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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B780 it is the complementary color #3C487F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3B780 shade: #C8B77B, #D9C98E, #EADBA1, #FBEDB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3B780 shade: #C3B780, #B2A56D, #A1935A, #908147 and #7F6F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3B780 shade: #C2B67E, #C2A47E, #C2917E, #C27F7E and #C27E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3B780 shade: #C2B67E, #BCC27E, #AAC27E, #97C27E and #85C27E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3B780 shade matches the following richer shades: #C2B67E, #D1C06F, #E1CA60 and #F0D350

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3B780 shade: #C2B67E, #B3AC8D, #A4A29D, #9499AC and #858FBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3B780 shade: #C2917E, #C2A47E, #C2B67E, #BCC27E and #AAC27E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3B780 shade: #A2924C, #B5A662, #C2B67E, #CFC69A and #DDD6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3B780 shade: #C3B780, #7EC27F and #9A7EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3B780 shade: #C3B780, #7EC2B6 and #B67EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3B780 shade: #C3B780, #7EC27F, #7E8BC2 and #C27EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3B780 shade: #C3B780, #7EC294, #7E8BC2 and #C27EAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 34 / 24

HEX #C3B780

RGB 195 183 128

HSL 49.25, 0.36%, 0.63%

LAB 74.21, -3.99, 29.55

 

Complementary color

CMYK 53 / 43 / 0 / 50

HEX #3C487F

RGB 60 72 127

HSL 229.25, 0.36%, 0.37%

LAB 32.1, 11.92, -32.69

 

CMYK 0 / 9 / 39 / 22

HEX #C8B77B

RGB 200 183 123

HSL 46.75, 0.41%, 0.63%

LAB 74.56, -2.58, 32.72

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98E

RGB 217 201 142

HSL 47.2, 0.5%, 0.7%

LAB 81, -3.02, 31.55

 

CMYK 0 / 6 / 31 / 8

HEX #EADBA1

RGB 234 219 161

HSL 47.67, 0.63%, 0.77%

LAB 87.35, -3.4, 30.43

 

CMYK 0 / 6 / 28 / 2

HEX #FBEDB4

RGB 251 237 180

HSL 48.17, 0.9%, 0.85%

LAB 93.61, -3.74, 29.38

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 6 / 34 / 24

HEX #C3B780

RGB 195 183 128

HSL 49.25, 0.36%, 0.63%

LAB 74.21, -3.99, 29.55

 

CMYK 0 / 7 / 39 / 30

HEX #B2A56D

RGB 178 165 109

HSL 48.7, 0.31%, 0.56%

LAB 67.64, -3.57, 30.74

 

CMYK 0 / 9 / 44 / 37

HEX #A1935A

RGB 161 147 90

HSL 48.17, 0.28%, 0.49%

LAB 60.94, -3.06, 31.99

 

CMYK 0 / 10 / 51 / 44

HEX #908147

RGB 144 129 71

HSL 47.67, 0.34%, 0.42%

LAB 54.12, -2.43, 33.31

 

CMYK 0 / 13 / 59 / 50

HEX #7F6F34

RGB 127 111 52

HSL 47.2, 0.42%, 0.35%

LAB 47.14, -1.63, 34.63

 

CMYK 0 / 6 / 35 / 24

HEX #C2B67E

RGB 194 182 126

HSL 49.41, 0.36%, 0.63%

LAB 73.82, -4.11, 30.08

 

CMYK 0 / 15 / 35 / 24

HEX #C2A47E

RGB 194 164 126

HSL 33.53, 0.36%, 0.63%

LAB 69.13, 5.52, 23.83

 

CMYK 0 / 25 / 35 / 24

HEX #C2917E

RGB 194 145 126

HSL 16.76, 0.36%, 0.63%

LAB 64.34, 15.92, 17.3

 

CMYK 0 / 35 / 35 / 24

HEX #C27F7E

RGB 194 127 126

HSL 0.88, 0.36%, 0.63%

LAB 60.03, 25.84, 11.28

 

CMYK 0 / 35 / 35 / 24

HEX #C27E7E

RGB 194 126 126

HSL 0, 0.36%, 0.63%

LAB 59.8, 26.39, 10.95

 

CMYK 0 / 6 / 35 / 24

HEX #C2B67E

RGB 194 182 126

HSL 49.41, 0.36%, 0.63%

LAB 73.82, -4.11, 30.08

 

CMYK 3 / 0 / 35 / 24

HEX #BCC27E

RGB 188 194 126

HSL 65.29, 0.36%, 0.63%

LAB 76.55, -12.71, 33.55

 

CMYK 12 / 0 / 35 / 24

HEX #AAC27E

RGB 170 194 126

HSL 81.18, 0.36%, 0.63%

LAB 75.22, -19.66, 31.57

 

CMYK 22 / 0 / 35 / 24

HEX #97C27E

RGB 151 194 126

HSL 97.94, 0.36%, 0.63%

LAB 73.98, -26.67, 29.7

 

CMYK 31 / 0 / 35 / 24

HEX #85C27E

RGB 133 194 126

HSL 113.82, 0.36%, 0.63%

LAB 72.94, -32.91, 28.14

 

CMYK 0 / 6 / 35 / 24

HEX #C2B67E

RGB 194 182 126

HSL 49.41, 0.36%, 0.63%

LAB 73.82, -4.11, 30.08

 

CMYK 0 / 8 / 47 / 18

HEX #D1C06F

RGB 209 192 111

HSL 49.59, 0.52%, 0.63%

LAB 77.52, -4.9, 42.79

 

CMYK 0 / 10 / 57 / 12

HEX #E1CA60

RGB 225 202 96

HSL 49.3, 0.68%, 0.63%

LAB 81.34, -4.74, 54.88

 

CMYK 0 / 12 / 67 / 6

HEX #F0D350

RGB 240 211 80

HSL 49.13, 0.84%, 0.63%

LAB 84.84, -4.13, 66.02

 

CMYK 0 / 6 / 35 / 24

HEX #C2B67E

RGB 194 182 126

HSL 49.41, 0.36%, 0.63%

LAB 73.82, -4.11, 30.08

 

CMYK 0 / 4 / 21 / 30

HEX #B3AC8D

RGB 179 172 141

HSL 48.95, 0.2%, 0.63%

LAB 70.18, -2.66, 16.87

 

CMYK 0 / 1 / 4 / 36

HEX #A4A29D

RGB 164 162 157

HSL 42.86, 0.04%, 0.63%

LAB 66.65, -0.21, 2.84

 

CMYK 14 / 11 / 0 / 33

HEX #9499AC

RGB 148 153 172

HSL 227.5, 0.13%, 0.63%

LAB 63.39, 2.16, -10.51

 

CMYK 29 / 24 / 0 / 27

HEX #858FBB

RGB 133 143 187

HSL 228.89, 0.28%, 0.63%

LAB 60.09, 6.57, -24.1

 

CMYK 0 / 25 / 35 / 24

HEX #C2917E

RGB 194 145 126

HSL 16.76, 0.36%, 0.63%

LAB 64.34, 15.92, 17.3

 

CMYK 0 / 15 / 35 / 24

HEX #C2A47E

RGB 194 164 126

HSL 33.53, 0.36%, 0.63%

LAB 69.13, 5.52, 23.83

 

CMYK 0 / 6 / 35 / 24

HEX #C2B67E

RGB 194 182 126

HSL 49.41, 0.36%, 0.63%

LAB 73.82, -4.11, 30.08

 

CMYK 3 / 0 / 35 / 24

HEX #BCC27E

RGB 188 194 126

HSL 65.29, 0.36%, 0.63%

LAB 76.55, -12.71, 33.55

 

CMYK 12 / 0 / 35 / 24

HEX #AAC27E

RGB 170 194 126

HSL 81.18, 0.36%, 0.63%

LAB 75.22, -19.66, 31.57

 

CMYK 0 / 10 / 53 / 36

HEX #A2924C

RGB 162 146 76

HSL 48.84, 0.36%, 0.47%

LAB 60.57, -3.47, 38.89

 

CMYK 0 / 8 / 46 / 29

HEX #B5A662

RGB 181 166 98

HSL 49.16, 0.36%, 0.55%

LAB 68, -4.06, 37.04

 

CMYK 0 / 6 / 35 / 24

HEX #C2B67E

RGB 194 182 126

HSL 49.41, 0.36%, 0.63%

LAB 73.82, -4.11, 30.08

 

CMYK 0 / 4 / 26 / 19

HEX #CFC69A

RGB 207 198 154

HSL 49.81, 0.36%, 0.71%

LAB 79.61, -3.79, 23.23

 

CMYK 0 / 3 / 18 / 13

HEX #DDD6B6

RGB 221 214 182

HSL 49.23, 0.36%, 0.79%

LAB 85.42, -2.82, 16.68

 

CMYK 0 / 6 / 34 / 24

HEX #C3B780

RGB 195 183 128

HSL 49.25, 0.36%, 0.63%

LAB 74.21, -3.99, 29.55

 

CMYK 35 / 0 / 35 / 24

HEX #7EC27F

RGB 126 194 127

HSL 120.88, 0.36%, 0.63%

LAB 72.6, -35.04, 27.09

 

CMYK 21 / 35 / 0 / 24

HEX #9A7EC2

RGB 154 126 194

HSL 264.71, 0.36%, 0.63%

LAB 57.74, 24.57, -31.55

 

CMYK 0 / 6 / 34 / 24

HEX #C3B780

RGB 195 183 128

HSL 49.25, 0.36%, 0.63%

LAB 74.21, -3.99, 29.55

 

CMYK 35 / 0 / 6 / 24

HEX #7EC2B6

RGB 126 194 182

HSL 169.41, 0.36%, 0.63%

LAB 73.8, -24.18, -0.79

 

CMYK 6 / 35 / 0 / 24

HEX #B67EC2

RGB 182 126 194

HSL 289.41, 0.36%, 0.63%

LAB 60.57, 33.35, -26.94

 

CMYK 0 / 6 / 34 / 24

HEX #C3B780

RGB 195 183 128

HSL 49.25, 0.36%, 0.63%

LAB 74.21, -3.99, 29.55

 

CMYK 35 / 0 / 35 / 24

HEX #7EC27F

RGB 126 194 127

HSL 120.88, 0.36%, 0.63%

LAB 72.6, -35.04, 27.09

 

CMYK 35 / 28 / 0 / 24

HEX #7E8BC2

RGB 126 139 194

HSL 228.53, 0.36%, 0.63%

LAB 58.78, 8.65, -30.11

 

CMYK 0 / 35 / 1 / 24

HEX #C27EC1

RGB 194 126 193

HSL 300.88, 0.36%, 0.63%

LAB 61.86, 36.99, -24.28

 

CMYK 0 / 6 / 34 / 24

HEX #C3B780

RGB 195 183 128

HSL 49.25, 0.36%, 0.63%

LAB 74.21, -3.99, 29.55

 

CMYK 35 / 0 / 24 / 24

HEX #7EC294

RGB 126 194 148

HSL 139.41, 0.36%, 0.63%

LAB 73, -31.32, 16.46

 

CMYK 35 / 28 / 0 / 24

HEX #7E8BC2

RGB 126 139 194

HSL 228.53, 0.36%, 0.63%

LAB 58.78, 8.65, -30.11

 

CMYK 0 / 35 / 11 / 24

HEX #C27EAD

RGB 194 126 173

HSL 318.53, 0.36%, 0.63%

LAB 61.14, 33.41, -14.02

 

Description

Color code: HEX #C3B780 | qconv.com Color code: HEX #C3B780 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 183 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 183 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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