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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C83B it is the complementary color #3C37C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C83B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C83B shade: #C8C836, #D9DA49, #EAEC5C, #FBFE6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C83B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C83B shade: #C3C83B, #B2B628, #A1A415, #909202 and #7F8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C83B shade: #C3C83C, #C8A73C, #C8813C, #C85B3C and #C83C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C83B shade: #C3C83C, #9DC83C, #77C83C, #51C83C and #3CC84C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C83B shade matches the following richer shades: #C3C83C, #D5DC27 and #E8F013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C83B shade: #C3C83C, #B0B350, #9D9F64, #8A8B78 and #77778C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C83B shade: #C8823C, #C8A73C, #C3C83C, #9EC83C and #78C83C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C83B shade: #868A27, #A6AA30, #C3C83C, #CCD15C and #D6DA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C83B shade: #C3C83B, #3CC85C and #943CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C83B shade: #C3C83B, #3CC3C8 and #C83CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C83B shade: #C3C83B, #3CC85C, #403CC8 and #C83CA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C83B shade: #C3C83B, #3CC886, #403CC8 and #C83C7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 71 / 22

HEX #C3C83B

RGB 195 200 59

HSL 62.13, 0.56%, 0.51%

LAB 78.01, -18.57, 65.94

 

Complementary color

CMYK 69 / 72 / 0 / 23

HEX #3C37C4

RGB 60 55 196

HSL 242.13, 0.56%, 0.49%

LAB 33.3, 46.37, -72.33

 

CMYK 0 / 0 / 73 / 22

HEX #C8C836

RGB 200 200 54

HSL 60, 0.57%, 0.5%

LAB 78.38, -16.7, 68.16

 

CMYK 0 / 0 / 67 / 15

HEX #D9DA49

RGB 217 218 73

HSL 60.41, 0.66%, 0.57%

LAB 84.68, -17.58, 67.98

 

CMYK 1 / 0 / 61 / 7

HEX #EAEC5C

RGB 234 236 92

HSL 60.83, 0.79%, 0.64%

LAB 90.9, -18.31, 67.38

 

CMYK 1 / 0 / 56 / 0

HEX #FBFE6F

RGB 251 254 111

HSL 61.26, 0.99%, 0.72%

LAB 97.04, -18.94, 66.54

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 3 / 0 / 71 / 22

HEX #C3C83B

RGB 195 200 59

HSL 62.13, 0.56%, 0.51%

LAB 78.01, -18.57, 65.94

 

CMYK 2 / 0 / 78 / 29

HEX #B2B628

RGB 178 182 40

HSL 61.69, 0.64%, 0.44%

LAB 71.61, -17.63, 65.73

 

CMYK 2 / 0 / 87 / 36

HEX #A1A415

RGB 161 164 21

HSL 61.26, 0.77%, 0.36%

LAB 65.11, -16.48, 64.48

 

CMYK 1 / 0 / 99 / 43

HEX #909202

RGB 144 146 2

HSL 60.83, 0.97%, 0.29%

LAB 58.5, -15.1, 61.84

 

CMYK 1 / 0 / 100 / 50

HEX #7F8000

RGB 127 128 0

HSL 60.47, 1%, 0.25%

LAB 51.78, -13.4, 56.57

 

CMYK 3 / 0 / 70 / 22

HEX #C3C83C

RGB 195 200 60

HSL 62.14, 0.56%, 0.51%

LAB 78.01, -18.52, 65.59

 

CMYK 0 / 17 / 70 / 22

HEX #C8A73C

RGB 200 167 60

HSL 45.86, 0.56%, 0.51%

LAB 69.64, 0.65, 57.38

 

CMYK 0 / 36 / 70 / 22

HEX #C8813C

RGB 200 129 60

HSL 29.57, 0.56%, 0.51%

LAB 60.16, 21.29, 47.46

 

CMYK 0 / 55 / 70 / 22

HEX #C85B3C

RGB 200 91 60

HSL 13.29, 0.56%, 0.51%

LAB 51.94, 41.35, 38.34

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 3 / 0 / 70 / 22

HEX #C3C83C

RGB 195 200 60

HSL 62.14, 0.56%, 0.51%

LAB 78.01, -18.52, 65.59

 

CMYK 22 / 0 / 70 / 22

HEX #9DC83C

RGB 157 200 60

HSL 78.43, 0.56%, 0.51%

LAB 75.33, -34, 62.03

 

CMYK 41 / 0 / 70 / 22

HEX #77C83C

RGB 119 200 60

HSL 94.71, 0.56%, 0.51%

LAB 73.26, -47.82, 59.25

 

CMYK 60 / 0 / 70 / 22

HEX #51C83C

RGB 81 200 60

HSL 111, 0.56%, 0.51%

LAB 71.81, -58.74, 57.31

 

CMYK 70 / 0 / 62 / 22

HEX #3CC84C

RGB 60 200 76

HSL 126.86, 0.56%, 0.51%

LAB 71.41, -61.53, 50.15

 

CMYK 3 / 0 / 70 / 22

HEX #C3C83C

RGB 195 200 60

HSL 62.14, 0.56%, 0.51%

LAB 78.01, -18.52, 65.59

 

CMYK 3 / 0 / 82 / 14

HEX #D5DC27

RGB 213 220 39

HSL 62.32, 0.72%, 0.51%

LAB 84.73, -21.6, 78.47

 

CMYK 3 / 0 / 92 / 6

HEX #E8F013

RGB 232 240 19

HSL 62.17, 0.88%, 0.51%

LAB 91.47, -23.72, 87.93

 

CMYK 3 / 0 / 70 / 22

HEX #C3C83C

RGB 195 200 60

HSL 62.14, 0.56%, 0.51%

LAB 78.01, -18.52, 65.59

 

CMYK 2 / 0 / 55 / 30

HEX #B0B350

RGB 176 179 80

HSL 61.82, 0.39%, 0.51%

LAB 70.91, -14.6, 49.29

 

CMYK 1 / 0 / 37 / 38

HEX #9D9F64

RGB 157 159 100

HSL 62.03, 0.24%, 0.51%

LAB 64.07, -10.05, 30.57

 

CMYK 1 / 0 / 14 / 45

HEX #8A8B78

RGB 138 139 120

HSL 63.16, 0.08%, 0.51%

LAB 57.29, -3.87, 10.05

 

CMYK 15 / 15 / 0 / 45

HEX #77778C

RGB 119 119 140

HSL 240, 0.08%, 0.51%

LAB 50.7, 4.55, -11.4

 

CMYK 0 / 35 / 70 / 22

HEX #C8823C

RGB 200 130 60

HSL 30, 0.56%, 0.51%

LAB 60.4, 20.74, 47.71

 

CMYK 0 / 17 / 70 / 22

HEX #C8A73C

RGB 200 167 60

HSL 45.86, 0.56%, 0.51%

LAB 69.64, 0.65, 57.38

 

CMYK 3 / 0 / 70 / 22

HEX #C3C83C

RGB 195 200 60

HSL 62.14, 0.56%, 0.51%

LAB 78.01, -18.52, 65.59

 

CMYK 21 / 0 / 70 / 22

HEX #9EC83C

RGB 158 200 60

HSL 78, 0.56%, 0.51%

LAB 75.39, -33.61, 62.11

 

CMYK 40 / 0 / 70 / 22

HEX #78C83C

RGB 120 200 60

HSL 94.29, 0.56%, 0.51%

LAB 73.3, -47.49, 59.32

 

CMYK 3 / 0 / 72 / 46

HEX #868A27

RGB 134 138 39

HSL 62.42, 0.56%, 0.35%

LAB 55.47, -14.26, 49.67

 

CMYK 2 / 0 / 72 / 33

HEX #A6AA30

RGB 166 170 48

HSL 61.97, 0.56%, 0.43%

LAB 67.33, -16.36, 58.74

 

CMYK 3 / 0 / 70 / 22

HEX #C3C83C

RGB 195 200 60

HSL 62.14, 0.56%, 0.51%

LAB 78.01, -18.52, 65.59

 

CMYK 2 / 0 / 56 / 18

HEX #CCD15C

RGB 204 209 92

HSL 62.56, 0.56%, 0.59%

LAB 81.41, -17.22, 56.3

 

CMYK 2 / 0 / 43 / 15

HEX #D6DA7C

RGB 214 218 124

HSL 62.55, 0.56%, 0.67%

LAB 84.94, -14.83, 45.64

 

CMYK 3 / 0 / 71 / 22

HEX #C3C83B

RGB 195 200 59

HSL 62.13, 0.56%, 0.51%

LAB 78.01, -18.57, 65.94

 

CMYK 70 / 0 / 54 / 22

HEX #3CC85C

RGB 60 200 92

HSL 133.71, 0.56%, 0.51%

LAB 71.58, -59.52, 43.01

 

CMYK 26 / 70 / 0 / 22

HEX #943CC8

RGB 148 60 200

HSL 277.71, 0.56%, 0.51%

LAB 43.8, 59.4, -57.15

 

CMYK 3 / 0 / 71 / 22

HEX #C3C83B

RGB 195 200 59

HSL 62.13, 0.56%, 0.51%

LAB 78.01, -18.57, 65.94

 

CMYK 70 / 3 / 0 / 22

HEX #3CC3C8

RGB 60 195 200

HSL 182.14, 0.56%, 0.51%

LAB 72.34, -33.64, -13.01

 

CMYK 0 / 70 / 3 / 22

HEX #C83CC3

RGB 200 60 195

HSL 302.14, 0.56%, 0.51%

LAB 51.21, 69.65, -41.96

 

CMYK 3 / 0 / 71 / 22

HEX #C3C83B

RGB 195 200 59

HSL 62.13, 0.56%, 0.51%

LAB 78.01, -18.57, 65.94

 

CMYK 70 / 0 / 54 / 22

HEX #3CC85C

RGB 60 200 92

HSL 133.71, 0.56%, 0.51%

LAB 71.58, -59.52, 43.01

 

CMYK 68 / 70 / 0 / 22

HEX #403CC8

RGB 64 60 200

HSL 241.71, 0.56%, 0.51%

LAB 34.99, 45.26, -71.89

 

CMYK 0 / 70 / 17 / 22

HEX #C83CA7

RGB 200 60 167

HSL 314.14, 0.56%, 0.51%

LAB 49.86, 65.44, -27.73

 

CMYK 3 / 0 / 71 / 22

HEX #C3C83B

RGB 195 200 59

HSL 62.13, 0.56%, 0.51%

LAB 78.01, -18.57, 65.94

 

CMYK 70 / 0 / 33 / 22

HEX #3CC886

RGB 60 200 134

HSL 151.71, 0.56%, 0.51%

LAB 72.22, -52.31, 22.5

 

CMYK 68 / 70 / 0 / 22

HEX #403CC8

RGB 64 60 200

HSL 241.71, 0.56%, 0.51%

LAB 34.99, 45.26, -71.89

 

CMYK 0 / 70 / 38 / 22

HEX #C83C7D

RGB 200 60 125

HSL 332.14, 0.56%, 0.51%

LAB 48.25, 60.2, -5.05

 

Description

Color code: HEX #C3C83B | qconv.com Color code: HEX #C3C83B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 200 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 200 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 71 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 71% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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