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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AF35 it is the complementary color #3C50CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AF35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AF35 shade: #C8AF30, #D9C143, #EAD356, #FBE569 and #FFF77C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AF35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AF35 shade: #C3AF35, #B29D22, #A18B0F, #907900 and #7F6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AF35 shade: #C4B036, #C48A36, #C46336, #C43D36 and #C43636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AF35 shade: #C4B036, #B2C436, #8BC436, #65C436 and #3FC436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AF35 shade matches the following richer shades: #C4B036, #D8BF22 and #EDCD0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AF35 shade: #C4B036, #B0A24A, #9C935E, #888572 and #737687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AF35 shade: #C46336, #C48936, #C4AF36, #B4C436 and #8EC436

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AF35 shade: #837624, #A4932D, #C4B036, #D0BE53 and #D9CB74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AF35 shade: #C3AF35, #36C43D and #7636C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AF35 shade: #C3AF35, #36C4AF and #AF36C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AF35 shade: #C3AF35, #36C43D, #364BC4 and #C436BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AF35 shade: #C3AF35, #36C468, #364BC4 and #C43692

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 73 / 24

HEX #C3AF35

RGB 195 175 53

HSL 51.55, 0.57%, 0.49%

LAB 71.23, -6.1, 61.54

 

Complementary color

CMYK 70 / 60 / 0 / 21

HEX #3C50CA

RGB 60 80 202

HSL 231.55, 0.57%, 0.51%

LAB 39.52, 33.24, -65.64

 

CMYK 0 / 13 / 76 / 22

HEX #C8AF30

RGB 200 175 48

HSL 50.13, 0.61%, 0.49%

LAB 71.66, -4.14, 63.9

 

CMYK 0 / 11 / 69 / 15

HEX #D9C143

RGB 217 193 67

HSL 50.4, 0.66%, 0.56%

LAB 78.05, -5.29, 63.6

 

CMYK 0 / 10 / 63 / 8

HEX #EAD356

RGB 234 211 86

HSL 50.68, 0.78%, 0.63%

LAB 84.36, -6.28, 62.86

 

CMYK 0 / 9 / 58 / 2

HEX #FBE569

RGB 251 229 105

HSL 50.96, 0.95%, 0.7%

LAB 90.58, -7.12, 61.9

 

CMYK 0 / 3 / 51 / 0

HEX #FFF77C

RGB 255 247 124

HSL 56.34, 1%, 0.74%

LAB 95.68, -12.98, 59.34

 

CMYK 0 / 10 / 73 / 24

HEX #C3AF35

RGB 195 175 53

HSL 51.55, 0.57%, 0.49%

LAB 71.23, -6.1, 61.54

 

CMYK 0 / 12 / 81 / 30

HEX #B29D22

RGB 178 157 34

HSL 51.25, 0.68%, 0.42%

LAB 64.72, -4.85, 61.41

 

CMYK 0 / 14 / 91 / 37

HEX #A18B0F

RGB 161 139 15

HSL 50.96, 0.83%, 0.35%

LAB 58.11, -3.34, 60.1

 

CMYK 0 / 16 / 100 / 44

HEX #907900

RGB 144 121 0

HSL 50.42, 1%, 0.28%

LAB 51.39, -1.54, 57.03

 

CMYK 0 / 19 / 100 / 50

HEX #7F6700

RGB 127 103 0

HSL 48.66, 1%, 0.25%

LAB 44.54, 0.6, 51.37

 

CMYK 0 / 10 / 72 / 23

HEX #C4B036

RGB 196 176 54

HSL 51.55, 0.57%, 0.49%

LAB 71.59, -6.14, 61.55

 

CMYK 0 / 30 / 72 / 23

HEX #C48A36

RGB 196 138 54

HSL 35.49, 0.57%, 0.49%

LAB 61.81, 14.33, 51.8

 

CMYK 0 / 49 / 72 / 23

HEX #C46336

RGB 196 99 54

HSL 19.01, 0.57%, 0.49%

LAB 52.87, 35.42, 42.38

 

CMYK 0 / 69 / 72 / 23

HEX #C43D36

RGB 196 61 54

HSL 2.96, 0.57%, 0.49%

LAB 46.1, 53.13, 34.84

 

CMYK 0 / 72 / 72 / 23

HEX #C43636

RGB 196 54 54

HSL 0, 0.57%, 0.49%

LAB 45.14, 55.76, 33.74

 

CMYK 0 / 10 / 72 / 23

HEX #C4B036

RGB 196 176 54

HSL 51.55, 0.57%, 0.49%

LAB 71.59, -6.14, 61.55

 

CMYK 9 / 0 / 72 / 23

HEX #B2C436

RGB 178 196 54

HSL 67.61, 0.57%, 0.49%

LAB 75.58, -23.95, 64.91

 

CMYK 29 / 0 / 72 / 23

HEX #8BC436

RGB 139 196 54

HSL 84.08, 0.57%, 0.49%

LAB 73.05, -39.45, 61.57

 

CMYK 48 / 0 / 72 / 23

HEX #65C436

RGB 101 196 54

HSL 100.14, 0.57%, 0.49%

LAB 71.22, -52.34, 59.15

 

CMYK 68 / 0 / 72 / 23

HEX #3FC436

RGB 63 196 54

HSL 116.2, 0.57%, 0.49%

LAB 70.04, -61.75, 57.56

 

CMYK 0 / 10 / 72 / 23

HEX #C4B036

RGB 196 176 54

HSL 51.55, 0.57%, 0.49%

LAB 71.59, -6.14, 61.55

 

CMYK 0 / 12 / 84 / 15

HEX #D8BF22

RGB 216 191 34

HSL 51.76, 0.73%, 0.49%

LAB 77.27, -5.96, 73.5

 

CMYK 0 / 14 / 95 / 7

HEX #EDCD0D

RGB 237 205 13

HSL 51.43, 0.9%, 0.49%

LAB 82.75, -4.43, 82.2

 

CMYK 0 / 10 / 72 / 23

HEX #C4B036

RGB 196 176 54

HSL 51.55, 0.57%, 0.49%

LAB 71.59, -6.14, 61.55

 

CMYK 0 / 8 / 58 / 31

HEX #B0A24A

RGB 176 162 74

HSL 51.76, 0.41%, 0.49%

LAB 66.19, -6.2, 46.74

 

CMYK 0 / 6 / 40 / 39

HEX #9C935E

RGB 156 147 94

HSL 51.29, 0.25%, 0.49%

LAB 60.55, -4.72, 29.25

 

CMYK 0 / 2 / 16 / 47

HEX #888572

RGB 136 133 114

HSL 51.82, 0.09%, 0.49%

LAB 55.3, -2.32, 10.66

 

CMYK 15 / 13 / 0 / 47

HEX #737687

RGB 115 118 135

HSL 231, 0.08%, 0.49%

LAB 49.92, 2.58, -9.66

 

CMYK 0 / 49 / 72 / 23

HEX #C46336

RGB 196 99 54

HSL 19.01, 0.57%, 0.49%

LAB 52.87, 35.42, 42.38

 

CMYK 0 / 30 / 72 / 23

HEX #C48936

RGB 196 137 54

HSL 35.07, 0.57%, 0.49%

LAB 61.56, 14.87, 51.55

 

CMYK 0 / 11 / 72 / 23

HEX #C4AF36

RGB 196 175 54

HSL 51.13, 0.57%, 0.49%

LAB 71.32, -5.62, 61.29

 

CMYK 8 / 0 / 72 / 23

HEX #B4C436

RGB 180 196 54

HSL 66.76, 0.57%, 0.49%

LAB 75.73, -23.12, 65.1

 

CMYK 28 / 0 / 72 / 23

HEX #8EC436

RGB 142 196 54

HSL 82.82, 0.57%, 0.49%

LAB 73.22, -38.32, 61.79

 

CMYK 0 / 10 / 73 / 49

HEX #837624

RGB 131 118 36

HSL 51.79, 0.57%, 0.33%

LAB 49.39, -4.86, 44.76

 

CMYK 0 / 10 / 73 / 36

HEX #A4932D

RGB 164 147 45

HSL 51.43, 0.57%, 0.41%

LAB 60.74, -5.29, 53.39

 

CMYK 0 / 10 / 72 / 23

HEX #C4B036

RGB 196 176 54

HSL 51.55, 0.57%, 0.49%

LAB 71.59, -6.14, 61.55

 

CMYK 0 / 9 / 60 / 18

HEX #D0BE53

RGB 208 190 83

HSL 51.36, 0.57%, 0.57%

LAB 76.59, -6.59, 55.04

 

CMYK 0 / 6 / 47 / 15

HEX #D9CB74

RGB 217 203 116

HSL 51.68, 0.57%, 0.65%

LAB 81.14, -6.84, 44.92

 

CMYK 0 / 10 / 73 / 24

HEX #C3AF35

RGB 195 175 53

HSL 51.55, 0.57%, 0.49%

LAB 71.23, -6.1, 61.54

 

CMYK 72 / 0 / 69 / 23

HEX #36C43D

RGB 54 196 61

HSL 122.96, 0.57%, 0.49%

LAB 69.9, -62.76, 54.7

 

CMYK 40 / 72 / 0 / 23

HEX #7636C4

RGB 118 54 196

HSL 267.04, 0.57%, 0.49%

LAB 38.68, 55.39, -63.3

 

CMYK 0 / 10 / 73 / 24

HEX #C3AF35

RGB 195 175 53

HSL 51.55, 0.57%, 0.49%

LAB 71.23, -6.1, 61.54

 

CMYK 72 / 0 / 11 / 23

HEX #36C4AF

RGB 54 196 175

HSL 171.13, 0.57%, 0.49%

LAB 71.8, -41.84, -0.2

 

CMYK 11 / 72 / 0 / 23

HEX #AF36C4

RGB 175 54 196

HSL 291.13, 0.57%, 0.49%

LAB 46.63, 66.51, -50.07

 

CMYK 0 / 10 / 73 / 24

HEX #C3AF35

RGB 195 175 53

HSL 51.55, 0.57%, 0.49%

LAB 71.23, -6.1, 61.54

 

CMYK 72 / 0 / 69 / 23

HEX #36C43D

RGB 54 196 61

HSL 122.96, 0.57%, 0.49%

LAB 69.9, -62.76, 54.7

 

CMYK 72 / 62 / 0 / 23

HEX #364BC4

RGB 54 75 196

HSL 231.13, 0.57%, 0.49%

LAB 37.48, 33.53, -65.49

 

CMYK 0 / 72 / 4 / 23

HEX #C436BD

RGB 196 54 189

HSL 302.96, 0.57%, 0.49%

LAB 49.55, 69.81, -41.15

 

CMYK 0 / 10 / 73 / 24

HEX #C3AF35

RGB 195 175 53

HSL 51.55, 0.57%, 0.49%

LAB 71.23, -6.1, 61.54

 

CMYK 72 / 0 / 47 / 23

HEX #36C468

RGB 54 196 104

HSL 141.13, 0.57%, 0.49%

LAB 70.36, -57.27, 35.57

 

CMYK 72 / 62 / 0 / 23

HEX #364BC4

RGB 54 75 196

HSL 231.13, 0.57%, 0.49%

LAB 37.48, 33.53, -65.49

 

CMYK 0 / 72 / 26 / 23

HEX #C43692

RGB 196 54 146

HSL 321.13, 0.57%, 0.49%

LAB 47.56, 63.7, -18.84

 

Description

Color code: HEX #C3AF35 | qconv.com Color code: HEX #C3AF35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 175 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 175 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 73 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 73% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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