.29, -24.89, 79.17

 

CMYK 0 / 17 / 92 / 17

HEX #D4AF11

RGB 212 175 17

HSL 48.62, 0.85%, 0.45%

LAB 72.69, 0.3, 73.13

 

CMYK 0 / 42 / 92 / 17

HEX #D47A11

RGB 212 122 17

HSL 32.31, 0.85%, 0.45%

LAB 59.85, 28.74, 63.61

 

CMYK 0 / 67 / 92 / 17

HEX #D44611

RGB 212 70 17

HSL 16.31, 0.85%, 0.45%

LAB 50, 53.83, 56.69

 

CMYK 0 / 92 / 92 / 17

HEX #D41111

RGB 212 17 17

HSL 0, 0.85%, 0.45%

LAB 44.86, 68.2, 53.32

 

CMYK 7 / 0 / 92 / 17

HEX #C5D411

RGB 197 212 17

HSL 64.62, 0.85%, 0.45%

LAB 81.29, -24.89, 79.17

 

CMYK 32 / 0 / 92 / 17

HEX #91D411

RGB 145 212 17

HSL 80.62, 0.85%, 0.45%

LAB 77.96, -45.53, 75.12

 

CMYK 57 / 0 / 92 / 17

HEX #5CD411

RGB 92 212 17

HSL 96.92, 0.85%, 0.45%

LAB 75.7, -62.34, 72.34

 

CMYK 82 / 0 / 92 / 17

HEX #27D411

RGB 39 212 17

HSL 113.23, 0.85%, 0.45%

LAB 74.55, -72.16, 70.91

 

CMYK 92 / 0 / 77 / 17

HEX #11D430

RGB 17 212 48

HSL 129.54, 0.85%, 0.45%

LAB 74.46, -72.53, 63.76

 

CMYK 7 / 0 / 92 / 17

HEX #C5D411

RGB 197 212 17

HSL 64.62, 0.85%, 0.45%

LAB 81.29, -24.89, 79.17

 

CMYK 7 / 0 / 92 / 17

HEX #C5D411

RGB 197 212 17

HSL 64.62, 0.85%, 0.45%

LAB 81.29, -24.89, 79.17

 

CMYK 7 / 0 / 81 / 24

HEX #B5C224

RGB 181 194 36

HSL 64.94, 0.69%, 0.45%

LAB 75.16, -22.45, 70.06

 

CMYK 5 / 0 / 69 / 31

HEX #A6AF36

RGB 166 175 54

HSL 64.46, 0.53%, 0.45%

LAB 68.78, -18.59, 57.92

 

CMYK 4 / 0 / 54 / 38

HEX #969D49

RGB 150 157 73

HSL 65, 0.37%, 0.45%

LAB 62.57, -14.79, 42.49

 

CMYK 3 / 0 / 34 / 46

HEX #868A5B

RGB 134 138 91

HSL 65.11, 0.21%, 0.45%

LAB 56.09, -9.38, 24.73

 

CMYK 0 / 43 / 92 / 17

HEX #D47911

RGB 212 121 17

HSL 32, 0.85%, 0.45%

LAB 59.63, 29.27, 63.45

 

CMYK 0 / 18 / 92 / 17

HEX #D4AD11

RGB 212 173 17

HSL 48, 0.85%, 0.45%

LAB 72.18, 1.35, 72.74

 

CMYK 6 / 0 / 92 / 17

HEX #C7D411

RGB 199 212 17

HSL 64, 0.85%, 0.45%

LAB 81.44, -24.06, 79.35

 

CMYK 31 / 0 / 92 / 17

HEX #93D411

RGB 147 212 17

HSL 80, 0.85%, 0.45%

LAB 78.07, -44.79, 75.25

 

CMYK 55 / 0 / 92 / 17

HEX #5FD411

RGB 95 212 17

HSL 96, 0.85%, 0.45%

LAB 75.8, -61.56, 72.46

 

CMYK 7 / 0 / 92 / 47

HEX #7E880B

RGB 126 136 11

HSL 64.8, 0.85%, 0.29%

LAB 54.1, -17.87, 56.34

 

CMYK 7 / 0 / 92 / 32

HEX #A2AE0E

RGB 162 174 14

HSL 64.5, 0.85%, 0.37%

LAB 68.01, -21.24, 68.07

 

CMYK 7 / 0 / 92 / 17

HEX #C5D411

RGB 197 212 17

HSL 64.62, 0.85%, 0.45%

LAB 81.29, -24.89, 79.17

 

CMYK 7 / 0 / 86 / 7

HEX #DDED22

RGB 221 237 34

HSL 64.73, 0.85%, 0.53%

LAB 89.89, -26.55, 84.05

 

CMYK 5 / 0 / 70 / 6

HEX #E3F048

RGB 227 240 72

HSL 64.64, 0.85%, 0.61%

LAB 91.29, -24.18, 75.16

 

CMYK 7 / 0 / 92 / 18

HEX #C3D211

RGB 195 210 17

HSL 64.66, 0.85%, 0.45%

LAB 80.59, -24.77, 78.56

 

CMYK 92 / 0 / 67 / 17

HEX #11D445

RGB 17 212 69

HSL 136, 0.85%, 0.45%

LAB 74.59, -70.78, 56.43

 

CMYK 31 / 92 / 0 / 17

HEX #9311D4

RGB 147 17 212

HSL 280, 0.85%, 0.45%

LAB 40.18, 74.4, -69.99

 

CMYK 7 / 0 / 92 / 18

HEX #C3D211

RGB 195 210 17

HSL 64.66, 0.85%, 0.45%

LAB 80.59, -24.77, 78.56

 

CMYK 92 / 6 / 0 / 17

HEX #11C7D4

RGB 17 199 212

HSL 184, 0.85%, 0.45%

LAB 73.36, -35.41, -18.04

 

CMYK 0 / 92 / 6 / 17

HEX #D411C7

RGB 212 17 199

HSL 304, 0.85%, 0.45%

LAB 50.12, 82.23, -45.88

 

CMYK 7 / 0 / 92 / 18

HEX #C3D211

RGB 195 210 17

HSL 64.66, 0.85%, 0.45%

LAB 80.59, -24.77, 78.56

 

CMYK 92 / 0 / 67 / 17

HEX #11D445

RGB 17 212 69

HSL 136, 0.85%, 0.45%

LAB 74.59, -70.78, 56.43

 

CMYK 86 / 92 / 0 / 17

HEX #1E11D4

RGB 30 17 212

HSL 244, 0.85%, 0.45%

LAB 27.93, 65.74, -90.63

 

CMYK 0 / 92 / 25 / 17

HEX #D411A0

RGB 212 17 160

HSL 316, 0.85%, 0.45%

LAB 48.18, 77.24, -26.02

 

CMYK 7 / 0 / 92 / 18

HEX #C3D211

RGB 195 210 17

HSL 64.66, 0.85%, 0.45%

LAB 80.59, -24.77, 78.56

 

CMYK 92 / 0 / 40 / 17

HEX #11D480

RGB 17 212 128

HSL 154.15, 0.85%, 0.45%

LAB 75.3, -62.17, 29.67

 

CMYK 86 / 92 / 0 / 17

HEX #1E11D4

RGB 30 17 212

HSL 244, 0.85%, 0.45%

LAB 27.93, 65.74, -90.63

 

CMYK 0 / 92 / 52 / 17

HEX #D41166

RGB 212 17 102

HSL 333.85, 0.85%, 0.45%

LAB 46.12, 71.73, 6.24

 

Description

Color code: HEX #C3D211 | qconv.com Color code: HEX #C3D211 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 210 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 210 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 92 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 92% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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