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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AF49 it is the complementary color #3C50B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AF49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AF49 shade: #C8AF44, #D9C157, #EAD36A, #FBE57D and #FFF790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AF49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AF49 shade: #C3AF49, #B29D36, #A18B23, #907910 and #7F6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AF49 shade: #C3AF4B, #C38F4B, #C36F4B, #C34E4B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AF49 shade: #C3AF4B, #B6C34B, #96C34B, #76C34B and #55C34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AF49 shade matches the following richer shades: #C3AF4B, #D6BC38, #EAC924 and #FDD711

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AF49 shade: #C3AF4B, #B0A25F, #9C9572, #898885 and #767B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AF49 shade: #C36F4B, #C38F4B, #C3AF4B, #B7C34B and #97C34B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AF49 shade: #8D7D2F, #AC9939, #C3AF4B, #CDBD6A and #D8CB89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AF49 shade: #C3AF49, #4BC34F and #7F4BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AF49 shade: #C3AF49, #4BC3AF and #AF4BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AF49 shade: #C3AF49, #4BC34F, #4B5FC3 and #C34BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AF49 shade: #C3AF49, #4BC373, #4B5FC3 and #C34B9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 63 / 24

HEX #C3AF49

RGB 195 175 73

HSL 50.16, 0.5%, 0.53%

LAB 71.38, -4.97, 53.46

 

Complementary color

CMYK 67 / 56 / 0 / 29

HEX #3C50B6

RGB 60 80 182

HSL 230.16, 0.5%, 0.47%

LAB 37.98, 26.11, -56.47

 

CMYK 0 / 13 / 66 / 22

HEX #C8AF44

RGB 200 175 68

HSL 48.64, 0.55%, 0.53%

LAB 71.8, -3.14, 56.24

 

CMYK 0 / 11 / 60 / 15

HEX #D9C157

RGB 217 193 87

HSL 48.92, 0.63%, 0.6%

LAB 78.22, -4.08, 55.27

 

CMYK 0 / 10 / 55 / 8

HEX #EAD36A

RGB 234 211 106

HSL 49.22, 0.75%, 0.67%

LAB 84.55, -4.88, 54.15

 

CMYK 0 / 9 / 50 / 2

HEX #FBE57D

RGB 251 229 125

HSL 49.52, 0.94%, 0.74%

LAB 90.79, -5.57, 52.99

 

CMYK 0 / 3 / 44 / 0

HEX #FFF790

RGB 255 247 144

HSL 55.68, 1%, 0.78%

LAB 95.91, -11.21, 50.28

 

CMYK 0 / 10 / 63 / 24

HEX #C3AF49

RGB 195 175 73

HSL 50.16, 0.5%, 0.53%

LAB 71.38, -4.97, 53.46

 

CMYK 0 / 12 / 70 / 30

HEX #B29D36

RGB 178 157 54

HSL 49.84, 0.53%, 0.45%

LAB 64.84, -3.97, 54.29

 

CMYK 0 / 14 / 78 / 37

HEX #A18B23

RGB 161 139 35

HSL 49.52, 0.64%, 0.38%

LAB 58.19, -2.74, 54.6

 

CMYK 0 / 16 / 89 / 44

HEX #907910

RGB 144 121 16

HSL 49.22, 0.8%, 0.31%

LAB 51.43, -1.23, 53.84

 

CMYK 0 / 19 / 100 / 50

HEX #7F6700

RGB 127 103 0

HSL 48.66, 1%, 0.25%

LAB 44.54, 0.6, 51.37

 

CMYK 0 / 10 / 62 / 24

HEX #C3AF4B

RGB 195 175 75

HSL 50, 0.5%, 0.53%

LAB 71.4, -4.84, 52.58

 

CMYK 0 / 27 / 62 / 24

HEX #C38F4B

RGB 195 143 75

HSL 34, 0.5%, 0.53%

LAB 63.14, 12.41, 43.26

 

CMYK 0 / 43 / 62 / 24

HEX #C36F4B

RGB 195 111 75

HSL 18, 0.5%, 0.53%

LAB 55.56, 29.92, 34.26

 

CMYK 0 / 60 / 62 / 24

HEX #C34E4B

RGB 195 78 75

HSL 1.5, 0.5%, 0.53%

LAB 48.96, 46.66, 26.02

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 10 / 62 / 24

HEX #C3AF4B

RGB 195 175 75

HSL 50, 0.5%, 0.53%

LAB 71.4, -4.84, 52.58

 

CMYK 7 / 0 / 62 / 24

HEX #B6C34B

RGB 182 195 75

HSL 66.5, 0.5%, 0.53%

LAB 75.75, -20.55, 57.02

 

CMYK 23 / 0 / 62 / 24

HEX #96C34B

RGB 150 195 75

HSL 82.5, 0.5%, 0.53%

LAB 73.56, -33.33, 54

 

CMYK 39 / 0 / 62 / 24

HEX #76C34B

RGB 118 195 75

HSL 98.5, 0.5%, 0.53%

LAB 71.82, -44.82, 51.58

 

CMYK 56 / 0 / 62 / 24

HEX #55C34B

RGB 85 195 75

HSL 115, 0.5%, 0.53%

LAB 70.5, -54.52, 49.74

 

CMYK 0 / 10 / 62 / 24

HEX #C3AF4B

RGB 195 175 75

HSL 50, 0.5%, 0.53%

LAB 71.4, -4.84, 52.58

 

CMYK 0 / 12 / 74 / 16

HEX #D6BC38

RGB 214 188 56

HSL 50.13, 0.66%, 0.53%

LAB 76.4, -4.52, 66.03

 

CMYK 0 / 14 / 85 / 8

HEX #EAC924

RGB 234 201 36

HSL 50, 0.83%, 0.53%

LAB 81.51, -3.29, 77.2

 

CMYK 0 / 15 / 93 / 1

HEX #FDD711

RGB 253 215 17

HSL 50.34, 0.98%, 0.53%

LAB 86.76, -2.63, 85.38

 

CMYK 0 / 10 / 62 / 24

HEX #C3AF4B

RGB 195 175 75

HSL 50, 0.5%, 0.53%

LAB 71.4, -4.84, 52.58

 

CMYK 0 / 8 / 46 / 31

HEX #B0A25F

RGB 176 162 95

HSL 49.63, 0.34%, 0.53%

LAB 66.44, -4.32, 36.55

 

CMYK 0 / 4 / 27 / 39

HEX #9C9572

RGB 156 149 114

HSL 50, 0.18%, 0.53%

LAB 61.46, -3.21, 19.45

 

CMYK 0 / 1 / 3 / 46

HEX #898885

RGB 137 136 133

HSL 45, 0.02%, 0.53%

LAB 56.7, -0.21, 1.73

 

CMYK 23 / 20 / 0 / 40

HEX #767B99

RGB 118 123 153

HSL 231.43, 0.15%, 0.53%

LAB 52.19, 4.95, -16.75

 

CMYK 0 / 43 / 62 / 24

HEX #C36F4B

RGB 195 111 75

HSL 18, 0.5%, 0.53%

LAB 55.56, 29.92, 34.26

 

CMYK 0 / 27 / 62 / 24

HEX #C38F4B

RGB 195 143 75

HSL 34, 0.5%, 0.53%

LAB 63.14, 12.41, 43.26

 

CMYK 0 / 10 / 62 / 24

HEX #C3AF4B

RGB 195 175 75

HSL 50, 0.5%, 0.53%

LAB 71.4, -4.84, 52.58

 

CMYK 6 / 0 / 62 / 24

HEX #B7C34B

RGB 183 195 75

HSL 66, 0.5%, 0.53%

LAB 75.83, -20.13, 57.12

 

CMYK 23 / 0 / 62 / 24

HEX #97C34B

RGB 151 195 75

HSL 82, 0.5%, 0.53%

LAB 73.62, -32.95, 54.08

 

CMYK 0 / 11 / 67 / 45

HEX #8D7D2F

RGB 141 125 47

HSL 49.79, 0.5%, 0.37%

LAB 52.44, -3.5, 43.35

 

CMYK 0 / 11 / 67 / 33

HEX #AC9939

RGB 172 153 57

HSL 50.09, 0.5%, 0.45%

LAB 63.22, -4.3, 51.16

 

CMYK 0 / 10 / 62 / 24

HEX #C3AF4B

RGB 195 175 75

HSL 50, 0.5%, 0.53%

LAB 71.4, -4.84, 52.58

 

CMYK 0 / 8 / 48 / 20

HEX #CDBD6A

RGB 205 189 106

HSL 50.3, 0.5%, 0.61%

LAB 76.32, -5.45, 43.73

 

CMYK 0 / 6 / 37 / 15

HEX #D8CB89

RGB 216 203 137

HSL 50.13, 0.5%, 0.69%

LAB 81.36, -5.04, 34.58

 

CMYK 0 / 10 / 63 / 24

HEX #C3AF49

RGB 195 175 73

HSL 50.16, 0.5%, 0.53%

LAB 71.38, -4.97, 53.46

 

CMYK 62 / 0 / 59 / 24

HEX #4BC34F

RGB 75 195 79

HSL 122, 0.5%, 0.53%

LAB 70.24, -56.45, 47.57

 

CMYK 35 / 62 / 0 / 24

HEX #7F4BC3

RGB 127 75 195

HSL 266, 0.5%, 0.53%

LAB 43.48, 46.44, -54.89

 

CMYK 0 / 10 / 63 / 24

HEX #C3AF49

RGB 195 175 73

HSL 50.16, 0.5%, 0.53%

LAB 71.38, -4.97, 53.46

 

CMYK 62 / 0 / 10 / 24

HEX #4BC3AF

RGB 75 195 175

HSL 170, 0.5%, 0.53%

LAB 71.97, -38.18, 0.12

 

CMYK 10 / 62 / 0 / 24

HEX #AF4BC3

RGB 175 75 195

HSL 290, 0.5%, 0.53%

LAB 49.6, 57.84, -44.75

 

CMYK 0 / 10 / 63 / 24

HEX #C3AF49

RGB 195 175 73

HSL 50.16, 0.5%, 0.53%

LAB 71.38, -4.97, 53.46

 

CMYK 62 / 0 / 59 / 24

HEX #4BC34F

RGB 75 195 79

HSL 122, 0.5%, 0.53%

LAB 70.24, -56.45, 47.57

 

CMYK 62 / 51 / 0 / 24

HEX #4B5FC3

RGB 75 95 195

HSL 230, 0.5%, 0.53%

LAB 43.68, 23.59, -54.79

 

CMYK 0 / 62 / 2 / 24

HEX #C34BBF

RGB 195 75 191

HSL 302, 0.5%, 0.53%

LAB 52.28, 62.09, -38.01

 

CMYK 0 / 10 / 63 / 24

HEX #C3AF49

RGB 195 175 73

HSL 50.16, 0.5%, 0.53%

LAB 71.38, -4.97, 53.46

 

CMYK 62 / 0 / 41 / 24

HEX #4BC373

RGB 75 195 115

HSL 140, 0.5%, 0.53%

LAB 70.71, -51.21, 30.5

 

CMYK 62 / 51 / 0 / 24

HEX #4B5FC3

RGB 75 95 195

HSL 230, 0.5%, 0.53%

LAB 43.68, 23.59, -54.79

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

Description

Color code: HEX #C3AF49 | qconv.com Color code: HEX #C3AF49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 175 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 175 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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