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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C741 it is the complementary color #3C38BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C741. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C741 shade: #C8C73C, #D9D94F, #EAEB62, #FBFD75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C741. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C741 shade: #C3C741, #B2B52E, #A1A31B, #909108 and #7F7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C741 shade: #C3C743, #C7A743, #C78343, #C76043 and #C74343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C741 shade: #C3C743, #9FC743, #7BC743, #58C743 and #43C751

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C741 shade matches the following richer shades: #C3C743, #D5DB2F and #E8EE1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C741 shade: #C3C743, #B0B356, #9E9F6A, #8B8B7E and #787792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C741 shade: #C78243, #C7A643, #C4C743, #A1C743 and #7EC743

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C741 shade: #8A8D2A, #A9AC34, #C3C743, #CDD062 and #D7DA82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C741 shade: #C3C741, #43C75F and #9443C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C741 shade: #C3C741, #43C4C7 and #C743C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C741 shade: #C3C741, #43C75F, #4543C7 and #C743AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C741 shade: #C3C741, #43C787, #4543C7 and #C74382

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 67 / 22

HEX #C3C741

RGB 195 199 65

HSL 61.79, 0.54%, 0.52%

LAB 77.77, -17.75, 63.49

 

Complementary color

CMYK 68 / 71 / 0 / 25

HEX #3C38BE

RGB 60 56 190

HSL 241.79, 0.54%, 0.48%

LAB 32.93, 43.83, -69.42

 

CMYK 0 / 0 / 70 / 22

HEX #C8C73C

RGB 200 199 60

HSL 59.57, 0.56%, 0.51%

LAB 78.14, -15.92, 65.85

 

CMYK 0 / 0 / 64 / 15

HEX #D9D94F

RGB 217 217 79

HSL 60, 0.64%, 0.58%

LAB 84.45, -16.74, 65.41

 

CMYK 0 / 0 / 58 / 8

HEX #EAEB62

RGB 234 235 98

HSL 60.44, 0.77%, 0.65%

LAB 90.68, -17.43, 64.65

 

CMYK 1 / 0 / 54 / 1

HEX #FBFD75

RGB 251 253 117

HSL 60.88, 0.97%, 0.73%

LAB 96.84, -18.01, 63.72

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 2 / 0 / 67 / 22

HEX #C3C741

RGB 195 199 65

HSL 61.79, 0.54%, 0.52%

LAB 77.77, -17.75, 63.49

 

CMYK 2 / 0 / 75 / 29

HEX #B2B52E

RGB 178 181 46

HSL 61.33, 0.59%, 0.45%

LAB 71.36, -16.88, 63.61

 

CMYK 1 / 0 / 83 / 36

HEX #A1A31B

RGB 161 163 27

HSL 60.88, 0.72%, 0.37%

LAB 64.84, -15.8, 62.88

 

CMYK 1 / 0 / 94 / 43

HEX #909108

RGB 144 145 8

HSL 60.44, 0.9%, 0.3%

LAB 58.22, -14.48, 60.7

 

CMYK 0 / 0 / 100 / 50

HEX #7F7F00

RGB 127 127 0

HSL 60, 1%, 0.25%

LAB 51.49, -12.86, 56.36

 

CMYK 2 / 0 / 66 / 22

HEX #C3C743

RGB 195 199 67

HSL 61.82, 0.54%, 0.52%

LAB 77.79, -17.64, 62.73

 

CMYK 0 / 16 / 66 / 22

HEX #C7A743

RGB 199 167 67

HSL 45.45, 0.54%, 0.52%

LAB 69.6, 0.61, 54.32

 

CMYK 0 / 34 / 66 / 22

HEX #C78343

RGB 199 131 67

HSL 29.09, 0.54%, 0.52%

LAB 60.59, 20.18, 44.47

 

CMYK 0 / 52 / 66 / 22

HEX #C76043

RGB 199 96 67

HSL 13.18, 0.54%, 0.52%

LAB 52.85, 38.85, 35.54

 

CMYK 0 / 66 / 66 / 22

HEX #C74343

RGB 199 67 67

HSL 0, 0.54%, 0.52%

LAB 47.7, 52.36, 29.31

 

CMYK 2 / 0 / 66 / 22

HEX #C3C743

RGB 195 199 67

HSL 61.82, 0.54%, 0.52%

LAB 77.79, -17.64, 62.73

 

CMYK 20 / 0 / 66 / 22

HEX #9FC743

RGB 159 199 67

HSL 78.18, 0.54%, 0.52%

LAB 75.22, -32.3, 59.26

 

CMYK 38 / 0 / 66 / 22

HEX #7BC743

RGB 123 199 67

HSL 94.55, 0.54%, 0.52%

LAB 73.2, -45.53, 56.52

 

CMYK 56 / 0 / 66 / 22

HEX #58C743

RGB 88 199 67

HSL 110.45, 0.54%, 0.52%

LAB 71.78, -56.03, 54.57

 

CMYK 66 / 0 / 59 / 22

HEX #43C751

RGB 67 199 81

HSL 126.36, 0.54%, 0.52%

LAB 71.31, -59.31, 47.84

 

CMYK 2 / 0 / 66 / 22

HEX #C3C743

RGB 195 199 67

HSL 61.82, 0.54%, 0.52%

LAB 77.79, -17.64, 62.73

 

CMYK 3 / 0 / 79 / 14

HEX #D5DB2F

RGB 213 219 47

HSL 62.09, 0.7%, 0.52%

LAB 84.49, -20.87, 76.24

 

CMYK 3 / 0 / 89 / 7

HEX #E8EE1B

RGB 232 238 27

HSL 61.71, 0.86%, 0.52%

LAB 90.95, -22.65, 86.45

 

CMYK 2 / 0 / 66 / 22

HEX #C3C743

RGB 195 199 67

HSL 61.82, 0.54%, 0.52%

LAB 77.79, -17.64, 62.73

 

CMYK 2 / 0 / 52 / 30

HEX #B0B356

RGB 176 179 86

HSL 61.94, 0.38%, 0.52%

LAB 70.97, -14.1, 46.52

 

CMYK 1 / 0 / 33 / 38

HEX #9E9F6A

RGB 158 159 106

HSL 61.13, 0.22%, 0.52%

LAB 64.25, -8.9, 27.6

 

CMYK 0 / 0 / 9 / 45

HEX #8B8B7E

RGB 139 139 126

HSL 60, 0.05%, 0.52%

LAB 57.52, -2.43, 6.95

 

CMYK 18 / 18 / 0 / 43

HEX #787792

RGB 120 119 146

HSL 242.22, 0.11%, 0.52%

LAB 50.99, 6.29, -14.47

 

CMYK 0 / 35 / 66 / 22

HEX #C78243

RGB 199 130 67

HSL 28.64, 0.54%, 0.52%

LAB 60.35, 20.72, 44.2

 

CMYK 0 / 17 / 66 / 22

HEX #C7A643

RGB 199 166 67

HSL 45, 0.54%, 0.52%

LAB 69.34, 1.15, 54.04

 

CMYK 2 / 0 / 66 / 22

HEX #C4C743

RGB 196 199 67

HSL 61.36, 0.54%, 0.52%

LAB 77.87, -17.22, 62.84

 

CMYK 19 / 0 / 66 / 22

HEX #A1C743

RGB 161 199 67

HSL 77.27, 0.54%, 0.52%

LAB 75.34, -31.51, 59.44

 

CMYK 37 / 0 / 66 / 22

HEX #7EC743

RGB 126 199 67

HSL 93.18, 0.54%, 0.52%

LAB 73.34, -44.51, 56.72

 

CMYK 2 / 0 / 70 / 45

HEX #8A8D2A

RGB 138 141 42

HSL 61.82, 0.54%, 0.36%

LAB 56.7, -13.89, 49.81

 

CMYK 2 / 0 / 70 / 33

HEX #A9AC34

RGB 169 172 52

HSL 61.5, 0.54%, 0.44%

LAB 68.16, -15.88, 58.15

 

CMYK 2 / 0 / 66 / 22

HEX #C3C743

RGB 195 199 67

HSL 61.82, 0.54%, 0.52%

LAB 77.79, -17.64, 62.73

 

CMYK 1 / 0 / 53 / 18

HEX #CDD062

RGB 205 208 98

HSL 61.64, 0.54%, 0.6%

LAB 81.28, -15.84, 53.45

 

CMYK 1 / 0 / 40 / 15

HEX #D7DA82

RGB 215 218 130

HSL 62.05, 0.54%, 0.68%

LAB 85.1, -13.82, 42.9

 

CMYK 2 / 0 / 67 / 22

HEX #C3C741

RGB 195 199 65

HSL 61.79, 0.54%, 0.52%

LAB 77.77, -17.75, 63.49

 

CMYK 66 / 0 / 52 / 22

HEX #43C75F

RGB 67 199 95

HSL 132.73, 0.54%, 0.52%

LAB 71.46, -57.48, 41.46

 

CMYK 26 / 66 / 0 / 22

HEX #9443C7

RGB 148 67 199

HSL 276.82, 0.54%, 0.52%

LAB 44.85, 56.05, -54.88

 

CMYK 2 / 0 / 67 / 22

HEX #C3C741

RGB 195 199 65

HSL 61.79, 0.54%, 0.52%

LAB 77.77, -17.75, 63.49

 

CMYK 66 / 2 / 0 / 22

HEX #43C4C7

RGB 67 196 199

HSL 181.36, 0.54%, 0.52%

LAB 72.76, -33.43, -11.82

 

CMYK 0 / 66 / 2 / 22

HEX #C743C4

RGB 199 67 196

HSL 301.36, 0.54%, 0.52%

LAB 52, 67.07, -41.31

 

CMYK 2 / 0 / 67 / 22

HEX #C3C741

RGB 195 199 65

HSL 61.79, 0.54%, 0.52%

LAB 77.77, -17.75, 63.49

 

CMYK 66 / 0 / 52 / 22

HEX #43C75F

RGB 67 199 95

HSL 132.73, 0.54%, 0.52%

LAB 71.46, -57.48, 41.46

 

CMYK 65 / 66 / 0 / 22

HEX #4543C7

RGB 69 67 199

HSL 240.91, 0.54%, 0.52%

LAB 36.75, 41.45, -68.4

 

CMYK 0 / 66 / 15 / 22

HEX #C743AA

RGB 199 67 170

HSL 313.18, 0.54%, 0.52%

LAB 50.76, 63.03, -28.12

 

CMYK 2 / 0 / 67 / 22

HEX #C3C741

RGB 195 199 65

HSL 61.79, 0.54%, 0.52%

LAB 77.77, -17.75, 63.49

 

CMYK 66 / 0 / 32 / 22

HEX #43C787

RGB 67 199 135

HSL 150.91, 0.54%, 0.52%

LAB 72.09, -50.55, 21.81

 

CMYK 65 / 66 / 0 / 22

HEX #4543C7

RGB 69 67 199

HSL 240.91, 0.54%, 0.52%

LAB 36.75, 41.45, -68.4

 

CMYK 0 / 66 / 35 / 22

HEX #C74382

RGB 199 67 130

HSL 331.36, 0.54%, 0.52%

LAB 49.21, 57.78, -6.66

 

Description

Color code: HEX #C3C741 | qconv.com Color code: HEX #C3C741 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 199 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 199 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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