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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C92A it is the complementary color #3C36D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C92A shade: #C8C925, #D9DB38, #EAED4B, #FBFF5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C92A shade: #C3C92A, #B2B717, #A1A504, #909300 and #7F8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C92A shade: #C3C92A, #C9A52A, #C97A2A, #C94F2A and #C92A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C92A shade: #C3C92A, #99C92A, #6EC92A, #43C92A and #2AC93D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C92A shade matches the following richer shades: #C3C92A, #D6DD17 and #E8F103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C92A shade: #C3C92A, #B1B63E, #9FA252, #8D8E66 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C92A shade: #C97A2A, #C9A42A, #C4C92A, #9AC92A and #6FC92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C92A shade: #81851C, #A2A723, #C3C92A, #D2D746 and #DADF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C92A shade: #C3C92A, #2AC94F and #8F2AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C92A shade: #C3C92A, #2AC4C9 and #C92AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C92A shade: #C3C92A, #2AC94F, #302AC9 and #C92AA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C92A shade: #C3C92A, #2AC97F, #302AC9 and #C92A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

Complementary color

CMYK 72 / 75 / 0 / 16

HEX #3C36D5

RGB 60 54 213

HSL 242.26, 0.65%, 0.52%

LAB 34.81, 52.35, -79.73

 

CMYK 0 / 0 / 82 / 21

HEX #C8C925

RGB 200 201 37

HSL 60.37, 0.69%, 0.47%

LAB 78.57, -17.82, 73.31

 

CMYK 1 / 0 / 74 / 14

HEX #D9DB38

RGB 217 219 56

HSL 60.74, 0.69%, 0.54%

LAB 84.84, -18.87, 74.04

 

CMYK 1 / 0 / 68 / 7

HEX #EAED4B

RGB 234 237 75

HSL 61.11, 0.82%, 0.61%

LAB 91.04, -19.76, 74.04

 

CMYK 2 / 0 / 63 / 0

HEX #FBFF5E

RGB 251 255 94

HSL 61.49, 1%, 0.68%

LAB 97.16, -20.52, 73.59

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 3 / 0 / 87 / 28

HEX #B2B717

RGB 178 183 23

HSL 61.88, 0.78%, 0.4%

LAB 71.82, -18.63, 70.1

 

CMYK 2 / 0 / 98 / 35

HEX #A1A504

RGB 161 165 4

HSL 61.49, 0.95%, 0.33%

LAB 65.35, -17.28, 67.3

 

CMYK 2 / 0 / 100 / 42

HEX #909300

RGB 144 147 0

HSL 61.22, 1%, 0.29%

LAB 58.79, -15.66, 62.37

 

CMYK 2 / 0 / 100 / 49

HEX #7F8100

RGB 127 129 0

HSL 60.93, 1%, 0.25%

LAB 52.08, -13.93, 56.79

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 0 / 18 / 79 / 21

HEX #C9A52A

RGB 201 165 42

HSL 46.42, 0.65%, 0.48%

LAB 69.11, 1.37, 63.63

 

CMYK 0 / 39 / 79 / 21

HEX #C97A2A

RGB 201 122 42

HSL 30.19, 0.65%, 0.48%

LAB 58.51, 24.71, 53.88

 

CMYK 0 / 61 / 79 / 21

HEX #C94F2A

RGB 201 79 42

HSL 13.96, 0.65%, 0.48%

LAB 49.71, 46.67, 45.4

 

CMYK 0 / 79 / 79 / 21

HEX #C92A2A

RGB 201 42 42

HSL 0, 0.65%, 0.48%

LAB 44.58, 60.67, 40.23

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 24 / 0 / 79 / 21

HEX #99C92A

RGB 153 201 42

HSL 78.11, 0.65%, 0.48%

LAB 75.27, -36.95, 67.8

 

CMYK 45 / 0 / 79 / 21

HEX #6EC92A

RGB 110 201 42

HSL 94.34, 0.65%, 0.48%

LAB 73.06, -52.24, 64.96

 

CMYK 67 / 0 / 79 / 21

HEX #43C92A

RGB 67 201 42

HSL 110.57, 0.65%, 0.48%

LAB 71.65, -63.43, 63.13

 

CMYK 79 / 0 / 70 / 21

HEX #2AC93D

RGB 42 201 61

HSL 127.17, 0.65%, 0.48%

LAB 71.28, -66.08, 56.11

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 3 / 0 / 90 / 13

HEX #D6DD17

RGB 214 221 23

HSL 62.12, 0.81%, 0.48%

LAB 85.03, -22.03, 81.81

 

CMYK 4 / 0 / 99 / 5

HEX #E8F103

RGB 232 241 3

HSL 62.27, 0.98%, 0.48%

LAB 91.72, -24.35, 89.49

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 3 / 0 / 66 / 29

HEX #B1B63E

RGB 177 182 62

HSL 62.5, 0.49%, 0.48%

LAB 71.66, -16.98, 57.98

 

CMYK 2 / 0 / 49 / 36

HEX #9FA252

RGB 159 162 82

HSL 62.25, 0.33%, 0.48%

LAB 64.82, -12.76, 40.87

 

CMYK 1 / 0 / 28 / 44

HEX #8D8E66

RGB 141 142 102

HSL 61.5, 0.16%, 0.48%

LAB 58.01, -7.16, 21.26

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 0 / 39 / 79 / 21

HEX #C97A2A

RGB 201 122 42

HSL 30.19, 0.65%, 0.48%

LAB 58.51, 24.71, 53.88

 

CMYK 0 / 18 / 79 / 21

HEX #C9A42A

RGB 201 164 42

HSL 46.04, 0.65%, 0.48%

LAB 68.85, 1.9, 63.4

 

CMYK 2 / 0 / 79 / 21

HEX #C4C92A

RGB 196 201 42

HSL 61.89, 0.65%, 0.48%

LAB 78.27, -19.35, 71.62

 

CMYK 23 / 0 / 79 / 21

HEX #9AC92A

RGB 154 201 42

HSL 77.74, 0.65%, 0.48%

LAB 75.33, -36.56, 67.88

 

CMYK 45 / 0 / 79 / 21

HEX #6FC92A

RGB 111 201 42

HSL 93.96, 0.65%, 0.48%

LAB 73.1, -51.92, 65.01

 

CMYK 3 / 0 / 79 / 48

HEX #81851C

RGB 129 133 28

HSL 62.29, 0.65%, 0.32%

LAB 53.52, -14.4, 51.63

 

CMYK 3 / 0 / 79 / 35

HEX #A2A723

RGB 162 167 35

HSL 62.27, 0.65%, 0.4%

LAB 66.09, -17.14, 61.79

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 2 / 0 / 67 / 16

HEX #D2D746

RGB 210 215 70

HSL 62.07, 0.64%, 0.56%

LAB 83.31, -19.15, 67.55

 

CMYK 2 / 0 / 53 / 13

HEX #DADF68

RGB 218 223 104

HSL 62.52, 0.65%, 0.64%

LAB 86.35, -17.53, 56.82

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 79 / 0 / 61 / 21

HEX #2AC94F

RGB 42 201 79

HSL 133.96, 0.65%, 0.48%

LAB 71.44, -64.18, 48.77

 

CMYK 29 / 79 / 0 / 21

HEX #8F2AC9

RGB 143 42 201

HSL 278.11, 0.65%, 0.48%

LAB 40.76, 65.57, -62.69

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 79 / 2 / 0 / 21

HEX #2AC4C9

RGB 42 196 201

HSL 181.89, 0.65%, 0.48%

LAB 72.35, -35.79, -13.56

 

CMYK 0 / 79 / 2 / 21

HEX #C92AC4

RGB 201 42 196

HSL 301.89, 0.65%, 0.48%

LAB 49.57, 75.35, -45.14

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 79 / 0 / 61 / 21

HEX #2AC94F

RGB 42 201 79

HSL 133.96, 0.65%, 0.48%

LAB 71.44, -64.18, 48.77

 

CMYK 76 / 79 / 0 / 21

HEX #302AC9

RGB 48 42 201

HSL 242.26, 0.65%, 0.48%

LAB 30.64, 53.82, -79.68

 

CMYK 0 / 79 / 18 / 21

HEX #C92AA4

RGB 201 42 164

HSL 313.96, 0.65%, 0.48%

LAB 47.95, 70.8, -28.92

 

CMYK 3 / 0 / 79 / 21

HEX #C3C92A

RGB 195 201 42

HSL 62.26, 0.65%, 0.48%

LAB 78.19, -19.78, 71.52

 

CMYK 79 / 0 / 37 / 21

HEX #2AC97F

RGB 42 201 127

HSL 152.08, 0.65%, 0.48%

LAB 72.09, -56.51, 25.96

 

CMYK 76 / 79 / 0 / 21

HEX #302AC9

RGB 48 42 201

HSL 242.26, 0.65%, 0.48%

LAB 30.64, 53.82, -79.68

 

CMYK 0 / 79 / 42 / 21

HEX #C92A75

RGB 201 42 117

HSL 331.7, 0.65%, 0.48%

LAB 46.12, 65.43, -3.29

 

Description

Color code: HEX #C3C92A | qconv.com Color code: HEX #C3C92A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 201 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 201 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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