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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C9DA00 it is the complementary color #3C362500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C9DA00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C9DA00 shade: #C8C9D500, #D9DBE800, #EAEDFB00, #FBFFFF00 and #FFFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C9DA00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C9DA00 shade: #C3C9DA00, #B2B7C700, #A1A5B400, #9093A100 and #7F818E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C9DA00 shade: #C3C9DA, #C3C3DA, #C9C3DA, #D0C3DA and #D6C3DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C9DA00 shade: #C3C9DA and #C3C3DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C9DA00 shade matches the following richer shades: #C3C9DA, #BBC5E2, #B3C1EA, #ABBEF2 and #A4BAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C9DA00 shade: #C3C9DA, #CBCDD2, #D3D0CA, #DAD4C3 and #E2D8BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C9DA00 shade: #C3D6DA, #C3CFDA, #C3C9DA, #C3C3DA and #C9C3DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C9DA00 shade: #909BBB, #A9B2CA, #C3C9DA, #DDE0EA and #F6F7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C9DA00 shade: #C3C9DA, #D9C3DA and #D2DAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C9DA00 shade: #C3C9DA, #DAC3C9 and #C9DAC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C9DA00 shade: #C3C9DA, #D9C3DA, #DAD4C3 and #C4DAC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C9DA00 shade: #C3C9DA, #DAC3D5, #DAD4C3 and #C3DAC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #C3C9DA00

RGBA 195 201 218 0

HSLA 224.35, 0.24%, 0.81%, 0

LABA 80.98, 1.26, -9.15, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #3C362500

RGBA 60 54 37 0

HSLA 44.35, 0.24%, 0.19%, 0

LABA 22.77, -0.49, 11.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C8C9D500

RGBA 200 201 213 0

HSLA 235.38, 0.13%, 0.81%, 0

LABA 81.21, 1.93, -6.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9DBE800

RGBA 217 219 232 0

HSLA 232, 0.25%, 0.88%, 0

LABA 87.6, 1.75, -6.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EAEDFB00

RGBA 234 237 251 0

HSLA 229.41, 0.68%, 0.95%, 0

LABA 93.89, 1.58, -7.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FBFFFF00

RGBA 251 255 255 0

HSLA 180, 1%, 0.99%, 0

LABA 99.71, -1.31, -0.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF00

RGBA 255 255 255 0

HSLA 0, 0%, 1%, 0

LABA 100, 0.01, -0.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C3C9DA00

RGBA 195 201 218 0

HSLA 224.35, 0.24%, 0.81%, 0

LABA 80.98, 1.26, -9.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2B7C700

RGBA 178 183 199 0

HSLA 225.71, 0.16%, 0.74%, 0

LABA 74.48, 1.43, -8.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A1A5B400

RGBA 161 165 180 0

HSLA 227.37, 0.11%, 0.67%, 0

LABA 67.86, 1.6, -8.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9093A100

RGBA 144 147 161 0

HSLA 229.41, 0.08%, 0.6%, 0

LABA 61.11, 1.79, -7.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7F818E00

RGBA 127 129 142 0

HSLA 232, 0.06%, 0.53%, 0

LABA 54.2, 1.99, -7.25, 0

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 11 / 11 / 0 / 15

HEX #C3C3DA

RGB 195 195 218

HSL 240, 0.24%, 0.81%

LAB 79.44, 4.46, -11.45

 

CMYK 8 / 11 / 0 / 15

HEX #C9C3DA

RGB 201 195 218

HSL 255.65, 0.24%, 0.81%

LAB 79.9, 6.43, -10.71

 

CMYK 5 / 11 / 0 / 15

HEX #D0C3DA

RGB 208 195 218

HSL 273.91, 0.24%, 0.81%

LAB 80.46, 8.76, -9.82

 

CMYK 2 / 11 / 0 / 15

HEX #D6C3DA

RGB 214 195 218

HSL 289.57, 0.24%, 0.81%

LAB 80.95, 10.78, -9.03

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 11 / 11 / 0 / 15

HEX #C3C3DA

RGB 195 195 218

HSL 240, 0.24%, 0.81%

LAB 79.44, 4.46, -11.45

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 17 / 13 / 0 / 11

HEX #BBC5E2

RGB 187 197 226

HSL 224.62, 0.4%, 0.81%

LAB 79.61, 2.49, -15.56

 

CMYK 24 / 18 / 0 / 8

HEX #B3C1EA

RGB 179 193 234

HSL 224.73, 0.57%, 0.81%

LAB 78.27, 3.96, -21.94

 

CMYK 29 / 21 / 0 / 5

HEX #ABBEF2

RGB 171 190 242

HSL 223.94, 0.73%, 0.81%

LAB 77.22, 5.12, -27.89

 

CMYK 34 / 26 / 0 / 2

HEX #A4BAFA

RGB 164 186 250

HSL 224.65, 0.9%, 0.81%

LAB 76.02, 7.34, -34.08

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 3 / 2 / 0 / 18

HEX #CBCDD2

RGB 203 205 210

HSL 222.86, 0.07%, 0.81%

LAB 82.39, 0.25, -2.73

 

CMYK 0 / 1 / 4 / 17

HEX #D3D0CA

RGB 211 208 202

HSL 40, 0.09%, 0.81%

LAB 83.56, -0.03, 3.33

 

CMYK 0 / 3 / 11 / 15

HEX #DAD4C3

RGB 218 212 195

HSL 44.35, 0.24%, 0.81%

LAB 84.96, -0.83, 9.13

 

CMYK 0 / 4 / 17 / 11

HEX #E2D8BB

RGB 226 216 187

HSL 44.62, 0.4%, 0.81%

LAB 86.44, -1.28, 15.54

 

CMYK 11 / 2 / 0 / 15

HEX #C3D6DA

RGB 195 214 218

HSL 190.43, 0.24%, 0.81%

LAB 84.36, -5.56, -4.15

 

CMYK 11 / 5 / 0 / 15

HEX #C3CFDA

RGB 195 207 218

HSL 208.7, 0.24%, 0.81%

LAB 82.53, -1.91, -6.85

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 11 / 11 / 0 / 15

HEX #C3C3DA

RGB 195 195 218

HSL 240, 0.24%, 0.81%

LAB 79.44, 4.46, -11.45

 

CMYK 8 / 11 / 0 / 15

HEX #C9C3DA

RGB 201 195 218

HSL 255.65, 0.24%, 0.81%

LAB 79.9, 6.43, -10.71

 

CMYK 23 / 17 / 0 / 27

HEX #909BBB

RGB 144 155 187

HSL 224.65, 0.24%, 0.65%

LAB 64.13, 3.15, -17.86

 

CMYK 16 / 12 / 0 / 21

HEX #A9B2CA

RGB 169 178 202

HSL 223.64, 0.24%, 0.73%

LAB 72.59, 1.82, -13.22

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 6 / 4 / 0 / 8

HEX #DDE0EA

RGB 221 224 234

HSL 226.15, 0.24%, 0.89%

LAB 89.22, 0.85, -5.23

 

CMYK 2 / 1 / 0 / 2

HEX #F6F7FA

RGB 246 247 250

HSL 225, 0.29%, 0.97%

LAB 97.23, 0.21, -1.56

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 0 / 11 / 0 / 15

HEX #D9C3DA

RGB 217 195 218

HSL 297.39, 0.24%, 0.81%

LAB 81.21, 11.79, -8.63

 

CMYK 4 / 0 / 11 / 15

HEX #D2DAC3

RGB 210 218 195

HSL 80.87, 0.24%, 0.81%

LAB 85.9, -6.76, 10.39

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 0 / 11 / 8 / 15

HEX #DAC3C9

RGB 218 195 201

HSL 344.35, 0.24%, 0.81%

LAB 80.82, 9.11, -0.05

 

CMYK 8 / 0 / 11 / 15

HEX #C9DAC3

RGB 201 218 195

HSL 104.35, 0.24%, 0.81%

LAB 85.25, -9.88, 9.38

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 0 / 11 / 0 / 15

HEX #D9C3DA

RGB 217 195 218

HSL 297.39, 0.24%, 0.81%

LAB 81.21, 11.79, -8.63

 

CMYK 0 / 3 / 11 / 15

HEX #DAD4C3

RGB 218 212 195

HSL 44.35, 0.24%, 0.81%

LAB 84.96, -0.83, 9.13

 

CMYK 10 / 0 / 11 / 15

HEX #C4DAC3

RGB 196 218 195

HSL 117.39, 0.24%, 0.81%

LAB 84.9, -11.6, 8.83

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 0 / 11 / 2 / 15

HEX #DAC3D5

RGB 218 195 213

HSL 313.04, 0.24%, 0.81%

LAB 81.15, 11.22, -6.02

 

CMYK 0 / 3 / 11 / 15

HEX #DAD4C3

RGB 218 212 195

HSL 44.35, 0.24%, 0.81%

LAB 84.96, -0.83, 9.13

 

CMYK 11 / 0 / 8 / 15

HEX #C3DAC8

RGB 195 218 200

HSL 133.04, 0.24%, 0.81%

LAB 84.95, -11.04, 6.25

 

Description

Color code: HEX #C3C9DA00 | qconv.com Color code: HEX #C3C9DA00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 201 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 201 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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