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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AF52 it is the complementary color #3C50AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AF52 shade: #C8AF4D, #D9C160, #EAD373, #FBE586 and #FFF799

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AF52 shade: #C3AF52, #B29D3F, #A18B2C, #907919 and #7F6706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AF52 shade: #C2AE51, #C29051, #C27151, #C25351 and #C25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AF52 shade: #C2AE51, #B8C251, #99C251, #7BC251 and #5CC251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AF52 shade matches the following richer shades: #C2AE51, #D5BA3E, #E8C72B and #FBD318

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AF52 shade: #C2AE51, #AFA264, #9C9677, #89898A and #767D9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AF52 shade: #C27151, #C28F51, #C2AD51, #B9C251 and #9BC251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AF52 shade: #8F7E32, #AD993D, #C2AE51, #CDBC70 and #D7CB8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AF52 shade: #C3AF52, #51C253 and #8051C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AF52 shade: #C3AF52, #51C2AD and #AD51C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AF52 shade: #C3AF52, #51C253, #5166C2 and #C251C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AF52 shade: #C3AF52, #51C275, #5166C2 and #C2519E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 58 / 24

HEX #C3AF52

RGB 195 175 82

HSL 49.38, 0.48%, 0.54%

LAB 71.47, -4.33, 49.42

 

Complementary color

CMYK 65 / 54 / 0 / 32

HEX #3C50AD

RGB 60 80 173

HSL 229.38, 0.48%, 0.46%

LAB 37.33, 22.88, -52.2

 

CMYK 0 / 13 / 62 / 22

HEX #C8AF4D

RGB 200 175 77

HSL 47.8, 0.53%, 0.54%

LAB 71.88, -2.56, 52.33

 

CMYK 0 / 11 / 56 / 15

HEX #D9C160

RGB 217 193 96

HSL 48.1, 0.61%, 0.61%

LAB 78.31, -3.42, 51.2

 

CMYK 0 / 10 / 51 / 8

HEX #EAD373

RGB 234 211 115

HSL 48.4, 0.74%, 0.68%

LAB 84.65, -4.15, 50.01

 

CMYK 0 / 9 / 47 / 2

HEX #FBE586

RGB 251 229 134

HSL 48.72, 0.94%, 0.75%

LAB 90.9, -4.77, 48.81

 

CMYK 0 / 3 / 40 / 0

HEX #FFF799

RGB 255 247 153

HSL 55.29, 1%, 0.8%

LAB 96.03, -10.31, 46.09

 

CMYK 0 / 10 / 58 / 24

HEX #C3AF52

RGB 195 175 82

HSL 49.38, 0.48%, 0.54%

LAB 71.47, -4.33, 49.42

 

CMYK 0 / 12 / 65 / 30

HEX #B29D3F

RGB 178 157 63

HSL 49.04, 0.48%, 0.47%

LAB 64.91, -3.43, 50.48

 

CMYK 0 / 14 / 73 / 37

HEX #A18B2C

RGB 161 139 44

HSL 48.72, 0.57%, 0.4%

LAB 58.25, -2.33, 51.24

 

CMYK 0 / 16 / 83 / 44

HEX #907919

RGB 144 121 25

HSL 48.4, 0.7%, 0.33%

LAB 51.47, -0.96, 51.3

 

CMYK 0 / 19 / 95 / 50

HEX #7F6706

RGB 127 103 6

HSL 48.1, 0.91%, 0.26%

LAB 44.55, 0.73, 49.94

 

CMYK 0 / 10 / 58 / 24

HEX #C2AE51

RGB 194 174 81

HSL 49.38, 0.48%, 0.54%

LAB 71.1, -4.31, 49.45

 

CMYK 0 / 26 / 58 / 24

HEX #C29051

RGB 194 144 81

HSL 33.45, 0.48%, 0.54%

LAB 63.35, 11.88, 40.43

 

CMYK 0 / 42 / 58 / 24

HEX #C27151

RGB 194 113 81

HSL 16.99, 0.48%, 0.54%

LAB 55.96, 28.88, 31.4

 

CMYK 0 / 57 / 58 / 24

HEX #C25351

RGB 194 83 81

HSL 1.06, 0.48%, 0.54%

LAB 49.8, 44.37, 23.53

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 10 / 58 / 24

HEX #C2AE51

RGB 194 174 81

HSL 49.38, 0.48%, 0.54%

LAB 71.1, -4.31, 49.45

 

CMYK 5 / 0 / 58 / 24

HEX #B8C251

RGB 184 194 81

HSL 65.31, 0.48%, 0.54%

LAB 75.68, -18.79, 54.37

 

CMYK 21 / 0 / 58 / 24

HEX #99C251

RGB 153 194 81

HSL 81.77, 0.48%, 0.54%

LAB 73.51, -31.2, 51.35

 

CMYK 37 / 0 / 58 / 24

HEX #7BC251

RGB 123 194 81

HSL 97.7, 0.48%, 0.54%

LAB 71.82, -42.13, 48.96

 

CMYK 53 / 0 / 58 / 24

HEX #5CC251

RGB 92 194 81

HSL 114.16, 0.48%, 0.54%

LAB 70.49, -51.64, 47.09

 

CMYK 0 / 10 / 58 / 24

HEX #C2AE51

RGB 194 174 81

HSL 49.38, 0.48%, 0.54%

LAB 71.1, -4.31, 49.45

 

CMYK 0 / 13 / 71 / 16

HEX #D5BA3E

RGB 213 186 62

HSL 49.27, 0.64%, 0.54%

LAB 75.83, -3.63, 63.2

 

CMYK 0 / 14 / 81 / 9

HEX #E8C72B

RGB 232 199 43

HSL 49.52, 0.8%, 0.54%

LAB 80.84, -2.93, 74.78

 

CMYK 0 / 16 / 90 / 2

HEX #FBD318

RGB 251 211 24

HSL 49.43, 0.97%, 0.54%

LAB 85.59, -1.36, 83.45

 

CMYK 0 / 10 / 58 / 24

HEX #C2AE51

RGB 194 174 81

HSL 49.38, 0.48%, 0.54%

LAB 71.1, -4.31, 49.45

 

CMYK 0 / 7 / 43 / 31

HEX #AFA264

RGB 175 162 100

HSL 49.6, 0.32%, 0.54%

LAB 66.42, -4.21, 33.9

 

CMYK 0 / 4 / 24 / 39

HEX #9C9677

RGB 156 150 119

HSL 50.27, 0.16%, 0.54%

LAB 61.84, -3.02, 17.18

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 25 / 20 / 0 / 38

HEX #767D9D

RGB 118 125 157

HSL 229.23, 0.17%, 0.54%

LAB 52.9, 4.77, -18.01

 

CMYK 0 / 42 / 58 / 24

HEX #C27151

RGB 194 113 81

HSL 16.99, 0.48%, 0.54%

LAB 55.96, 28.88, 31.4

 

CMYK 0 / 26 / 58 / 24

HEX #C28F51

RGB 194 143 81

HSL 32.92, 0.48%, 0.54%

LAB 63.1, 12.43, 40.13

 

CMYK 0 / 11 / 58 / 24

HEX #C2AD51

RGB 194 173 81

HSL 48.85, 0.48%, 0.54%

LAB 70.84, -3.78, 49.15

 

CMYK 5 / 0 / 58 / 24

HEX #B9C251

RGB 185 194 81

HSL 64.78, 0.48%, 0.54%

LAB 75.76, -18.37, 54.48

 

CMYK 20 / 0 / 58 / 24

HEX #9BC251

RGB 155 194 81

HSL 80.71, 0.48%, 0.54%

LAB 73.64, -30.42, 51.53

 

CMYK 0 / 12 / 65 / 44

HEX #8F7E32

RGB 143 126 50

HSL 49.03, 0.48%, 0.38%

LAB 52.94, -2.95, 42.55

 

CMYK 0 / 12 / 65 / 32

HEX #AD993D

RGB 173 153 61

HSL 49.29, 0.48%, 0.46%

LAB 63.35, -3.6, 49.56

 

CMYK 0 / 10 / 58 / 24

HEX #C2AE51

RGB 194 174 81

HSL 49.38, 0.48%, 0.54%

LAB 71.1, -4.31, 49.45

 

CMYK 0 / 8 / 45 / 20

HEX #CDBC70

RGB 205 188 112

HSL 49.03, 0.48%, 0.62%

LAB 76.14, -4.35, 40.49

 

CMYK 0 / 6 / 34 / 16

HEX #D7CB8E

RGB 215 203 142

HSL 50.14, 0.48%, 0.7%

LAB 81.35, -4.84, 31.98

 

CMYK 0 / 10 / 58 / 24

HEX #C3AF52

RGB 195 175 82

HSL 49.38, 0.48%, 0.54%

LAB 71.47, -4.33, 49.42

 

CMYK 58 / 0 / 57 / 24

HEX #51C253

RGB 81 194 83

HSL 121.06, 0.48%, 0.54%

LAB 70.15, -54.21, 45.67

 

CMYK 34 / 58 / 0 / 24

HEX #8051C2

RGB 128 81 194

HSL 264.96, 0.48%, 0.54%

LAB 44.76, 43.15, -52.25

 

CMYK 0 / 10 / 58 / 24

HEX #C3AF52

RGB 195 175 82

HSL 49.38, 0.48%, 0.54%

LAB 71.47, -4.33, 49.42

 

CMYK 58 / 0 / 11 / 24

HEX #51C2AD

RGB 81 194 173

HSL 168.85, 0.48%, 0.54%

LAB 71.79, -37.12, 0.96

 

CMYK 11 / 58 / 0 / 24

HEX #AD51C2

RGB 173 81 194

HSL 288.85, 0.48%, 0.54%

LAB 50.29, 54.36, -43.09

 

CMYK 0 / 10 / 58 / 24

HEX #C3AF52

RGB 195 175 82

HSL 49.38, 0.48%, 0.54%

LAB 71.47, -4.33, 49.42

 

CMYK 58 / 0 / 57 / 24

HEX #51C253

RGB 81 194 83

HSL 121.06, 0.48%, 0.54%

LAB 70.15, -54.21, 45.67

 

CMYK 58 / 47 / 0 / 24

HEX #5166C2

RGB 81 102 194

HSL 228.85, 0.48%, 0.54%

LAB 45.84, 19.97, -50.73

 

CMYK 0 / 58 / 1 / 24

HEX #C251C0

RGB 194 81 192

HSL 301.06, 0.48%, 0.54%

LAB 53.12, 59.42, -37.28

 

CMYK 0 / 10 / 58 / 24

HEX #C3AF52

RGB 195 175 82

HSL 49.38, 0.48%, 0.54%

LAB 71.47, -4.33, 49.42

 

CMYK 58 / 0 / 40 / 24

HEX #51C275

RGB 81 194 117

HSL 139.12, 0.48%, 0.54%

LAB 70.61, -49.16, 29.36

 

CMYK 58 / 47 / 0 / 24

HEX #5166C2

RGB 81 102 194

HSL 228.85, 0.48%, 0.54%

LAB 45.84, 19.97, -50.73

 

CMYK 0 / 58 / 19 / 24

HEX #C2519E

RGB 194 81 158

HSL 319.12, 0.48%, 0.54%

LAB 51.64, 53.97, -19.76

 

Description

Color code: HEX #C3AF52 | qconv.com Color code: HEX #C3AF52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 175 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 175 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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